ABOUT THE SPEAKER
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.

Why you should listen

Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.

Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.

More profile about the speaker
Paola Antonelli | Speaker | TED.com
Small Thing Big Idea

Paola Antonelli: The 3,000-year history of the hoodie

Paola Antonelli: 3000 godina povijesti majice s kapuljačom

Filmed:
662,618 views

Majica s kapuljačom je puno više od udobnog odjevnog predmeta. Dizajn kustos Paola Antonelli vodi nas kroz njenu povijest.
- Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life. Full bio

Double-click the English transcript below to play the video.

00:12
The hoodiehoodie is an amazingnevjerojatan objectobjekt.
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Majica s kapuljačom
je zadivljujuć predmet.
00:14
It's one of those timelessbezvremenski objectsobjekti
that we hardlyjedva think of,
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To je jedan od onih bezvremenskih predmeta
o kojima rijetko mislimo,
00:19
because they work so well
that they're partdio of our livesživot.
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jer nas tako dobro služe
da su postali dio naših života.
00:22
We call them "humbleskroman masterpiecesremek-djela."
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Zovemo ih "skromna remek-djela."
00:24
[SmallMali thing.]
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[Mala stvar.]
00:25
[BigVeliki ideaideja.]
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[Velika ideja.]
00:28
[PaolaPaola AntonelliAntonelli on
the HoodieHoodie]
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[Paola Antonelli o majici s kapuljačom]
00:30
The hoodiehoodie has been --
even if it was not calledzvao so --
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Majica s kapuljačom bila je --
čak i ako je nisu tako zvali --
00:34
it's been an iconikona throughoutkroz historypovijest
for good and for badloše reasonsrazlozi.
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bila je ikona kroz povijest
zbog dobrih i loših razloga.
00:38
The earliestnajraniji onesone that we can tracetrag
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Najraniji tragovi koje imamo
00:41
are from ancientantički GreeceGrčka and ancientantički RomeRome.
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su iz antičke Grčke i drevnog Rima.
00:43
The MiddleSrednji AgesVijeka, you see a lot of monksredovnici
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U srednjem vijeku, vidite puno redovnika
00:45
that were wearingnošenje garmentsodjevnih predmeta
that were cape-likeRT, kao, with hoodsnape attachedprivržen,
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koji su nosili odjevne predmete
slične plaštevima, s kapuljačama,
zato, "majice s kapuljačom".
00:49
so thereforestoga, "hoodiesHoodies."
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00:51
LadiesDame in the 17thth centurystoljeće
would wearnositi hoodiesHoodies
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Dame u 17. stoljeću nosile
bi majice s kapuljačom
00:53
to kindljubazan of hidesakriti themselvesse
when they were going to meetsastati theirnjihov loversLjubitelji.
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kako bi se nekako sakrile
dok idu na sastanke s ljubavnicima.
00:57
And then, of coursenaravno,
there's the legendlegenda, there's fantasyfantazija.
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I naravno, tu su legende,
tu je svijet fantazije.
01:01
There's the imageslika of the hoodiehoodie
connectedpovezan to the grimmrgodan reaperŽetelac.
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Tu je slika majice s kapuljačom
povezane sa žeteocem smrti.
01:04
There's the imageslika of the hoodiehoodie
connectedpovezan to the executionerkrvnik.
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Postoji slika majice s kapuljačom
povezane s krvnicima.
01:07
So there's the darkmrak sidestrana of the hoodiehoodie.
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To je tamna strana majice s kapuljačom.
01:10
The modernmoderan incarnationutjelovljenje of the hoodiehoodie --
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Moderna inkarnacija majice s kapuljačom --
01:13
a garmentodjeće that's madenapravljen
usuallyobično of cottonpamuk jerseydres,
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predmeta koji je najčešće od pamuka,
01:16
that has a hoodNapa attachedprivržen
with a drawstringdrawstring;
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koji ima kapuljaču s vezicom;
01:19
sometimesponekad it has a marsupialTobolčari pocketdžep --
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ponekad ima džep nalik tobolcu --
01:22
was introduceduvedena in the 1930s
by KnickerbockerKnickerbocker KnittingPletenje CompanyTvrtka.
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uveden je 1930. od strane
Knickerbocker Knitting Company.
01:26
Now it's calledzvao ChampionPrvak.
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Sada se zove Champion.
01:28
It was meantznačilo to keep athletessportaši warmtoplo.
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Trebala je pomoći sportašima da se utople.
01:31
Of coursenaravno, thoughiako, it was
suchtakav a functionalfunkcionalna, comfortableudobno garmentodjeće
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Naravno, to je bio toliko funkcionalan
i udoban odjevni predmet,
01:35
that it was very rapidlybrzo adoptedusvojen
by workmenradnici everywheresvugdje, posvuda.
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da je ubrzo posvuda prihvaćen
od strane radnika.
01:39
And then, around the 1980s,
it alsotakođer getsdobiva adoptedusvojen
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I onda je, u osamdesetima,
također prihvaćen
01:43
by hip-hophip-hop and B-boysB-dječaci, skateboardersskateboarders,
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od strane hip-hopa,
breakdancera, skejtera
01:47
and it takes on this kindljubazan of
youthmladež streetulica cultureKultura.
