TEDSummit 2019
Patrick Chappatte: A free world needs satire
Patrik Šapat (Patrick Chappatte): Slobodnom svetu je potrebna satira
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Treba nam humor koliko i vazduh koji udišemo, kaže politički karikaturista Patrik Šapat. U govoru ilustrovanim značajnim momentima iz karijere provedene u razapinjanju svih, od diktatora i ideologa do selfija i rulja na društvenim mrežama, Šapat iznosi prodorne, a često i urnebesne argumente o potrebi za satirom. „Političke karikature su rođene kada i demokratija, i osporavaju se kada se osporava sloboda“, kaže on.
Patrick Chappatte - Editorial cartoonist
Using clean, simple pencil strokes, editorial cartoonist Patrick Chappatte wields globally literate and to-the-point humor on world events -- the tragic, the farcical and the absurd. Full bio
Using clean, simple pencil strokes, editorial cartoonist Patrick Chappatte wields globally literate and to-the-point humor on world events -- the tragic, the farcical and the absurd. Full bio
Double-click the English transcript below to play the video.
00:12
I've been a political cartoonist
on the global stage for the last 20 years.
on the global stage for the last 20 years.
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Ja sam politički karikaturista prisutan
na svetskoj sceni poslednjih 20 godina.
na svetskoj sceni poslednjih 20 godina.
00:19
Hey, we have seen a lot of things
happen in those 20 years.
happen in those 20 years.
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Hej, videli smo da se mnogo toga
desilo za tih 20 godina.
desilo za tih 20 godina.
00:23
We saw three different Catholic popes,
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Videli smo trojicu
različitih katoličkih papa,
različitih katoličkih papa,
00:27
and we witnessed that unique moment:
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i bili smo svedoci
tog jedinstvenog trenutka:
tog jedinstvenog trenutka:
00:31
the election of a pope
on St. Peter's Square --
on St. Peter's Square --
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izbora pape na Trgu svetog Petra -
00:34
you know, the little white smoke
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znate, mali beli dim
00:37
and the official announcement.
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i zvanično saopštenje.
00:39
[It's a boy!]
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[Muško je!]
00:41
(Laughter)
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(Smeh)
00:43
(Applause)
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(Aplauz)
00:49
We saw four American presidents.
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Videli smo četiri američka predsednika.
00:52
Obama, of course.
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Obamu, naravno.
00:54
Oh, Europeans liked him a lot.
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O, Evropljani su ga mnogo voleli.
00:56
He was a multilateralist.
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Bio je multilateralista.
00:58
He favored diplomacy.
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Zalagao se za diplomatiju.
01:00
He wanted to be friends with Iran.
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Hteo je da se sprijatelji sa Iranom.
01:03
(Laughter)
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(Smeh)
01:09
And then ...
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A potom...
01:12
reality imitated caricature
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stvarnost je oponašala karikaturu
01:14
the day Donald Trump became the President
of the United States of America.
of the United States of America.
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onog dana kada je Donald Tramp postao
predsednik Sjedinjenih Američkih Država.
predsednik Sjedinjenih Američkih Država.
01:19
(Laughter)
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(Smeh)
01:22
(Applause)
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(Aplauz)
01:27
You know, people come to us and they say,
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Znate, ljudi nam prilaze i kažu:
01:30
"It's too easy for you cartoonists.
I mean -- with people like Trump?"
I mean -- with people like Trump?"
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„Previše je lako za vas karikaturiste.
Mislim - sa ljudima poput Trampa?“
Mislim - sa ljudima poput Trampa?“
Pa, ne, nije lako
01:35
Well, no, it's not easy
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01:38
to caricature a man
who is himself a caricature.
who is himself a caricature.
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napraviti karikaturu čoveka
koji je sam po sebi karikatura.
koji je sam po sebi karikatura.
01:41
(Laughter)
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(Smeh)
01:43
No.
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Ne.
