ABOUT THE SPEAKER
Chance Coughenour - Digital archaeologist
Chance Coughenour is recreating heritage and culture that's been lost throughout the world.

Why you should listen

Chance Coughenour enjoys the innovations made possible by uniting science and archaeological research, which was part of the inspiration in the founding of Rekrei. His previous work on a EU-funded project connected him with Matthew Vincent, an archaeologist and web developer, who together launched Rekrei (formally Project Mosul) on March 8 of 2015 after witnessing the destruction of heritage in northern Iraq. Their open-source, volunteer initiative strives for the digital reconstruction of lost heritage using crowdsourced images and photogrammetry, the process of using 2D images to create 3D models.

From the start, Rekrei aimed to crowdsource the virtual reconstruction of the destroyed objects in the Mosul Cultural Museum and eventually release a virtual museum to digitally preserve its memory. This has already been accomplished thanks to the Economist Media Lab. The project has also expanded globally and continues to increase its activities thanks to our growing collaboration with public and private organizations, all of which has been achieved without any funding resources to date. The key ingredient to Rekrei is the online platform, which provides a simple user interface for identifying locations of destroyed heritage, uploading and sorting images, and a 3D gallery of completed reconstructions.

Coughenour has worked on research projects throughout Europe and the Americas. One of which is demonstrated in the documentary Scanning the End. He is a PhD candidate at the Institute for Photogrammetry at the University of Stuttgart. Coughenour joined Google Arts & Culture where he coordinates cultural heritage preservation efforts on a global scale. He's responsible for organizing partnerships and leading projects which employ emerging technology for cultural heritage documentation, dissemination and education.

More profile about the speaker
Chance Coughenour | Speaker | TED.com
TEDxHamburg

Chance Coughenour: How your pictures can help reclaim lost history

錢斯考芬納: 你的照片如何能協助恢復失落的歷史

Filmed:
967,767 views

數位考古學家錢斯考芬納在使用照片──你的照片──來恢復那些在衝突和天災中失去的古物。在透過群眾外包取得被摧毀之遺跡、博物館、及工藝品的照片之後,考芬納使用叫做攝影測量法的進階技術來進行三維重建,以留存我們共有之全球人類遺產的記憶。來看看你如何能協助讚頌及守護遺失的歷史。
- Digital archaeologist
Chance Coughenour is recreating heritage and culture that's been lost throughout the world. Full bio

Double-click the English transcript below to play the video.

