TEDGlobal>London
Ole Scheeren: Why great architecture should tell a story
Ole Scheeren: Zašto bi sjajna arhitektura trebala pričati priču
Filmed:
Readability: 5
2,529,642 views
Za arhitekta Olea Scheerena su ljudi, koji žive i rade unutar građevine, jednako dio te građevinde kao i beton, čelik i staklo. Pita se: Može li se arhitektura raditi o suradnji i pričanju priče umjesto o izolaciji i hijerarhiji tipičnog nebodera? Posjetite pet Scheerenovih zgrada -- od upletenog tornja u Kini do plutajućeg kina u oceanu na Tajlandu -- i naučite priču iza njih.
Ole Scheeren - Architect
Ole Scheeren designs buildings that generate both functional and social spaces. Full bio
Ole Scheeren designs buildings that generate both functional and social spaces. Full bio
Double-click the English transcript below to play the video.
00:13
For much of the past century,
0
1166
1692
U većem dijelu prošlog stoljeća,
00:14
architecture was under the spell
of a famous doctrine.
of a famous doctrine.
1
2882
2808
arhitektura je bila začarana
glasovitom doktrinom.
glasovitom doktrinom.
00:18
"Form follows function" had become
modernity's ambitious manifesto
modernity's ambitious manifesto
2
6396
3595
"Oblik prati funkciju" - bio je to
ambiciozan manifest modernizma
ambiciozan manifest modernizma
00:22
and detrimental straitjacket,
3
10015
2253
i njegov štetan okov,
00:24
as it liberated architecture
from the decorative,
from the decorative,
4
12292
2969
jer je arhitekturu oslobodio
od dekoracije,
od dekoracije,
00:27
but condemned it to utilitarian rigor
and restrained purpose.
and restrained purpose.
5
15285
3901
ali je i osudio na utilitarnu strogost
i na suzdržanu, umjerenu namjenu.
i na suzdržanu, umjerenu namjenu.
00:32
Of course, architecture is about function,
6
20418
2706
Naravno, funkcionalnost je
u arhitekturi bitna,
u arhitekturi bitna,
00:35
but I want to remember a rewriting
of this phrase by Bernard Tschumi,
of this phrase by Bernard Tschumi,
7
23148
3667
no prisjetio bih se parafraze
Bernarda Tschumija,
Bernarda Tschumija,
00:38
and I want to propose
a completely different quality.
a completely different quality.
8
26839
2713
i predložio bih potpuno
drugačiju kvalitetu.
drugačiju kvalitetu.
00:43
If form follows fiction,
9
31140
1973
Kad bi oblik pratio fikciju,
00:45
we could think of architecture
and buildings as a space of stories --
and buildings as a space of stories --
10
33556
4183
mogli bismo o arhitekturi i o građevinama
misliti kao o univerzumu priča -
misliti kao o univerzumu priča -
00:49
stories of the people that live there,
11
37763
2480
priča ljudi koji ondje žive,
00:52
of the people that work
in these buildings.
in these buildings.
12
40267
2355
ljudi koji u tim građevinama rade.
00:55
And we could start to imagine
the experiences our buildings create.
the experiences our buildings create.
13
43088
4015
Mogli bismo početi zamišljati i iskustva
koja naše građevine stvaraju.
koja naše građevine stvaraju.
00:59
In this sense, I'm interested in fiction
14
47965
2603
U tom smislu, zanima me fikcija,
01:02
not as the implausible but as the real,
15
50592
3578
ne ona nemoguća, već ona moguća;
01:06
as the reality of what architecture means
16
54194
1998
kao stvarno značenje arhitekture
01:08
for the people that live
in it and with it.
in it and with it.
17
56216
2348
za ljude koji u njoj i s njome žive.
01:11
Our buildings are prototypes,
ideas for how the space of living
ideas for how the space of living
18
59666
3599
Naše su građevine praoblici, zamisli
o tome kako bi životni prostor
o tome kako bi životni prostor
01:15
or how the space of working
could be different,
could be different,
19
63289
2328
ili kako bi radni prostor
mogli biti drukčiji,
mogli biti drukčiji,
01:18
and what a space of culture
or a space of media could look like today.
or a space of media could look like today.
20
66728
3501
kako bi kulturni ili medijski prostor
mogli danas izgledati.
mogli danas izgledati.
01:23
Our buildings are real;
they're being built.
they're being built.
21
71246
2080
Naše su građevine
stvarne - gradimo ih.
stvarne - gradimo ih.
01:25
They're an explicit engagement
in physical reality
in physical reality
22
73350
2859
One su eksplicitni anganžman
u fizičkoj stvarnosti
u fizičkoj stvarnosti
01:28
and conceptual possibility.
23
76233
2128
i konceptualna mogućnost.
01:32
I think of our architecture
as organizational structures.
as organizational structures.
24
80013
3754
Razmišljam o arhitekturi kao o
organizacijskim strukturama.
organizacijskim strukturama.
01:36
At their core is indeed
structural thinking, like a system:
structural thinking, like a system:
25
84276
3628
U njihovoj jezgri je strukturalno
razmišljanje, kao sustav:
razmišljanje, kao sustav:
01:39
How can we arrange things
in both a functional
in both a functional
26
87928
3151
Kako možemo urediti stvari na istovremeno
funkcionalan
funkcionalan
01:43
and experiential way?
27
91103
1765
i iskustveni način?
01:46
How can we create structures
that generate a series
that generate a series
28
94188
2668
Kako možemo stvoriti strukture koje će
proizvoditi niz
proizvoditi niz
01:48
of relationships and narratives?
29
96880
2419
odnosa i priča?
01:51
And how can fictive stories
30
99672
1591
Ili kako fiktivne priče
01:53
of the inhabitants and users
of our buildings
of our buildings
31
101287
2814
stanovnika i korisnika naše građevine
01:56
script the architecture,
32
104125
1952
mogu biti rukopis arhitekture,
01:58
while the architecture scripts
those stories at the same time?
those stories at the same time?
33
106101
3367
dok je i arhitektura istovremeno rukopis
za te priče?
za te priče?
