ABOUT THE SPEAKER
Clayton Cameron - Drummer
A pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell.

Why you should listen

Clayton Cameron holds a unique title: Brush Master. That's because this percussionist prefers brushes to sticks, and has spent his career perfecting the art of brush technique. Cameron grew up in Los Angeles and started drumming at a young age on empty oatmeal boxes. After college, he moved to Las Vegas, where he was hired as the drummer for Sammy Davis Jr.'s big band. "It would be Sammy's tap dancing night after night that would inspire my brush playing," says Cameron.

During his tenure with Sammy Davis Jr., Cameron played with Dean Martin and Frank Sinatra. And, after moving to New York, he struck up a longterm friendship with Tony Bennett, and spent 15 years touring with the master. Cameron recorded 15 albums with Bennett, including his Grammy-winning Tony Bennett Unplugged.

Cameron has also worked with jazz legend Kenny Burrell, who encouraged him to teach at UCLA's Herb Alpert School of Music. In addition, Cameron released his debut album in 2012, Here's to the Messengers: Tribute to Art Blakey, and formed his own group, Jazz eXplosion. Cameron has also released several DVDs over the years as well as a book, Brushworks

More profile about the speaker
Clayton Cameron | Speaker | TED.com
TEDYouth 2013

Clayton Cameron: A-rhythm-etic. The math behind the beats

Klejton Kameron (Clayton Cameron): A-ritAm-etika - matematika iza ritma

Filmed:
1,035,486 views

Da li ste spremni da plešete u svojoj stolici? Bubnjar Klejton Kameron rastavlja različite muzičke žanrove na njihove osnovne ritmove - od RnB, preko Latino muzike, i popa. Ovaj govor dokazuje da džez i hip-hop nisu gotivniji od matematike - oni se na nju oslanjaju.
- Drummer
A pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell. Full bio

Double-click the English transcript below to play the video.