00:12
Why do people deliberately故意
destroy破壞 cultural文化 heritage遺產?
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為什麼人們會蓄意破壞文化遺產?
00:18
By doing so,
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他們是否認為,
00:19
do they believe
they're erasing擦除 our history歷史?
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這麼做就能抹滅我們的歷史?
00:23
Our cultural文化 memory記憶?
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抹滅我們的文化記憶?
00:26
It's true真正 that we are losing失去
cultural文化 heritage遺產 to erosion侵蝕
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的確,造成我們失去
文化遺產的原因包括侵蝕
00:31
and natural自然 disasters災害,
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以及天災,
00:33
but this is something
that is simply只是 difficult to avoid避免.
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但這些原因是很難避免的。
00:36
I'm here to show顯示 you today今天
how we can use pictures圖片 --
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我今天在這裡要呈現給各位看的,
是我們如何能用照──
00:41
your pictures圖片 --
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你們的照片──
00:42
to reclaim回收 the history歷史 that is being存在 lost丟失
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透過創新科技、
00:46
using運用 innovative創新 technology技術
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以及志願者的努力,
00:48
and the effort功夫 of volunteers志願者.
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來試圖恢復失去的歷史。
00:52
In the early 20th century世紀,
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在二十世紀初,
00:54
archaeologists考古學家 discovered發現
hundreds數以百計 of statues雕像 and artifacts文物
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考古學家在北伊拉克的
哈特拉古城發現了
00:58
at the ancient city of Hatra哈特拉,
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數以百計的雕像
00:59
in northern北方 Iraq伊拉克.
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及工藝品。
01:01
Statues雕像 like this one
were found發現 in fragments片段,
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像這樣的雕像,被找到時都已破損,
01:05
some of them missing失踪 their heads or arms武器,
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有些少了頭或是手臂,
01:08
yet然而 the clothing服裝 that they are wearing穿著
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但它們的穿著
01:11
and their pose提出
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以及它們的姿勢,
01:12
can still tell us their story故事.
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仍然能將它們的故事告訴我們。
01:16
For example,
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比如,
01:17
we believe that by wearing穿著
a knee-length及膝 tunic中山裝
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我們相信,穿著長達膝蓋的
短袖束腰外衣,
01:21
and open打開 bare feet,
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且赤腳的裝扮,
01:22
this was representative代表 of a priest牧師.
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代表的是祭師。
01:25
However然而, with a closer接近 look
at this particular特定 piece,
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然而,如果更仔細地看這片碎片,
01:29
we can see that this tunic中山裝 being存在 worn磨損的
was elaborately精心 decorated裝飾,
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我們能看到,它穿的這件
短袖束腰外衣有被精心裝飾過,
01:34
which哪一個 has led many許多 researchers研究人員 to believe
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這點讓許多研究者相信,
01:37
this was actually其實 a statue雕像 of a king國王
performing執行 his religious宗教 functions功能.
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這雕像其實是個國王,
在履行其宗教相關的職責。
01:43
When the Mosul摩蘇爾 Cultural文化 Museum博物館
opened打開 in 1952 in northern北方 Iraq伊拉克,
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當北伊拉克的摩蘇爾
文化博物館於 1952 年開張,
01:49
this statue雕像, as well as others其他,
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這座雕像,以及其他雕像,
01:51
were placed放置 there to preserve保留 them
for future未來 generations.
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保存進了該博物館中,
為了下一代。
01:56
Following以下 the US-led以美國為首的 invasion侵入
of Iraq伊拉克 in 2003,
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在 2003 年美國攻打伊拉克之後,
02:00
a few少數 statues雕像 and artifacts文物
were relocated搬遷 to Baghdad巴格達,
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少部份的雕像及工藝品
被重新安置到巴格達,
02:04
but this statue雕像 remained保持.
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但這座雕像還留著。
02:07
Then in February二月 of last year,
a video視頻 was released發布,
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去年二月,一支影片被釋出,
02:11
and it instantly即刻 went viral病毒.
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且馬上被瘋傳。
02:14
Maybe some of you remember記得 seeing眼看 it.
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也許在座有些人還記得看過它。
02:16
Here's這裡的 a short clip.
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這裡是一小段影片。
02:17
(Video視頻) (Singing唱歌 in Arabic阿拉伯)
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(影片)(阿拉伯語歌聲)
02:43
(Singing唱歌 ends結束)
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(歌聲結束)
02:46
Not a very pleasant愉快 sight視力, right?
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不是很令人愉快的景象,對吧?
02:49
Did you notice注意 anything
familiar in the video視頻?
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在影片中,你們是否有
注意到什麼熟悉的東西?
02:53
There it is.
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就是它。
02:55
There is that very statue雕像,
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就是這座雕像,
02:57
as it was toppled扳倒 over,