02:02
And here comes the second term into play,
34
110428
1985
Ovdje se pojavljuje drugi pojam,
02:04
what I call "narrative hybrids" --
35
112437
2238
ono što nazivam "pripovjedni hibridi" --
02:06
structures of multiple
simultaneous stories
simultaneous stories
36
114699
2745
strukture višestrukih istovremenih priča
02:09
that unfold throughout
the buildings we create.
the buildings we create.
37
117468
2730
koje se odvijaju u građevinama koje
stvaramo.
stvaramo.
02:12
So we could think of architecture
as complex systems of relationships,
as complex systems of relationships,
38
120706
4860
Možemo smatrati arhitekturu složenim
sustavom odnosa,
sustavom odnosa,
02:17
both in a programmatic and functional way
39
125590
2816
na programski i funkcionalan način
02:20
and in an experiential
and emotive or social way.
and emotive or social way.
40
128898
4503
i na iskustveni i emotivni ili
društveni način.
društveni način.
02:27
This is the headquarters
for China's national broadcaster,
for China's national broadcaster,
41
135187
2747
Ovo je sjedište kineske nacionalne
televizije,
televizije,
02:29
which I designed together
with Rem Koolhaas at OMA.
with Rem Koolhaas at OMA.
42
137958
3141
koje sam dizajnirao zajedno s Remom
Koolhaasom iz OMA-e.
Koolhaasom iz OMA-e.
02:33
When I first arrived in Beijing in 2002,
the city planners showed us this image:
the city planners showed us this image:
43
141882
4139
Kad sam prvi puta stigao u Beijing 2002.
gradski projektanti su nam pokazali ovu sliku:
gradski projektanti su nam pokazali ovu sliku:
02:38
a forest of several hundred skyscrapers
44
146045
2167
šuma nekoliko stotina nebodera
02:40
to emerge in the central
business district,
business district,
45
148236
2071
koji se pojavljuju u središtu poslovnog
okruga,
okruga,
02:42
except at that time,
only a handful of them existed.
only a handful of them existed.
46
150331
2621
osim što je u to vrijeme postojala samo
šačica njih.
šačica njih.
02:45
So we had to design in a context
that we knew almost nothing about,
that we knew almost nothing about,
47
153389
3263
Mi smo morali dizajnirati u kontekstu
o kojem ne znamo gotovo ništa,
o kojem ne znamo gotovo ništa,
02:48
except one thing:
it would all be about verticality.
it would all be about verticality.
48
156676
3095
osim jedne stvari:
sve će se raditi o okomitosti.
sve će se raditi o okomitosti.
02:52
Of course, the skyscraper is vertical --
it's a profoundly hierarchical structure,
it's a profoundly hierarchical structure,
49
160366
4779
Naravno, neboder je okomit --
to je ekstremno hijerarhijska struktura,
to je ekstremno hijerarhijska struktura,
02:57
the top always the best,
the bottom the worst,
the bottom the worst,
50
165169
2416
vrh je uvijek najbolji, a dno
najgore,
najgore,
02:59
and the taller you are,
the better, so it seems.
the better, so it seems.
51
167609
3163
i što ste više to bolje, tako se činilo.
03:03
And we wanted to ask ourselves,
52
171661
1509
Mi smo se zapitali,
03:05
could a building be about
a completely different quality?
a completely different quality?
53
173194
2793
može li se građevina raditi o posve
drukčijoj kvaliteti?
drukčijoj kvaliteti?
03:08
Could it undo this hierarchy,
and could it be about a system
and could it be about a system
54
176011
3953
Može li poništiti ovu hijerarhiju i biti
o sustavu
o sustavu
03:11
that is more about collaboration,
rather than isolation?
rather than isolation?
55
179988
3224
koji se radi više o suradnji nego o
izolaciji?
izolaciji?
03:15
So we took this needle
and bent it back into itself,
and bent it back into itself,
56
183236
3054
Uzeli smo iglu i savili ju natrag u sebe,
03:18
into a loop of interconnected activities.
57
186314
2853
u petlju međusobno povezanih aktivnosti.
03:21
Our idea was to bring all aspects
of television-making
of television-making
58
189866
3279
Naša ideja je bila da dovedemo sve aspekte
televizije
televizije
03:25
into one single structure: news,
program production, broadcasting,
program production, broadcasting,
59
193169
3987
u jednu strukturu: vijesti, produkcija
programa, emitiranje,
programa, emitiranje,
03:29
research and training, administration --
60
197180
2222
istraživanje i trening, administracija --
03:31
all into a circuit
of interconnected activities
of interconnected activities
61
199426
3668
sve u krugu međusobno povezanih aktivnosti
03:35
where people would meet in a process
of exchange and collaboration.
of exchange and collaboration.
62
203118
3913
gdje bi se ljudi sretali u procesu
razmjene i suradnje.
razmjene i suradnje.
03:39
I still very much like this image.
63
207959
1818
Još uvijek mi se veoma sviđa ova slika.
03:41
It reminds one of biology classes,
if you remember the human body
if you remember the human body
64
209801
3123
Podsjeća me na sat biologije, ako se
sjećate ljudskog tijela
sjećate ljudskog tijela
03:44
with all its organs
and circulatory systems, like at school.
and circulatory systems, like at school.
65
212948
2904
sa svim organima i krvožilnim sustavom,
kao u školi.
kao u školi.
03:47
And suddenly you think of architecture
no longer as built substance,
no longer as built substance,
66
215876
3997
I odjednom ne mislite o arhitekturi kao o
sagrađenoj materiji,
sagrađenoj materiji,
03:51
but as an organism, as a life form.
67
219897
2102
nego kao o organizmu, obliku života.
03:54
And as you start to dissect this organism,
68
222436
2347
I kako počinjete secirati ovaj organizam,
03:56
you can identify a series
of primary technical clusters --
of primary technical clusters --
69
224807
4729
identificirate niz primarnih tehničkih
grupa --
grupa --
04:01
program production,
broadcasting center and news.
broadcasting center and news.
70
229560
2694
produkcija programa, centar za emitiranje
i vijesti.
i vijesti.
