ABOUT THE SPEAKER
Sarah Lewis - Writer
Art historian and critic Sarah Lewis celebrates creativity and shows how it can lead us through fear and failure to ultimate success.

Why you should listen

Curator and critic Sarah Lewis has emerged as a cultural powerhouse for her fresh perspectives on the dialogue between culture, history, and identity. In 2010, she co-curated the groundbreaking SITE Santa Fe biennial, a platform celebrating artists melding the “homespun and the high-tech.” She has served on Obama’s National Arts Policy Committee, and as a curatorial advisor for Brooklyn’s high-profile Barclays Center. 

Her debut book The Rise analyzes the idea of failure, focusing on case studies that reveal how setbacks can become a tool enabling us to master our destinies. As she says: "The creative process is actually how we fashion our lives and follow other pursuits. Failure is not something that might be helpful; it actually is the process." — Art21.org.

More profile about the speaker
Sarah Lewis | Speaker | TED.com
TED2014

Sarah Lewis: Embrace the near win

莎拉·露易丝: 坦然接受 “差一点的成功”

Filmed:
2,737,190 views

艺术史学者莎拉·露易丝的第一份工作是在博物馆,她在研究了一位艺术家之后发现:并非每件作品都是大师级的佳作。她提醒大家考量自己生命中 “几乎失败” 和 “差点成功” 的事件的作用。在我们追求成功和卓越的过程中,不正是那些“差一点的成功”在督促我们前进吗?
- Writer
Art historian and critic Sarah Lewis celebrates creativity and shows how it can lead us through fear and failure to ultimate success. Full bio

Double-click the English transcript below to play the video.

