Chance Coughenour: How your pictures can help reclaim lost history
Chance Coughenour: De cómo tus fotos pueden ayudar a recuperar la historia perdida
Chance Coughenour is recreating heritage and culture that's been lost throughout the world. Full bio
Double-click the English transcript below to play the video.
destroy cultural heritage?
cultural deliberadamente?
they're erasing our history?
cultural heritage to erosion
cultural a causa de la erosión
that is simply difficult to avoid.
difícil de evitar.
how we can use pictures --
cómo podemos usar fotos
que se está perdiendo
hundreds of statues and artifacts
cientos de estatuas y artefactos
were found in fragments,
encontradas en fragmentos,
a knee-length tunic
la altura de la rodilla
de los sacerdotes.
at this particular piece,
en particular más de cerca,
was elaborately decorated,
decorada con mucho detalle,
investigadores a creer
performing his religious functions.
durante sus funciones religiosas.
opened in 1952 in northern Iraq,
en 1952 en el norte de Irak,
for future generations.
para las generaciones futuras.
of Iraq in 2003,
a manos de Estados Unidos,
were relocated to Baghdad,
fueron trasladados a Bagdad,
a video was released,
se publicó un vídeo
familiar in the video?
using innovative technology
tecnologías innovadoras
that were taken of these artifacts
participativa para recopilar imágenes
antes de su destrucción
into a virtual museum
después de ver este vídeo
called Project Mosul.
I showed you before?
que les he enseñado antes?
reconstruction of it
realizada con las imágenes tomadas
is called photogrammetry,
es la fotogrametría,
to use two-dimensional images
imágenes bidimensionales
from different angles
desde distintos ángulos
this sounds like magic -- but it's not.
que suena a magia, pero no lo es.
of the same statue.
de la misma estatua.
between the photographs --
similares del objeto
to reconstruct the object in 3D.
a reconstruir el objeto en 3D.
when each image was taken,
la posición de las cámaras
reconstruction, I admit,
solo parcial, hay que reconocerlo.
was positioned against a wall.
la estatua estaba contra la pared.
taken of it from the back.
de la parte de atrás.
digital reconstruction of this statue,
completa de esta estatua,
with crowdsourced images.
donadas por voluntarios.
de todas las partes de una estatua,
of all parts of the statue,
Michelangelo's David interesting,
el David de Miguel Ángel...
de este objeto,
the Mosul Museum in mind.
algunas imágenes,
virtuales...
something that would grow so quickly.
iniciado algo que crecería tan rápido.
to lost heritage anywhere.
perdido en cualquier sitio del mundo.
the name of the project to Rekrei.
proyecto, que pasó a llamarse Rekrei.
reached out to us.
se puso en contacto con nosotros.
to build a virtual museum
the initial dream of that project.
con el que empezó el proyecto.
RecoVR Mosul on your phone,
RecoVR Mosul en sus teléfonos,
from the virtual museum.
del museo virtual.
completed by our project.
se completó con nuestro proyecto.
the Lion of Mosul being destroyed,
explícita la destrucción del león,
of large artifacts being destroyed
factos de gran tamaño que se destruyen
to have been stolen.
grandes para robarlos.
reconstruction from before,
de como era antes,
during the destruction.
are primarily the main focus
se centra, sobre todo,
doesn't offer a straightforward solution
no es una solución satisfactoria
an addition to tell that story.
a la hora de contar esa historia.
that have been printed in color,
simply to hold the statues up.
para sujetar las estatuas.
if you visit a museum,
encontrada en fragmentos,
for the people to see it.
de patrimonio perdido,
has to offer for lost heritage.
lo que ofrece la realidad virtual.
of one of the tower tombs
las torres funerarias
three parts of the exterior of the tomb,
tres partes del exterior de la tumba,
fotos del interior,
a reconstruction of the wall
reconstrucción de la pared
for many, many years,
trabajando muchísimos años,
drawing plans of this lost heritage.
tectónicos de este patrimonio perdido.
cultural heritage to areas of conflict
patrimonio cultural en zonas de conflicto
a causa de desastres naturales.
of Durbar Square in Kathmandu,
la plaza Durbar en Katmandú,
that occurred last April ...
with only tourist photographs,
solamente con fotos de turistas,
organizations and private industry
organizaciones públicas e industrias
for initiatives like ours.
of our project, really,
para nuestro proyecto
before something happens, right?
antes de que ocurra algo, ¿sí?
with millions of images, right?
datos con millones de imágenes, ¿verdad?
desarrollar una herramienta
from websites like Flickr,
de sitios web como Flickr
heritage to natural disasters and in war,
desastres naturales o guerras,
to something else.
por otras causas.
at these two pictures?
viendo estas dos fotos?
destruction by human stupidity.
a causa de la estupidez humana.
wanted to climb onto this statue
subirse a esta estatua
reconstruction of this.
isn't a recent phenomenon.
no es un fenómeno reciente.
thousands of Maya books in the Americas,
ron miles de libros mayas en América,
más que unos pocos.
the Bamiyan Buddhas in Afghanistan.
los Budas de Bamiyan en Afganistán.
is about our shared global history.
la historia global que compartimos.
with our ancestors and their stories,
antepasados y con sus historias,
every day to natural disasters
de él por desastres naturales
is the most heartbreaking loss ...
de vidas humanas es la más dolorosa,
to preserve the memory of the people
posibilidad de preservar la memoria
las generaciones futuras.
the history that is being lost.
la historia que se está perdiendo.
ABOUT THE SPEAKER
Chance Coughenour - Digital archaeologistChance Coughenour is recreating heritage and culture that's been lost throughout the world.
Why you should listen
Chance Coughenour enjoys the innovations made possible by uniting science and archaeological research, which was part of the inspiration in the founding of Rekrei. His previous work on a EU-funded project connected him with Matthew Vincent, an archaeologist and web developer, who together launched Rekrei (formally Project Mosul) on March 8 of 2015 after witnessing the destruction of heritage in northern Iraq. Their open-source, volunteer initiative strives for the digital reconstruction of lost heritage using crowdsourced images and photogrammetry, the process of using 2D images to create 3D models.
From the start, Rekrei aimed to crowdsource the virtual reconstruction of the destroyed objects in the Mosul Cultural Museum and eventually release a virtual museum to digitally preserve its memory. This has already been accomplished thanks to the Economist Media Lab. The project has also expanded globally and continues to increase its activities thanks to our growing collaboration with public and private organizations, all of which has been achieved without any funding resources to date. The key ingredient to Rekrei is the online platform, which provides a simple user interface for identifying locations of destroyed heritage, uploading and sorting images, and a 3D gallery of completed reconstructions.
Coughenour has worked on research projects throughout Europe and the Americas. One of which is demonstrated in the documentary Scanning the End. He is a PhD candidate at the Institute for Photogrammetry at the University of Stuttgart. Coughenour joined Google Arts & Culture where he coordinates cultural heritage preservation efforts on a global scale. He's responsible for organizing partnerships and leading projects which employ emerging technology for cultural heritage documentation, dissemination and education.
Chance Coughenour | Speaker | TED.com