04:04
Those are tightly intertwined
with social clusters:
with social clusters:
71
232857
3480
Oni su usko isprepleteni s
društvenim grupama:
društvenim grupama:
04:08
meeting rooms, canteens, chat areas --
72
236361
3064
sobe za sastanke, kantine, dnevni boravci --
04:11
informal spaces for people
to meet and exchange.
to meet and exchange.
73
239449
3084
neformalni prostori za sastajanje ljudi i
razmjenu.
razmjenu.
04:15
So the organizational structure
of this building was a hybrid
of this building was a hybrid
74
243260
4238
Organizacijska struktura ove građevine je
bila hibrid
bila hibrid
04:19
between the technical and the social,
75
247522
2446
između tehničke i društvene,
04:21
the human and the performative.
76
249992
1834
ljudske i izvedbene.
04:24
And of course, we used the loop
of the building as a circulatory system,
of the building as a circulatory system,
77
252333
3640
I naravno, iskoristili smo petlju zgrade
kao krvožilni sustav,
kao krvožilni sustav,
04:27
to thread everything together
and to allow both visitors and staff
and to allow both visitors and staff
78
255997
3909
da nanižemo sve zajedno i dopustimo
i posjetiocima i osoblju
i posjetiocima i osoblju
04:31
to experience all these different
functions in a great unity.
functions in a great unity.
79
259930
3585
da iskuse sve ove drukčije funkcije u
velikom zajedništvu.
velikom zajedništvu.
04:37
With 473,000 square meters,
80
265118
3060
Sa 473 000 kvadratnih metara,
04:40
it is one of the largest buildings
ever built in the world.
ever built in the world.
81
268202
3011
ovo je jedna od najvećih zgrada
ikad sagrađenih na svijetu.
ikad sagrađenih na svijetu.
04:43
It has a population of over 10,000 people,
82
271237
2668
Ima populaciju preko 10 000 ljudi,
04:45
and of course, this is a scale
that exceeds the comprehension
that exceeds the comprehension
83
273929
3586
i naravno, ovo je razmjer koji premašuje
poimanje
poimanje
04:49
of many things and the scale
of typical architecture.
of typical architecture.
84
277539
2760
mnoštva stvari i razmjer tipične
arhitekture.
arhitekture.
04:52
So we stopped work for a while
85
280323
1628
Tako da smo prestali raditi nakratko
04:53
and sat down and cut 10,000 little sticks
and glued them onto a model,
and glued them onto a model,
86
281975
4305
i sjeli i izrezali 10 000 malih štapića
i zalijepili ih u model,
i zalijepili ih u model,
04:58
just simply to confront ourselves
with what that quantity actually meant.
with what that quantity actually meant.
87
286304
4023
samo da se suočimo s tim što ta
količina zapravo znači.
količina zapravo znači.
05:03
But of course, it's not a number,
88
291261
1610
Naravno, to nije broj,
05:04
it is the people, it is a community
that inhabits the building,
that inhabits the building,
89
292895
4609
već ljudi, zajednica koja nastanjuje ovu
zgradu,
zgradu,
05:09
and in order to both comprehend
this, but also script this architecture,
this, but also script this architecture,
90
297528
4453
i da bi shvatili ovo, ali i napravili
rukopis za arhitekturu,
rukopis za arhitekturu,
05:14
we identified five characters,
hypothetical characters,
hypothetical characters,
91
302005
3246
identificirali smo pet likova,
hipotetskih likova,
hipotetskih likova,
05:17
and we followed them throughout their day
in a life in this building,
in a life in this building,
92
305275
4569
i pratili ih tijekom dana u životu ove
građevine,
građevine,
05:21
thought of where they would meet,
what they would experience.
what they would experience.
93
309868
2883
smišljali gdje bi se sreli,
što bi iskusili.
što bi iskusili.
05:24
So it was a way to script and design
the building, but of course,
the building, but of course,
94
312775
3139
To je bio način da režiramo i dizajniramo
zgradu, no naravno,
zgradu, no naravno,
05:27
also to communicate its experiences.
95
315938
2037
i da prenesemo njena iskustva.
05:29
This was part of an exhibition
with the Museum of Modern Art
with the Museum of Modern Art
96
317999
3288
Ovo je bio dio izložbe u
Muzeju moderne umjetnosti
Muzeju moderne umjetnosti
05:33
in both New York and Beijing.
97
321311
2308
u New Yorku i Pekingu.
05:36
This is the main broadcast control room,
98
324865
2199
Ovo je glavna kontrolna prostorija za
emitiranje,
emitiranje,
05:39
a technical installation so large,
99
327088
1818
tehnička instalacija toliko velika,
05:40
it can broadcast over 200
channels simultaneously.
channels simultaneously.
100
328930
3332
da može emitirati preko 200 kanala
istovremeno.
istovremeno.
05:45
And this is how the building
stands in Beijing today.
stands in Beijing today.
101
333643
3420
A ovo je kako zgrada izgleda
danas u Pekingu.
danas u Pekingu.
05:49
Its first broadcast live
was the London Olympics 2012,
was the London Olympics 2012,
102
337801
3294
Prvo emitiranje uživo su bile
Olimpijske igre u Londonu 2012,
Olimpijske igre u Londonu 2012,
05:53
after it had been completed
from the outside for the Beijing Olympics.
from the outside for the Beijing Olympics.
103
341119
4055
nakon što je završena izvana za
Olimpijadu u Pekingu.
Olimpijadu u Pekingu.
05:57
And you can see at the very tip
of this 75-meter cantilever,
of this 75-meter cantilever,
104
345998
4063
Možete vidjeti na na samom vrhu 75 metara
visoke grede,
visoke grede,
06:02
those three little circles.
105
350085
1554
ove tri male kružnice.
06:03
And they're indeed part of a public loop
that goes through the building.
that goes through the building.
106
351663
3501
Oni su uistinu dio javne petlje koja ide
kroz zgradu.
kroz zgradu.
06:07
They're a piece of glass
that you can stand on
that you can stand on
107
355188
2552
To su komadi stakla na
kojima možete stajati
kojima možete stajati
06:09
and watch the city pass by
below you in slow motion.
below you in slow motion.
108
357764
4103
i gledati kako grad diše ispod vas
u usporenom ritmu.
u usporenom ritmu.
06:15
The building has become
part of everyday life in Beijing.
part of everyday life in Beijing.