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它被人推倒,
02:59
breaking破壞 into pieces.
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摔成碎片。
03:01
When Matthew馬修 Vincent文森特 and I saw this video視頻,
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當馬修文森和我看到這支影片,
03:04
we were shocked吃驚.
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我們十分震驚。
03:07
Since以來 we are archaeologists考古學家
using運用 innovative創新 technology技術
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因為我們是使用創新技術
03:10
for digital數字 preservation保存,
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來做數位保存的考古學家,
03:12
an idea理念 sprung彈性 to mind心神.
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我們想到了一個點子。
03:14
Maybe we can crowdsource眾包 the images圖片
that were taken採取 of these artifacts文物
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也許我們可以針對這些工藝品
被摧毀之前拍下的影片
03:19
before they were destroyed銷毀,
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做群眾外包,
03:21
to create創建 digital數字 reconstructions重建.
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來創造數位重建。
03:23
If we can do that,
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如果我們能那麼做,
03:24
maybe we can put them
into a virtual虛擬 museum博物館
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也許就能把它們放到虛擬博物館中,
03:27
to tell that story故事.
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來訴說那故事。
03:32
And so two weeks after we saw this video視頻,
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於是,在我們看到
那支影片的兩週後,
03:35
we started開始 the project項目
called Project項目 Mosul摩蘇爾.
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我們開始了一個專案,
稱為摩蘇爾計畫。
03:40
Remember記得 the pictures圖片 of the statue雕像
I showed顯示 you before?
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還記得我先前展示的雕像照片嗎?
03:43
This is actually其實 the crowdsourced眾包
reconstruction重建 of it
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這其實是它在被摧毀之前的
群眾外包重建成果。
03:47
before it was destroyed銷毀.
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03:50
Now, many許多 of you may可能 be wondering想知道,
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很多人可能會想知道,
03:52
how exactly究竟 does this work?
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這是怎麼做到的?
03:54
Well, the key to this technology技術
is called photogrammetry攝影,
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這項技術的關鍵,叫做攝影測量法,
03:58
and it was invented發明 here, in Germany德國.
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它是在這裡,在德國被發明出來的。
04:01
It is the technology技術 that allows允許 us
to use two-dimensional二維 images圖片
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正是這項技術,讓我們
可以用同一件物品
04:05
taken採取 of the same相同 object目的
from different不同 angles
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從不同角度拍攝的二維圖像,
04:08
to create創建 a 3D model模型.
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來建立一個三維模型。
04:11
I know you may可能 be thinking思維
this sounds聲音 like magic魔法 -- but it's not.
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我知道你們可能會心想,
這聽起來像魔術,但並不是。
04:15
Let me show顯示 you how it works作品.
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讓我來展示一下怎麼做。
04:17
Here are two crowdsourced眾包 images圖片
of the same相同 statue雕像.
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這是同一座雕像的
兩張群眾外包影像。
04:20
What the computer電腦 can do
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電腦能夠做的是,
04:22
is it can detect檢測 similar類似 features特徵
between之間 the photographs照片 --
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偵測兩張照片間的相似特徵──
04:26
similar類似 features特徵 of the object目的.
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這件物品的相似特徵。
04:29
Then, by using運用 multiple photos相片,
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然後,使用多張照片,
04:32
in this case案件, it can begin開始
to reconstruct重建 the object目的 in 3D.
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在這個例子中,就能開始
進行這個物件的三維重建。
04:36
In this case案件,
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在這個例子中,
04:37
you have the position位置 of the cameras相機
when each image圖片 was taken採取,
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每張影像在拍攝時的照相機位置
04:41
shown顯示 in blue藍色.
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用藍色來標示。
04:44
Now, this is a partial局部
reconstruction重建, I admit承認,
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我承認,這是部份重建,
04:47
but why would I say partial局部?
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但我為什麼會說是部份?
04:49
Well, simply只是 because the statue雕像
was positioned定位的 against反對 a wall.
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很簡單,因為該雕像是靠牆擺放的。
04:54
We don't have photographs照片
taken採取 of it from the back.
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我們沒有它背後的照片。
04:58
If I wanted to complete完成 a full充分
digital數字 reconstruction重建 of this statue雕像,
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如果我想要完成這座雕像的
完整數位重建,
05:03
I would need a proper正確 camera相機,
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我會需要一台適當的照相機、
05:05
tripods三腳架, proper正確 lighting燈光,
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三腳架、適當的燈光,
05:06
but we simply只是 can't do that
with crowdsourced眾包 images圖片.
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但用群眾外包影像時,
就無法這麼做。
05:10
Think about it:
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想想看:
05:11
How many許多 of you, when you visit訪問 a museum博物館,
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在座有多少人,
在造訪一間博物館時,
05:13
take photographs照片
of all parts部分 of the statue雕像,
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會去拍一座雕像的每個部份,
05:15
even the back side of it?
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甚至它的背面?
05:18
Well, maybe if some of you find
Michelangelo's米開朗基羅 David大衛 interesting有趣,
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嗯,也許有些人會覺得
米開朗基羅的大衛像蠻有趣的,
05:22
I guess猜測 --
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我猜是吧……
05:23
(Laughter笑聲)
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(笑聲)
05:25
But the thing is,
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但重點是,
05:26
if we can find more images圖片 of this object目的,
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如果我們能找到
越多這個物品的影像,
05:29
we can improve提高 the 3D model模型.
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我們就能改善它的三維模型。
05:33
When we started開始 the project項目,
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當我們開始這個專案時,
05:35
we started開始 it with
the Mosul摩蘇爾 Museum博物館 in mind心神.
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我們心中想的是摩蘇爾博物館,
05:37
We figured想通 we may可能 get a few少數 images圖片,
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心想也許能得到幾張影像,
05:39
some people interested有興趣,
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讓幾個人感興趣,
05:40
make one or two virtual虛擬 reconstructions重建,
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完成一、兩個虛擬重建,
05:42
but we had no idea理念 that we had sparked引發
something that would grow增長 so quickly很快.
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我們完全沒料到我們
點燃了某種快速燃燒的火花。
05:48
Before we knew知道 it,
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在我們知道之前,
05:49
we realized實現 it was obvious明顯:
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我們了解到,很顯然:
05:51
we could apply應用 this same相同 idea理念
to lost丟失 heritage遺產 anywhere隨地.
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我們能把這個點子應用到
任何地方的失落遺產。
05:56
And so, we decided決定 to change更改
the name名稱 of the project項目 to RekreiRekrei.
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所以,我們決定把專案
改名為 Rekrei(重建)。
06:02
Then, in the summer夏季 of last year,
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接著,去年夏天,
06:04
"The Economist經濟學家" magazine's雜誌 media媒體 lab實驗室
reached到達 out to us.
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「經濟人」雜誌的
媒體實驗室來找我們。
06:08
They asked us,
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他們問我們:
06:09
"Hey, would you like us
to build建立 a virtual虛擬 museum博物館
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「嘿,你們要不要我們
建立一座虛擬博物館,
06:12
to put the reconstructions重建 back inside,
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把重建的文物放回到裡面,
06:14
to tell the story故事?"
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讓它們來說故事?」
06:16
Can you imagine想像 us saying no?
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你們覺得我們會拒絕嗎?
06:17
Of course課程 not.
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當然不能。
06:19
We said yes!
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我們說好!
06:20
We were so excited興奮.
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我們好興奮。
06:21
This was exactly究竟
the initial初始 dream夢想 of that project項目.
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這正是這個專案最初的夢想。
06:25
And so now,
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所以,現在,
06:26
any of you can experience經驗
RecoVRRecoVR Mosul摩蘇爾 on your phone電話,
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每個人都可以用手機
來體驗「重建摩蘇爾虛擬實境」,
06:30
using運用 Google谷歌 Cardboard紙板
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也可以用 Google Cardboard
3D虛擬實境裝置,
06:31
or a tablet片劑 or even YouTubeYouTube的 360.
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平板電腦、甚至 YouTube 360。
06:35
Here is a screenshot截圖
from the virtual虛擬 museum博物館.
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這是虛擬博物館的一張截圖,
06:38
And there it is ...
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它就在這裡……
06:40
the partial局部 reconstruction重建 of the statue雕像,
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那座雕像的部份重建,
06:42
as well as the Lion獅子 of Mosul摩蘇爾,
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還有摩蘇爾之獅,
06:45
the first reconstruction重建
completed完成 by our project項目.
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它是我們的專案
第一個完成的重建作品。
06:49
Although雖然 the video視頻 doesn't explicitly明確地 show顯示
the Lion獅子 of Mosul摩蘇爾 being存在 destroyed銷毀,
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雖然那支影片並沒有明確顯示
摩蘇爾之獅被摧毀,
06:54
we have many許多 other examples例子
of large artifacts文物 being存在 destroyed銷毀
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但有許多例子都是
大型工藝品被摧毀,
06:58
that were simply只是 too large
to have been stolen被盜.
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只因為它們太大,無法被偷走。
07:02
For example,
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比如,
07:03
the Gate of Nimrud尼姆魯德 in northern北方 Iraq伊拉克.
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北伊拉克的尼姆魯德門,
07:06
This is a digital數字
reconstruction重建 from before,
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這是用它以前的樣子
進行的數位重建,
