ABOUT THE SPEAKER
Andrew Bird - Musician
Andrew Bird is a virtual one-man band -- he’s a singer and songwriter and plays the violin, guitar, glockenspiel.

Why you should listen

Andrew Bird began to play the violin at age 4, learning to play Bach and Mozart by ear as if they were folk tunes. Though raised on classical repertoire, he still has little use for the written note and spins melody and words out of his cumulative experience, mixing elements of many genres without confining itself to any one in particular. While his early work with his band Bowl of Fire was influenced by pre-war jazz and showcased his violin skills, his sound began to evolve in an indie-folk direction after he went solo. But indie-folk -- or any single genre -- is just a backbone for a swirl of loops, samples and gorgeously rich instrumentation underpinning lyrics of mysterious import.
 
In 2002, Bird flew his Chicago coop for rural Illinois to live the rural life (yes, he had chickens) and set up his studio in a converted barn. This new environment inspired his 2003 solo album, Weather Systems, which has a surreal quality and poetic, thought-provoking lyrics. His sound progressed further with his 2005 album, The Mysterious Production of Eggs, which used multitrack recorders and loop pedals to layer samples, and featured more guitar, whistling and glockenspiel. Bird released his fifth solo album, Noble Beast, in early 2009 to acclaim; he's now working on a film score and an art installation.

More profile about the speaker
Andrew Bird | Speaker | TED.com
TED2010

Andrew Bird: A one-man orchestra of the imagination

Andrew Bird, l'home orquestra de la imaginació

Filmed:
1,429,132 views

L'innovador musical Andrew Bird combina la seva tècnica de viol
- Musician
Andrew Bird is a virtual one-man band -- he’s a singer and songwriter and plays the violin, guitar, glockenspiel. Full bio

Double-click the English transcript below to play the video.