109
363524
3250
Građevina je postala
dio svakodnevnog života u Pekingu.
dio svakodnevnog života u Pekingu.
06:18
It is there.
110
366798
1491
Ondje je.
06:20
It has also become a very popular backdrop
111
368313
3088
Također, postala je veoma popularno mjesto
06:23
for wedding photography.
112
371425
1485
za fotografije s vjenčanja.
06:24
(Laughter)
113
372934
2862
(Smijeh)
06:30
But its most important moment
is maybe sill this one.
is maybe sill this one.
114
378621
2974
No, najvažniji trenutak je vjerojatno
još uvijek ovaj.
još uvijek ovaj.
06:33
"That's Beijing" is similar to "Time Out,"
115
381619
2054
"That's Beijing" je sličan "Time Out-u"
06:35
a magazine that broadcasts what
is happening in town during the week,
is happening in town during the week,
116
383697
4850
časopisu koji pokriva događanja
u gradu tijekom tjedna,
u gradu tijekom tjedna,
06:40
and suddenly you see the building
portrayed no longer as physical matter,
portrayed no longer as physical matter,
117
388571
4963
i odjednom vidite zgradu prikazanu
ne kao fizički objekt,
ne kao fizički objekt,
06:45
but actually as an urban actor,
118
393558
1515
nego kao, zapravo, urbani sudionik,
06:47
as part of a series of personas
that define the life of the city.
that define the life of the city.
119
395097
4689
kao dio niza persona koje definiraju život
grada.
grada.
06:52
So architecture suddenly
assumes the quality of a player,
assumes the quality of a player,
120
400987
4910
Arhitektura odjednom poprima kvalitetu
igrača,
igrača,
06:57
of something that writes stories
and performs stories.
and performs stories.
121
405921
3923
nečega što piše priče i izvodi te
priče.
priče.
07:02
And I think that could be one
of its primary meanings
of its primary meanings
122
410619
4312
Ja mislim da bi to mogla biti jedno od
primarnih značenja
primarnih značenja
07:06
that we believe in.
123
414955
1247
u koje vjerujemo.
07:08
But of course, there's another
story to this building.
story to this building.
124
416226
2611
No, naravno, postoji druga priča
ove građevine.
ove građevine.
07:10
It is the story of the people
that made it --
that made it --
125
418861
2929
To je priča ljudi koji su ju napravili --
07:13
400 engineers and architects
that I was guiding
that I was guiding
126
421814
2818
400 inženjera i arhitekata koje sam vodio
07:16
over almost a decade of collaborative work
127
424656
2591
preko gotovo desetljeća zajedničkog rada
07:19
that we spent together
in scripting this building,
in scripting this building,
128
427271
2967
koje smo proveli zajedno u pravljenju
ove zgrade,
ove zgrade,
07:22
in imagining its reality
129
430262
1906
u zamišljanju njene stvarnosti
07:24
and ultimately getting it built in China.
130
432192
3291
i konačno sagradnje u Kini.
07:29
This is a residential development
in Singapore, large scale.
in Singapore, large scale.
131
437737
4356
Ovo je stambeni razvoj u Singapuru,
u velikom razmjeru.
u velikom razmjeru.
07:34
If we look at Singapore like most of Asia
and more and more of the world,
and more and more of the world,
132
442541
4230
Ako pogledamo Singapur kao ostatak Azije
i sve više dijelova svijeta,
i sve više dijelova svijeta,
07:38
of course, it is dominated by the tower,
133
446795
3547
naravno, dominiraju tornjevi,
07:42
a typology that indeed creates
more isolation than connectedness,
more isolation than connectedness,
134
450366
4521
tipologija koja stvara izolaciju, a ne
povezanost,
povezanost,
07:46
and I wanted to ask, how
could we think about living,
could we think about living,
135
454911
3211
i pitao sam se, kako da razmišljamo o
življenju,
življenju,
07:50
not only in terms of the privacy
and individuality of ourselves
and individuality of ourselves
136
458146
3825
ne samo u smislu privatnosti i
naše individualnosti
naše individualnosti
07:53
and our apartment,
137
461995
1436
i našeg stana,
07:55
but in an idea of a collective?
138
463455
2636
nego kao o ideji kolektiva?
07:58
How could we think about creating
a communal environment
a communal environment
139
466115
3399
Kako možemo razmišljati o stvaranju
zajedničkog okružja
zajedničkog okružja
08:01
in which sharing things was as great
as having your own?
as having your own?
140
469538
3888
u kojem je dijeljenje stvari jednako
odlično kao i posjedovanje vlastitih?
odlično kao i posjedovanje vlastitih?
08:06
The typical answer to the question --
we had to design 1,040 apartments --
we had to design 1,040 apartments --
141
474664
4696
Tipični odgovor na to pitanje --
morali smo dizajnirali 1040 stanova --
morali smo dizajnirali 1040 stanova --
08:11
would have looked like this:
142
479384
1357
bi izgledao ovako:
08:12
24-story height limit given
by the planning authorities,
by the planning authorities,
143
480765
2746
24-katno ograničenje visine koje su
nam dali vlasti,
nam dali vlasti,
08:15
12 towers with nothing
but residual in between --
but residual in between --
144
483535
3974
12 tornjeva s ničim osim ostataka
u sredini --
u sredini --
08:19
a very tight system that,
although the tower isolates you,
although the tower isolates you,
145
487533
2913
vrlo tijesan sustav koji osim što
vas izolira,
vas izolira,
08:22
it doesn't even give you privacy,
because you're so close to the next one,
because you're so close to the next one,
146
490470
3507
ne dopušta ni privatnost,
jer ste preblizu jedni drugima,
jer ste preblizu jedni drugima,
08:26
that it is very questionable
what the qualities of this would be.
what the qualities of this would be.
147
494001
3290
vrlo je upitna kakva će biti
kvaliteta ovoga.
kvaliteta ovoga.