00:13
I feel so fortunate幸运 that my first job工作
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我很幸运,我的第一份工作
00:15
was working加工 at the Museum博物馆 of Modern现代 Art艺术
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是在现代艺术博物馆里,
00:18
on a retrospective回顾 of painter画家 Elizabeth伊丽莎白 Murray穆雷.
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给画家伊丽莎白·默里办一个回顾展。
00:21
I learned学到了 so much from her.
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我从她那里学到很多。
00:23
After the curator馆长 Robert罗伯特 Storr斯托尔
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在馆长罗伯特·斯托
00:25
selected all the paintings绘画
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从她一生的作品中
00:27
from her lifetime一生 body身体 of work,
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选取了画作之后,
00:30
I loved喜爱 looking at the paintings绘画 from the 1970s.
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我爱上了欣赏这些 20 世纪 70 年代的画作。
00:33
There were some motifs主题 and elements分子
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在她生命的后期,
00:36
that would come up again later后来 in her life.
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一些主题和元素得到重现。
00:39
I remember记得 asking her
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我记得自己问她,
00:41
what she thought of those early works作品.
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她对那些早期作品的想法是什么。
00:43
If you didn't know they were hers她的,
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如果人们起先不知道,
00:45
you might威力 not have been able能够 to guess猜测.
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也许就猜不到这些是她的作品了。
00:47
She told me that a few少数 didn't quite相当 meet遇到
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她告诉我,一些作品并没有
00:50
her own拥有 mark标记 for what she wanted them to be.
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达到她所希望的水准。
00:54
One of the works作品, in fact事实,
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其中一幅,事实上,
00:55
so didn't meet遇到 her mark标记,
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远没有满足她的要求,
00:57
she had set it out in the trash垃圾 in her studio工作室,
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她把它扔进了公寓的垃圾箱里,
01:00
and her neighbor邻居 had taken采取 it
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之后被她的邻居拿走了,
01:02
because she saw its value.
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因为她看到了其中的价值。
01:04
In that moment时刻, my view视图 of success成功
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在那一刻,我对成功和创新的
01:07
and creativity创造力 changed.
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想法改变了。
01:10
I realized实现 that success成功 is a moment时刻,
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我意识到成功是一个瞬间,
01:13
but what we're always celebrating庆祝
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然而我们总是在庆祝
01:15
is creativity创造力 and mastery征服.
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创新和卓越。
01:19
But this is the thing: What gets得到 us to convert兑换 success成功
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问题来了:我们如何将一次成功
01:22
into mastery征服?
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转化为卓越的成就呢?
01:24
This is a question I've long asked myself.
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这个问题我已经问了自己很久。
01:27
I think it comes when we start开始 to value
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我想这个转换在于我们开始
01:30
the gift礼品 of a near win赢得.
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重视每一次 “差一点的成功”。
01:33
I started开始 to understand理解 this when I went
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我是这样开始理解这一点的:
01:36
on one cold May可能 day
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那是一个寒冷的五月天,
01:38
to watch a set of varsity队打 archers弓箭手,
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我在曼哈顿的北角,
01:40
all women妇女 as fate命运 would have it,
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哥伦比亚大学的贝克田径综合楼里,
01:42
at the northern北方 tip小费 of Manhattan曼哈顿
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观看校队弓箭手比赛,
01:45
at Columbia's哥伦比亚 Baker面包师傅 Athletics竞技 Complex复杂.
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碰巧的是选手全是女性。
01:48
I wanted to see what's called archer's弓箭手的 paradox悖论,
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我很想看看所谓的 “弓箭手悖论”,
01:52
the idea理念 that in order订购 to actually其实 hit击中 your target目标,
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就是说,为了击中目标,
01:54
you have to aim目标 at something slightly skew歪斜 from it.
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你必须在瞄准时稍微偏离目标。
01:59
I stood站在 and watched看着 as the coach教练
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我站在那里,看到教练
02:01
drove开车 up these women妇女 in this gray灰色 van面包车,
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把那些女生用灰色的卡车送过去,
02:04
and they exited退出 with this kind of relaxed轻松 focus焦点.
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然后她们离开,神情自若,
02:07
One held保持 a half-eaten吃了一半 ice cream奶油 cone锥体 in one hand
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有个人的右手还拿着一个
吃了一半的甜筒冰淇淋,
02:09
and arrows箭头 in the left with yellow黄色 fletching箭羽.
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左手拿着黄色箭羽的箭。