01:44
(Applause)
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(Aplauz)
01:48
Populists are no easy target for satire
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Populisti nisu laka meta za satiru
01:51
because you try to nail them down one day,
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jer probaš da ih poklopiš jednog dana,
01:54
and the next day, they outdo you.
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i sutradan te nadmaše.
01:55
For example, as soon as he was elected,
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Na primer, čim je izabran,
01:59
I tried to imagine the tweet
that Trump would send on Christmas Eve.
that Trump would send on Christmas Eve.
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pokušao sam da zamislim tvit
koji će Tramp poslati na Badnje veče.
koji će Tramp poslati na Badnje veče.
02:03
So I did this, OK?
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Pa sam uradio ovo, okej?
02:05
[Merry Christmas to all!
Except all those pathetic losers. So sad.]
Except all those pathetic losers. So sad.]
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[Srećan Božić svima! Osim svih onih
patetičnih gubitnika. Baš jadno.]
patetičnih gubitnika. Baš jadno.]
02:08
(Laughter)
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(Smeh)
02:10
And basically, the next day,
Trump tweeted this:
Trump tweeted this:
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I u suštini, sutradan
je Tramp tvitovao ovo:
je Tramp tvitovao ovo:
[Srećna Nova godina svima, uključujući
i moje mnogobrojne neprijatelje
i moje mnogobrojne neprijatelje
02:13
[Happy New Year to all,
including to my many enemies
including to my many enemies
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02:15
and those who have fought me
and lost so badly
and lost so badly
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i one koji su se borili
protiv mene i tako izgubili
protiv mene i tako izgubili
02:17
they just don't know what to do. Love!]
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da prosto ne znaju šta će. S ljubavlju!]
02:19
(Laughter)
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(Smeh)
02:20
It's the same!
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Isto je!
02:22
(Applause)
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(Aplauz)
02:25
This is the era of strongmen.
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Ovo je doba moćnika.
02:27
And soon, Donald Trump was able to meet
his personal hero, Vladimir Putin,
his personal hero, Vladimir Putin,
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Uskoro je Donald Tramp uspeo da upozna
svog ličnog heroja Vladimira Putina,
svog ličnog heroja Vladimira Putina,
02:32
and this is how the first meeting went:
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i ovako je protekao prvi sastanak:
02:35
[I'll help you find the hackers.
Give me your password.]
Give me your password.]
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[Pomoći ću vam da pronađete hakere.
Dajte mi svoju lozinku.]
Dajte mi svoju lozinku.]
02:38
(Laughter)
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(Smeh)
02:41
And I'm not inventing anything.
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A ništa ne izmišljam.
02:44
He came out of that first meeting
saying that the two of them had agreed
saying that the two of them had agreed
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Izašao je sa tog prvog sastanka
rekavši da su se njih dvojica složili
rekavši da su se njih dvojica složili
02:48
on a joint task force on cybersecurity.
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o zajedničkoj radnoj grupi
za sajber sigurnost.
za sajber sigurnost.
02:50
This is true, if you do remember.
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To je istina, ako se sećate.
02:53
Oh, who would have imagined
the things we saw over these 20 years.
the things we saw over these 20 years.
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O, ko je mogao da zamisli stvari
koje smo videli tokom ovih 20 godina.
koje smo videli tokom ovih 20 godina.
Videli smo kako Velika Britanija
juri ka izlazu iz Evropske unije.
juri ka izlazu iz Evropske unije.
02:57
We saw Great Britain run towards
a European Union exit.
a European Union exit.
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03:01
[Hard Brexit?]
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[Bolan Bregzit?]
03:02
(Laughter)
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(Smeh)
03:08
In the Middle East,
we believed for a while
we believed for a while
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Na Bliskom istoku smo neko vreme verovali
03:10
in the democratic miracle
of the Arab Spring.
of the Arab Spring.
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u demokratsko čudo Arapskog proleća.
03:14
We saw dictators fall,
we saw others hang on.
we saw others hang on.
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Videli smo kako diktatori padaju,
videli smo i druge kako opstaju.
videli smo i druge kako opstaju.
