Douglas Thomas: How a typeface helped launch Apollo
道格拉斯•湯瑪斯: 字型如何協助發射阿波羅太空船
Douglas Thomas's research explores the power of fonts at the intersection of design and culture. Full bio
Double-click the English transcript below to play the video.
the great leap for mankind.
they walked on the surface,
在月球表面上行走,
that in America we say is a triumph.
這個時刻是勝利的時刻。
amazing accomplishment.
很了不起的成就。
this flag, though.
很漂亮的紀念牌。
a little bit about.
談一下這塊紀念牌。
上面有兩個球形代表整個地球。
that there's two globes,
代表所有人類,為和平而來。」
nice poetic language,
that's perfect for this moment.
非常適合這個時刻。
似乎是為科學設計的。
能為月球用途想出來
for something on the moon: Futura.
(改自「未來 Future」)。
for this moment.
非常適合這個時刻。
than just ceremonial.
都是無意識的字型學專家。
experts on typography.
of how fonts inhabit our world,
如何存在於我們的世界上,
of the words we use.
視覺表達方式。
that's funny about this, though.
you're not a font nerd,
不像我是個字體狂,
如果不是,沒關係,
but if you're not, that's alright,
for the perfect project,
挑選完美的字型,
數千美元去買適合的字型。
of dollars every year,
with the right features.
花數小時的時間在評估字體。
every day, evaluating fonts.
think about how you got here.
是怎麼到這裡的。
甚至是用手機,
要忽略哪些訊號。
and which to ignore.
buying a new product,
whether something is expensive
或很容易入手。
something out of place,
and why I love Futura,
喜歡 Futura 的原因,
what I study is everywhere.
我研究的目標無所不在。
every book that I pick up,
我挑的每一本書,
is filled with the thing I love.
and what happens with typography,
歷史和發生過的事,
of everything before you.
this is modernism in miniature.
它是現代主義的縮影。
infiltrated this country
滲入這個國家的方式,
最熱門或最雜亂的字體。
or promiscuous typeface,
the aphorisms of modernism.
這就是現代主義的格言。
the same thing happened.
focus on the basic shapes,
基本的形狀上、幾何上。
inherent in Futura
Futura 固有的形狀
are all based on circles,
為基礎,如 O、D、C,
apex of the triangle.
they might have been made
用直尺或圓規畫出來的。
they feel mathematic, precise.
用這方式設計出來的。
carries through with the way
像是其他字型,而是新創的。
like other typefaces, to be something new.
the medium weight and the bold weight.
different things to commend to it.
by a machine, and not by hand.
而不是手寫的。
this is what I mean.
with a calligraphic brush or a pen.
say like a Garamond,
where it get little bit thinner at the top
someone had made it by hand.
no one had touched it at all,
人工成份,百分百機器製造,
who made this in 1927, employed.
採用了很巧妙的手法。
joins with the vertical shaft,
just every so slightly.
to look geometrically perfect,
designers do all the time
at the same time in Europe and America.
其他設計師會這麼做。
excellent examples from Europe,
for the new age, a new moment in time.
在某種程度上很類似 Futura,
look very similar to Futura,
比較高或低,或比例不同。
or different proportions.
the titles there,
各位能讀出這些名稱,
don't quite roll off the tongue:
Berthold-Grotesk, Elegant-Grotesk.
Elegant-Grotesk。
household names, are they?
good choice by the marketing team.
做出了一個好選擇。
is that this is a name
帶出對未來的想法。
and an idea about the future.
for future in German,
「未來」,它不是德文,
larger audience, a universal audience.
普遍的客群連結。
to what was being done in America --
from the same period
bold、brash、braggadocios。
like what the stock market looked like
going nuts in the 1920s.
is doing something revolutionary.
談談字型使用上的例子。
about an example of the typeface in use.
probably know today, "Vanity Fair."
都知道的雜誌《浮華世界》。
in 1929, in the summer.
夏天時的樣子。
nothing wrong with this design.
這個設計沒什麼問題。
of an important person,
then-governor of New York.
當時的紐約州長。
一切似乎都對稱。
everything seems symmetrical.
of ornamentation,
有一些彩繪女士的痕跡,
some vestiges of the painted lady
放大來協助讀者閱讀。
to help you get into the text.
在 1929 年十月,
and in October of 1929,
and redesigned "Vanity Fair."
來重新設計了《浮華世界》。
it looks like with Futura.
Futura 之後的樣子。
of an abstract, beautiful setting,
there's nothing at all.
layout is now asymmetry.
改用不對稱的排版。
the further you enter the magazine.
還會變得更極端。
even more dramatic asymmetry.
by Pablo Picasso, moving across the page
you might notice something.