07:09
and this is actually其實
during the destruction毀壞.
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這是它實際被摧毀的樣子。
07:13
Or the Lion獅子 of Al-L所有āt, in Palmyra巴爾米拉, Syria敘利亞:
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或是敘利亞帕邁拉的
阿拉伯獅子神像:
07:17
before ...
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摧毀之前……
07:18
and after.
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及摧毀之後。
07:21
Although雖然 virtual虛擬 reconstructions重建
are primarily主要 the main主要 focus焦點
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雖然虛擬重建
是我們專案的主要重心,
07:24
of our project項目,
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07:26
some people have been asking the question:
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有些人一直在問這個問題:
07:28
Can we print打印 them in 3D?
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我們能用 3D 列印
把它們印出來嗎?
07:32
We believe 3D printing印花
doesn't offer提供 a straightforward直截了當 solution
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我們認為,3D 列印
並非失落遺產的
07:36
to lost丟失 heritage遺產.
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直接解決方案。
07:38
Once一旦 an object目的 is destroyed銷毀,
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一旦一件物品被摧毀,
07:40
it's gone走了.
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它就不在了。
07:42
But 3D printing印花 does offer提供
an addition加成 to tell that story故事.
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但 3D 列印的確能夠幫助
說出其背後的故事。
07:47
For example, I can show顯示 you here ...
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比如,我可以給各位看……
07:53
There is the statue雕像 from Hatra哈特拉
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這是哈特拉的雕像,
07:56
and the Lion獅子 of Mosul摩蘇爾.
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以及摩蘇爾之獅。
07:58
(Applause掌聲)
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(掌聲)
08:05
Thank you.
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謝謝。
08:07
Now, if you look closely密切,
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如果你靠近看,
08:08
you'll你會 notice注意 that there are some parts部分
that have been printed印刷的 in color顏色,
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你會注意到有些部份是用彩色列印,
08:13
and some parts部分 that are in white白色 or gray灰色.
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有些部份則是白色或灰色。
08:16
This part部分 was added添加
simply只是 to hold保持 the statues雕像 up.
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加上這部份的目的
只是要保持雕像的完好。
08:20
This works作品 the same相同 way
if you visit訪問 a museum博物館,
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當你參觀博物館時,它們也同樣
08:23
and a statue雕像 is found發現 in fragments片段;
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這樣處理找到時已是碎片的雕像;
08:25
it's put together一起
for the people to see it.
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雕像會被重組起來給人們觀賞。
08:27
This makes品牌 sense, right?
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這樣是合理的,對吧?
08:30
However然而, we're much more interested有興趣
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然而,我們更感興趣的是,
08:32
in what virtual虛擬 reality現實
has to offer提供 for lost丟失 heritage遺產.
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虛擬實境能為失落遺產提供什麼。
08:36
Here is an example
of one of the tower tombs墓葬
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這裡有個例子,這是在帕邁拉
08:38
that was destroyed銷毀 in Palmyra巴爾米拉.
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被摧毀的兩座墓塔之一。
08:40
Using運用 Sketchfab'sSketchfab的 online線上 viewer觀眾,
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用 3D 模型網站 Sketchfab 的
網上看圖軟體,
08:42
we can show顯示 that we have reconstructed重建
three parts部分 of the exterior外觀 of the tomb,
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可以看見我們已經重建了
這座墓外部的三個部份,
08:48
but we also have photos相片 of the inside,
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但我們也有內部的照片,
08:50
so we're beginning開始 to create創建
a reconstruction重建 of the wall
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所以我們開始在對牆壁以及天花板
08:53
and the ceiling天花板.
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進行重建。
08:54
Archaeologists考古學家 worked工作 there
for many許多, many許多 years年份,
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考古學家在那裡努力了
非常非常多年,
08:57
so we also have architectural建築的
drawing畫畫 plans計劃 of this lost丟失 heritage遺產.
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所以我們也有
這項遺產的建築平面圖。
09:04
Unfortunately不幸, we are not only losing失去
cultural文化 heritage遺產 to areas of conflict衝突
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不幸的是,我們不只是在
有衝突和戰爭的地區才會失去
09:10
and at war戰爭 --
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文化遺產,
09:11
we're also losing失去 it to natural自然 disasters災害.
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天災也是原因之一。
09:14
This is a 3D model模型
of Durbar杜巴 Square廣場 in Kathmandu加德滿都,
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這是加德滿都王宮廣場的三維模型,
09:18
before the earthquake地震
that occurred發生 last April四月 ...
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在去年四月地震之前它是這樣子的,
09:22
and this is after.
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這是地震後的狀況。
09:24
You may可能 be thinking思維,
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你也許會想,
09:26
you didn't create創建 these 3D models楷模
with only tourist遊客 photographs照片,
