TEDYouth 2013
Clayton Cameron: A-rhythm-etic. The math behind the beats
Clayton Cameron: Ritimetik-Ritmin ardındaki matematik
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Oturduğun yerden dans etmeye hazır mısın? Davulcu Claytıon Cameron farklı müzik tarzlarını analiz ediyor. -R&B den Latin'e Pop'a kadar- onların vuruşları gereği. Bu konuşmada hip-hop ve jazz'ın matematikten kayıtsız olmadığı kanıtlanmakta --onlar tek kelimeyle buna inanıyor.
Clayton Cameron - Drummer
A pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell. Full bio
A pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell. Full bio
Double-click the English transcript below to play the video.
00:12
How many of you love rhythm?
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Kaçınız ritmi seviyor?
00:16
Oh yeah, oh yeah. Oh yeah. (Cheers)
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Öyle mi, evet. Evet. (Alkışlar)
00:18
(Drumming)
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(Davul)
00:27
I mean, I love all kinds of rhythm.
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Demek istediğim, ritmin her çeşidini severim.
00:31
I like to play jazz,
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Caz çalmayı severim,
00:33
a little funk,
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biraz funk,
00:36
and hip hop,
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ve hip hop,
00:40
a little pop, a little R&B,
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az buçuk pop, çat pat R&B,
00:47
a little Latin,
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biraz Latin,
00:54
African.
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Afrika'ya özgü.
01:05
And this groove right here,
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Ve bu harika şey
01:13
comes from the Crescent City,
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Kresent şehrinden gelmekte.
01:16
the old second line.
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Şimdi ikinci satırı geliyor.
01:18
(Cheers)
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(Tezahürat)
01:25
Now, one thing all those rhythms have in common
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Şimdi ,tüm bu ritmlerde ortak olan tek şey,
01:31
is math,
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matematiktir,
01:32
and I call it a-rhythm-etic.
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ve ben buna -a-ritim-etik- adını koydum.
01:35
Can you repeat after me? A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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Benden sonra tekrarlayabilir misiniz? A-ritim-etik.
İzleyici: A-ritim-etik.
İzleyici: A-ritim-etik.
01:40
Clayton Cameron: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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Clayton Cameron: A-ritim-etik
İzleyici: A-ritim-etik
İzleyici: A-ritim-etik
01:42
CC: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
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Clayton Cameron: A-ritim a-ritim.
İzleyici: A-ritim a-ritim.
İzleyici: A-ritim a-ritim.
01:44
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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Clayton Cameron: A-ritim-etik
İzleyici: A-ritim-etik.
İzleyici: A-ritim-etik.
01:46
CC: Yeah.
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Clayton Cameron: Tamam.
01:50
Now all those styles of rhythm
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Şimdi tüm bu ritm stilleri
01:55
are all counted in four
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dörtlü sayılır
01:59
and then subdivided by three.
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ve sonra üçe bölünür.
02:02
What?
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Ne?
02:04
Yeah. Three is a magic number.
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Evet. 3 sihirli bir rakam.
02:08
Three is a groovin' number.
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3 harika bir rakam.
02:10
Three is a hip-hop kind of number.
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3, hip-hop benzeri bir rakam.
02:14
But what does subdividing by three mean?
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Ama 3 bölme de neyi ifade diyor?
02:17
And counting off by four?
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Ve 4er sayma da ne?
02:19
Well, look, think of it this way.
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Bak, şu şekilde düşüneceksin.
02:21
A measure of music as a dollar.
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Müziğin ölçümü dolar ise.
02:25
Now a dollar has four quarters, right?
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Şimdi bir dolarda 4 çeyrek var, doğru mu?
02:31
And so does a 4/4 measure of music.
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4/4 (dört dörtlük ritim) müzik ölçümü de aynen öyledir.
02:34
It has four quarter notes.
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Dört çeyrek notalar var.
02:38
Now, how do you subdivide?
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Şimdi, bölmeyi nasıl yaparız?
02:40
Now let's envision this:
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Hadi şunu hayal edelim:
02:45
three dollars' worth of quarters.
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3 dolar, çeyrekleriyle
02:48
You would have three groups of four,
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dörder çeyrek içeren üç grubu elde ederiz
02:52
and you would count it,
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ve bunları şöyle sayıyoruz
02:54
a-one-two-three-four, one-two-three-four,
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bir-iki-üç-dört, bir-iki-üç-dört
02:56
one-two-three-four. Together.
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bir-iki-üç-dört. Birlikte.
02:58
All: A-one-two-three-four,
one-two-three-four, one-two-three-four.
one-two-three-four, one-two-three-four.
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Herkes: Bir-iki-üç-dört,
bir-iki-üç-dört, bir-iki-üç-dört.
bir-iki-üç-dört, bir-iki-üç-dört.
03:01
CC: Okay, now you feel that?
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CC: Tamam, şimdi hissedebildiniz mi?
03:04
Now let's take those three groups of four
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Hadi şimdi şu dört çeyrekli üç grubu alalım
03:09
and make them four groups of three.
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ve üç çeyrekli dört grup yapalım.
03:13
And listen to this.
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Ve bunu dinleyin.
03:15
A-one-two-three-four, one-two-three-four,
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Bir-iki-üç-dört, bir-iki-üç-dört,
03:17
one-two-three-four, with me.
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bir-iki-üç-dört, benimle beraber.
03:19
One-two-three-four, one-two-three, come on, y'all!
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bir-iki-üç-dört, bir-iki-üç, hadi, hep birlikte.
