ABOUT THE SPEAKER
Bruce McCall - Humorist
Illustrator and humorist Bruce McCall paints our imagined future -- a supercharged, streamlined fantasyland that teeters on the edge of hysteria.

Why you should listen

A longtime contributor to the New Yorker, Bruce McCall is a humorist and illustrator whose best-known work draws on the big-shouldered hubris of the middle 1920s and the early 1950s to create a future paradise where the skies are fllled with zeppelins and every car has wings. He's a wry observer of contemporary life and a witty writer.

McCall began his career as an illustrator for car ads -- by his own account not a very good illustrator. He'd left the field and became a copywriter when, on a whim, he and a friend sent some humorous drawings to Playboy (at that time, 1970, it was a legit career move). He soon connected with the founders of the National Lampoon, a pioneering humor magazine, and went on to create some of their most enduring images -- finding in the 1970s countercultural media a rich audience for his satirical take on the Atomic Age. He's now working the same magic at the New Yorker.

His latest book is called Marveltown, and is exactly what it sounds like. According to Amazon, McCall's next book is called 50 Things to Do with a Book: (Now That Reading Is Dead).

More profile about the speaker
Bruce McCall | Speaker | TED.com
Serious Play 2008

Bruce McCall: What is retro-futurism?

布鲁斯 麦考尔的山寨怀旧

Filmed:
483,867 views

布鲁斯 麦考尔描绘了一幅从未发生过的未来——其中充满了会飞的汽车、打马球的坦克、以及泰“霸”尼克,“世界上最大的玩意”。在08年“严肃游戏”上,他借助简洁、诙谐的幻灯片描述了他的山寨怀旧艺术。
- Humorist
Illustrator and humorist Bruce McCall paints our imagined future -- a supercharged, streamlined fantasyland that teeters on the edge of hysteria. Full bio

Double-click the English transcript below to play the video.