02:12
And they passed通过 me and smiled笑笑,
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她们笑着从我身边走过,
02:15
but they sized大小 me up as they
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不过她们走向场地的时候
02:16
made制作 their way to the turf草皮,
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打量了我一下,
02:18
and spoke to each other not with words
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她们不出声地彼此交流,
02:20
but with numbers数字, degrees, I thought,
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我猜是用数字、角度之类
02:23
positions位置 for how they might威力 plan计划
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来谈论她们可能计划好的
02:24
to hit击中 their target目标.
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射击位置。
02:26
I stood站在 behind背后 one archer射手 as her coach教练
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我当时站在一个弓箭手后面,
02:29
stood站在 in between之间 us to maybe assess评估
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她的教练站在我们中间,
02:31
who might威力 need support支持, and watched看着 her,
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可能是看看谁需要支撑,还有照看她,
02:33
and I didn't understand理解 how even one
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我甚至不知道怎么样
02:35
was going to hit击中 the ten ring.
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才能击中十环。
02:38
The ten ring from the standard标准 75-yard-码 distance距离,
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十环在 75 码之外,
02:41
it looks容貌 as small as a matchstick火柴 tip小费
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看上去和一臂以外的火柴头
02:44
held保持 out at arm's武器 length长度.
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一般大小,
02:46
And this is while holding保持 50 pounds英镑 of draw weight重量
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而且每次发射都要发力 50 磅。
02:49
on each shot射击.
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而且每次发射都要发力 50 磅。
02:52
She first hit击中 a seven, I remember记得, and then a nine,
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那个弓箭手第一次射中了 7 环,
我记得接下来是个 9 环,
02:55
and then two tens,
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然后是 2 个十环,
02:56
and then the next下一个 arrow箭头
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接下来的那支箭
02:57
didn't even hit击中 the target目标.
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甚至没有射到靶上。
02:59
And I saw that gave her more tenacity韧性,
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我看出这些使她更有韧性了,
03:01
and she went after it again and again.
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她一次又一次地射箭。
03:04
For three hours小时 this went on.
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三小时就这样过去了。
03:07
At the end结束 of the practice实践, one of the archers弓箭手
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在练习的最后,其中一个弓箭手
03:09
was so taxed征税 that she lied说谎 out on the ground地面
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精疲力竭地躺在地上,
03:12
just star-fished星捕捞,
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像只海星,
03:14
her head looking up at the sky天空,
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她仰头望天,
03:16
trying to find what T.S. Eliot艾略特 might威力 call
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试图寻找艾略特所说的
(T.S.Eliot:诗人,1948 年诺贝尔文学奖得主)
03:19
that still point of the turning车削 world世界.
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转动不息的世界里的静止点。
03:22
It's so rare罕见 in American美国 culture文化,
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在美国文化里,这种现象很少见。
03:25
there's so little that's vocational专业 about it anymore,
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已经很少有如此专业的事情,
03:28
to look at what doggedness傻劲儿 looks容貌 like
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看上去这么傻,
03:30
with this level水平 of exactitude精密,
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还要如此精确。
03:32
what it means手段 to align对齐 your body身体 posture姿势
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这意味着你要摆好姿势,
03:35
for three hours小时 in order订购 to hit击中 a target目标,
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坚持 3 个小时去射击一个目标,
03:38
pursuing追求 a kind of excellence卓越 in obscurity朦胧.
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在一片模糊中追寻卓越。
03:42
But I stayed because I realized实现 I was witnessing见证
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我留下来,是因为自己亲眼目睹了
03:44
what's so rare罕见 to glimpse一瞥,
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这难得的瞬间:
03:47
that difference区别 between之间 success成功 and mastery征服.
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成功和卓越的区别。
03:50
So success成功 is hitting that ten ring,
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所以说,成功是打中十环,
03:53
but mastery征服 is knowing会心 that it means手段 nothing
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然而卓越是你懂得:
03:55
if you can't do it again and again.
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如果不去一次次地尝试,就会一无所得。
03:59
Mastery征服 is not just the same相同 as excellence卓越, though虽然.
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但是,卓越和优异不尽相同,
04:02
It's not the same相同 as success成功,
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也和成功不一样,
04:04
which哪一个 I see as an event事件,