08:30
So I proposed to topple the towers,
throw the vertical into the horizontal
throw the vertical into the horizontal
148
498488
4294
Tako da sam predložio srušiti tornjeve,
pretvoriti vertikalu u horizontalu
pretvoriti vertikalu u horizontalu
08:34
and stack them up,
149
502806
1790
i poslagati ih,
08:36
and what looks a bit random from the side,
150
504620
2547
što izgleda nasumično sa strane,
08:39
if you look from the viewpoint
of the helicopter,
of the helicopter,
151
507191
2794
ako pogledate iz gledišta helikoptera,
08:42
you can see its organizational structure
is actually a hexagonal grid,
is actually a hexagonal grid,
152
510009
4729
možete vidjeti da je organizacijska
struktura zapravo šesterokutna mreža,
struktura zapravo šesterokutna mreža,
08:46
in which these horizontal
building blocks are stacked up
building blocks are stacked up
153
514762
3737
u kojoj su ovi horizontalni blokovi
poslagani
poslagani
08:50
to create huge outdoor courtyards --
central spaces for the community,
central spaces for the community,
154
518523
5069
da tvore ogromna vanjska dvorišta --
središnji prostor za zajednicu,
središnji prostor za zajednicu,
08:55
programmed with a variety
of amenities and functions.
of amenities and functions.
155
523616
3356
programiran s različitim sadržajima
i funkcijama.
i funkcijama.
08:59
And you see that these courtyards
are not hermetically sealed spaces.
are not hermetically sealed spaces.
156
527800
3287
I vidite da ova dvorišta nisu hermetički
zatvoreni prostori.
zatvoreni prostori.
09:03
They're open, permeable;
they're interconnected.
they're interconnected.
157
531111
2492
Otvoreni su, propusni;
međusobno povezani.
međusobno povezani.
09:05
We called the project "The Interlace,"
158
533627
2224
Projekt smo nazvali "Prepletanje,"
09:07
thinking that we interlace
and interconnect
and interconnect
159
535875
2974
sa mišlju da isprepletemo i međusobno
povežemo
povežemo
09:10
the human beings and the spaces alike.
160
538873
2915
ljudska bića i prostore.
09:14
And the detailed quality
of everything we designed
of everything we designed
161
542502
2891
Detaljna kvaliteta svega što
smo dizajnirali
smo dizajnirali
09:17
was about animating the space
and giving the space to the inhabitants.
and giving the space to the inhabitants.
162
545417
3832
se radi o animaciji prostora i pružanja
prostora stanarima.
prostora stanarima.
09:21
And, in fact, it was a system
163
549273
1397
Ustvari, to je sustav
09:22
where we would layer
primarily communal spaces,
primarily communal spaces,
164
550694
3468
gdje bi prvo stavili sloj javnih
prostora,
prostora,
09:26
stacked to more and more
individual and private spaces.
individual and private spaces.
165
554186
3960
te slagali sve više individualnih i
privatnih prostora.
privatnih prostora.
09:30
So we would open up a spectrum
166
558662
1843
Tako da bi otvorili spektar
09:32
between the collective and the individual.
167
560529
3190
između kolektivnog i individualnog.
09:36
A little piece of math:
168
564203
1151
Malo matematike:
09:37
if we count all the green
that we left on the ground,
that we left on the ground,
169
565378
2551
ako izbrojimo svo zelenilo koje
smo ostavili na tlu,
smo ostavili na tlu,
09:39
minus the footprint of the buildings,
170
567953
2085
minus otisak zgrada,
09:42
and we would add back
the green of all the terraces,
the green of all the terraces,
171
570062
3427
i ako dodamo natrag svo zelenilo terasa,
09:45
we have 112 percent green space,
172
573513
2054
imamo 112 posto zelene površine,
09:47
so more nature than not
having built a building.
having built a building.
173
575591
2483
prema tome više prirode nego da
nismo sagradili zgradu.
nismo sagradili zgradu.
09:50
And of course this little piece of math
shows you that we are multiplying
shows you that we are multiplying
174
578463
4002
I naravno, ovo malo matematike nam
pokazuje da umnožavamo
pokazuje da umnožavamo
09:54
the space available
to those who live there.
to those who live there.
175
582489
2857
prostor dostupan za život ondje.
09:57
This is, in fact, the 13th floor
of one of these terraces.
of one of these terraces.
176
585830
3184
Ovo je, zapravo, 13. kat jedne od
ovih terasa.
ovih terasa.
10:01
So you see new datum planes,
new grounds planes for social activity.
new grounds planes for social activity.
177
589038
4619
Vidite nove ravnine, novo tlo za
društvene aktivnosti.
društvene aktivnosti.
10:06
We paid a lot of attention
to sustainability.
to sustainability.
178
594792
2938
Obratili smo mnogo pozornosti na
održivost.
održivost.
10:10
In the tropics, the sun is the most
important thing to pay attention to,
important thing to pay attention to,
179
598212
3579
U tropskim krajevima, sunce je najbitnija
stvar na koju treba obratiti pozornost,
stvar na koju treba obratiti pozornost,
10:13
and, in fact, it is seeking
protection from the sun.
protection from the sun.
180
601815
3062
i, zapravo, traži zaštitu od sunca.
10:16
We first proved that all apartments
would have sufficient daylight
would have sufficient daylight
181
604901
3137
Prvo smo dokazali da će svi stanovi imati
dovoljno dnevne svjetlosti
dovoljno dnevne svjetlosti
10:20
through the year.
182
608062
1173
tijekom godine.
10:21
We then went on to optimize
the glazing of the facades
the glazing of the facades
183
609648
2661
Onda smo krenuli na optimiranje
ostakljenja fasada
ostakljenja fasada
10:24
to minimize the energy
consumption of the building.
consumption of the building.
184
612333
2569
da bi smanjili potrošnju energije zgrade
na minimum.
na minimum.
10:27
But most importantly, we could prove
that through the geometry
that through the geometry
185
615981
3415
No, najbitnije je da smo pokazali da
kroz geometriju
kroz geometriju
10:31
of the building design,
186
619420
1576
dizajna zgrade,
10:33
the building itself would provide
sufficient shading to the courtyards
sufficient shading to the courtyards
187
621020
3362
sama zgrada pruža dovoljno hlada
dvorištima
dvorištima
10:36
so that those would be usable
throughout the entire year.
throughout the entire year.
188
624406
3002
tako da se mogu koristiti tijekom
cijele godine.
cijele godine.