00:16
I don't know what the hell地狱 I'm doing here.
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我压根儿不明白我到底来这儿干嘛
00:19
I was born天生 in a Scots苏格兰 Presbyterian长老的 ghetto贫民区 in Canada加拿大,
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我出生在加拿大一个苏格兰长老会(基督教)贫民窟
00:22
and dropped下降 out of high school学校. I don't own拥有 a cell细胞 phone电话,
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高中就辍学了。我没有手机。
00:26
and I paint涂料 on paper using运用 gouache水粉, which哪一个 hasn't有没有 changed in 600 years年份.
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另外,我用水粉在纸上画画,这工艺六百年来都没变过
00:32
But about three years年份 ago I had an art艺术 show显示 in New York纽约,
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但是,三年前,我在纽约有个画展。
00:37
and I titled标题 it "Serious严重 Nonsense废话."
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我管它叫“严肃的胡说”(正经不着调)
00:40
So I think I'm actually其实 the first one here -- I lead.
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所以我觉得我其实在这儿算第一人——我是始作俑者
00:44
I called it "Serious严重 Nonsense废话" because on the serious严重 side,
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我叫它“严肃的胡说”,因为从严肃的一面来说,
00:47
I use a technique技术 of painstaking刻苦 realism现实主义 of editorial社论 illustration插图
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我用一种细致的现实主义手法进行社论式地描绘
00:53
from when I was a kid孩子. I copied复制 it and I never unlearned胸无点墨 it --
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是我还小的时候学的,我反复使用它,从没放弃过。
00:56
it's the only style样式 I know. And it's very kind of staid稳重 and formal正式.
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这是我知道的唯一一种画风。它是很保守很正统的。
01:01
And meanwhile与此同时, I use nonsense废话, as you can see.
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与此同时呢,你发现,我也用了“胡说”
01:05
This is a Scottish苏格兰的 castle城堡 where people are playing播放 golf高尔夫球 indoors在室内,
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这是一座苏格兰城堡,人们在里面玩高尔夫
01:09
and the trick was to bang the golf高尔夫球 ball off of suits西装 of armor盔甲 --
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规则是要把高尔夫球从一身中世纪铠甲上打下来
01:13
which哪一个 you can't see there.
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你们在那儿可能看不太清
01:14
This was one of a series系列 called "Zany滑稽的 Afternoons下午," which哪一个 became成为 a book.
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这是我的系列图画“滑稽下午”中的一幅,后来出了书
01:18
This is a home-built自制 rocket-propelled火箭 car汽车. That's a 1953 Henry亨利 J --
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这叫家装(土制)火箭推进车。这是辆1953年产的亨利J
01:22
I'm a bug窃听器 for authenticity真伪 -- in a quiet安静 neighborhood邻里 in Toledo托莱多.
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在拖雷多一个安静的社区中——我重视本真性
01:26
This is my submission服从 for the L.A. Museum博物馆 of Film电影.
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这幅是我提交的洛杉矶电影博物馆设计图
01:31
You can probably大概 tell Frank坦率 Gehry盖瑞 and I come from the same相同 town.
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你都能看出来,我和弗兰克 盖里(著名建筑师)是从一个地方来的。
01:34
My work is so personal个人 and so strange奇怪
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我的作品很个性化很奇特
01:38
that I have to invent发明 my own拥有 lexicon词库 for it.
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所以我不得不为它发明新的词汇
01:40
And I work a lot in what I call "retrofuturism复古未来主义,"
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我创作了很多,我称之为“复古未来主义”
01:44
which哪一个 is looking back to see how yesterday昨天 viewed观看 tomorrow明天.
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就是回顾一下昨天是怎么看明天的
01:48
And they're always wrong错误, always hilariously欢快, optimistically乐观地 wrong错误.
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他们总是犯错,总是以很搞笑、乐观地方式犯着错
01:53
And the peak time for that was the 30s,
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最高潮的时间是三十年代
01:56
because the Depression萧条 was so dismal惨淡
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因为大萧条太凄凉了
01:58
that anything to get away from the present当下 into the future未来 ...
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任何东西只要能把大家从现在带进未来(就行)
02:01
and technology技术 was going to carry携带 us along沿.
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科技就是这样的东西
02:04
This is Popular流行 Workbench工作台. Popular流行 science科学 magazines杂志 in those days --
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这是本《大众工作间》,一本当时很流行的科学杂志,
02:07