00:18
Well, there's lots to talk about,
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Bé, hi ha un munt de coses sobre les que parlar,
00:20
but I think I'm just going to playjugar to startcomençar off.
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Però penso que per començar tocaré una cançó.
00:24
(MusicMúsica)
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(Música)
03:09
♫ When I wakeestela up ♫
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♫ Quan em llevo ♫
03:13
♫ in the morningmatí
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♫ als matins ♫
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♫ I pourabocar the coffeecafè
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♫ Preparo el cafè ♫
03:20
♫ I readllegir the paperpaper
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♫ Llegeixo el diari ♫
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♫ And then I slowlylentament
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♫ I lentament ♫
03:30
♫ and so softlysuaument
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♫ I amb calma ♫
03:39
♫ do the dishesplats
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♫ rento els plats ♫
03:44
♫ So feedalimentar the fishespeixos
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♫ Dono de menjar els peixos ♫
03:52
♫ You singcantar me happyfeliç birthdayaniversari
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♫ Em cantes feliç aniversari ♫
04:00
♫ Like it's gonna be ♫
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♫ com si fos ♫
04:03
♫ your last day ♫
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♫ el teu últim dia ♫
04:07
♫ here on EarthTerra
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♫ a la Terra ♫
05:33
(ApplauseAplaudiments)
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(Aplaudiments)
05:44
All right.
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Bé.
05:46
So, I wanted to do something specialespecial todayavui.
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Vull fer quelcom especial avui.
05:48
I want to debutdebutar a newnou songcançó that I've been workingtreball on
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M'agradaria estrenar una cançó nova a la que he estat treballant
05:51
in the last fivecinc or sixsis monthsmesos.
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els darrers cinc o sis mesos.
05:54
And there's fewpocs things more thrillingemocionant
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I hi ha poques coses més emocionants
05:56
than playingjugant a songcançó
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que tocar una cançó
05:58
for the first time in frontfront of an audienceaudiència,
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per primera vegada davant un públic,
06:01
especiallyespecialment when it's half-finishedmig acabar.
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sobre tot quan encara no està terminada.
06:03
(LaughterRiure)
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(Rialles)
06:05
I'm kindamable of hopingesperant some conversationsconverses here
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Espero que algunes converses aquí
06:07
mightpotser help me finishacabar it.
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m'ajudin a terminar-la.
06:09
Because it getses posa into all sortstipus
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Perquè toca tota mena
06:11
of crazyboig realmsRegnes.
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de temes estranys.
06:13
And so this is basicallybàsicament a songcançó
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Així que bàsicament aquesta es una cançó
06:15
about loopsbucles,
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sobre bucles,
06:17
but not the kindamable of loopsbucles that I make up here.
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però no la mena de bucles que faig aquí.
06:19
They're feedbackcomentaris loopsbucles.
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Sinó bucles de retroalimentació.
06:21
And in the audioàudio worldmón
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I al món de l'àudio
06:23
that's when the microphonemicròfon getses posa too closea prop
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és quan el micròfon s'apropa massa
06:26
to its soundso sourcefont,
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a la seva font de so,
06:29
and then it getses posa in this self-destructiveauto-destructiva looploop
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i entra en aquest bucle autodestructiu
06:31
that createscrea a very unpleasantdesagradable soundso.
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creant un so molt desagradable.
06:33
And I'm going to demonstratedemostrar for you.
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Us ho vaig a provar ara.
06:35
(LaughterRiure)
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(Rialles)
06:38
I'm not going to hurtferit you. Don't worrypreocupació.
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No us faré mal. No us preocupeu.
06:43
♫ This is a looploop, feedbackcomentaris looploop
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♫ Això és un bucle, un bucle de retroalimentació ♫
06:46
♫ This is a looploop, feedbackcomentaris looploop
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♫ Això és un bucle, un bucle de retroalimentació ♫
06:49
♫ This is a looploop, feedbackcomentaris looploop
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♫ Això és un bucle, un bucle de retroalimentació ♫
06:51
♫ This is a looploop, feedbackcomentaris looploop
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♫ Això és un bucle, un bucle de retroalimentació ♫
06:54
♫ This is a looploop, feedbackcomentaris looploop
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♫ Això és un bucle, un bucle de retroalimentació ♫
06:56
♫ This is a looploop, feedbackcomentaris looploop
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♫ Això és un bucle, un bucle de retroalimentació ♫
06:59
♫ This is a -- (FeedbackRetroalimentació)
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♫ Això és un -- (retroalimentació)
07:07
All right. I don't know if that was necessarynecessari to demonstratedemostrar --
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Molt bé. No sé si calia demostrar --
07:10
(LaughterRiure)
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(Rialles)
07:12
-- but my pointpunt is it's the soundso of self-destructionl'autodestrucció.
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-- però opino que aquest és el so de l'autodestrucció.
07:17
And I've been thinkingpensant about
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I he estat pensant en
07:19
how that appliess'aplica acrossa través de a wholetot spectrumespectre of realmsRegnes,
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com s'aplica això a un espectre més ampli,
07:23
from, say, the ecologicalecològic, okay.
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com per exemple, l'ecologia.
07:26
There seemssembla to be a ruleregla in naturenaturalesa
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Sembla que hi ha una llei a la Natura
07:29
that if you get too closea prop to where you cameva venir from,
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que si algú s'apropa massa a la seva font de procedència,
07:32
it getses posa uglylleig.
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ho arruïna.
07:34
So like, you can't feedalimentar cowsvaques theirels seus ownpropi brainscervells
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Com, no es pot donar de menjar a les vaques el seu propi cervell,
07:37
or you get madboig cowvaca diseasemalaltia,
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perquè llavors tindríem la malaltia de la vaca boja,
07:39
and inbreedingendogàmia and incestl'incest
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També l'endogàmia i l'incest
07:41
and, let's see,
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i veiem,
07:43
what's the other one?
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què més?
07:45
BiologicalBiològica -- there's autoimmuneautoimmunes diseasesmalalties,
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Biològiques... hi ha malalties autoimmunes,
07:47
where the bodycos attacksatacs itselfella mateixa
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on el cos s'ataca a si mateix
07:49
a little too overzealouslyoverzealously
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una mica amb molts d'afanys
07:51
and destroysdestrueix the hosthost,
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i destrueix l'hoste,
07:53
or the personpersona.
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o la persona.
07:58
And then -- okay, this is where we get to the songcançó --
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I llavors -- molt bé, ara és quan passem a la cançó --
08:01
kindamable of bridgesponts the gapbuit to the emotionalemocional.
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que d'alguna manera lliga amb allò emocional.
08:04
Because althoughencara que I've used scientificcientífic termstermes
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Perquè encara que he usat termes científics
08:07
in songscançons,
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a les cançons,
08:09
it's very difficultdifícil sometimesde vegades to make them lyricallíric.
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de vegades és molt difícil fer-les poètiques.
08:12
And there's some things
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Hi ha algunes coses
08:14
you just don't need to have in songscançons.
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que no cal tenir a les cançons.
08:18
So I'm tryingintentant to bridgepont this gapbuit
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Estic tractant de fer la connexió
08:20
betweenentre this ideaidea and this melodymelodia.
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entre aquesta idea i la melodia.
08:23
And so, I don't know if you've ever had this,
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I no sé si això els ha passat mai
08:26
but when I closea prop my eyesulls sometimesde vegades
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però de vegades quan tanco els ulls
08:29
and try to sleepdormir,
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i provo de dormir
08:31
I can't stop thinkingpensant about my ownpropi eyesulls.
