ABOUT THE SPEAKER
Magda Sayeg - Textile artist
Magda Sayeg uses handmade, eye-catching yarn bombs to shake up the way we see the world and make us notice things we hadn't seen before.

Why you should listen

Considered to be the mother of yarn bombing, Magda Sayeg’s 10-year body of work includes the widely recognized knitted/crocheted covered bus in Mexico City as well as her first solo exhibit in Rome at La Museo des Esposizione. Her work has evolved to include large scale installations around the world including commissions and collaborations with companies such as Commes Des Garçons, CR Fashionbook, Absolut Vodka, Insight 51, Mini Cooper, Gap, Smart Car. She continues to participate in shows such as Milan's Triennale Design Museum, Le M.U.R. in Paris and the National Gallery of Australia, among others. Her installations have also been featured prominently at American monuments to contemporary culture, such as The Standard Hotel, South By Southwest and the Austin City Limits Festival.

Magda has most recently expanded her artwork to encompass new mediums and techniques as with her solo show in Rome, which explored the usage of lighting with knitted material. She continues to expand her boundaries by joining integrated media company 1stAveMachine as one of their directors which will serve as a platform for new types of experimentation and collaboration.

Recent projects include an installation for Dover Street Market in NYC covering a column spanning 6 floors and a knitted/crocheted Route Master Double Decker bus in London.

More profile about the speaker
Magda Sayeg | Speaker | TED.com
TEDYouth 2015

Magda Sayeg: How yarn bombing grew into a worldwide movement

Magda Sayeg: Kako je bombardiranje s prejo zraslo v svetovno gibanje

Filmed:
1,427,235 views

Tekstilna umetnica Magda Sayeg preobraža urbane površine v svoje lastno igrišče s tem, da okrasi vsakodnevne predmete z barvitimi štrikanimi in kvačkanimi umetninami. Te tople, puhaste "bombe iz preje" so se začele z malim, s stop znaki in hidranti v njenem domačem mestu, a kmalu so se ljudje povezali z umetnostjo in jo ponesli po svetu. "Vsi živimo v tem hitrem digitalnem svetu, a še vedno si želimo nečesa, s čimer se lahko povežemo," pravi Sayeg. "Skrite moči lahko najdemo na najbolj neobičajnih mestih in vsi imamo v sebi sposobnosti, ki samo čakajo, da jih odkrijemo."
- Textile artist
Magda Sayeg uses handmade, eye-catching yarn bombs to shake up the way we see the world and make us notice things we hadn't seen before. Full bio

Double-click the English transcript below to play the video.