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成功在我看来是一次事件,
04:07
a moment时刻 in time,
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一个时刻,
04:08
and a label标签 that the world世界 confers赋予 upon you.
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一个世界赋予你的标签。
04:11
Mastery征服 is not a commitment承诺 to a goal目标
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卓越不是对某个目标的承诺,
04:15
but to a constant不变 pursuit追求.
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而是一个持续的追求。
04:17
What gets得到 us to do this,
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而让我们不断追求,
04:19
what get us to forward前锋 thrust推力 more
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能把我们推得更远的方法,
04:22
is to value the near win赢得.
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就是重视 “差一点的胜利”
04:26
How many许多 times have we designated特定 something
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有多少次我们将一些作品
04:28
a classic经典, a masterpiece杰作 even,
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定义为经典之作,甚至是大师级作品,
04:31
while its creator创造者 considers考虑 it hopelessly绝望地 unfinished未完成,
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即使作者认为它根本无望完成,
04:34
riddled百病 with difficulties困难 and flaws破绽,
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充满了困难和瑕疵,
04:36
in other words, a near win赢得?
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换言之,是一个 “差一点的成功” ?
04:39
Elizabeth伊丽莎白 Murray穆雷 surprised诧异 me
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伊丽莎白·默里让我感到惊讶,
04:41
with her admission入场 about her earlier paintings绘画.
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她接受了自己早期的画作。
04:45
Painter画家 Paul保罗zanne塞尚 so often经常
thought his works作品 were incomplete残缺
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画家保罗·塞尚经常认为
他的作品不够完善,
04:48
that he would deliberately故意 leave离开 them aside在旁边
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他会故意把它们丢在一边,
04:50
with the intention意向 of picking选择 them back up again,
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心里想着一会再捡回来。
04:53
but at the end结束 of his life,
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然而到了他生命的终点,
04:54
the result结果 was that he had only signed
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结果就是他只在 10% 的
04:56
10 percent百分 of his paintings绘画.
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画作上签了名。
04:59
His favorite喜爱 novel小说 was "The [Unknown未知]
Masterpiece杰作" by Honor荣誉é de Balzac巴尔扎克,
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塞尚最喜欢的小说
是巴尔扎克的《不为人知的杰作》,
05:03
and he felt the protagonist主角 was the painter画家 himself他自己.
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他觉得自己就是那个画家主角。
05:09
Franz弗朗茨 Kafka卡夫卡 saw incompletion未完成
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弗兰兹·卡夫卡能看到缺点,
05:11
when others其他 would find only works作品 to praise赞美,
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而其他人只找到赞美的作品,
05:14
so much so that he wanted all of his diaries日记,
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以至于他想把他所有的日记、
05:17
manuscripts手稿, letters and even sketches素描
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手稿、信件和草稿,
05:19
burned upon his death死亡.
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死后全部焚烧。
05:21
His friend朋友 refused拒绝 to honor荣誉 the request请求,
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他的朋友拒绝这样做,
05:24
and because of that, we now have all the works作品
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正因如此,我们现在还有这些
05:25
we now do by Kafka卡夫卡:
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卡夫卡的作品:
05:27
"America美国," "The Trial审讯" and "The Castle城堡,"
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《亚美利加》、《审判》、《城堡》,
05:31
a work so incomplete残缺 it even stops停止 mid-sentence中期句子.
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这个作品不完整到有破句。
05:34
The pursuit追求 of mastery征服, in other words,
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对卓越的追求,换句话说,
05:37
is an ever-onward不断前进 almost几乎.
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几乎是要不断向前的。
05:41
"Lord, grant发放 that I desire欲望
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“神啊,您赐给我的欲望
05:43
more than I can accomplish完成,"
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超过了我的能力。“
05:46
Michelangelo米开朗基罗 implored恳求,
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米开朗基罗这样祷告,
05:47
as if to that Old Testament遗嘱 God on the Sistine西斯廷 Chapel教堂,
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对着西斯廷教堂穹顶上的旧约之神,
05:51
and he himself他自己 was that Adam亚当
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他自己变成了亚当,
05:52
with his finger手指 outstretched伸开
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向前伸出手指
05:54
and not quite相当 touching接触 that God's hand.
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却无法碰触到神的手。
05:59
Mastery征服 is in the reaching到达, not the arriving到达.
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卓越是追求的过程,而不是结果。
06:03
It's in constantly经常 wanting希望 to close that gap间隙
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它要持续不断地缩小
06:06
between之间 where you are and where you want to be.
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现实的自己和理想的自己