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i preuzima tu uličnu kulturu mladih.
01:50
It was, at the sameisti time,
super-comfortablesuper ugodno,
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Bio je, u isto vrijeme, super udoban,
01:52
perfectsavršen for the streetsulice
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savršen za ulice
01:53
and alsotakođer had that addeddodano valuevrijednost of anonymityanonimnost
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i također je imao
tu dodanu vrijednost anonimnosti,
01:57
when you neededpotreban it.
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kada je ona bila potrebna.
01:58
And then we have MarkMark ZuckerbergZuckerberg,
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I onda imamo Marka Zuckerberga,
02:00
who defiesprkosi conventionkonvencija
of respectableugledan attireodjeća for businesspeopleposlovnim ljudima.
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koji se opire konvenciji
dolične odjeće za poslovne ljude.
02:04
But interestinglyzanimljivo, it's alsotakođer a way to showpokazati
how powervlast has changedpromijenjen.
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Ali zanimljivo, to je također način
da se pokaže kako se moć promijenila.
02:09
If you're wearingnošenje a two-piecedva-komad suitodijelo,
you mightmoć be the bodyguardtjelohranitelj.
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Ako nosite dvodjelno odijelo,
možda ste tjelesni čuvar.
02:12
The realstvaran powerfulsnažan personosoba is wearingnošenje
a hoodiehoodie with a T-shirtMajica and jeanstraperice.
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Moćna osoba nosi majicu s kapuljačom,
majicu i traperice.
02:17
It's easylako to think of
the physicalfizička aspectsaspekti of the hoodiehoodie.
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Lako je misliti o fizičkim aspektima
majice s kapuljačom.
02:21
You can immediatelyodmah think
of wearingnošenje the hoodNapa up,
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Možete odmah pomisliti
na to kako ste navukli kapuljaču
02:23
and you feel this warmthtoplinu
and this protectionzaštita,
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i osjećate njenu toplinu i zaštitu,
02:26
but at the sameisti time,
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ali u isto vrijeme,
02:27
you can alsotakođer feel
the psychologicalpsihološki aspectsaspekti of it.
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osjećate i psihološke aspekte.
02:30
I mean, think of donningOblačenje a hoodiehoodie,
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Zamislite da je navučete
i odjednom se osjećate zaštićenije,
02:32
all of a suddennaglo, you feel more protectedzaštićeni,
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02:34
you feel that you are in your ownvlastiti shellljuska.
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osjećate da imate svoj oklop.
02:41
We know very well what the hoodiehoodie
has come to signifyoznačavaju
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Znamo što je majica s kapuljačom
počela simbolizirati
02:45
in the pastprošlost fewnekoliko yearsgodina
in the UnitedUjedinjeni StatesDržava.
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u posljednjih nekoliko godina u SAD-u.
02:47
When TrayvonTrayvon MartinMartin, a 17-year-old-godinu star
African-AmericanAfro-Amerikanac kiddijete,
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Kada je Trayvon Martin,
afroamerički 17-ogodišnjak,
02:52
was shotšut by a neighborhoodsusjedstvo vigilanteOsvetnik,
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upucan od strane člana dobrovoljnog
udruženja za građansku zaštitu,
02:55
and MillionMilijuna HoodieHoodie MarchesMarševa happeneddogodilo
all over the UnitedUjedinjeni StatesDržava,
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došlo je do marševa
Million Hoodie diljem SAD-a,
03:00
in whichkoji people worenosio hoodiesHoodies
with the hoodNapa up
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gdje su ljudi nosili
majice s kapuljačama na glavi
03:03
and marchedMarširali su in the streetsulice
againstprotiv this kindljubazan of prejudicedovodeći u pitanje.
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i marširali ulicama
protiv takvih predrasuda.
03:07
It doesn't happendogoditi se that oftenčesto
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Ne događa se često
03:09
for a garmentodjeće to have
so much symbolismsimbolizam and historypovijest
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da odjevni predmet ima
toliko simbolike i povijesti
03:13
and that encompassesobuhvaća
so manymnogi differentdrugačiji universessvemira
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i da obuhvaća toliko različitih svjetova,
03:17
as the hoodiehoodie.
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kao majica s kapuljačom.
03:18
So, like all garmentsodjevnih predmeta,
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Tako, kao svi odjevni predmeti,
03:20
especiallyposebno all trulyuistinu utilitarianutilitaristički garmentsodjevnih predmeta,
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osobito vrlo uporabljivi odjevni predmeti,
03:23
it is very basicosnovni in its designdizajn.
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vrlo je jednostavna u dizajnu.
03:25
But at the sameisti time,
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Ali, u isto vrijeme,
03:26
it has a wholečitav universesvemir
of possibilitiesmogućnosti attachedprivržen.
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u sebi sadrži čitav univerzum mogućnosti.
Translated by Ivan Stamenkovic
Reviewed by Sanda Liker

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ABOUT THE SPEAKER
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.

Why you should listen

Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.

Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.

More profile about the speaker
Paola Antonelli | Speaker | TED.com

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