標題都沒有大寫字母。
in the title or the captions on this page.
一本書,或上任何網站,
any book or go to any website,
going to find it very easily.
what capital letters denote,
代表的意思是什麼,
the name of our corporations,
所屬公司的名字,
America's the home of capitalization.
就是大寫(資本化)的國家。
taking away all the capital letters.
這是多極端的事。
the same political force
like pronouns in our society today.
代名詞議題的政治力是一樣的。
had a communist revolution.
a socialist infiltration into America.
社會主義滲入了美國。
that this was an egalitarian,
into one equal playing field.
到平等的地位。
you do capitalize something
來讓字詞更有力量或威望。
把 Futura 用在這個點子上。
in which Futura was using this idea.
were doing other things with Futura.
用 Futura 做不同的事。
of modernism with it,
new illustration styles,
types of illustration.
to use a new typeface,
你想要用新的字型,
onto your computer.
想要採用這種字型,
in everyday typography,
capitalists, what did we do?
資本主義者,我們怎麼做?
with the name Futura,
這個名字無關的字型,
不論是 Spartan 或 Tempo。
that World War II started,
to boycott Nazi goods.
"Go ahead and use our copies.
use Vogue, use Tempo.
用 Vogue,用 Tempo。
they didn't even learn the new names,
甚至沒有去記新名字,
expansion football team.
商標也用了這種字型。
of the most important advertising
最重要的廣告上都可以看到它。
was picking a typeface
新的地圖和新的專案上,
for new maps and new projects,
意外,也不極端,
it wasn't a radical choice,
to do with communism.
一些最重要的地圖上,
on some of the most important maps,
first started the Mercury program,
that he was using were in Futura.
就使用了 Futura 字型。
Mercury morphed into Apollo,
轉變為阿波羅計畫時,
more and more for more things.
on instrument panels,
to show how the whole system worked.
運作狀況的圖形上。
that they handed out to people.
他們交給別人的文件上,
如何使用機器的整個系統上。
that helped the astronauts
一間大公司包辦一切。
making everything.
道格拉斯公司——
different typefaces and different systems
太空船上不同的元件時
in the space shuttles.
impossible to navigate
就會造成認知超載。
a cognitive overload
to open up a new system.
being used on the interface
and make it more clear.
容易找到需要的功能。
it was used on labels,
也用在標籤上,
to tell them what to do.
告訴他們該怎麼操作。
that were complex be more simple to them,
entirely in Futura,
what to do with that one moment.
everything in their head,
in the world to see and refer to.
make that system,
a very difficult and complex system,
an astronaut might have seen
進入或離開太空船時,
or exiting the spacecraft
of how Futura worked in this way
我最喜歡的例子之一,
that was made by the Swedish company.
哈蘇製造的照相機。
some of you might have used one,
在座可能有人用過,
as a really great camera.
if you know anything about cameras,
可能有注意到,
modifications made to it.
placed all over the film canisters,
out of the astronauts.
they're not experts in art.
他們不是藝術專家。
would know how to use this camera
如何使用這台照相機,
用的是 Futura 字型。
placed there in Futura.
that they had legitimacy
在曝光之前把底片拿出來。
before it would expose.
we would have never had
看到那些驚人的照片了。
without this label.
as this, a ceremonial patch,
than just something ceremonial,
Futura 不只是儀式性的,
that had just been picked for its design.
有正當性、有力量。
because of this choice.
I want to talk about in closing.
is that all of them tell stories.
就是因為它們都會說故事。
tells a very powerful story
是個非常強大的故事,
being taken into America
某樣東西進入了美國,
and worst things America does,
最棒的同時也最糟的
and we spit them out back again
我們的文化,再吐出來,
exactly what happened with the technology
所遇到的狀況。
taken in, made into an American commodity.
被拿進來,放進美國的商品中。
科學家都是來自德國。
all came from Germany as well.
在美國紀念牌上用德國字型
on an American plaque
with the technology.
you realize that typography on the moon
了解到月球上的字型學
represents authority,
the power to get to the moon.
ABOUT THE SPEAKER
Douglas Thomas - Designer, writer and historian of typographyDouglas Thomas's research explores the power of fonts at the intersection of design and culture.
Why you should listen
Douglas Thomas is is the author of Never Use Futura (Princeton Architectural Press, 2017). His work explores the nexus of typography, design and culture. He specializes in user experience design, publication design and branding. His design work has been featured in Communication Arts, Eye, Design Observer, Print and Graphis. He is assistant professor of graphic design at Brigham Young University.
(Photo: Kei Ito)
Douglas Thomas | Speaker | TED.com