I had a huge巨大 collection采集 of them from the '30s --
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我收集了很多这样的三十年代的杂志
02:09
all they are is just poor较差的 people being存在 asked to make sunglasses墨镜
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这些可怜的人,就像叫他们用晾衣架的铁丝来造墨镜一样
02:13
out of wire线 coat涂层 hangers衣架 and everything improvised即兴
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都是即兴创作
02:16
and dreaming做梦 about these wonderful精彩 giant巨人 radio无线电 robots机器人
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梦想着这些神奇的巨大的无线电机器人
02:19
playing播放 ice hockey曲棍球 at 300 miles英里 an hour小时 --
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以每小时300英里的时速玩儿着冰球
02:21
it's all going to happen发生, it's all going to be wonderful精彩.
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都会实现的,都会变得妙极了
02:24
Automotive汽车 retrofuturism复古未来主义 is one of my specialties特色.
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机动类复古未来主义是我的特长之一
02:28
I was both an automobile汽车 illustrator插画 and an advertising广告 automobile汽车 copywriter文案,
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因为我既是一个汽车插画画家,又是一个汽车广告文案
02:33
so I have a lot of revenge复仇 to take on the subject学科.
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所以对这个主题我有点儿报复性心理
02:38
Detroit底特律 has always been halfway into the future未来 -- the advertising广告 half.
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底特律总是已经有一只脚踏进未来了——广告中的那只脚——
02:41
This is the '58 BulgemobileBulgemobile: so new, they make tomorrow明天 look like yesterday昨天.
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这是58年的Bulgemobile车:多新,他们让明天看上去像昨天
02:46
This is a chain gang结伙 of guys admiring欣赏 the car汽车.
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这是一票爱车族在膜拜这辆车。
02:50
That's from a whole整个 catalog目录 -- it's 18 pages网页 or so --
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那是从一整本目录册里来的,有差不多18页
02:52
ran back in the days of the Lampoon讽刺, where I cut my teeth.
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回到我在《国家讽刺周刊》的日子,我那时候还把牙给磕了
02:56
Techno-archaeologyTECHNO-考古学 is digging挖掘 back and finding发现 past过去 miracles奇迹 that never happened发生 --
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科技-考古的意思是说挖掘以前,找寻过去从未发生过的奇迹
03:04
for good reason原因, usually平时.
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当然通常是出于善意的。
03:06
The zeppelin飞艇 -- this was from a brochure小册 about the zeppelin飞艇
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齐柏林飞艇 - 这是从一个关于飞艇的小册子上来的
03:10
based基于, obviously明显, on the Hindenburg兴登堡.
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很显然,是取材于“兴登堡号”
03:12
But the zeppelin飞艇 was the biggest最大 thing that ever moved移动 made制作 by man.
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飞艇是人类创造的会动的最大玩意儿
03:17
And it carried携带的 56 people at the speed速度 of a Buick别克 at an altitude高度 you could hear dogs小狗 bark,
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它能载56人,速度和一辆别克差不多,飞行高度能让你听见狗叫
03:23
and it cost成本 twice两次 as much as a first-class头等 cabin on the Normandie诺曼底 to fly it.
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另外想坐它飞,要比坐巨轮“诺曼底号”的头等舱还贵两倍
03:27
So the Hindenburg兴登堡 wasn't, you know, it was inevitable必然 it was going to go.
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所以“兴登堡号”(惨剧)不是,你知道,它是不可避免,必将发生的。
03:30
This is auto-gyro自动陀螺 jousting角逐 in Malibu马里布 in the 30s.
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这是1930年马里布的自转旋翼机长枪比武大赛
03:36
The auto-gyro自动陀螺 couldn't不能 wait for the invention发明 of the helicopter直升机,
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这个旋翼机还没等到直升飞机的发明,
03:40
but it should have -- it wasn't a big success成功.
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但是它应该等等——它不是个巨大的成功
03:42
It's the only Spanish西班牙语 innovation革新, technologically技术, of the 20th century世纪, by the way.
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这是西班牙唯一的发明,科技类的,20世纪里,题外话
03:47
You needed需要 to know that.
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你要知道
03:49
The flying飞行 car汽车 which哪一个 never got off the ground地面 -- it was a post-war战后 dream梦想.
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飞车从没离开过地面——算是后二战时代的一个梦吧
03:53
My old man used to tell me we were going to get a flying飞行 car汽车.
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我老爸曾经告诉我,我们将来会有一辆飞车