之间的差距。
06:11
Mastery征服 is about sacrificing牺牲 for your craft手艺
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卓越是为自己的才华而做出牺牲,
06:14
and not for the sake清酒 of crafting各具特色 your career事业.
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而不是为了开发自己的事业。
06:18
How many许多 inventors发明家 and untold数不清 entrepreneurs企业家
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有多少发明家和无名的企业家们
06:21
live生活 out this phenomenon现象?
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在现实中印证了这一现象?
06:24
We see it even in the life
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我们甚至能看到
06:25
of the indomitable不屈不挠 Arctic北极 explorer探险者 Ben Saunders桑德斯,
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不屈不挠的北极探险家本·桑德斯,
06:28
who tells告诉 me that his triumphs胜利
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他跟我说起自己的辉煌
06:30
are not merely仅仅 the result结果
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不仅仅是一次
06:32
of a grand盛大 achievement成就,
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伟大成功的结果。
06:34
but of the propulsion动力 of a lineage血统 of near wins.
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而是由一系列 “差一点的成功” 推动的。
06:39
We thrive兴旺 when we stay at our own拥有 leading领导 edge边缘.
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当我们处于领先优势时,
我们就能成长。
06:42
It's a wisdom智慧 understood了解 by Duke公爵 Ellington埃林顿,
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艾灵顿公爵领悟了这一智慧,
(Duke Ellington(1899–1974年),
美国著名作曲家、钢琴家、乐队队长。)
06:45
who said that his favorite喜爱 song歌曲 out of his repertoire剧目
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他说在自己的作品中,最喜欢的
06:48
was always the next下一个 one,
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永远是下一首。
06:50
always the one he had yet然而 to compose撰写.
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永远是他还没有写好的那首。
06:54
Part部分 of the reason原因 that the near win赢得
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差一点的胜利是卓越的内涵,
06:56
is inbuilt内置 to mastery征服
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一部分是因为
06:58
is because the greater更大 our proficiency精通,
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我们做事越熟练,就越清楚地知道:
07:00
the more clearly明确地 we might威力 see
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我们并不完全了解
07:03
that we don't know all that we thought we did.
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那些我们自认为了解的事物。
07:06
It's called the Dunning邓宁Kruger克鲁格 effect影响.
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这被称为 “达克效应”。
(Dunning–Kruger effect)
07:08
The Paris巴黎 Review评论 got it out of James詹姆士 Baldwin鲍德温
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《巴黎评论》采访詹姆斯·鲍德温时,
( James Baldwin:美国当代著名小说家、
散文家、戏剧家和社会评论家)
07:11
when they asked him,
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他的回应正是如此。他被问道:
07:12
"What do you think increases增加 with knowledge知识?"
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“您认为是什么增加了知识?”
07:15
and he said, "You learn学习 how little you know."
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他回答说:“知道的越少,学到的越多。”
07:20
Success成功 motivates能够激励 us, but a near win赢得
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成功激励我们,然而 “差一点儿成功”
07:22
can propel推进 us in an ongoing不断的 quest寻求.
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能推动我们不断追寻。
07:25
One of the most vivid生动 examples例子 of this comes
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最生动的例子之一,就是
07:27
when we look at the difference区别
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当奥运比赛结束时,
07:29
between之间 Olympic奥林匹克 silver medalists奖牌得主
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我们观察银牌获得者
07:31
and bronze青铜 medalists奖牌得主 after a competition竞争.
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和铜牌获得者之间的差距。
07:34
Thomas托马斯 GilovichGilovich and his team球队 from Cornell康奈尔
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托马斯·季洛维奇和他在康奈尔大学的团队
07:36
studied研究 this difference区别 and found发现
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研究了银牌和铜牌获得者的情绪差别。
07:39
that the frustration挫折 silver medalists奖牌得主 feel
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他们发现银牌获得者相对沮丧,
07:41
compared相比 to bronze青铜, who are typically一般 a bit
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而铜牌获得者通常更开心一点,
07:43
more happy快乐 to have just not received收到 fourth第四 place地点
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因为他们没有拿到第四名,
07:46
and not medaledmedaled at all,
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总比没有奖牌的强。
07:47
gives silver medalists奖牌得主 a focus焦点
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在后续的比赛中
07:49
on follow-up跟进 competition竞争.
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集中关注银牌获得者。
07:52
We see it even in the gambling赌博 industry行业
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我们发现甚至在博彩界,
07:54
that once一旦 picked采摘的 up on this phenomenon现象
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那里从前就深谙 “差点就成功”
07:56
of the near win赢得
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这一现象。
07:57
and created创建 these scratch-off刮刮 tickets门票
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“刮刮乐”类型的彩票被创造出来,