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no puc deixar de pensar en els meus propis ulls.
08:34
And it's like your eyesulls
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I és com si els ulls
08:36
startcomençar strainingforçar to see themselvesells mateixos.
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s'esforcessin per veure's a si mateixos.
08:38
That's what it feelsse sent like to me.
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Això és el que sento.
08:40
It's not pleasantagradable.
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No és agradable.
08:42
I'm sorry if I put that ideaidea in your headcap.
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Si us vaig transmetre aquesta idea, ho sento.
08:44
(LaughterRiure)
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(Rialles)
08:46
It's impossibleimpossible, of coursecurs, for your eyesulls to see themselvesells mateixos,
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És impossible, clar, que els ulls es puguin veure a si mateixos,
08:48
but they seemsembla to be tryingintentant.
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però sembla que ho intenten.
08:51
So that's gettingaconseguint a little more closermés a prop to a personalpersonal experienceexperiència.
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S'està apropant a una experiència personal.
08:55
Or earsorelles beingser ablecapaç to hearescoltar themselvesells mateixos --
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O que les orelles es sentin a si mateixes...
08:57
it's just impossibleimpossible.
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simplement és impossible;
08:59
That's the thing.
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aquesta és la qüestió.
09:01
So, I've been workingtreball on this songcançó
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He estat treballant en aquesta cançó
09:04
that mentionsmencions these things
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que parla d'aquestes coses
09:07
and then alsotambé imaginess'imagina
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i després també imagina
09:09
a personpersona who'squi és been so successfulreeixit
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una persona a qui li va anar tan bé
09:11
at defendingdefensa themselvesells mateixos from heartbreakangoixa
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defenent-se d'un desengany amorós
09:14
that they're left to do the deedescriptura themselvesells mateixos,
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que s'autoenganyarà,
09:17
if that's possiblepossible.
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si això és possible.
09:19
And that's what the songcançó is askingpreguntant.
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I això és el que demana la cançó.
09:23
All right.
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Molt bé.
09:25
It doesn't have a namenom yetencara.
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Encara no té nom.
09:27
(MusicMúsica)
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(Música)
11:23
♫ Go aheadendavant and congratulatefelicitar yourselftu mateix
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♫ Endavant, felicita't ♫
11:26
♫ Give yourselftu mateix a hand, the hand is your hand
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♫ Dona't una mà, la mà és la teva mà ♫
11:30
♫ And the eyeull that eyesulls itselfella mateixa is your eyeull
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♫ I els ulls, aquests ulls són els teus ulls ♫
11:33
♫ And the earorella that hearssent itselfella mateixa is neara prop
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♫ I la oïda que se sent a si mateixa està a prop ♫
11:37
'CausePerquè it's your earorella, oh oh ♫
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♫ Perquè és la teva orella, oh, oh ♫
11:40
♫ You've donefet the impossibleimpossible now ♫
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♫ Ara has fet l'impossible ♫
11:43
TookVa prendre yourselftu mateix aparta part
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♫ Separa't de tu mateix ♫
11:47
♫ You madefet yourselftu mateix invulnerableinvulnerable
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♫ T'has fet invulnerable ♫
11:50
♫ No one can breaktrencar your heartcor
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♫ Ningú no pot trencar-te el cor ♫
11:54
♫ So you weardesgast it out ♫
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♫ Així que gasta-ho ♫
11:58
♫ And you wringescorri it out ♫
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♫ I espréme-ho ♫
12:01
♫ And you weardesgast it out ♫
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♫ I gasta-ho ♫
12:04
♫ And you breaktrencar it yourselftu mateix
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♫ I trenca-ho tú mateix ♫
12:06
BreakingTrencar your ownpropi, breaktrencar it yourselftu mateix
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♫ Fes-ho pel teu compte, trenca el teu cor ♫
12:09
BreakingTrencar your ownpropi, breaktrencar it yourselftu mateix
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♫ Fes-ho pel teu compte, trenca el teu cor ♫
12:13
BreakingTrencar your ownpropi
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♫ Fes-ho pel teu compte ♫
12:29
(ApplauseAplaudiments)
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(Aplaudiments)
12:33
ThanksGràcies.
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Gràcies.
12:35
(ApplauseAplaudiments)
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(Aplaudiments)
12:40
All right.
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Molt bé.
12:42
It's kindamable of coolguai. SongwritersCompositors can sortordenar of get away with murderassassinat.
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Està molt bé. Als compositors ens deixen fer qualsevol cosa.
12:45
You can throwllançar out crazyboig theoriesteories
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Es poden llençar teories boges
12:48
and not have to back it up with datadades
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i no cal donar-los suport amb dades
12:51
or graphsgràfics or researchrecerca.
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ni gràfics, ni investigació.
12:54
But, you know, I think recklessimprudent curiositycuriositat
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Però, sabeu, penso què avui el món necessita
12:57
would be what the worldmón needsnecessitats now,
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curiositat sense límits,
13:00
just a little bitpoc.
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només una miqueta.
13:02
(ApplauseAplaudiments)
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(Aplaudiments)
13:06
I'm going to finishacabar up with a songcançó of minemeu
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Terminaré amb una cançó meva
13:08
calledanomenat "WeatherTemps SystemsSistemes."
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que es diu "Sistemes meteorològics".
13:10
(MusicMúsica)
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(Música)
13:27
QuietTranquil
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♫ Tranquil ♫
13:32
QuietTranquil down, she said ♫
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♫ Tranquil, va dir ella ♫
13:36
SpeakParlar into the back of his headcap
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♫ Parla al seu clatell ♫
13:39
♫ On the edgevora of the bedllit, I can see your bloodsang flowflux
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♫ A la vora del llit puc veure la sang que flueix ♫
13:43
♫ I can see your ♫
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♫ Puc veure les teves ♫
13:47
cellscèl · lules growcréixer
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♫ cèl·lules com creixen ♫
13:54
HoldAgafador still awhileuna estona
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♫ Queda't quiet una estona ♫
13:57
♫ Don't spillvessament the winevi
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♫ No vessis el vi ♫
14:00
♫ I can see it all from here ♫
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♫ Puc veure-ho tot des d'aquí ♫
14:03
♫ I can see ♫
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♫ Puc veure ♫
14:05
♫ oh, I ♫
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♫ Oh, jo ♫
14:07
♫ I can see ♫
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♫ Puc veure ♫
14:14
weatherclima systemssistemes
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♫ el clima ♫
14:17
♫ of the worldmón
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♫ del món ♫
14:30
WeatherTemps systemssistemes
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♫ El clima ♫
14:33
♫ of the worldmón
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♫ del món ♫
15:07
♫ Some things you say ♫
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♫ Algunes coses que dius ♫
15:10
♫ are not for salevenda
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♫ No estan a la venda ♫
15:14
♫ I would holdaguantar it where ♫
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♫ Jo ho mantindria on ♫
15:17
♫ our freegratuït agentsagents of some substancesubstància are ♫
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♫ els nostres agents lliures d'alguna substància estan ♫
15:23
scaredespantat
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♫ espantats ♫
15:30
HoldAgafador still a while ♫
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♫ Queda't quiet una estona ♫
15:33
♫ Don't spillvessament the winevi
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♫ No vessis el vi ♫
15:37
♫ I can see it all from here ♫
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♫ Puc veure-ho tot des d'aquí ♫
15:40
♫ I can see ♫
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♫ Puc veure ♫
15:42
♫ oh, I ♫
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♫ oh, jo ♫
15:44
♫ I can see ♫
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♫ Puc veure ♫
15:49
weatherclima systemssistemes of the worldmón
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♫ els climes del món ♫
17:42
WeatherTemps systemssistemes
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♫ Els climes ♫
17:47
♫ of the worldmón
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♫ del món ♫
18:56
ThanksGràcies.
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Gràcies.
18:58
(ApplauseAplaudiments)
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(Aplaudiments)
Translated by Patricia Parra
Reviewed by Carme Rossell