03:56
This is pitched倾斜的 into the future未来 from 1946,
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这是从1946年跌进未来
03:58
looking at the day all American美国 families家庭 have them.
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看看将来,每个美国家庭都能拥有他们
04:01
"There's Moscow莫斯科, Shirley雪莉. Hope希望 they speak说话 Esperanto世界语!"
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插画的题注:“到莫斯科啦,雪莉,希望他们说世界语。”
04:06
Faux-nostalgia人造怀旧, which哪一个 I'm sort分类 of -- not, say, famous著名 for, but I work an awful可怕 lot in it.
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山寨怀旧,我其实,不是说成名于此吧,但是我画了很多这类的作品
04:11
It's the achingly心痛 sentimental感伤 yearning怀念 for times that never happened发生.
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那是一种对从未发生的过去柔情百转的留恋
04:16
Somebody once一旦 said that nostalgia怀旧之情 is the one utterly完全 most useless无用 human人的 emotion情感 --
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有人曾经说过,怀旧是一种最最没用的人类情感
04:23
so I think that’s a case案件 for serious严重 play.
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所以我觉得正好押住这个“严肃游戏”的主题
04:26
This is emblematic象征 of it -- this is wing翅膀 dining用餐,
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这是其中有代表性的一个——这个叫机翼餐
04:30
recalling回顾 those balmy芳香 summer夏季 days somewhere某处 over France法国 in the 20s,
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回想起20年代的法国,那些温暖的夏日
04:35
dining用餐 on the wing翅膀 of a plane平面. You can't see it very well here,
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在飞机的机翼上进餐。你在那儿可能看不太清
04:38
but that's Hemingway海明威 reading some pages网页 from his new novel小说
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但是海明威正在朗读他的新小说
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to Fitzgerald菲茨杰拉德 and Ford Madox·马多克斯 Ford until直到 the slipstream滑流 blows打击 him away.
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给菲茨杰拉德和福特 马多克斯 福特听,直到他被螺旋桨滑流吹走
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This is tank坦克 polo马球 in the South Hamptons汉普顿.
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这是南汉普顿的坦克马球,这是
04:52
The brainless rich丰富 are more fun开玩笑 to make fun开玩笑 of than anybody任何人. I do a lot of that.
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开没脑子的有钱人的玩笑,比开其他人玩笑都好玩儿。我老干这事儿
04:58
And authenticity真伪 is a major重大的 part部分 of my serious严重 nonsense废话.
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还有,本真性是我“严肃的胡说”的一个重要部分
05:03
I think it adds增加 a huge巨大 amount.
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我觉得它给我的作品增色不少
05:05
Those, for example, are Mark标记 IVIV British英国的 tanks坦克 from 1916.
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那些,你比如,就是1916年英产的马克四型坦克
05:09
They had two machine guns枪炮 and a cannon大炮,
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他们有两个机关枪和一个加农炮
05:11
and they had 90 horsepower马力 Ricardo里卡多 engines引擎.
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还有90马力里卡多引擎
05:14
They went five miles英里 an hour小时 and inside it was 105 degrees in the pitch沥青 dark黑暗.
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他们每小时只能走五英里,里面有华氏105度(摄氏40度),一片漆黑
05:19
And they had a canary金丝雀 hung鸿 inside the thing
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他们这里面还挂着个金丝雀
05:22
to make sure the Germans德国 weren't going to use gas加油站.
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以防德国人使用毒气。
05:26
Happy快乐 little story故事, isn't it?
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多喜兴的小故事啊,不是么?
05:27
This is Motor发动机 Ritz丽思 Towers in Manhattan曼哈顿 in the 30s,
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这是三十年代的曼哈顿,奢华的还能进车的丽兹大厦
05:30
where you drove开车 up to your front面前 door, if you had the guts胆量.
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你有胆的话,可以开车直达你房间的正门
05:34
Anybody任何人 who was anybody任何人 had an apartment公寓 there.
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丽兹大厦有公寓的人非富则贵
05:38
I managed管理 to stick in both the zeppelin飞艇 and an ocean海洋 liner衬垫 out of sheer绝对 enthusiasm热情.
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纯粹为了个人喜好,我还想方设法把飞艇和一个巨轮给画进去了
05:41
And I love cigars雪茄 -- there's a cigar雪茄 billboard广告牌 down there.
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我喜欢雪茄,那下面还有个雪茄的广告牌
05:44
And faux-nostalgia人造怀旧 works作品 even in serious严重 subjects主题 like war战争.
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山寨怀旧还能用在很多严肃的主题上,比如说战争