08:00
that had a higher更高 than average平均 rate of near wins
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这些彩票可能的中奖率超过平均数,
08:03
and so compelled被迫 people to buy购买 more tickets门票
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这样会促使人们去买更多的彩票,
08:06
that they were called heart-stoppers心脏,瓶塞,
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这些人被称作 "心脏骤停者" ,
08:08
and were set on a gambling赌博 industry行业 set of abuses滥用
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这些博彩界的滥用手法发生在
08:11
in Britain英国 in the 1970s.
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1970 年代的英国。
08:14
The reason原因 the near win赢得 has a propulsion动力
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差一点的成功之所以有推动力,
08:16
is because it changes变化 our view视图 of the landscape景观
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是因为它改变了我们观察的角度,
08:19
and puts看跌期权 our goals目标, which哪一个 we tend趋向 to put
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同时,把我们的目标
08:22
at a distance距离, into more proximate最近的 vicinity附近
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从我们认为的那个距离
08:25
to where we stand.
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拉近到我们所在的地方。
08:26
If I ask you to envision预见 what a
great day looks容貌 like next下一个 week,
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如果我请你想象
下周一个美好的日子,
08:30
you might威力 describe描述 it in more general一般 terms条款.
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你可能会更笼统地描述。
08:33
But if I ask you to describe描述 a
great day at TEDTED tomorrow明天,
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然而,如果我请你描述一下
明天在 TED ,美好的一天是什么样的,
08:37
you might威力 describe描述 it with granular粒状, practical实际的 clarity明晰.
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你也许会说得很清晰又真实。
08:40
And this is what a near win赢得 does.
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这就是 “差一点的成功” 做到的。
08:42
It gets得到 us to focus焦点 on what, right now,
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它能让我们集中注意力在当下的计划,
08:45
we plan计划 to do to address地址 that mountain in our sights景点.
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去处理我们目之所及的那座大山。
08:49
It's Jackie成龙 Joyner-Kersee乔伊纳 - 克西, who in 1984
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杰西·乔伊娜-柯西 (Joyner-Kersee)
在1984 年
08:53
missed错过 taking服用 the gold in the heptathlon七项全能
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2006
以三分之一秒的差距
08:55
by one third第三 of a second第二,
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和七项全能金牌失之交臂,
08:57
and her husband丈夫 predicted预料到的 that would give her
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她的丈夫预测说,这个经历会带给她
08:59
the tenacity韧性 she needed需要 in follow-up跟进 competition竞争.
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在后续比赛中所需要的韧性。
09:03
In 1988, she won韩元 the gold in the heptathlon七项全能
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1988 年,她获得了七项全能金牌,
09:06
and set a record记录 of 7,291 points,
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并刷新了 7291 分的记录,
09:10
a score得分了 that no athlete运动员 has come very close to since以来.
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之前从未有运动员能接近这个分数。
09:15
We thrive兴旺 not when we've我们已经 doneDONE it all,
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我们不是在一切完工之后再突破,
09:18
but when we still have more to do.
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而是当我们还有更多作为的时候。
09:21
I stand here thinking思维 and wondering想知道
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我站在这里思索和想象
09:24
about all the different不同 ways方法
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每一种方法,让我们有可能
09:25
that we might威力 even manufacture制造 a near win赢得
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在这个房间里完成哪怕一项
09:28
in this room房间,
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差一点的成功。
09:29
how your lives生活 might威力 play this out,
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你的生命可能如何去实现这一切,
09:31
because I think on some gut肠道 level水平 we do know this.
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因为我想,潜意识里我们确实知道。
09:36
We know that we thrive兴旺 when we stay
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我们知道当我们处于领先地位时,
09:37
at our own拥有 leading领导 edge边缘,
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我们就能迅速成长,
09:39
and it's why the deliberate商榷 incomplete残缺
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这就是为什么在创新的神话里
09:41
is inbuilt内置 into creation创建 myths神话.
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蕴含了有意识的未完成。
09:44
In Navajo纳瓦霍 culture文化, some craftsmen工匠 and women妇女
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在纳瓦霍文明中,一些男女工匠
09:46
would deliberately故意 put an imperfection缺陷
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会故意在纺织品和陶瓷上
09:49
in textiles纺织品 and ceramics陶瓷.
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留下一点缺陷。
09:51
It's what's called a spirit精神 line线,
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这被称为 “精神之线” ,
09:53
a deliberate商榷 flaw缺陷 in the pattern模式
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在花样上有意留下缺陷,
09:55
to give the weaver韦弗 or maker制作者 a way out,