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你並不只是用遊客的照片
來建立這些三維模型,
09:29
and that's true真正.
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的確沒錯。
09:31
But what this represents代表
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但這代表的意義是,
09:32
is the ability能力 for large, public上市
organizations組織 and private私人的 industry行業
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大型政府組織以及私人產業能夠
09:36
to come together一起
for initiatives倡議 like ours我們的.
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協力進行像我們這樣的方案。
09:41
And so one of the major重大的 challenges挑戰
of our project項目, really,
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我們的專案要面對的主要挑戰之一,
09:44
is to find photographs照片 that were taken採取
before something happens發生, right?
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是要找到在物品被摧毀
之前的照片,對吧?
09:49
Well, the internet互聯網 is basically基本上 a database數據庫
with millions百萬 of images圖片, right?
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而網路基本上就是個
有百萬張影像的資料庫,對吧?
09:55
Exactly究竟.
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沒錯。
09:57
So we have begun開始 to develop發展 a tool工具
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於是,我們開始開發一種工具,
10:00
that allows允許 us to extract提取 images圖片
from websites網站 like FlickrFlickr的,
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讓我們能從如 Flickr
等網站,依據地理標籤
10:04
based基於 on their geotags地理標記,
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取得影像,
10:05
to complete完成 reconstructions重建.
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再用它們來完成重建。
10:08
Because we're not only losing失去 cultural文化
heritage遺產 to natural自然 disasters災害 and in war戰爭,
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因為我們不只在天災
和戰爭中失去文化遺產,
10:15
but we're also losing失去 it
to something else其他.
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還有其他造成遺產失落的原因。
10:19
Any idea理念, just looking
at these two pictures圖片?
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只看這兩張照片,能猜出來嗎?
10:23
Maybe it's a little difficult to remember記得,
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也許有點難記得,
10:26
but only a few少數 weeks ago,
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這例子在幾週之前才剛發生,
10:28
this was the example of human人的
destruction毀壞 by human人的 stupidity糊塗事.
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因為人類的愚昧而造成損毀。
10:33
Because a tourist遊客 in Lisbon里斯本
wanted to climb onto this statue雕像
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因為里斯本的一名遊客
想要爬上這座雕像,
10:39
and take a selfie自拍 with it --
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來跟它自拍。
10:40
(Laughter笑聲)
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(笑聲)
10:41
and pulled it down with him.
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結果拉著雕像一起摔倒。
10:43
So we're already已經 finding發現 photographs照片
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所以我們已經在尋找照片
10:45
to complete完成 a digital數字
reconstruction重建 of this.
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來完成這個雕像的數位重建。
10:48
We need to remember記得
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我們必須要記住,
10:50
that the destruction毀壞 of cultural文化 heritage遺產
isn't a recent最近 phenomenon現象.
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文化遺產的損毀並非
近期才有的現象。
10:55
In the 16th century世紀,
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在十六世紀,
10:57
European歐洲的 priests牧師 and explorers探險 burned
thousands數千 of Maya瑪雅 books圖書 in the Americas美洲,
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歐洲祭師和探險家在美洲
燒毀了數以千計的馬雅書籍,
11:03
of which哪一個 we only have a handful少數 left.
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只有少數還存留下來。
11:07
Fast-forward快進 to 2001,
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快轉到 2001 年,
11:09
when the Taliban塔利班 blew自爆 up
the Bamiyan巴米揚 Buddhas in Afghanistan阿富汗.
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塔利班炸毀了阿富汗的巴米揚大佛。
11:13
You see,
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你們要知道,
11:15
cultural文化 heritage遺產
is about our shared共享 global全球 history歷史.
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文化遺產是我們共有的全球歷史。
11:20
It helps幫助 us connect
with our ancestors祖先 and their stories故事,
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它協助我們與祖先
及祖先的故事做連結,
11:24
but we're losing失去 pieces of it
every一切 day to natural自然 disasters災害
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但每天,我們都在失去
它的一小部份,因為天災、
11:28
and in areas of conflict衝突.
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還有地區衝突。
11:32
Of course課程, the loss失利 of human人的 life
is the most heartbreaking令人心碎 loss失利 ...
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當然,人命的損失是最讓人心碎的。
11:37
but cultural文化 heritage遺產 offers報價 us a way
to preserve保留 the memory記憶 of the people
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但文化遺產讓我們能
保有對這些人的記憶,
11:43
for future未來 generations.
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讓後世也能認識他們。
11:46
We need your help to reclaim回收
the history歷史 that is being存在 lost丟失.
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我們需要你們的協助,
來恢復失落的歷史
11:51
Will you join加入 us?
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你們願意加入我們嗎?
11:53
(Applause掌聲)
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(掌聲)
Translated by Lilian Chiu
Reviewed by BO buffet