05:49
This is those wonderful精彩 days of the Battle战斗 of Britain英国 in 1940,
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这是1940年不列颠之战中的那些好日子
05:53
when a Messerschmitt梅塞施米特 ME109 bursts连发 into the House of Commons下议院
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当梅塞斯密特Me-109型战斗机闯进英国下议院
05:56
and buzzes嗡嗡声 around, just to piss小便 off Churchill丘吉尔, who's谁是 down there somewhere某处.
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嗡嗡做响,就为了气一气坐在下面的丘吉尔,
06:01
It's a fond喜欢 memory记忆 of times past过去.
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多么美妙的“往事”啊
06:04
Hyperbolic夸张的 overkill矫枉过正 is a way of taking服用 exaggeration夸张 to the absolute绝对 ultimate最终 limit限制,
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巨无霸是一种把夸张伸展到绝对极限的表达方式
06:11
just for the fun开玩笑 of it. This was a piece I did -- a brochure小册 again --
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就为了它的好玩儿。这幅画我画的,又是一个小册子
06:17
"RMSRMS Tyrannic暴虐: The Biggest最大 Thing in All the World世界."
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英国皇家邮轮泰霸尼克号,世上最大的玩意儿
06:20
The copy复制, which哪一个 you can't see because it goes on and on for several一些 pages网页,
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这一版,你没法儿看,因为它就这么下去好多好多页
06:24
says that steerage统舱 passengers乘客 can't get their to bunks铺位 before the voyage航程 is over,
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说下等舱的乘客还没到他们的铺位呢,整个行程已经结束了
06:31
and it's so safe安全 it carries携带 no insurance保险.
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它太安全都不需要保险
06:34
It's obviously明显 modeled仿照 on the Titanic泰坦尼克号.
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这原型当然是泰坦尼克号
06:37
But it's not a criCRI de coeur about man's男人的 hubris傲慢 in the face面对 of the elements分子.
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但是它不是对人类夜郎自大的心灵恸哭
06:41
It's just a sick生病, silly愚蠢 joke玩笑.
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它就是一个疯疯癫癫,傻了吧唧的笑话
06:44
Shamelessly无耻地 cheap低廉 is something, I think -- this will wake唤醒 you up.
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不知廉耻的低俗是,我觉得,绝对能把你叫醒的
06:47
It has no meaning含义, just -- Desoto德索托 discovers发现的 the Mississippi密西西比州,
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它没有什么任何意义,就是,迪索托发现密西西比
06:51
and it's a Desoto德索托 discovering发现 the Mississippi密西西比州.
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而这就是,一辆迪索托汽车发现密西西比河
06:55
I did that as a quick back page -- I had like four hours小时 to do a back page
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我是速成的这个封底画,我当时只有四个小时画一个封底
07:01
for an issue问题 of the Lampoon讽刺, and I did that,
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为一期《国家讽刺周刊》,我就画了它
07:03
and I thought, "Well, I'm ashamed羞愧. I hope希望 nobody没有人 knows知道 it."
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我想:“就这样吧,虽然很惭愧,希望没人注意到。”
07:05
People wrote in for reprints重印 of that thing.
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结果居然有读者写信来要求再版那幅画。
07:09
Urban城市的 absurdism荒诞 -- that's what the New Yorker纽约客 really calls电话 for.
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城市荒诞主义——这是纽约客给它取的大名儿
07:13
I try to make life in New York纽约 look even weirder怪异 than it is with those covers盖子.
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我画这些封面的时候,试图让纽约的生活看上去比实际上更光怪陆离
07:18
I've doneDONE about 40 of them, and I'd say 30 of them are based基于 on that concept概念.
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我画了大概40幅左右,其中有大概30幅是基于这个理念
07:23
I was driving主动 down 7th Avenue大街 one night at 3 a.m.,
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我有一次夜里三点开车过第七街
07:26
and this steam蒸汽 pouring浇注 out of the street, and I thought, "What causes原因 that?" And that --
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就看见一股蒸汽从地下冒出来,然后我就想:“这是什么造成的呢?”之后——
07:34
who’s to say?
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谁又能说什么呢?
07:36
The Temple寺庙 of DendurDendur at the Metropolitan宗主 in New York纽约 -- it's a very somber阴沉 place地点.
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纽约大都会博物馆里的古埃及顿都神庙——是个很阴郁的地方
07:41
I thought I could jazz爵士乐 it up a bit, have a little fun开玩笑 with it.
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我就想把它弄活泼点儿,搞得有意思点儿
07:43
This is a very un-PCUN-PC cover. Not in New York纽约.
