Justin Davidson: Why glass towers are bad for city life -- and what we need instead
Justin Davidson: Parlak cam kuleler neden şehir hayatı için kötü?
Justin Davidson writes about a broad range of urban, civic, design and arts issues. Full bio
Double-click the English transcript below to play the video.
in here this evening,
bu odadaki herkesin
looked almost exactly the same:
göründüğünü hayal edin:
idiosyncratic inner life,
the same blank expression all the time.
sürekli aynı boş ifade var.
that is taking over cities,
korkunç değişim de bu,
insanlar değil.
of great individuality and character
mimari yüzeyler bulabilirsiniz;
splendor of cities.
is that the need for shelter
sebebi, barınma ihtiyacının,
the human desire for beauty.
fazlasıyla bağlı olması.
give us a touchable city.
dokunulabilir bir şehir sağlıyor.
over brick and stone.
filizlenen kuleler,
made of concrete and steel
ve çelikten yapılıyor
all over the world --
neresinden bakarsanız bakın --
of high-gloss robots
çok-parlak robot ordusunun
the full range of available materials.
kaybedeceklerimizi düşünün.
and limestone and sandstone
and terra-cotta and brick
all of the world's cuisines
like this one in Moscow
and communal aspects of urban living.
boyutunu küçümsüyor.
to enrich their owners and tenants,
zenginleştirmeyi amaçlıyor,
the lives of the rest of us,
the spaces between the buildings.
geçenlerinkini değil.
and killing off public space.
öldürürler.
as being like makeup,
to a building that's effectively complete.
en son uygulanan dekoratif bir katman.
affect the way we live in it.
bir örnek vereyim.
sunlight rakes the facades,
güneş cepheleri okşuyor,
segments the buildings
of visual activity.
görsel bir hareketlilik içinde.
bu cazibe
where the generations can meet.
sahneye dönüşüyor.
sprawling on the pavers,
like an opera set.
görünmeye başlar.
about the exteriors of buildings,
give texture to our lives,
create the spaces around them,
etraflarındaki alanı oluşturur
with the quality of those exteriors.
dış mekânla ilgisi var.
of the Plaza Mayor in Salamanca
modern bir benzeri
to their cubicles
as little time in as possible.
the architect Philip Johnson
European plaza in Pittsburgh.
yeniden yaratmaya çalıştı.
encircled by commercial buildings
with metal trim and bays
through the fountain
of a leisurely hangout.
kayıtdışılığı eksik.
you really want to just hang out and chat.
bir yer değil.
for many different reasons.
başarılı veya başarısız olur.
başarıya ulaştı çünkü
excessively on glass.
from enormous, ultraclear sheets
yarı saydam tuğlalara kadar
it has the magical power
gayrimenkul fiyatlarını
real estate values by allowing views,
arttırmak sihirli bir güçleri var
that developers have to offer
of the Crystal Palace in London,
of quintessentially modern substances.
listesinin en üst sırasına zıpladı.
the downtowns of some American cities,
ve Merrill tarafından
really spectacular office buildings
designed by Skidmore, Owings and Merrill.
bazı Amerikan kentlerini ele geçirdi.
advanced to the point
structures so transparent
şeffaf binalar
of the high-rise city,
varsayılan malzemesi oldu
powerful reason for that.
converge on cities,
into jerry-built shantytowns.
niteliksiz gecekondulara yığıldı.
need apartments and places to work
ve yaşamak için daha büyük binalara
to put up towers
ve onları ucuz ve kullanışlı
and practical curtain walls.
şehir Mitla'da
in southern Mexico.
of high ritual significance.
sahip olduğunu gösteriyor.
a historical and textural continuity
the mountains all around
ve yağmalanmış arazinin
on top of the ruins
kilisenin arasında
even ordinary plaster buildings
sıva binalar bile
bright colors, political murals
ve sofistike grafik sanatlar için
would simply wipe out.
ve iletişimsel bir dil.
that architects and developers
mimarlar ve geliştiriciler
the joys of texture
for old materials like brick
eski malzemeleri kullanmanın
like the molded panels that Snøhetta used
tıpkı Shonetta'nın kullandığı
Museum of Modern Art
even created living facades.
yaşayan cepheler yarattı.
a pair of apartment towers in Milan,
Milan'daki bir çift toplu konut binası,
for Nanjing in China.
Çin de Nanjing için tasarlıyor.
were as ubiquitous as glass ones
cam kadar yaygın olursa
in Chinese cities would become.
nasıl temiz olacağını düşünün.
that these are mostly one-offs,
bunlar çoğunlukla tek seferlik,
that have a local significance,
malzemeler kullanıldığında
from all looking the same.
aynı görünmesini önlersiniz.
to cover the American Copper Building,
on the East River.
sunset lights up that metallic facade,
yansımasını görebilirsiniz
pretty much the same way it did before
göründüğü gibi görünüyor,
have the ability
Salt Lake City'deki
in Salt Lake City in copper and zinc,
bakır ve çinkoyla kapladı,
in the area for 150 years
çıkarılıyordu
against the ochre hills
kamufle ettiler,
natural history.
Pritzker Prize winner Wang Shu
Wang Shu
inşa ederken
a wrapper for the past,
that had been demolished.
malzemeler.
bir şekilde kullanabilirler.
and this one by Frank Gehry
tarafından yapılmış,
that they toss back and forth
cam onun varsayılan
of concentrated variety
and languages and lifestyles
of crushing sameness,
the full range of the urban experience.
çıkaracak bir mimarı benimsemeliyiz.
ABOUT THE SPEAKER
Justin Davidson - Architecture criticJustin Davidson writes about a broad range of urban, civic, design and arts issues.
Why you should listen
Justin Davidson is the author of Magnetic City: A Walking Companion to New York (Spiegel & Grau), which leads readers through a portrait of the city told through its history, architecture, music, art and literature.
Davidson has been the architecture and classical music critic at New York magazine since 2007. Before that, he spent 12 years as classical music critic at Newsday, where he also wrote about architecture and was a regular cultural commentator. He won a Pulitzer Prize for criticism in 2002, an American Society of Newspaper Editors criticism (ASNE) award and the 2015 Stephen A. Kliment Oculus Award for Architectural Journalism from the American Institute of Architects, New York Chapter.
A native of Rome, Davidson graduated from Harvard and later earned a doctoral degree in music composition at Columbia University. He has contributed to many publications, including The New Yorker, Smithsonian, W., The New York Times Book Review, Travel & Leisure, Condé Nast Traveler and Pursuits. He was a columnist for the website Wondering Sound and has appeared regularly on WNYC and other radio and television outlets. He has taught at the Design Criticism program at the School of Visual Arts, the Goldring Arts Journalism Program of Syracuse University and NEA Arts Journalism Institutes. He lives on the Upper West Side of Manhattan.
Justin Davidson | Speaker | TED.com