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ABOUT THE SPEAKER
Chance Coughenour - Digital archaeologist
Chance Coughenour is recreating heritage and culture that's been lost throughout the world.

Why you should listen

Chance Coughenour enjoys the innovations made possible by uniting science and archaeological research, which was part of the inspiration in the founding of Rekrei. His previous work on a EU-funded project connected him with Matthew Vincent, an archaeologist and web developer, who together launched Rekrei (formally Project Mosul) on March 8 of 2015 after witnessing the destruction of heritage in northern Iraq. Their open-source, volunteer initiative strives for the digital reconstruction of lost heritage using crowdsourced images and photogrammetry, the process of using 2D images to create 3D models.

From the start, Rekrei aimed to crowdsource the virtual reconstruction of the destroyed objects in the Mosul Cultural Museum and eventually release a virtual museum to digitally preserve its memory. This has already been accomplished thanks to the Economist Media Lab. The project has also expanded globally and continues to increase its activities thanks to our growing collaboration with public and private organizations, all of which has been achieved without any funding resources to date. The key ingredient to Rekrei is the online platform, which provides a simple user interface for identifying locations of destroyed heritage, uploading and sorting images, and a 3D gallery of completed reconstructions.

Coughenour has worked on research projects throughout Europe and the Americas. One of which is demonstrated in the documentary Scanning the End. He is a PhD candidate at the Institute for Photogrammetry at the University of Stuttgart. Coughenour joined Google Arts & Culture where he coordinates cultural heritage preservation efforts on a global scale. He's responsible for organizing partnerships and leading projects which employ emerging technology for cultural heritage documentation, dissemination and education.

More profile about the speaker
Chance Coughenour | Speaker | TED.com

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