Chance Coughenour: How your pictures can help reclaim lost history
تشانس كوجينور: كيف يمكن أن تساعد صوركم الخاصة على استعادة التاريخ المفقود.
Chance Coughenour is recreating heritage and culture that's been lost throughout the world. Full bio
Double-click the English transcript below to play the video.
destroy cultural heritage?
بتدمير التراث الثقافي؟
they're erasing our history?
cultural heritage to erosion
نتيجة التآكل،
that is simply difficult to avoid.
how we can use pictures --
hundreds of statues and artifacts
were found in fragments,
من هذه التماثيل كشظايا،
a knee-length tunic
فضفاضة لحد الركبة
at this particular piece,
لهذه القطعة تحديدًا،
was elaborately decorated,
الذي تم ارتداؤه قد زُخرف بشكل متقن،
performing his religious functions.
يؤدي وظائفه الدينية.
opened in 1952 in northern Iraq,
في عام 1952 في شمال العراق،
for future generations.
من أجل الأجيال المستقبلية.
of Iraq in 2003,
were relocated to Baghdad,
من التماثيل والتحف الى بغداد،
a video was released,
تم إصدار فيديو،
familiar in the video?
using innovative technology
نستخدمُ التقنية المبتكرة
that were taken of these artifacts
التي تم أخذها لهذه القطع الأثرية
into a virtual museum
called Project Mosul.
I showed you before?
الذي شاهدتموه من قبل؟
reconstruction of it
على معلومات من الجماهير عبر الإنترنت
is called photogrammetry,
تدعى المسح التصويري،
to use two-dimensional images
صُور ثنائية الأبعاد
from different angles
this sounds like magic -- but it's not.
بأن الأمر يبدو كالسحر، لكنه ليس كذلك.
of the same statue.
استنادًا على معلومات الجمهور.
between the photographs --
الميزات المتماثلة بين الصور،
to reconstruct the object in 3D.
بإعادة بناء الشيء بصورة ثلاثية الأبعاد.
when each image was taken,
عندما تم التقاط كل صورة،
reconstruction, I admit,
أن هذا هو إعادة بناء جزئي،
was positioned against a wall.
taken of it from the back.
digital reconstruction of this statue,
صورة رقمية كاملة لهذا التمثال،
with crowdsourced images.
مع صور التعهيد الجماعي.
of all parts of the statue,
Michelangelo's David interesting,
لمايكل أنجلو مثيرًا للاهتمام،
the Mosul Museum in mind.
لإعادة البناء الافتراضي،
something that would grow so quickly.
أننا أثرنا شيئًا من شأنه أن ينمو بسرعة.
to lost heritage anywhere.
فيما يتعلق بالتاريخ المفقود في أي مكان.
the name of the project to Rekrei.
reached out to us.
التابع لمجلة ذا إيكونوميست،
to build a virtual museum
أن نبني متحفًا افتراضيًا
the initial dream of that project.
RecoVR Mosul on your phone,
أن يجرب الواقع الافتراضي للموصل عبر هاتفه،
from the virtual museum.
completed by our project.
the Lion of Mosul being destroyed,
أن أسد الموصل تم تدميره،
of large artifacts being destroyed
لقطع أثرية كبيرة تم تدميرها
to have been stolen.
reconstruction from before,
during the destruction.
are primarily the main focus
هو في الأساس التركيز الرئيسي
doesn't offer a straightforward solution
لا تقدم حلاً جيدًا
an addition to tell that story.
إضافة لإخبار القصة.
that have been printed in color,
تمت طباعتها بالألوان،
simply to hold the statues up.
if you visit a museum,
for the people to see it.
has to offer for lost heritage.
of one of the tower tombs
عبر الإنترنت
three parts of the exterior of the tomb,
ثلاثة أجزاء خارجية للقبر،
a reconstruction of the wall
for many, many years,
drawing plans of this lost heritage.
لهذا التراث المفقود.
cultural heritage to areas of conflict
في مناطق الصراع
of Durbar Square in Kathmandu,
لساحة دوربار في كاتاماندر،
that occurred last April ...
الذي حدث في أبريل/نيسان الماضي...
with only tourist photographs,
بواسطة الصور السياحية فقط،
organizations and private industry
والقطاعات الخاصة
for initiatives like ours.
of our project, really,
before something happens, right?
قبل أن يحدث شيء، صحيح؟
with millions of images, right?
تحوي الملايين من الصور، أليس كذلك؟
from websites like Flickr,
من مواقع مثل فليكر،
heritage to natural disasters and in war,
نتيجة الكوارث الطبيعية والحرب فقط،
to something else.
at these two pictures?
النظر لهاتين الصورتين؟
destruction by human stupidity.
من قبل الغباء البشري.
wanted to climb onto this statue
reconstruction of this.
isn't a recent phenomenon.
thousands of Maya books in the Americas,
الآلاف من كتب حضارة المايا في الأمريكتين،
the Bamiyan Buddhas in Afghanistan.
في وادي باميان في افغانستان.
is about our shared global history.
تاريخنا العالمي المشترك.
with our ancestors and their stories,
every day to natural disasters
نتيجة الكوارث الطبيعية
is the most heartbreaking loss ...
هي أكثر الخسارات المحزنة...
to preserve the memory of the people
للحفاظ على ذاكرة الشعب
the history that is being lost.
التاريخ الذي يتم فقدانه.
ABOUT THE SPEAKER
Chance Coughenour - Digital archaeologistChance Coughenour is recreating heritage and culture that's been lost throughout the world.
Why you should listen
Chance Coughenour enjoys the innovations made possible by uniting science and archaeological research, which was part of the inspiration in the founding of Rekrei. His previous work on a EU-funded project connected him with Matthew Vincent, an archaeologist and web developer, who together launched Rekrei (formally Project Mosul) on March 8 of 2015 after witnessing the destruction of heritage in northern Iraq. Their open-source, volunteer initiative strives for the digital reconstruction of lost heritage using crowdsourced images and photogrammetry, the process of using 2D images to create 3D models.
From the start, Rekrei aimed to crowdsource the virtual reconstruction of the destroyed objects in the Mosul Cultural Museum and eventually release a virtual museum to digitally preserve its memory. This has already been accomplished thanks to the Economist Media Lab. The project has also expanded globally and continues to increase its activities thanks to our growing collaboration with public and private organizations, all of which has been achieved without any funding resources to date. The key ingredient to Rekrei is the online platform, which provides a simple user interface for identifying locations of destroyed heritage, uploading and sorting images, and a 3D gallery of completed reconstructions.
Coughenour has worked on research projects throughout Europe and the Americas. One of which is demonstrated in the documentary Scanning the End. He is a PhD candidate at the Institute for Photogrammetry at the University of Stuttgart. Coughenour joined Google Arts & Culture where he coordinates cultural heritage preservation efforts on a global scale. He's responsible for organizing partnerships and leading projects which employ emerging technology for cultural heritage documentation, dissemination and education.
Chance Coughenour | Speaker | TED.com