▲Back to top

ABOUT THE SPEAKER
Andrew Bird - Musician
Andrew Bird is a virtual one-man band -- he’s a singer and songwriter and plays the violin, guitar, glockenspiel.

Why you should listen

Andrew Bird began to play the violin at age 4, learning to play Bach and Mozart by ear as if they were folk tunes. Though raised on classical repertoire, he still has little use for the written note and spins melody and words out of his cumulative experience, mixing elements of many genres without confining itself to any one in particular. While his early work with his band Bowl of Fire was influenced by pre-war jazz and showcased his violin skills, his sound began to evolve in an indie-folk direction after he went solo. But indie-folk -- or any single genre -- is just a backbone for a swirl of loops, samples and gorgeously rich instrumentation underpinning lyrics of mysterious import.
 
In 2002, Bird flew his Chicago coop for rural Illinois to live the rural life (yes, he had chickens) and set up his studio in a converted barn. This new environment inspired his 2003 solo album, Weather Systems, which has a surreal quality and poetic, thought-provoking lyrics. His sound progressed further with his 2005 album, The Mysterious Production of Eggs, which used multitrack recorders and loop pedals to layer samples, and featured more guitar, whistling and glockenspiel. Bird released his fifth solo album, Noble Beast, in early 2009 to acclaim; he's now working on a film score and an art installation.

More profile about the speaker
Andrew Bird | Speaker | TED.com

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