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这封面很不合时宜,至少在纽约不合适。
07:49
I couldn't不能 resist, and I got a nasty讨厌 email电子邮件 from some environmental环境的 group saying,
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我是实在忍不住要画,之后我收到一封从什么环保组织发来的烦人电邮
07:54
"This is too serious严重 and solemn庄严 to make fun开玩笑 of. You should be ashamed羞愧,
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“这个问题神圣不可搞笑,你应该感到惭愧
07:58
please apologize道歉 on our website网站."
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请在我们的网站上道歉”
08:00
Haven't没有 got around to it yet然而 but -- I may可能.
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我一直没时间做这件事儿——但说不定我会
08:06
This is the word side of my brain.
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这是我大脑中文字的一面
08:09
(Laughter笑声)
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(笑声)
08:10
I love the word "EurotrashEurotrash."
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我喜欢这个词“欧洲滥人”
08:12
(Laughter笑声)
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(笑声)
08:17
That's all the EurotrashEurotrash coming未来 through通过 JFKJFK customs海关.
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这是所有“欧洲滥人”经纽约肯尼迪机场入海关时的特别通道
08:22
This was the New York纽约 bike自行车 messenger信使 meeting会议 the Tour游览 de France法国.
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这是纽约自行车递送小弟迎战环法自行车大赛
08:27
If you live生活 in New York纽约, you know how the bike自行车 messengers使者 move移动.
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如果你住在纽约,你就知道这些递送员是怎么辗转腾挪的
08:30
Except that he's carrying携带 a tube for blueprints蓝图 and stuff东东 -- they all do --
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除了他们还会背个装图纸一类的画筒——他们全都这样
08:34
and a lot of people thought that meant意味着 it was a terrorist恐怖分子
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很多读者还以为他是恐怖分子
08:37
about to shoot射击 rockets火箭 at the Tour游览 de France法国 --
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正要向环法自行车赛发射火箭炮呢
08:39
sign标志 of our times, I guess猜测.
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算是我们时代的印记了,我猜
08:42
This is the only fashion时尚 cover I've ever doneDONE.
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这是我画的唯一一个时尚封面
08:44
It's the little old lady淑女 that lives生活 in a shoe, and then this thing --
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这些老太太们住在鞋里面,然后出来这么个东西
08:47
the title标题 of that was, "There Goes the Neighborhood邻里."
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这个题目叫:“瞧瞧那个小区”
08:50
I don't know a hell地狱 of a lot about fashion时尚 --
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对时尚,我懂得不多
08:54
I was told to do what they call a Mary玛丽 Jane,
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我被叫来画一个被她们称作玛丽简的鞋
08:56
and then I got into this terrible可怕 fight斗争 between之间 the art艺术 director导向器 and the editor编辑 saying:
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之后我被卷进艺术总监和总编的一场旷日持久的争论中
09:01
"Put a strap背带 on it" -- "No, don't put a strap背带 on it" -- "Put a strap背带 on it -- "Don't put a strap背带 on it" --
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一个说要鞋带,一个说不要,要,不要
09:05
because it obscures模糊 the logo商标 and looks容貌 terrible可怕 and it's bad and --
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因为要的话就会挡住杂志标题,而且看上去也不美,不好
09:08
I finally最后 chickened缩头 out and did it for the sake清酒 of the authenticity真伪 of the shoe.
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但是我最后还是打退堂鼓了,为了保证这个鞋的本真性
09:12
This is a tiny joke玩笑 -- E-ZRE-ZR pass通过. One letter makes品牌 an idea理念.
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这是一个小玩笑——“更”快捷收费站,一字之差就是个好主意
09:22
This is a big joke玩笑.
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这是个大玩笑
09:26
This is the audition面试 for "King国王 Kong."
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这是金刚的试镜现场
09:29
(Laughter笑声)
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(笑声)
09:35
People always ask me, where do you get your ideas思路, how do your ideas思路 come?
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总有人问我,你都是哪里找到灵感的,你怎么想到这些点子的
09:38
Truth真相 about that one is I had a horrible可怕 red wine红酒 hangover宿醉,
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说实在的,这是在有一天我喝红酒宿醉
09:42
in the middle中间 of the night, this came来了 to me like a Xerox复印 -- all I had to do was write it down.