10:39
We further placed water bodies
along the prevailing wind corridors,
along the prevailing wind corridors,
189
627432
3478
Zatim smo postavili vodena tijela
uz prevladavajuće kanale zraka,
uz prevladavajuće kanale zraka,
10:42
so that evaporative cooling
would create microclimates
would create microclimates
190
630934
3720
tako da isparavajuće hlađenje stvara
mikroklimu
mikroklimu
10:46
that, again, would enhance
the quality of those spaces
the quality of those spaces
191
634678
3485
što, opet, povećava kvalitetu ovih
prostora
prostora
10:50
available for the inhabitants.
192
638187
2411
dostupnih za stanare.
10:53
And it was the idea of creating
this variety of choices,
this variety of choices,
193
641773
3746
Ideja za stvaranje ove raznovrsnosti
izbora,
izbora,
10:57
of freedom to think
where you would want to be,
where you would want to be,
194
645543
4073
slobode da razmislite gdje želite biti,
11:01
where you would want to escape, maybe,
195
649640
1904
gdje želite pobjeći, možda,
11:03
within the own complexity
of the complex in which you live.
of the complex in which you live.
196
651568
3818
unutar složenosti kompleksa u kojem
živite.
živite.
11:09
But coming from Asia to Europe:
197
657036
2040
No iz Azije u Europu je došla:
11:11
a building for a German
media company based in Berlin,
media company based in Berlin,
198
659100
3856
zgrada za njemačku medijsku tvrtku
iz Berlina,
iz Berlina,
11:14
transitioning from the traditional
print media to the digital media.
print media to the digital media.
199
662980
4420
prelazeći iz tradicionalnog medija koji
printa u digitalni medij.
printa u digitalni medij.
11:19
And its CEO asked a few
very pertinent questions:
very pertinent questions:
200
667830
2864
Njihov CEO je postavio par
značajnih pitanja:
značajnih pitanja:
11:23
Why would anyone today
still want to go to the office,
still want to go to the office,
201
671146
2605
Zašto bi itko još uvijek htio ići u
ured,
ured,
11:25
because you can actually work anywhere?
202
673775
2189
jer zapravo možeš raditi bilo gdje?
11:27
And how could a digital identity
of a company be embodied
of a company be embodied
203
675988
3873
I kako se digitalni identitet tvrtke može
utjeloviti
utjeloviti
11:31
in a building?
204
679885
1151
u zgradu?
11:34
We created not only an object,
but at the center of this object
but at the center of this object
205
682147
3823
Stvorili smo ne samo objekt,
nego u središtu ovog objekta
nego u središtu ovog objekta
11:37
we created a giant space,
206
685994
1595
smo stvorili ogroman prostor,
11:39
and this space was about
the experience of a collective,
the experience of a collective,
207
687613
3674
ovaj prostor se radi o iskustvu
zajednice,
zajednice,
11:43
the experience of collaboration
and of togetherness.
and of togetherness.
208
691311
2867
iskustvu suradnje i zajedništva.
11:47
Communication, interaction
as the center of a space
as the center of a space
209
695011
3615
Komunikacija, interakcija kao središte
ovog prostora
ovog prostora
11:50
that in itself would float,
210
698650
2539
koji pluta,
11:53
like what we call the collaborative cloud,
211
701213
2112
ono što nazivamo suradnički oblak,
11:55
in the middle of the building,
212
703349
1508
u središtu zgrade,
11:56
surrounded by an envelope
of standard modular offices.
of standard modular offices.
213
704881
3388
okružen omotom standardnih
modularnih ureda.
modularnih ureda.
12:00
So with only a few steps
from your quiet work desk,
from your quiet work desk,
214
708944
3150
Tako da sa samo par koraka od
svog mirnog radnog stola,
svog mirnog radnog stola,
12:04
you could participate
in the giant collective experience
in the giant collective experience
215
712118
3727
možete sudjelovati u ogromnom
kolektivnom iskustvu
kolektivnom iskustvu
12:07
of the central space.
216
715869
1629
središnjeg prostora.
12:12
Finally, we come to London,
a project commissioned
a project commissioned
217
720159
3579
Konačno, došli smo u London,
do projekta koji je naručila
do projekta koji je naručila
12:15
by the London Legacy
Development Corporation
Development Corporation
218
723762
2578
Londonska korporacija za razvoj nasljeđa
12:18
of the Mayor of London.
219
726364
1429
gradonačelnika Londona.
12:20
We were asked to undertake a study
220
728309
2188
Trebali smo provesti studiju
12:22
and investigate the potential of a site
221
730521
2792
i istražiti potencijal položaja
12:25
out in Stratford in the Olympic Park.
222
733337
2471
u Stratfordu u Olimpijskom parku.
12:28
In the 19th century, Prince Albert
had created Albertopolis.
had created Albertopolis.
223
736229
3584
U 19. stoljeću, princ Albert je napravio
Albertopolis.
Albertopolis.
12:32
And Boris Johnson thought
of creating Olympicopolis.
of creating Olympicopolis.
224
740513
3738
A Boris Johnson je mislio napraviti
Olympicopolis.
Olympicopolis.
12:37
The idea was to bring together
some of Britain's greatest institutions,
some of Britain's greatest institutions,
225
745211
4272
Ideja je bila povezati neke od
najboljih britanskih institucija,
najboljih britanskih institucija,
12:41
some international ones,
and to create a new system of synergies.
and to create a new system of synergies.
226
749507
3860
neke internacionalne i stvoriti
novi sustav sinergija.
novi sustav sinergija.
12:45
Prince Albert, as yet, created
Albertopolis in the 19th century,
Albertopolis in the 19th century,
227
753803
4524
Princ Albert je sagradio Albertopolis
u 19. stoljeću,
u 19. stoljeću,
12:50
thought of showcasing
all achievements of mankind,
all achievements of mankind,
228
758351
2463
mislio je prikazati sva postignuća
čovječanstva,
čovječanstva,
12:52
bringing arts and science closer together.
229
760838
2800
približiti umjetnost i znanost.
12:56
And he built Exhibition Road,
a linear sequence of those institutions.
a linear sequence of those institutions.