03:18
(Laughter)
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(Smeh)
03:21
And then there is the timeless
Kim dynasty of North Korea.
Kim dynasty of North Korea.
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A tu je i vanvremenska dinastija Kim
iz Severne Koreje.
iz Severne Koreje.
03:25
These guys seem to be coming
straight out of Cartoon Network.
straight out of Cartoon Network.
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Oni kao dolaze pravo sa Kartun netvorka.
03:28
I was blessed to be able
to draw two of them.
to draw two of them.
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Srećan sam što sam imao priliku
da nacrtam njih dvojicu.
da nacrtam njih dvojicu.
03:31
Kim Jong-il, the father,
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Kim Džong Il, otac,
03:33
when he died a few years ago,
that was a very dangerous moment.
that was a very dangerous moment.
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kada je umro pre nekoliko godina,
to je bio vrlo opasan trenutak.
to je bio vrlo opasan trenutak.
03:36
[That was close!]
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[Bilo je blizu!]
03:37
(Laughter)
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(Smeh)
03:40
That was --
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Bilo je -
03:41
(Applause)
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(Aplauz)
03:46
And then the son, Kim Jong-un,
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A onda je sin, Kim Džong Un,
03:49
proved himself a worthy
successor to the throne.
successor to the throne.
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dokazao da je dostojan naslednik trona.
03:52
He's now friends with the US president.
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Sada se druži sa američkim predsednikom.
03:54
They meet each other all the time,
and they talk like friends.
and they talk like friends.
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Stalno se nalaze
i razgovaraju kao prijatelji.
i razgovaraju kao prijatelji.
03:59
[What kind of hair gel?]
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[Koji gel za kosu?]
04:01
(Laughter)
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(Smeh)
04:06
Should we be surprised
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Treba li da budemo iznenađeni
04:08
to be living in a world
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što živimo u svetu
04:10
ruled by egomaniacs?
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u kome vladaju ego manijaci?
04:12
What if they were just
a reflection of ourselves?
a reflection of ourselves?
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Šta ako su oni samo odraz nas samih?
04:16
I mean, look at us, each of us.
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Mislim, pogledajte nas, svakog od nas.
04:19
(Laughter)
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(Smeh)
04:21
Yeah, we love our smartphones;
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Da, volimo svoje telefone;
04:25
we love our selfies;
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volimo svoje selfije,
04:27
we love ourselves.
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volimo sami sebe.
04:29
And thanks to Facebook,
we have a lot of friends
we have a lot of friends
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A zahvaljujući Fejsbuku,
imamo mnogo prijatelja
imamo mnogo prijatelja
04:32
all over the world.
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širom sveta.
04:34
Mark Zuckerberg is our friend.
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Mark Zakenberg nam je prijatelj.
04:38
(Laughter)
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(Smeh)
04:42
You know, he and his peers
in Silicon Valley
in Silicon Valley
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Znate, on i njegove kolege
u Silicijumskoj dolini
u Silicijumskoj dolini
04:45
are the kings and the emperors
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su kraljevi i carevi
04:48
of our time.
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našeg doba.
04:51
Showing that the emperors have no clothes,
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Pokazivanje da carevi nemaju odeću,
04:55
that's the task of satire, right?
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to je zadatak satire, zar ne?
04:57
Speaking truth to power.
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Govorenje istine vlasti.
04:59
This has always been the historical role
of political cartooning.
of political cartooning.
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Oduvek je to bila istorijska uloga
političke karikature.
političke karikature.
05:03
In the 1830s, postrevolutionary France
under King Louis Philippe,
under King Louis Philippe,
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U postrevolucionarnoj Francuskoj
pod kraljem Lujem Filipom, 1830-ih,
pod kraljem Lujem Filipom, 1830-ih,
05:08
journalists and caricaturists fought hard
for the freedom of the press.
for the freedom of the press.
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novinari i karikaturisti
žestoko su se borili za slobodu štampe.
žestoko su se borili za slobodu štampe.