00:13
I'm a textiletekstil artistumetnik
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Sem tekstilna umetnica,
najbolj znana po tem, da sem začela
gibanje bombardiranja s prejo.
00:15
mostnajbolj widelyširoko knownznano for startingzačetek
the yarnpreje bombingbombardiranje movementpremikanje.
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00:18
YarnPreje bombingbombardiranje is when you take
knittedpleteni or crochetedkvačkani materialmaterial
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To je, ko vzameš naštrikan
ali nakvačkan material
00:21
out into the urbanmestno environmentokolje,
graffiti-stylegrafiti stil --
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v urbano okolje, v stilu grafitov -
00:23
or, more specificallyposebej,
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ali, bolj natančno,
00:24
withoutbrez permissiondovoljenje and unsanctionedNepotrjen.
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brez dovoljenja in nekaznovano.
00:26
But when I startedzačel this over 10 yearslet agonazaj,
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A ko sem s tem začela pred desetimi leti,
00:29
I didn't have a wordbeseda for it,
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za to nisem imela besed.
00:31
I didn't have any
ambitiousambiciozen notionspojmi about it,
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Nisem imela nobenih ambicij o tem,
00:33
I had no visionsvizije of grandeurveličino.
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nobenih vizij o mogočnosti.
00:35
All I wanted to see was something
warmtoplo and fuzzymehka and human-likečloveku podoben
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Vse, kar sem želela, je bilo videti
nekaj toplega in puhastega in človeškega
00:39
on the coldhladno, steeljeklo, graysiva facadefasada
that I lookedpogledal at everydayvsak dan.
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na hladni, jekleni, sivi fasadi,
ki sem jo gledala vsak dan.
00:43
So I wrappedzaviti the doorvrata handleročaj.
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Pa sem ovila kljuko od vrat.
00:45
I call this the AlphaAlfa PieceKos.
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Temu pravim Alpha del.
00:47
Little did I know that this tinymajhen piecekos
would changesprememba the courseseveda of my life.
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Nisem vedela, da bo ta mali košček
spremenil tok mojega življenja.
00:52
So clearlyjasno the reactionreakcija was interestingzanimivo.
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Reakcija je bila torej zanimiva.
Vznemirila me je in pomislila sem,
"Kaj še lahko storim?"
00:54
It intriguedspletka me and I thought,
"What elsedrugače could I do?"
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00:56
Could I do something in the publicjavnost domaindomeno
that would get the sameenako reactionreakcija?
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Bi lahko v javnosti naredila nekaj,
kar bi izzvalo podobno reakcijo?
01:00
So I wrappedzaviti the stop signznak
polepol nearblizu my househiša.
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Tako sem ovila drog stop znaka
blizu moje hiše.
01:03
The reactionreakcija was wilddivji.
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Reakcija je bila divja.
01:05
People would parkparkirati theirnjihovi carsavtomobili
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Ljudje so parkirali svoje avtomobile
01:07
and get out of theirnjihovi carsavtomobili and starestari at it,
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in šli ven in strmeli vanj,
01:09
and scratchpraska theirnjihovi headsglave and starestari at it,
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se praskali po glavah in strmeli vanj,
01:11
and take picturesslike of it
and take picturesslike nextNaslednji to it,
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ga slikali, se slikali zraven,
01:14
and all of that was really excitingvznemirljivo to me
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in vse to se mi je zdelo res vznemirljivo
01:16
and I wanted to do everyvsak stop signznak polepol
in the neighborhoodsoseska.
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in hotela sem to narediti
na vsakem stop znaku v soseski.
01:19
And the more that I did,
the strongermočnejši the reactionreakcija.
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In več kot sem jih naredila,
močnejši je bil odziv.
01:22
So at this pointtočka I'm smittenporaz.
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Na tej točki sem očarana.
01:24
I'm hookedzasvojen.
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Zasvojena.
01:25
This was all seductivezapeljiva.
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Bilo je vse tako zapeljivo.
01:26
I foundnajdemo my newnovo passionstrast
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Našla sem novo strast
01:28
and the urbanmestno environmentokolje
was my playgroundigrišče.
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in urbano okolje je postalo moje igrišče.
01:31
So this is some of my earlyzgodaj work.
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Tu je nekaj mojih zgodnjih del.
01:35
I was very curiousradoveden about this ideaideja
of enhancingkrepitev the ordinaryvsakdanji,
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Zelo me je zanimala ta ideja
o izboljšanju navadnega,
01:38
the mundanevsakdanjega, even the uglygrdo,
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dolgočasnega, celo grdega,
01:39
and not takingjemanje away its identityidentiteta
or its functionalityfunkcionalnost
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brez da bi mu vzela identiteto
ali uporabnost
01:43
but just givingdajanje it a well-tailoreddobro prilagojene
suitobleko out of knittingpletenje.
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in mu samo dala
dobro krojeno naštrikano obleko.
01:46
And this was funzabavno for me.
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In bilo je zabavno.
01:48
It was really funzabavno
to take inanimateneživi objectspredmetov
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Res je bilo zabavno vzeti nežive predmete
01:50
and have them come to life.
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in jih oživiti.
01:53
So ...
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Torej...
01:54
I think we all see the humorhumor in this,