00:12
How manyмноги of you love rhythmритам?
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Koliko vas ovde voli ritam?
00:16
Oh yeah, oh yeah. Oh yeah. (CheersU zdravlje)
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O, da, tako je.
Tako je.
00:18
(DrummingBubnjanje)
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(Zvuk bubnja)
00:27
I mean, I love all kindsврсте of rhythmритам.
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Mislim, ja volim
svakakve ritmove.
00:31
I like to playигра jazzјазз,
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Volim da sviram džez,
00:33
a little funkFank,
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malo fanka,
00:36
and hipхип hopskok,
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i hip hop,
00:40
a little popПоп, a little R&B,
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malo pop, malo RnB,
00:47
a little LatinLatinski,
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malo Latino ritmova,
00:54
AfricanAfrički.
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afričkih.
01:05
And this grooveGroove right here,
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A ovaj gruv
01:13
comesдолази from the CrescentPolumesec CityGrad,
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potiče iz Grada Mladog Meseca,
01:16
the oldстари secondдруго lineлине.
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iz starog drugog reda parade.
01:18
(CheersU zdravlje)
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(Klicanje)
01:25
Now, one thing all those rhythmsritam have in commonзаједнички
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E sad, ono što je zajedničko
za sve ove ritmove
01:31
is mathматематика,
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jeste matematika,
01:32
and I call it a-rhythm-eticpo-ritam-etic.
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i ja to zovem aritAmetika.
01:35
Can you repeatпонављање after me? A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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Možete li da ponovite za mnom?
A-ritAm-etika. Publika: A-ritAm-etika.
01:40
ClaytonClayton CameronCameron: A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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Klejton Kameron: A-ritAm-etika.
Publika: A-ritAm-etika.
01:42
CCCC: A-rhythmA ritam a-rhythmritam.
AudiencePubliku: A-rhythmA ritam a-rhythmritam.
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KK:A-ritAm-etika.
Publika: A-ritAm-etika.
01:44
CCCC: A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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KK:A-ritAm-etika.
Publika: A-ritAm-etika.
01:46
CCCC: Yeah.
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KK: Tako je.
01:50
Now all those stylesстилова of rhythmритам
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Svi ovi stilovi ritma
01:55
are all countedбројање in fourчетири
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se broje u četvorkama
01:59
and then subdivideddelio by threeтри.
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i onda se dele na tri.
02:02
What?
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Šta?
02:04
Yeah. ThreeTri is a magicмагија numberброј.
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Da. Tri je magični broj.
02:08
ThreeTri is a groovin'To je divna numberброј.
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Tri je broj gruva.
02:10
ThreeTri is a hip-hopХип Хоп kindкинд of numberброј.
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Tri je broj hip hopa.
02:14
But what does subdividingDeoba by threeтри mean?
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Ali šta znači deljenje na tri?
02:17
And countingбројање off by fourчетири?
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I odbrojavanje četvorkom?
02:19
Well, look, think of it this way.
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Pa, pazi, posmatrajte to ovako.
02:21
A measureмеру of musicмузика as a dollarдолар.
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Merimo muziku kao da je dolar.
02:25
Now a dollarдолар has fourчетири quartersчетврти, right?
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Dolar ima četiri četvrtine, zar ne?
02:31
And so does a 4/4 measureмеру of musicмузика.
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Isto tako 4/4 čine muziku.
02:34
It has fourчетири quarterчетвртина notesбелешке.
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Ona ima četvoročetvrtinske note.
02:38
Now, how do you subdivideDalja podela?
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E sad, kako ovo dalje deliti?
02:40
Now let's envisionPredviđeni this:
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Zamislite ovo:
02:45
threeтри dollars'долара " worthвреди of quartersчетврти.
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novčiće od 25 centi u vrednosti
od tri dolara.
02:48
You would have threeтри groupsгрупе of fourчетири,
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Imali biste tri grupe
od po četiri,
02:52
and you would countбројање it,
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i brojali biste ih,
02:54
a-one-two-three-foura-1-jedan-dva-tri-četiri, one-two-three-fourjedan-dva-tri-četiri,
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je'n-dva-tri-čet'ri,
je'n-dva-tri-čet'ri,
02:56
one-two-three-fourjedan-dva-tri-četiri. TogetherZajedno.
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je'n-dva-tri-čet'ri. Zajedno.
02:58
All: A-one-two-three-fourA-1-jedan-dva-tri-četiri,
one-two-three-fourjedan-dva-tri-četiri, one-two-three-fourjedan-dva-tri-četiri.
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Svi: je'n-dva-tri-čet'ri, je'n-dva-tri-čet'ri,
je'n-dva-tri-čet'ri,
03:01
CCCC: Okay, now you feel that?
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KK: OK, osetili ste to?
03:04
Now let's take those threeтри groupsгрупе of fourчетири
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Uzmimo sada te tri grupe od po četiri
03:09
and make them fourчетири groupsгрупе of threeтри.
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i napravimo od njih
četiri grupe od po tri.
03:13
And listen to this.
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I slušajte sad ovo.
03:15
A-one-two-three-fourA-1-jedan-dva-tri-četiri, one-two-three-fourjedan-dva-tri-četiri,
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Je'n-dva-tri-čet'ri, je'n-dva-tri-čet'ri,
03:17
one-two-three-fourjedan-dva-tri-četiri, with me.
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je'n-dva-tri-čet'ri,
ponavljajte za mnom.
03:19
One-two-three-fourJedan-dva-tri-četiri, one-two-threejedan-dva-tri, come on, y'allSvi vi!