05:13
They were jailed, they were fined,
but they prevailed.
but they prevailed.
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Zatvarani su, novčano
kažnjavani, ali odoleli su.
kažnjavani, ali odoleli su.
05:17
And this caricature of the king by Daumier
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Ova karikatura kralja
koju je nacrtao Domije
koju je nacrtao Domije
05:21
came to define the monarch.
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postala je definicija monarha.
05:23
It marked history.
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Obeležila je istoriju.
05:24
It became the timeless symbol
of satire triumphing over autocracy.
of satire triumphing over autocracy.
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Postala je vanvremenski simbol satire
koja trijumfuje nad autokratijom.
koja trijumfuje nad autokratijom.
05:31
Today, 200 years after Daumier,
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Danas, 200 godina od Domijea,
05:33
are political cartoons
at risk of disappearing?
at risk of disappearing?
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da li su političke karikature
u opasnosti da nestanu?
u opasnosti da nestanu?
05:39
Take this blank space on the front page of
Turkish opposition newspaper "Cumhuriyet."
Turkish opposition newspaper "Cumhuriyet."
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Uzmite ovaj prazan prostor na naslovnici
turskog opozicionog lista „Šumkurijet“.
turskog opozicionog lista „Šumkurijet“.
05:45
This is where Musa Kart's
cartoon used to appear.
cartoon used to appear.
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Tu se nekada pojavljivala
karikatura Muse Karta.
karikatura Muse Karta.
05:49
In 2018, Musa Kart was sentenced
to three years in jail.
to three years in jail.
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Godine 2018. Musa Kart
je osuđen na tri godine zatvora.
je osuđen na tri godine zatvora.
05:54
For doing what?
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Zbog čega?
05:55
For doing political cartoons
in Erdoğan's Turkey.
in Erdoğan's Turkey.
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Zbog crtanja političkih karikatura
u Erdoganovoj Turskoj.
u Erdoganovoj Turskoj.
06:00
Cartoonists from Venezuela, Russia, Syria
have been forced into exile.
have been forced into exile.
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Karikaturisti iz Venecuele, Rusije
i Sirije primorani su na izgnanstvo.
i Sirije primorani su na izgnanstvo.
06:06
Look at this image.
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Pogledajte ovu sliku.
06:09
It seems so innocent, right?
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Deluje tako nevino, zar ne?
06:12
Yet it is so provocative.
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A ipak je tako provokativna.
06:15
When he posted this image,
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Kada je objavio ovu sliku,
06:16
Hani Abbas knew it would change his life.
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Hani Abas je znao
da će mu to promeniti život.
da će mu to promeniti život.
06:20
It was in 2012, and the Syrians
were taking to the streets.
were taking to the streets.
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Bilo je to 2012. godine,
i Sirijci su izašli na ulice.
i Sirijci su izašli na ulice.
06:25
Of course, the little red flower
is the symbol of the Syrian revolution.
is the symbol of the Syrian revolution.
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Naravno, mali crveni cvet
je simbol sirijske revolucije.
je simbol sirijske revolucije.
06:30
So pretty soon, the regime was after him,
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Ubrzo mu je režim bio za petama
06:33
and he had to flee the country.
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i morao je da pobegne iz zemlje.
06:35
A good friend of his,
cartoonist Akram Raslan,
cartoonist Akram Raslan,
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Njegov dobar prijatelj,
karikaturista Akram Raslan,
karikaturista Akram Raslan,
06:39
didn't make it out of Syria.
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nije uspeo da ode iz Sirije.
Umro je dok su ga mučili.
06:41
He died under torture.
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06:47
In the United States of America recently,
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U Sjedinjenim Američkim Državama, nedavno,
06:50
some of the very top cartoonists,
like Nick Anderson and Rob Rogers --
like Nick Anderson and Rob Rogers --
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neki od vrhunskih karikaturista
kao što su Nik Anderson i Rob Rodžers -
kao što su Nik Anderson i Rob Rodžers -
06:56
this is a cartoon by Rob --
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ovo je Robova karikatura -
06:57
[Memorial Day 2018.
