Ariana Curtis: Museums should honor the everyday, not just the extraordinary
Ariana A. Curtis gets to research, collect, interpret and display objects and stories that help tell the history of all of us and our connections to each other. Full bio
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our public representations of women
of the extraordinary.
to become a self-made millionaire:
of the United States ...
presidential nomination --
are so seductive.
are inspiring and aspirational.
is nonrepresentative.
for incorporating women's history,
our daily realities.
that radical notion
women as people are:
but as a matter of fact.
representation of human life,
the quotidian experiences
identified as female on this planet.
from the "Black Panther" movie,
explains an artifact
character seen here,
real debates in our museum communities
and the bias that those narratives hold.
of information in the United States,
from all over the world,
from within museums themselves
that museums are not neutral.
and foster inclusion,
of historical misrepresentation.
have left our herstories hidden.
about being a woman,
in this industry,
inclusive examples of women's lives.
some 60 percent of museum staffs.
for women are bleak --
does not in and of itself guarantee
public representation.
theorist bell hooks,
the fight for gender equity.
the importance of intersectionality.
celebrated voices of the 20th century,
collected her 1939 outfit.
the American Revolution denied her access
because she was black,
on the steps of the Lincoln Memorial,
including museums,
1982 anthology, entitled
of women's representation
Afro-Latinas like me ...
or Asian women, or Native women,
have helped incorporate perspectives
through a Latino curatorial initiative
narratives across our institution.
American Women's History Initiative,
representations of women
of our contemporary realities,
I can still walk into professional spaces
the only black person,
and my father is Afro-Panamanian.
I'm one of very few.
into the professional realm
not always up for that challenge,
or self-preservation.
comment to share.
or riffing off of colleagues.
my beloved hoop earrings
or unscholarly or unprofessional.
would react to my natural hair,
or less authentic when I straightened it.
of mainstream representations
just of our everyday being
of women as we are,
representation of myself or my work.
at my hoop earring in my office --
a Latino Heritage Month event.
the organization expressed concerns.
a two-minute video affirming natural hair,
to the learning process
and performed by Elizabeth Acevedo,
2018 National Book Award winner,
Smithsonian exhibit that I curated.
of me and my work made me uncomfortable.
and idealized femininity
toward successful and extraordinary
the regular, the underrepresented
to change that narrative.
objects and images of significance.
her costumes, her shoes,
for symbolic contradictions.
which straighten your hair,
in oversized, chunky gold jewelry.
Instagrammed pieces,
with the everyday elements
or her jewelry.
of a young Harriet Tubman ...
the incomparable Oprah Winfrey.
of people see women
the first or the famous,
a regular Saturday at the beauty salon,
from our national and global histories.
you see women represented by clothing
from everyday women
this Esmeraldan boat seat.
was a maroon community.
indigenous and African populations
that are still only accessible by canoe.
those Ecuadorian waterways by canoe,
with a spiderweb and a spider,
a character in West African folklore.
telling stories to her grandson, Juan.
intergenerational storytelling
across the African diaspora.
the desire to collect and preserve
to Afro-Indian culture.
Débora's grandson,
Afro-Ecuadorian scholar,
the director of the museum where I work,
"I'd like to give you a present."
humble wooden boat seat
of African-American History and Culture.
by almost five million visitors
from extraordinary historymakers.
today and every day
our names in history,
light that is woman.
ABOUT THE SPEAKER
Ariana Curtis - Afro-Latina researcher and curatorAriana A. Curtis gets to research, collect, interpret and display objects and stories that help tell the history of all of us and our connections to each other.
Why you should listen
An African American educator and a Black Panamanian engineering research technician raised Dr. Ariana Curtis, the youngest of their four kids, in an Afro-Latinx affirming household. Government forms and ill-informed publics have wanted her to be either African American or Latina, but Curtis has always advocated for full and accurate representation of self above all.
The yearning to see lives represented whole led Curtis to travel and study the complex overlap of Blackness, identity, gender, diaspora and belonging. After earning a doctorate in anthropology, Curtis, a Fulbright scholar, joined the curatorial staff of the Smithsonian Institution. She currently serves as the first curator for Latinx Studies at the National Museum of African American History and Culture. In this role, she researches, collects, exhibits and promotes Latinx- and Black-centered narratives to more accurately represent the history and culture of the Americas. She also serves on multiple committees for the Smithsonian's American Women History Initiative. She's the author of the paper "Afro-Latinidad in the Smithsonian’s African American Museum Spaces" and the chapter "Identity as Profession: on Becoming an African American Panamanian Afro-Latina Anthropologist Curator" in Pan African Spaces: Essays on Black Transnationalism. She's is passionate about Afro-Latinidad, her Omega Phi Beta sisterhood, social justice, radical love, the Duke Blue Devils and hoop earrings.
Ariana Curtis | Speaker | TED.com