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Mislim, da vsi vidimo, kaj je smešnega,
01:56
but --
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ampak -
01:58
(LaughterSmeh)
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(Smeh)
01:59
I was at a pointtočka where
I wanted to take it seriouslyresno.
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Bila sem na točki,
ko sem želela to vzeti resno.
02:01
I wanted to analyzeanalizirati it.
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Želela sem to analizirati.
02:03
I wanted to know why I was lettingdajanje v najem
this take over my life,
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Želela sem vedeti,
zakaj prevzema moje življenje,
zakaj je to moja strast,
02:05
why I was passionatestrasten about it,
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zakaj so imeli drugi
na to tako močno reakcijo.
02:07
why were other people
reactingreagiranje so stronglymočno to it.
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02:09
And I realizedrealiziran something.
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Nato sem nekaj ugotovila.
02:11
We all livev živo in this
fast-pacedhitro tempu, digitaldigitalni worldsvet,
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Vsi živimo v tem hitrem, digitalnem svetu,
02:14
but we still cravehrepenenje and desireželja
something that's relatablerelatable.
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a še vedno hrepenimo in si želimo nečesa,
s čimer bi se povezali.
02:18
I think we'vesmo all becomepostane desensitizedneobčutljiva
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Menim, da smo postali neobčutljivi
02:21
by our overdevelopedoverdeveloped
citiesmesta that we livev živo in,
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zaradi preveč razvitih mest,
v katerih živimo,
02:24
and billboardspanoje and advertisementsoglasov,
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in reklamnih panojev in oglasov
02:26
and giantvelikan parkingparkiranje lots,
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in velikanskih parkirišč
02:28
and we don't even complainpritožite
about that stuffstvari anymoreveč.
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in se niti ne pritožujemo več.
02:31
So when you stumbleposrnuti uponna
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Ko naletiš na drog stop znaka
ovitega v pletenje
02:32
a stop signznak polepol
that's wrappedzaviti in knittingpletenje
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02:35
and it seemsZdi se so out of placemesto
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in se zdi tako nenavadno
02:36
and then graduallypostopoma -- weirdlyusoden --
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in nato postopoma - začuda -
02:38
you find a connectionpovezavo to it,
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najdeš povezavo z njim,
02:40
that is the momenttrenutek.
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to je tisti trenutek.
Ta trenutek obožujem
02:41
That is the momenttrenutek I love
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in ta trenutek rada delim z drugimi.
02:42
and that is the momenttrenutek
I love to sharedeliti with othersdrugi.
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02:46
So at this pointtočka, my curiosityradovednost grewnaraščal.
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Na tej točki je moja radovednost rasla.
02:49
It wentšla from the fireogenj hydrantshidranti
and the stop signznak polespole
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Preselila se je s hidrantov
in drogov za stop znake
na, kaj lahko še naredim s tem materialom.
02:52
to what elsedrugače can I do with this materialmaterial.
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02:54
Can I do something bigvelik
and large-scalevelikega obsega and insurmountablenepremostljive?
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Lahko naredim nekaj velikega
in širokopoteznega in nepremostljivega?
02:58
So that's when the busavtobus happenedse je zgodilo.
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Takrat se je zgodil avtobus.
03:03
This was a realresnično gameigro changermenjalnik for me.
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To je zame vse spremenilo.
03:05
I'll always have a softmehko spotspot
in my heartsrce for this one.
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Vedno ga bom imela rada.
03:08
At this pointtočka, people
were recognizingprepoznavanje my work
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Na tej točki so ljudje
prepoznavali moje delo,
03:10
but there wasn'tni bilo much out there
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ampak ni še bilo nečesa,
03:11
that was wrappedzaviti in knittingpletenje
that was large-scalevelikega obsega,
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kar bi bilo veliko in ovito v pletenje
03:14
and this definitelydefinitivno was the first
citymesto busavtobus to be wrappedzaviti in knittingpletenje.
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in to je bil zagotovo
prvi mestni avtobus ovit v pletenje.
03:17
So at this pointtočka, I'm experiencingdoživlja,
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In na tej točki izkušam
03:19
or I'm witnessingpriča something interestingzanimivo.
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oziroma opažam nekaj zanimivega.
03:21
I maylahko have startedzačel yarnpreje bombingbombardiranje
but I certainlyzagotovo don't ownlastno it anymoreveč.
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Morda sem začela bombardiranje s prejo,
a zagotovo si ga več ne lastim.
03:24
It had reacheddosegel globalglobalno statusstanje.
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Doseglo je globalni status.
03:26
People from all over the worldsvet
were doing this.
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Ljudje s celega sveta so to počeli.
03:28
And I know this because I would travelpotovanje
to certainnekateri partsdeli of the worldsvet
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In to vem, ker sem potovala
v določene dele sveta,
v katerih še nisem bila,
03:31
that I'd never been to,
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in naletela na drog stop znaka,
ki ga nisem jaz ovila.
03:32
and I'd stumbleposrnuti uponna a stop signznak polepol
and I knewvedel I didn't wrapzaviti it.
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03:36
