Dread Scott: How art can shape America's conversation about freedom
Dred Skot (Dread Scott): Kako umetnost može oblikovati razgovor o slobodi u Americi
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to propel history forward.
da bih pokrenuo istoriju.
and tell you something:
fundamentalnim promenama
big questions from that perspective.
velikim pitanjima iz tog ugla.
but ideas matter tremendously.
ali ideje su izuzetno važne.
većina ljudi pomisli: „O, on je slikar.“
most people think, "Oh, he's a painter."
neka dela na kojima radim.
some of the kind of work I do.
Without America" is a painting,
video and performance art.
video i umetnost performansa.
"Slave Rebellion Reenactment,"
događaja pobune robova“,
on the outskirts of New Orleans
the center of controversy
koje je postalo centar kontroverze
of the American flag.
američke zastave.
to Display a US Flag?"
za izlaganje američke zastave?“
audience participation.
koji je podsticao učešće publike.
that had text that read,
sa tekstom koji je glasio:
za izlaganje američke zastave?“
to Display a US Flag?"
could write responses to that question in,
mogli da upišu odgovor na to pitanje,
na kojoj su ljudi imali opciju da stoje.
that people had the option of standing on.
od slika učenika iz Južne Koreje
of images of South Korean students
"Yankee go home. Son of a bitch,"
„Jenki, idi kući. Kučkin sine.“
coming back from Vietnam.
prekriveni zastavama
in a lot of different languages.
na mnogo različitih jezika.
our flag as you all do,
divili svojoj zastavi kao vi,
trouble about this flag."
previše problema sa ovom zastavom.“
should be returned to his heritage,
treba da se vrati svom zavičaju,
in his artistic way."
na svoj umetnički način.“
sve ono što je represivno u ovom sistemu:
everything oppressive in this system:
and all the oppressed around the world,
i svih ugnjetavanih širom sveta,
koga je ubila neka stoka,
who was shot by a pig,
to 'make sure the nigger was dead.'
'da se uveri da je crnja mrtav.'
for this opportunity."
na ovoj mogućnosti.“
defend your stupid ass!
veoma snažne reakcije na zastavu tada,
very strong reactions about the flag then,
in front of the Art Institute of Chicago.
ispred Instituta za umetnost u Čikagu.
hang them both high,"
stizale pretnje bombom.
were phoned in to my school.
the work "disgraceful,"
nazvao delo sramotnim,
when I and others defied that law,
usprotivio tom zakonu
on the steps of the Capitol.
na stepenicama Kapitola.
legal and political battle
i politička borba koja je usledila
vezane za Prvi amandman
that prevented the government
da patriotizam bude obavezan.
patriotism be mandatory.
biće od velikog značaja.
would make a difference.
na stepenicama,
where the veterans were at that time.
da budem tamo, blago rečeno.
for me to be there, to say the least.
da se to slikanje obavi,
to do that shoot,
to je takođe bila situacija
it was also a situation
kao simbol svega represivnog
as standing for everything oppressive
about US national symbols,
o nacionalnim simbolima SAD-a,
by scientific breakthroughs
koje osporavaju naučna otkrića
might not have worked out so well.
možda i nije proteklo baš najbolje.
kad smo bili van tog područja.
da je vredelo rizikovati
led to a wonderful,
ABOUT THE SPEAKER
Dread Scott - Visual artistDread Scott makes revolutionary art to propel history forward.
Why you should listen
Dread Scott's work is exhibited across the US and internationally. In 1989, his art became the center of national controversy over its transgressive use of the American flag, while he was a student at the School of the Art Institute of Chicago. President G.H.W. Bush called his art "disgraceful," and the entire US Senate denounced and outlawed this work. Scott became part of a landmark Supreme Court case when he and others defied the new law by burning flags on the steps of the US Capitol. His studio is now based in Brooklyn.
Scott's work has been included in exhibitions at New York's MoMA PS1, the Walker Art Center, Minneapolis and Gallery MOMO in Cape Town, South Africa. His performance work has been presented at BAM in Brooklyn and on the streets of Harlem, NY. His work is in the collection of the Whitney Museum of American Art and the Brooklyn Museum, and it has been featured on the cover of Artforum magazine and the front page of NYTimes.com. Scott is a recipient of a 2018 United States Artists Fellowship and grants from the Creative Capital Foundation and the Open Society Institute. He works in a range of media, from performance and photography to screen-printing and video.
Scott plays with fire -- metaphorically and sometimes literally -- as when he burned $171 on Wall Street and encouraged those with money to add theirs to the pyre. His work asks viewers to look soberly at America's past and our present. Writing about a recent banner project, Angelica Rogers wrote in the New York Times: "...it was difficult to look away from the flag's blocky, capitalized type. 'A Man Was Lynched by Police Yesterday.' It shouted the words so matter-of-factly that I felt myself physically flinch."
Scott is currently working on Slave Rebellion Reenactment, a community engaged performance that will reenact the largest rebellion of enslaved people in American History.
Dread Scott | Speaker | TED.com