230
764082
4674
Te je izgradio Ulicu izložbe,
linearni slijed tih institucija.
linearni slijed tih institucija.
13:01
But of course, today's society
has moved on from there.
has moved on from there.
231
769836
3691
No naravno, današnje društvo je
napredovalo odatle.
napredovalo odatle.
13:05
We no longer live in a world
232
773551
1956
Više ne živimo u svijetu
13:07
in which everything
is as clearly delineated
is as clearly delineated
233
775531
2680
u kojem je sve jasno ocrtano
13:10
or separated from each other.
234
778235
1502
ili odvojeno jedno od drugog.
13:11
We live in a world in which
boundaries start to blur
boundaries start to blur
235
779761
3389
Živimo u svijetu u kojem se granice
između pojedinih domena
između pojedinih domena
13:15
between the different domains,
236
783174
1468
počinju zamagljivati,
13:16
and in which collaboration and interaction
becomes far more important
becomes far more important
237
784666
3990
i u kojem suradnja i interakcija postaju
važniji
važniji
13:20
than keeping separations.
238
788680
1784
od održavanja razdvojenosti.
13:23
So we wanted to think
of a giant culture machine,
of a giant culture machine,
239
791408
3019
Pa sam htio smisliti ogromni
kulturni stroj,
kulturni stroj,
13:26
a building that would orchestrate
and animate the various domains,
and animate the various domains,
240
794451
4777
zgradu koja bi upravljala i
pokretala različite domene,
pokretala različite domene,
13:31
but allow them to interact
and collaborate.
and collaborate.
241
799252
3054
no dopuštala im da međusobno djeluju i
surađuju.
surađuju.
13:35
At the base of it is a very simple module,
242
803211
2105
U temelju je veoma jednostavan modul,
13:37
a ring module.
243
805340
1151
prstenasti modul.
13:38
It can function as a double-loaded
corridor, has daylight, has ventilation.
corridor, has daylight, has ventilation.
244
806515
3643
Može djelovati kao dvostruki hodnik, ima
pristup dnevnom svjetlu, ima ventilaciju.
pristup dnevnom svjetlu, ima ventilaciju.
13:42
It can be glazed over
245
810182
1151
Može se zamagliti
13:43
and turned into a giant
exhibitional performance space.
exhibitional performance space.
246
811357
2873
i pretvoriti u ogromni izložbeni
prostor za izvođenje.
prostor za izvođenje.
13:46
These modules were stacked together
247
814254
2125
Ovi moduli su poslagani zajedno
13:48
with the idea that almost any
function could, over time,
function could, over time,
248
816403
3762
uz ideju da gotovo sve funkcije mogu,
tijekom vremena,
tijekom vremena,
13:52
occupy any of these modules.
249
820189
1737
zauzeti bilo koji od tih modula.
13:53
So institutions could shrink or contract,
250
821950
3116
Tako da se institucije mogu smanjiti
ili skupiti,
ili skupiti,
13:57
as, of course, the future of culture
is, in a way, the most uncertain of all.
is, in a way, the most uncertain of all.
251
825090
4721
jer je, naravno, budućnost kulture,
na neki način, najnesigurnija.
na neki način, najnesigurnija.
14:02
This is how the building sits,
adjacent to the Aquatics Centre,
adjacent to the Aquatics Centre,
252
830733
2955
Ovako zgrada stoji, susjedno
Centru za vodene sportove,
Centru za vodene sportove,
14:05
opposite the Olympic Stadium.
253
833712
1951
nasuprot Olimpijskom stadionu.
14:08
And you can see how
its cantilevering volumes
its cantilevering volumes
254
836608
2333
I možete vidjeti kako se noseći volumen
14:10
project out and engage the public space
255
838965
2790
projicira i uključuje javni prostor
14:13
and how its courtyards
animate the public inside.
animate the public inside.
256
841779
3701
i kako dvorišta animiraju javnost unutra.
14:19
The idea was to create a complex system
257
847313
3228
Ideja je bila stvoriti složen sustav
14:22
in which institutional entities
could maintain their own identity,
could maintain their own identity,
258
850565
4888
u kojem institucionalni entiteti mogu
zadržati svoj vlastiti identitet,
zadržati svoj vlastiti identitet,
14:27
in which they would not
be subsumed in a singular volume.
be subsumed in a singular volume.
259
855477
2933
u kojem se neće svesti na pojedinačni
volumen.
volumen.
14:30
Here's a scale comparison
to the Centre Pompidou in Paris.
to the Centre Pompidou in Paris.
260
858434
3166
Ovo je razmjer za usporedbu s
centrom Pompidou u Parizu.
centrom Pompidou u Parizu.
14:33
It both shows the enormous scale
and potential of the project,
and potential of the project,
261
861624
3365
Istovremeno pokazuje ogromni razmjer i
potencijal projekta,
potencijal projekta,
14:37
but also the difference:
262
865013
1287
no, također, i razliku:
14:38
here, it is a multiplicity
of a heterogeneous structure,
of a heterogeneous structure,
263
866324
4175
to je raznovrsnost heterogene strukture,
14:42
in which different entities can interact
264
870523
2511
u kojoj različiti entiteti stupaju u
interakciju
interakciju
14:45
without losing their own identity.
265
873058
2459
bez gubitka vlastitog identiteta.
14:48
And it was this thought: to create
an organizational structure
an organizational structure
266
876395
3950
Ovo je bila misao: stvoriti
organizacijsku strukturu
organizacijsku strukturu
14:52
that would allow for multiple
narratives to be scripted --
narratives to be scripted --
267
880369
2833
koja omogućuje višestruke
priče --
priče --
14:55
for those in the educational parts
that create and think culture;
that create and think culture;
268
883226
5454
za one u obrazovnim dijelovima
koji stvaraju i misle o kulturi;
koji stvaraju i misle o kulturi;
15:00
for those that present
the visual arts, the dance;
the visual arts, the dance;
269
888704
3506
za one koji predstavljaju vizualne
umjetnosti, ples;
umjetnosti, ples;
15:04
and for the public to be
admitted into all of this
admitted into all of this
270
892234
2809
i za gledatelje da se propuste u sve ovo
15:07
with a series of possible trajectories,
271
895067
2646
s nizom mogućih putanja,
15:09
to script their own reading
of these narratives
of these narratives
272
897737
2732
da naprave vlastiti rukopis
ovih priča
ovih priča
15:12
and their own experience.