So as I pursuedzasledovali
my ownlastno goalscilji with my artumetnost --
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Ko sem torej sledila svojim ciljem
s svojo umetnostjo -
03:40
this is a lot of my recentnedavno work --
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to je mnogo mojih novih del -
03:43
so was yarnpreje bombingbombardiranje.
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je tudi gibanje.
03:44
YarnPreje bombingbombardiranje was alsotudi growingrastoče.
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Prav tako je raslo.
03:45
And that experienceizkušnje showedpokazala me
the hiddenskrito powermoč of this craftobrt
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Ta izkušnja mi je pokazala
skrito moč te umetnosti
03:50
and showedpokazala me
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in mi pokazala,
03:52
that there was this commonpogosti languagejezik
I had with the restpočitek of the worldsvet.
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da imam z ostalim svetom skupen jezik.
03:57
It was throughskozi this grannybabica hobbyhobi --
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Skozi ta staromoden hobi -
03:59
this unassumingskromen hobbyhobi --
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ta skromen hobi -
04:01
that I foundnajdemo commonalityizenačevanja with people
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sem našla nekaj skupnega z ljudmi,
04:04
that I never thought
I'd have a connectionpovezavo with.
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s katerimi nisem
nikoli pričakovala povezave.
04:08
So as I tell my storyzgodba todaydanes,
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Ko vam danes govorim svojo zgodbo,
04:10
I'd alsotudi like to conveyprenesti to you
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bi vam rada tudi pojasnila,
04:12
that hiddenskrito powermoč can be foundnajdemo
in the mostnajbolj unassumingskromen placesmesta,
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da skrite moči lahko najdemo
na najbolj skromnih krajih
04:15
and we all possessimeti skillsspretnosti
that are just waitingčakanje to be discoveredodkriti.
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in da imamo vsi sposobnosti,
ki samo čakajo, da jih odkrijemo.
04:19
If you think about our handsroke,
these toolsorodja that are connectedpovezan to us,
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Če pomislite na naše roke,
na ta orodja, povezana z nami
04:22
and what they're capablesposoben of doing --
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in česa vsega so sposobne -
04:25
buildingstavbe houseshiše and furniturepohištvo,
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graditi hiše in pohištvo
04:26
and paintingslika giantvelikan muralsfreske --
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in slikati velikanske poslikave -
04:28
and mostnajbolj of the time
we holddržite a controllerkrmilnik or a cellcelica phonetelefon.
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in večino časa držijo daljinec
ali pa telefon.
04:32
And I'm totallypopolnoma guiltykriv of this as well.
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Tega sem totalno kriva tudi sama.
04:34
But if you think about it,
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A če pomislite, kaj bi se zgodilo,
če bi te stvari odložili?
04:36
what would happense zgodi
if you put those things down?
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04:38
What would you make?
What would you createustvarite with your ownlastno handsroke?
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Kaj bi naredili?
Kaj bi ustvarili z lastnimi rokami?
04:42
A lot of people think
that I am a mastermojster knitterŠtriker
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Veliko ljudi misli,
da sem mojstrica pletenja,
04:44
but I actuallydejansko couldn'tni mogel knitplesti
a sweaterpulover to saveshranite my life.
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a v resnici ne znam splesti puloverja.
04:47
But I did something
interestingzanimivo with knittingpletenje
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A s pletenjem sem ustvarila
nekaj zanimivega,
kar še ni naredil nihče.
04:49
that had never been doneKončano before.
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04:51
I alsotudi wasn'tni bilo "supposeddomnevno to be" an artistumetnik
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Prav tako naj ne bi bila umetnica,
04:53
in the sensesmisel that I wasn'tni bilo
formallyformalno trainedusposobljeni to do this --
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saj za to nimam formalne izobrazbe -
pravzaprav sem diplomirala iz matematike.
04:57
I'm a mathmatematika majorMajor actuallydejansko.
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04:59
So I didn't think
this was in the cardskartice for me,
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Nisem vedela, da je to možno,
05:01
but I alsotudi know that I didn't
stumbleposrnuti uponna this.
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a vem tudi, da nisem kar naletela na to.
05:04
And when this happenedse je zgodilo to me,
I heldpotekala on tighttesen,
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Ko sem mi je to zgodilo,
sem se tega trdno držala,
05:07
I foughtboril for it and I'm proudponosen to say
that I am a workingdelo artistumetnik todaydanes.
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borila sem se in s ponosom lahko rečem,
da danes delam kot umetnica.
05:12
So as we ponderpremisli the futureprihodnost,
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Ko torej premlevamo prihodnost,
05:15
know that your futureprihodnost
mightmorda not be so seamlessbrezšivne.
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vedite, da vaša prihodnost
ne bo tako brezhibna.
05:17
And one day, you mightmorda
be as boreddolgčas as I was
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In nekega dne boste morda
tako zdolgočaseni kot jaz
05:20
and knitplesti a doorvrata handleročaj
to changesprememba your worldsvet foreverza vedno.
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in boste napletli kljuko za vrata,
ki bo vaš svet spremenila za vedno.
05:23
Thank you.
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Hvala.
05:25
(ApplauseAplavz)
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(Aplavz)
Translated by Nika Kotnik
Reviewed by Matej Divjak