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不去太苛求纺织工和制陶工人,
09:58
but also a reason原因 to continue继续 making制造 work.
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同时也是为了
让制作过程得以继续下去。
10:03
Masters大师 are not experts专家 because they take
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大师之所以是专家,并不是因为
10:05
a subject学科 to its conceptual概念上的 end结束.
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他们完结了某个学科的概念。
10:08
They're masters主人 because they realize实现
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而是因为他们意识到
10:09
that there isn't one.
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终点并不存在。
10:12
Now it occurred发生 to me, as I thought about this,
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如今当我想到这些,我明白了
10:15
why the archery射箭 coach教练
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为什么在那场练习的最后,
10:17
told me at the end结束 of that practice实践,
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在队员听不见的地方,
10:19
out of earshot听不到 of his archers弓箭手,
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射箭队教练告诉我,
10:21
that he and his colleagues同事 never feel
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1977
他和他的同事们总是觉得
10:23
they can do enough足够 for their team球队,
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为队伍做的还是不够。
10:25
never feel there are enough足够 visualization可视化 techniques技术
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总觉得还有更多的视觉技巧、
10:28
and posture姿势 drills演习 to help them overcome克服
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姿势训练可以帮助她们去克服
10:31
those constant不变 near wins.
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那些连续的 “差一点的成功” 。
10:33
It didn't sound声音 like a complaint抱怨, exactly究竟,
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这听上去真不像什么抱怨,
10:36
but just a way to let me know,
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而是为了让我明白,
10:38
a kind of tender投标 admission入场,
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一种软性的承认,
10:40
to remind提醒 me that he knew知道
he was giving himself他自己 over
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提示我,他知道自己全身心地投入了
10:43
to a voracious贪心, unfinished未完成 path路径
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这条没有止境的征程,
10:46
that always required需要 more.
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这条路还在不停地延伸。
10:49
We build建立 out of the unfinished未完成 idea理念,
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我们挖掘未完成的想法,
10:52
even if that idea理念 is our former前任的 self.
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即使它们就是过去的自己。
10:57
This is the dynamic动态 of mastery征服.
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这就是卓越的动态优化。
11:00
Coming未来 close to what you thought you wanted
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不断接近你心中想要的东西,
11:03
can help you attain达到 more than you ever dreamed梦见
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可以帮助你获得比你一度梦想的
11:06
you could.
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还要多的东西。
11:07
It's what I have to imagine想像 Elizabeth伊丽莎白 Murray穆雷
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当我看到有一天,伊丽莎白·默里
11:10
was thinking思维 when I saw her smiling微笑
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对着画廊里她的早期画作
11:12
at those early paintings绘画 one day
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微笑的时候,
11:14
in the galleries画廊.
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我想她一定也是这么想的。
11:17
Even if we created创建 utopias乌托邦, I believe
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虽然我们创作出了乌托邦,
11:20
we would still have the incomplete残缺.
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我相信我仍旧有未完成的追求。
11:23
Completion完成 is a goal目标,
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完满是一种目标,
11:25
but we hope希望 it is never the end结束.
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但我们希望它永无止境。
11:29
Thank you.
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谢谢大家。
11:32
(Applause掌声)
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(掌声)
Translated by Shiwen He
Reviewed by Nova Upinel Altesse

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ABOUT THE SPEAKER
Sarah Lewis - Writer
Art historian and critic Sarah Lewis celebrates creativity and shows how it can lead us through fear and failure to ultimate success.

Why you should listen

Curator and critic Sarah Lewis has emerged as a cultural powerhouse for her fresh perspectives on the dialogue between culture, history, and identity. In 2010, she co-curated the groundbreaking SITE Santa Fe biennial, a platform celebrating artists melding the “homespun and the high-tech.” She has served on Obama’s National Arts Policy Committee, and as a curatorial advisor for Brooklyn’s high-profile Barclays Center. 

Her debut book The Rise analyzes the idea of failure, focusing on case studies that reveal how setbacks can become a tool enabling us to master our destinies. As she says: "The creative process is actually how we fashion our lives and follow other pursuits. Failure is not something that might be helpful; it actually is the process." — Art21.org.

More profile about the speaker
Sarah Lewis | Speaker | TED.com