03:22
All: One-two-three-four,
one-two-three-four, one-two-three-four, ah.
one-two-three-four, one-two-three-four, ah.
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Herkes: Bir-iki-üç-dört,
bir-iki-üç-dört, bir-iki-üç-dört,ah.
bir-iki-üç-dört, bir-iki-üç-dört,ah.
03:27
CC: There you go.
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CC: İşte böyle.
03:28
All right, second line.
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Peki, ikinci dize.
03:34
One-two-three-four, one-two-three.
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Bir-iki-üç-dört, bir-iki-üç.
03:38
One-two-three-four, one-two-three.
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Bir-iki-üç-dört, bir-iki-üç.
03:41
One-two-three-four, one-two-three.
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Bir-iki-üç-dört, bir-iki-üç.
03:44
One-two-three-four, one-two-three. Yeah.
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Bir-iki-üç-dört, bir-iki-üç. Evet.
03:48
Now, that's what I call a-rhythm-etic.
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Şimdi, buna a-ritim-etik diyoruz.
03:51
Can you say it? A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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Bunu söyleyebilir misiniz? A-ritim-etik.
İzleyici: A-ritim-etik.
İzleyici: A-ritim-etik.
03:53
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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CC: A-ritim-etik.
İzleyici: A-ritim-etik.
İzleyici: A-ritim-etik.
03:55
CC: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
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CC: A-ritim.
İzleyici: A-ritim.
İzleyici: A-ritim.
03:57
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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CC: A-ritim-etik.
İzleyici: A-ritim-etik.
İzleyici: A-ritim-etik.
03:59
CC: Yeah. Now pick the swing
beat, and do the same thing.
beat, and do the same thing.
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CC: Tamam. Şimdi sallanan ritmi yakalayın ve aynı şeyi yapın.
04:02
One, two, one, two, a-one-two-three-four.
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Bir, iki, bir, iki, bir-iki-üç-dört.
04:12
Yeah. Mm.
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Evet. Aa.
04:16
One-two-three, one-two-three,
one-two-three, one-two-three. Whoo.
one-two-three, one-two-three. Whoo.
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Bir-iki-üç, bir-iki-üç,
bir-iki-üç, bir-iki-üç. Evet.
bir-iki-üç, bir-iki-üç. Evet.
04:21
So I want to take the second line beat
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Şimdi ikinci dize ritmini alıyorum
04:25
and the swing beat and put them together,
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ve sallanan ritmi ile birleştiriyorum
04:27
and it sounds something like this.
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ve ortaya buna benzer bir şey çıkıyor.
04:43
Aha.
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Aha.
04:44
A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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A-ritim-etik.
İzleyici: A-ritim-etik.
İzleyici: A-ritim-etik.
04:46
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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CC: A-ritim-etik.
İzleyici: A-ritim-etik.
İzleyici: A-ritim-etik.
04:48
CC: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
Audience: A-rhythm a-rhythm.
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CC: Ritim ve ritim.
İzleyici: Ritim ve ritim.
İzleyici: Ritim ve ritim.
04:50
CC: A-rhythm-etic.
Audience: A-rhythm-etic.
Audience: A-rhythm-etic.
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CC: A-ritim-etik
İzleyici: A-ritim-etik.
İzleyici: A-ritim-etik.
04:52
CC: Yeah. Hip-hop.
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CC: Evet, hip-hop.
04:56
Now it's using a faster group of three
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Şu anda bizim triplet diye adlandırdığımız
04:59
we call a triplet.
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üç çeyreği içeren hızlı grubu kullanıyoruz.
05:01
Triplet-triplet. Say it with me.
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Triplet-triplet. Benimle birlikte söyleyin.
05:03
All: Triplet-triplet.
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Herkes: Triplet-triplet.
05:06
CC: Triplet-triplet. Triplet-triplet.
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CC: Triplet-triplet. Triplet-triplet.
05:12
CC: So I'll take all the rhythms
that you heard earlier,
that you heard earlier,
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CC: Şimdi daha önce duyduğumuz bütün ritimleri alıyorum
05:16
we'll put them together, and they sound like this.
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onları birleştiriyorum ve bunun gibi bir şey
elde ettik.
elde ettik.
05:43
A-rhythm-etic.
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A-ritim-etik.
05:45
(Applause)
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(Alkış)
ABOUT THE SPEAKER
Clayton Cameron - DrummerA pioneer in brush technique, drummer Clayton Cameron has toured with Sammy Davis Jr., Tony Bennett and jazz legend Kenny Burrell.
Why you should listen
Clayton Cameron holds a unique title: Brush Master. That's because this percussionist prefers brushes to sticks, and has spent his career perfecting the art of brush technique. Cameron grew up in Los Angeles and started drumming at a young age on empty oatmeal boxes. After college, he moved to Las Vegas, where he was hired as the drummer for Sammy Davis Jr.'s big band. "It would be Sammy's tap dancing night after night that would inspire my brush playing," says Cameron.
During his tenure with Sammy Davis Jr., Cameron played with Dean Martin and Frank Sinatra. And, after moving to New York, he struck up a longterm friendship with Tony Bennett, and spent 15 years touring with the master. Cameron recorded 15 albums with Bennett, including his Grammy-winning Tony Bennett Unplugged.
Cameron has also worked with jazz legend Kenny Burrell, who encouraged him to teach at UCLA's Herb Alpert School of Music. In addition, Cameron released his debut album in 2012, Here's to the Messengers: Tribute to Art Blakey, and formed his own group, Jazz eXplosion. Cameron has also released several DVDs over the years as well as a book, Brushworks.
Clayton Cameron | Speaker | TED.com