273
900493
1633
i vlastitih iskustava.
15:16
And I want to end on a project
that is very small,
that is very small,
274
904475
3406
Želim završiti na projektu koji je
veoma mali,
veoma mali,
15:19
in a way, very different:
275
907905
1253
i na neki način veoma drukčiji:
15:21
a floating cinema
in the ocean of Thailand.
in the ocean of Thailand.
276
909896
2048
plutajuća kino dvorana u
oceanu na Tajlandu.
oceanu na Tajlandu.
15:23
Friends of mine had founded
a film festival,
a film festival,
277
911968
3536
Moj prijatelj je osnovao
filmski festival,
filmski festival,
15:27
and I thought,
278
915528
1190
i pomislio sam,
15:29
if we think of the stories
and narratives of movies,
and narratives of movies,
279
917226
3279
ako razmislimo o pričama i
pripovijestima u filmovima,
pripovijestima u filmovima,
15:32
we should also think of the narratives
of the people that watch them.
of the people that watch them.
280
920529
3543
trebamo, također, razmisliti o pričama
ljudi koji ih gledaju.
ljudi koji ih gledaju.
15:36
So I designed a small
modular floating platform,
modular floating platform,
281
924096
3285
Tako da sam dizajnirao malu
modularnu plutajuću platformu,
modularnu plutajuću platformu,
15:39
based on the techniques
of local fishermen,
of local fishermen,
282
927405
2274
temeljenu na tehnikama lokalnih
ribara,
ribara,
15:41
how they built their lobster
and fish farms.
and fish farms.
283
929703
2087
kako su sagradili svoje farme jastoga i
riba.
riba.
15:43
We collaborated with the local community
284
931814
2379
Surađivali smo s lokalnom zajednicom
15:46
and built, out of recycled
materials of their own,
materials of their own,
285
934217
3732
i sagradili od recikliranih materijala,
15:49
this fantastical floating platform
286
937973
2122
ovu fantastičnu plutajuću platformu
15:52
that gently moved in the ocean
287
940119
1921
koja se nježno kreće u oceanu
15:54
as we watched films
from the British film archive,
from the British film archive,
288
942064
2884
dok gledamo filmove iz britanske arhive.
15:56
[1903] "Alice in Wonderland," for example.
289
944972
2666
[1904] "Alisa u zemlji čudesa,"
na primjer.
na primjer.
15:59
The most primordial
experiences of the audience
experiences of the audience
290
947987
3057
Najiskonskije iskustvo gledaoca
16:03
merged with the stories of the movies.
291
951068
3065
stopljeno s pričom filmova.
16:07
So I believe that architecture exceeds
the domain of physical matter,
the domain of physical matter,
292
955840
4810
Vjerujem da arhitektura premašuje
domene fizičke materije.
domene fizičke materije.
16:12
of the built environment,
293
960674
1460
izgrađenog okoliša,
16:14
but is really about how
we want to live our lives,
we want to live our lives,
294
962158
3189
radi se o tome kako želimo živjeti
svoje živote,
svoje živote,
16:17
how we script our own stories
and those of others.
and those of others.
295
965371
3062
kako upravljamo vlastitim pričama i
pričama drugih.
pričama drugih.
16:20
Thank you.
296
968885
1151
Hvala vam.
16:22
(Applause)
297
970060
3413
(Pljesak)
ABOUT THE SPEAKER
Ole Scheeren - ArchitectOle Scheeren designs buildings that generate both functional and social spaces.
Why you should listen
Ole Scheeren is a German architect and principal of Buro Ole Scheeren with offices in Hong Kong, Beijing, Berlin and Bangkok. He is chief designer and leading the company’s creative vision and strategic development.
Ole Scheeren’s current work includes the Guardian Art Center, a new exhibition space and headquarters for China’s oldest art auction house currently under construction near the Forbidden City in Beijing; 1500 West Georgia, a residential high-rise in downtown Vancouver; DUO, a large-scale mixed-use urban development under construction in Singapore; MahaNakhon, at 314 meters Bangkok’s tallest tower housing the Ritz-Carlton Residences; Angkasa Raya, a 268 meter tall landmark building in the center of Kuala Lumpur; and a large-scale mixed-use urban development in Shenzhen, China.
Prior to launching Buro Ole Scheeren in 2010, Ole was Director and Partner along with Rem Koolhaas at OMA and responsible for the office’s work across Asia. As partner-in-charge of one of the largest buildings in the world, he successfully led the design and realization of the CCTV and TVCC Towers in Beijing. Other projects include The Interlace, a residential complex in Singapore and the Taipei Performing Arts Center in Taiwan. He also directed OMA’s work for Prada and completed the Prada Epicenters in New York and Los Angeles.
Through Studio Ole Scheeren, he is exploring his more personal interest in non-architectural projects and interventions, such as Archipelago Cinema, a floating auditorium in the Andaman Sea for the “Film on the Rocks” Festival in Yao Noi, Thailand, and subsequently installed at the 13th Architecture Biennale in Venice. He also developed Mirage City Cinema, a cinema-architecture space commissioned by the Sharjah Art Foundation as part of the Sharjah Biennial 11 Film Programme.
Ole Scheeren has contributed to various arts and culture projects and exhibitions throughout his career, including triennials in Beijing and Milan, China Design Now in London, the exhibition Cities on the Move at London’s Hayward Gallery and in the city of Bangkok, Media City Seoul and the Rotterdam Film Festival. For the Museum of Modern Art he designed two exhibitions in New York and Beijing featuring the CCTV project.
He regularly lectures at various international institutions and conferences, serves on juries for awards and competitions, and has been awarded numerous prizes, including the CTBUH 2013 Best Tall Building award for CCTV and the 2015 inaugural Urban Habitat Award for The Interlace.
Educated at the universities of Karlsruhe and Lausanne, Ole Scheeren graduated from the Architectural Association in London and was awarded the RIBA Silver Medal.
Ole Scheeren | Speaker | TED.com