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大半夜,这个想法突然闪现——我唯一要做的就是把它写下来
09:45
It was perfectly完美 clear明确. I didn't do any thinking思维 about it.
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清晰无比,我想都不需要想
09:49
And then when it ran, a lovely可爱 lady淑女, an old lady淑女 named命名 Mrs太太. Edgar埃德加 Rosenberg罗森伯格 --
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出版以后,一个可爱的女士,叫埃德加 罗森伯格女士
09:54
if you know that name名称 -- called me and said she loved喜爱 the cover, it was so sweet.
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如果你知道她是谁的话——打电话给我,跟我说她特别喜欢这幅画,太贴心了
09:58
Her former前任的 name名称 was Fay仙女 Wray·雷, and so that was --
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她以前叫菲伊·雷,(1933年版金刚的女主角),所以呢
10:03
I didn't have the wit风趣 to say, "Take the painting绘画."
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我当时傻了吧唧的,也没说,“把画拿走吧”
10:05
Finally最后, this was a three-page三页 cover, never doneDONE before,
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最后,这是个三页的封面,以前从来没做过
10:09
and I don't think it will ever be doneDONE again --
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我估计也不会再有了
10:10
successive连续 pages网页 in the front面前 of the magazine杂志.
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连页的杂志封面
10:13
It's the ascent上升 of man using运用 an escalator自动楼梯, and it's in three parts部分.
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这是《人类的攀升》利用了一个自动扶梯,分三个部分
10:20
You can't see it all together一起, unfortunately不幸, but if you look at it enough足够,
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你没法一下看全,遗憾的是,但是如果你看得足够久
10:23
you can sort分类 of start开始 to see how it actually其实 starts启动 to move移动.
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你就能发现它实际上是会动的
12:17
(Applause掌声)
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(掌声)
12:21
Pretty漂亮 elegant优雅. Nothing like a crash紧急 to end结束 a joke玩笑. That completes完成 my oeuvre作品.
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不错吧,什么都没有最后摔一跤更适合结束一个笑话。这就是我的艺术生涯。
12:33
I would just like to add a crass愚钝的 commercial广告 --
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我还想贸然插一个的广告
12:36
I have a kids'孩子们 book coming未来 out in the fall秋季 called "Marvel奇迹 Sandwiches三明治,"
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我马上有个儿童读物今年秋天要出了,叫“神奇的三明治”
12:40
a compendium概要 of all the serious严重 play that ever was,
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算是对所有“严肃游戏”的提纲携领吧
12:44
and it’s going to be available可得到 in fine bookstores书店, crummy照出 bookstores书店,
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在高雅的,不高雅的书店
12:46
tables on the street in October十月.
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路边的书报亭有售,尽在十月
12:49
So thank you very much.
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非常感谢
Translated by beibei su
Reviewed by Xin Chang

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ABOUT THE SPEAKER
Bruce McCall - Humorist
Illustrator and humorist Bruce McCall paints our imagined future -- a supercharged, streamlined fantasyland that teeters on the edge of hysteria.

Why you should listen

A longtime contributor to the New Yorker, Bruce McCall is a humorist and illustrator whose best-known work draws on the big-shouldered hubris of the middle 1920s and the early 1950s to create a future paradise where the skies are fllled with zeppelins and every car has wings. He's a wry observer of contemporary life and a witty writer.

McCall began his career as an illustrator for car ads -- by his own account not a very good illustrator. He'd left the field and became a copywriter when, on a whim, he and a friend sent some humorous drawings to Playboy (at that time, 1970, it was a legit career move). He soon connected with the founders of the National Lampoon, a pioneering humor magazine, and went on to create some of their most enduring images -- finding in the 1970s countercultural media a rich audience for his satirical take on the Atomic Age. He's now working the same magic at the New Yorker.

His latest book is called Marveltown, and is exactly what it sounds like. According to Amazon, McCall's next book is called 50 Things to Do with a Book: (Now That Reading Is Dead).

More profile about the speaker
Bruce McCall | Speaker | TED.com

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