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Je'n-dva-tri-čet'ri, je'n-dva-tri-čet'ri,
haj'mo svi!
03:22
All: One-two-three-fourJedan-dva-tri-četiri,
one-two-three-fourjedan-dva-tri-četiri, one-two-three-fourjedan-dva-tri-četiri, ahАх.
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Svi: je'n-dva-tri-čet'ri,
je'n-dva-tri-čet'ri.
03:27
CCCC: There you go.
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KK: eto vidite.
03:28
All right, secondдруго lineлине.
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OK, drugi red.
03:34
One-two-three-fourJedan-dva-tri-četiri, one-two-threejedan-dva-tri.
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Je'n-dva-tri-čet'ri, je'n-dva-tri.
03:38
One-two-three-fourJedan-dva-tri-četiri, one-two-threejedan-dva-tri.
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Je'n-dva-tri-čet'ri, je'n-dva-tri.
03:41
One-two-three-fourJedan-dva-tri-četiri, one-two-threejedan-dva-tri.
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Je'n-dva-tri-čet'ri, je'n-dva-tri.
03:44
One-two-three-fourJedan-dva-tri-četiri, one-two-threejedan-dva-tri. Yeah.
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Je'n-dva-tri-čet'ri, je'n-dva-tri.
Tako je.
03:48
Now, that's what I call a-rhythm-eticpo-ritam-etic.
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E, to je zovem aritAmetikom.
03:51
Can you say it? A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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Da čujem? AritAmetika.
Publika: AritAmetika.
03:53
CCCC: A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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KK: A-ritAm-etika.
Publika: A-ritAm-etika.
03:55
CCCC: A-rhythmA ritam a-rhythmritam.
AudiencePubliku: A-rhythmA ritam a-rhythmritam.
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KK: A-ritAm-etika.
Publika: A-ritAm-etika.
03:57
CCCC: A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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KK: A-ritAm-etika.
Publika: A-ritAm-etika.
03:59
CCCC: Yeah. Now pickпицк the swingсвинг
beatпобедити, and do the sameисти thing.
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KK: To. Sad pratite ritam svinga,
i uradite isto.
04:02
One, two, one, two, a-one-two-three-foura-1-jedan-dva-tri-četiri.
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Je'n, dva, je'n, dva,
je'n, dva, tri, čet'ri.
04:12
Yeah. MmMm.
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Tako je.
04:16
One-two-threeJedan-dva-tri, one-two-threejedan-dva-tri,
one-two-threejedan-dva-tri, one-two-threejedan-dva-tri. WhooWhoo.
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Je'n-dva-tri, je'n-dva-tri,
je'n-dva-tri, je'n-dva-tri.
04:21
So I want to take the secondдруго lineлине beatпобедити
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Sad hoću da spojim ritam
iz drugog reda parade
04:25
and the swingсвинг beatпобедити and put them togetherзаједно,
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sa ritmom svinga,
04:27
and it soundsзвуци something like this.
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i to zvuči otprilike ovako.
04:43
AhaAha.
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Aha.
04:44
A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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A-ritAm-etika.
Publika: A-ritAm-etika.
04:46
CCCC: A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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KK: A-ritAm-etika.
Publika: A-ritAm-etika.
04:48
CCCC: A-rhythmA ritam a-rhythmritam.
AudiencePubliku: A-rhythmA ritam a-rhythmritam.
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KK: A-ritAm-a-ritAm.
Publika: A-ritAm-a-ritAm.
04:50
CCCC: A-rhythm-eticA-ritam-etic.
AudiencePubliku: A-rhythm-eticA-ritam-etic.
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KK: A-ritAm-etika.
Publika: A-ritAm-etika.
04:52
CCCC: Yeah. Hip-hopHip-hop.
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KK: To. Hip-hop.
04:56
Now it's usingКористећи a fasterбрже groupгрупа of threeтри
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Sada koristi bržu grupu od tri
04:59
we call a tripletTrojka.
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to nazivamo trojka (triplet).
05:01
Triplet-tripletTrojka-trojke. Say it with me.
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Triplet-triplet. Ponovite sa mnom.
05:03
All: Triplet-tripletTrojka-trojke.
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Svi: Triplet-triplet.
05:06
CCCC: Triplet-tripletTrojka-trojke. Triplet-tripletTrojka-trojke.
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KK: Triplet-triplet.
Triplet-triplet.
05:12
CCCC: So I'll take all the rhythmsritam
that you heardслушао earlierраније,
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KK: Sada ću da spojim sve
one ritmove koje ste čuli ranije,
05:16
we'llдобро put them togetherзаједно, and they soundзвук like this.
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i to zvuči ovako.
05:43
A-rhythm-eticA-ritam-etic.
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A-ritAm-etika.
05:45
(ApplauseAplauz)
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(Aplauz)
Translated by Stefan Ilić
Reviewed by Mile Živković

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ABOUT THE SPEAKER
Clayton Cameron - Drummer
A pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell.

Why you should listen

Clayton Cameron holds a unique title: Brush Master. That's because this percussionist prefers brushes to sticks, and has spent his career perfecting the art of brush technique. Cameron grew up in Los Angeles and started drumming at a young age on empty oatmeal boxes. After college, he moved to Las Vegas, where he was hired as the drummer for Sammy Davis Jr.'s big band. "It would be Sammy's tap dancing night after night that would inspire my brush playing," says Cameron.

During his tenure with Sammy Davis Jr., Cameron played with Dean Martin and Frank Sinatra. And, after moving to New York, he struck up a longterm friendship with Tony Bennett, and spent 15 years touring with the master. Cameron recorded 15 albums with Bennett, including his Grammy-winning Tony Bennett Unplugged.

Cameron has also worked with jazz legend Kenny Burrell, who encouraged him to teach at UCLA's Herb Alpert School of Music. In addition, Cameron released his debut album in 2012, Here's to the Messengers: Tribute to Art Blakey, and formed his own group, Jazz eXplosion. Cameron has also released several DVDs over the years as well as a book, Brushworks

More profile about the speaker
Clayton Cameron | Speaker | TED.com

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