ABOUT THE SPEAKER
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.

Why you should listen

Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.

Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.

More profile about the speaker
Paola Antonelli | Speaker | TED.com
Small Thing Big Idea

Paola Antonelli: The 3,000-year history of the hoodie

Paola Antoneli (Paola Antonelli): Istorija duksa sa kapuljačom duga 3000 godina

Filmed:
662,618 views

Duks sa kapuljačom je mnogo više od običnog udobnog džempera. Stručnjakinja za dizajn, Paola Antoneli, vodi nas kroz njegovu istoriju.
- Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life. Full bio

Double-click the English transcript below to play the video.

00:12
The hoodieduks is an amazingНевероватно objectобјекат.
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Duks sa kapuljačom je zadivljujuć predmet.
00:14
It's one of those timelessbezvremenski objectsобјеката
that we hardlyтешко think of,
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To je jedan od onih bezvremenih predmeta
na koji retko kad pomislimo,
00:19
because they work so well
that they're partдео of our livesживи.
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jer funkcionišu veoma dobro
kao sastavni deo naših života.
00:22
We call them "humbleпонизан masterpiecesremek-dela."
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Nazivamo ih „skromnim remek-delima“.
00:24
[SmallMali thing.]
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[Mala stvar.]
00:25
[BigVeliki ideaидеја.]
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[Velika ideja.]
00:28
[PaolaPaola AntonelliAntoneli on
the HoodieDuks]
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[Paola Antoneli o duksu sa kapuljačom]
00:30
The hoodieduks has been --
even if it was not calledпозвани so --
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Duks sa kapuljačom je predstavljao,
iako nije tako nazvan,
00:34
it's been an iconикона throughoutтоком historyисторија
for good and for badлоше reasonsразлоге.
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ikonu tokom istorije,
iz dobrih i loših razloga.
00:38
The earliestнајраније onesоне that we can traceтраг
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Najraniji za koji znamo
00:41
are from ancientдревни GreeceGrčka and ancientдревни RomeRome.
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potiče iz antičke Grčke i antičkog Rima.
00:43
The MiddleSrednje AgesVeku, you see a lot of monksмонаси
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Tokom srednjeg veka vidimo dosta monaha
00:45
that were wearingноси garmentsodora
that were cape-likeRT-kao, with hoodskriminalci attachedу прилогу,
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koji su nosili delove odeće poput plašta
sa prišivenim kapuljačama,
te odatle i „duksevi sa kapuljačom“.
00:49
so thereforeстога, "hoodiesдуксева."
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00:51
LadiesDame in the 17thтх centuryвек
would wearносити hoodiesдуксева
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Dame su u 17.veku
nosile duks sa kapuljačom
00:53
to kindкинд of hideсакрити themselvesсами
when they were going to meetсусрет theirњихова loversljubavnici.
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kao način da se sakriju kada bi se
nalazile sa svojim ljubavnicima.
00:57
And then, of courseкурс,
there's the legendлегенда, there's fantasyфантазија.
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A, naravno, tu je i legenda i mašta.
01:01
There's the imageслика of the hoodieduks
connectedповезан to the grimгрим reaperReaper.
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Postoji i prikaz duksa sa kapuljačom
koji je povezan sa Smrću.
01:04
There's the imageслика of the hoodieduks
connectedповезан to the executioneregzekutor.
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Postoji i prikaz duksa sa kapuljačom
koji je povezan sa dželatom.
01:07
So there's the darkтамно sideстрана of the hoodieduks.
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Dakle, postoji i tamna strana
duksa sa kapuljačom.
01:10
The modernмодеран incarnationinkarnacije of the hoodieduks --
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Moderno oličenje duksa sa kapuljačom -
01:13
a garmentGarment that's madeмаде
usuallyобично of cottonпамук jerseyдрес,
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komada odeće koji je obično napravljen
od pamučnog džempera
01:16
that has a hoodHud attachedу прилогу
with a drawstringkombinezonu;
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i ima prišivenu kapuljaču sa učkurom,
01:19
sometimesпонекад it has a marsupialtorbar pocketџеп --
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ponekad i džep kao kod torbara -
01:22
was introducedпредставио in the 1930s
by KnickerbockerNjujorku KnittingPletenje CompanyKompanija.
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predstavila je 1930-ih „Kompanija
za izradu muških tri-četvrt pantalona“.
01:26
Now it's calledпозвани ChampionPrvak.
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Danas se zove „Čempion“.
01:28
It was meantмислио to keep athletesспортисти warmтопло.
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Bio je namenjen da greje sportiste.
01:31
Of courseкурс, thoughипак, it was
suchтаква a functionalфункционалан, comfortableудобан garmentGarment
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Naravno, između ostalog, bio je to
toliko funkcionalan i udoban komad odeće
01:35
that it was very rapidlyбрзо adoptedусвојен
by workmenRadnici su everywhereсвуда.
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da su ga radnici svuda
veoma brzo prihvatili.
01:39
And then, around the 1980s,
it alsoтакође getsдобива adoptedусвојен
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A zatim, oko 1980-ih,
takođe su ga prihvatili
01:43
by hip-hopХип Хоп and B-boysB-momci, skateboardersскатебоардерс,
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hip-hop i B-boy pokreti, skejteri,
01:47
and it takes on this kindкинд of
youthмлади streetулица cultureкултура.
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i tako postaje deo ulične kulture mladih.
01:50
It was, at the sameисти time,
super-comfortableSuper-udobno,
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Bio je, u isto vreme, izuzetno udoban,
01:52
perfectсавршен for the streetsулице
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savršen za ulice,
01:53
and alsoтакође had that addedдодато valueвредност of anonymityанонимност
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a imao je i tu dodatnu
prednost anonimnosti
01:57