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ABOUT THE SPEAKER
Magda Sayeg - Textile artist
Magda Sayeg uses handmade, eye-catching yarn bombs to shake up the way we see the world and make us notice things we hadn't seen before.

Why you should listen

Considered to be the mother of yarn bombing, Magda Sayeg’s 10-year body of work includes the widely recognized knitted/crocheted covered bus in Mexico City as well as her first solo exhibit in Rome at La Museo des Esposizione. Her work has evolved to include large scale installations around the world including commissions and collaborations with companies such as Commes Des Garçons, CR Fashionbook, Absolut Vodka, Insight 51, Mini Cooper, Gap, Smart Car. She continues to participate in shows such as Milan's Triennale Design Museum, Le M.U.R. in Paris and the National Gallery of Australia, among others. Her installations have also been featured prominently at American monuments to contemporary culture, such as The Standard Hotel, South By Southwest and the Austin City Limits Festival.

Magda has most recently expanded her artwork to encompass new mediums and techniques as with her solo show in Rome, which explored the usage of lighting with knitted material. She continues to expand her boundaries by joining integrated media company 1stAveMachine as one of their directors which will serve as a platform for new types of experimentation and collaboration.

Recent projects include an installation for Dover Street Market in NYC covering a column spanning 6 floors and a knitted/crocheted Route Master Double Decker bus in London.

More profile about the speaker
Magda Sayeg | Speaker | TED.com

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