when you neededпотребно it.
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kada je bila potrebna.
01:58
And then we have MarkMark ZuckerbergZuckerberg,
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A zatim imamo i Marka Zakerberga,
02:00
who defiesпркоси conventionконвенција
of respectableугледан attireodelo for businesspeopleposlovnim ljudima.
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koji prkosi prihvaćenom pravilu
uglednog odevanja kod poslovnih ljudi.
02:04
But interestinglyзанимљиво, it's alsoтакође a way to showсхов
how powerмоћ has changedпромењено.
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Ali, zanimljivo je što je to i način
da se pokaže koliko se moć promenila.
02:09
If you're wearingноси a two-piecekostim iz dva dela suitодело,
you mightМожда be the bodyguardtelohranitelj.
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Ako nosiš dvodelno odelo,
možda si telohranitelj.
02:12
The realправи powerfulмоћан personособа is wearingноси
a hoodieduks with a T-shirtMajica and jeansфармерке.
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Moćna osoba je zapravo ona koja nosi
duks sa kapuljačom, majicu i pantalone.
02:17
It's easyлако to think of
the physicalфизички aspectsаспекти of the hoodieduks.
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Lako je zamisliti fizičke aspekte
duksa sa kapuljačom.
02:21
You can immediatelyодмах think
of wearingноси the hoodHud up,
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Možete odmah zamisliti
kako nosite kapuljaču
02:23
and you feel this warmthToplina
and this protectionзаштита,
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i odmah imate taj topli osećaj zaštite,
02:26
but at the sameисти time,
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a u isto vreme
02:27
you can alsoтакође feel
the psychologicalпсихолошки aspectsаспекти of it.
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možete osetiti i psihološku stranu toga.
02:30
I mean, think of donningstari postupci a hoodieduks,
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Hoću reći, zamislite kako oblačite
duks sa kapuljačom
02:32
all of a suddenизненадан, you feel more protectedzaštićeni,
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i odjednom, osećate se zaštićeno
02:34
you feel that you are in your ownвластити shellшкољка.
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osećate kao da ste u sopstvenoj školjci.
02:41
We know very well what the hoodieduks
has come to signifypredstavlja
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Svi vrlo dobro znamo šta je duks
sa kapuljačom počeo da označava
02:45
in the pastпрошлост fewнеколико yearsгодине
in the UnitedUjedinjeni StatesDržava.
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poslednjih godina
u Sjedinjenim Američkim Država.
Kada su Trejvona Martina,
02:47
When TrayvonTrejvona MartinMartin, a 17-year-old-година стар
African-AmericanAfro-Amerikanac kidклинац,
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17-godišnjeg dečaka
afričko-američkog porekla,
02:52
was shotпуцањ by a neighborhoodкомшилук vigilanteOsvetnik,
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upucali osvetnici iz kraja
02:55
and MillionMilion HoodieDuks MarchesMarševi happenedдесило
all over the UnitedUjedinjeni StatesDržava,
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i kada se Milionski marš kapuljača desio
širom Sjedinjenih Američkih Država,
03:00
in whichкоја people woreносио hoodiesдуксева
with the hoodHud up
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u kome su ljudi nosili
duks sa podignutom kapuljačom
03:03
and marchedmarširali in the streetsулице
againstпротив this kindкинд of prejudicepredrasude.
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i marširali ulicama
protiv ove vrste nepravde.
03:07
It doesn't happenдесити се that oftenчесто
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Ne događa se tako često
03:09
for a garmentGarment to have
so much symbolismsimbolizam and historyисторија
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da jedan komad odeće ima
toliko simbolizma i istorije
03:13
and that encompassesобухвата
so manyмноги differentразличит universesуниверзума
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i da obuhvata toliko različitih svetova
03:17
as the hoodieduks.
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kao što je duks sa kapuljačom.
03:18
So, like all garmentsodora,
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Pa, kao i kod svih komada odeće,
03:20
especiallyпосебно all trulyзаиста utilitariankorisno garmentsodora,
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pogotovo kod onih
zaista korisnih komada odeće,
03:23
it is very basicосновно in its designдизајн.
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dizajn mu je veoma jednostavan.
03:25
But at the sameисти time,
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Ali, u isto vreme,
03:26
it has a wholeцела universeуниверзум
of possibilitiesмогућности attachedу прилогу.
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ima ceo svet povezanih mogućnosti.
Translated by Anđela Vučković
Reviewed by Tijana Mihajlović

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ABOUT THE SPEAKER
Paola Antonelli - Design curator
Paola Antonelli is on a mission to introduce -- and explain -- design to the world. With her shows at New York's Museum of Modern Art, she celebrates design's presence in every part of life.

Why you should listen

Since she stepped back from practicing architecture in order to focus on writing about design, teaching and curating gallery exhibitions, Italian native Paola Antonelli has become a force to be reckoned with in the design world. Working at the Museum of Modern Art in New York since 1994, she is senior curator of the gallery's Architecture and Design department and, as of 2012, the museum's first ever director of research and development. Antonelli has worked on shows such as "Humble Masterpieces," which celebrated traditionally unheralded design icons such as the paperclip; "Design and the Elastic Mind," considering the relationship of design and technology, and "Talk to Me ," which looked at design and the communication of people and objects.

Ever mindful that the majority of visitors to MOMA are attracted by artists such as Picasso and Matisse, Antonelli works to ensure that if they do stumble across a design-related show, they'll be both entertained and enlightened. In 2012, she led a move to acquire 14 video games for the museum's permanent collection.

More profile about the speaker
Paola Antonelli | Speaker | TED.com

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