(on tombstone) Truth. Honor. Rule of Law.]
(on tombstone) Truth. Honor. Rule of Law.]
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[Dan komemoracije 2018. (na nadgrobnom
spomeniku) Istina. Čast. Vladavina prava.]
spomeniku) Istina. Čast. Vladavina prava.]
07:00
they lost their positions
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izgubili su posao jer su izdavači smatrali
da njihov rad previše kritikuje Trampa.
da njihov rad previše kritikuje Trampa.
07:02
because their publishers
found their work too critical of Trump.
found their work too critical of Trump.
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07:05
And the same happened
to Canadian cartoonist Michael de Adder.
to Canadian cartoonist Michael de Adder.
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Isto se desilo i kanadskom
karikaturisti Majklu de Aderu.
karikaturisti Majklu de Aderu.
07:09
Hey, maybe we should start worrying.
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Hej, možda bi trebalo
da počnemo da brinemo.
da počnemo da brinemo.
07:12
Political cartoons
were born with democracy,
were born with democracy,
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Političke karikature su rođene
kada i demokratija,
kada i demokratija,
07:16
and they are challenged when freedom is.
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i osporavaju se kada se osporava sloboda.
07:19
You know, over the years,
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Znate, tokom godina,
07:20
with the Cartooning for Peace Foundation
and other initiatives,
and other initiatives,
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sa fondacijom Karikatura za mir
i drugim inicijativama,
i drugim inicijativama,
07:25
Kofi Annan -- this is not well
known -- he was the honorary chair
known -- he was the honorary chair
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Kofi Anan - o tome se ne zna mnogo -
bio je počasni predsednik
bio je počasni predsednik
07:28
of our foundation,
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naše fondacije,
07:30
the late Kofi Annan, Nobel Peace Laureate.
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pokojni Kofi Anan,
dobitnik Nobelove nagrade.
dobitnik Nobelove nagrade.
07:32
He was a great defender of cartoons.
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On je bio veliki pobornik karikatura.
07:35
Or, on the board of the Association
of American Editorial Cartoonists,
of American Editorial Cartoonists,
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Ili, na upravnom odboru Udruženja
američkih političkih karikaturista,
američkih političkih karikaturista,
07:40
we have advocated on behalf of jailed,
threatened, fired, exiled cartoonists.
threatened, fired, exiled cartoonists.
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zalagali smo se za karikaturiste
koje su zatvarali, pretili im,
otpuštali i proterivali ih.
otpuštali i proterivali ih.
07:46
But I never saw a case
of someone losing his job
of someone losing his job
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Ali nikada nisam video slučaj
da neko izgubi posao
da neko izgubi posao
07:50
over a cartoon he didn't do.
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zbog karikature koju nije nacrtao.
07:53
Well, that happened to me.
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Pa, to se dogodilo meni.
07:57
For the last 20 years, I have been
with the "International Herald Tribune"
with the "International Herald Tribune"
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Poslednjih 20 godina sam radio
sa „Internešnal heral tribjunom“
sa „Internešnal heral tribjunom“
i „Njujork tajmsom“.
08:01
and the "New York Times."
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08:02
Then something happened.
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Onda se nešto dogodilo.
08:04
In April 2019,
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Aprila 2019. godine,
08:07
a cartoon by a famous
Portuguese cartoonist,
Portuguese cartoonist,
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karikaturu poznatog
portugalskog karikaturiste,
portugalskog karikaturiste,
08:10
which was first published
in a newspaper "El Expresso" in Lisbon,
in a newspaper "El Expresso" in Lisbon,
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koja je prvi put objavljena
u novinama „El ekspreso“ u Lisabonu,
u novinama „El ekspreso“ u Lisabonu,
08:15
was picked by an editor
at the "New York Times"
at the "New York Times"
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preuzeo je urednik „Njujork tajmsa“
08:17
and reprinted in
the international editions.
the international editions.
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i ponovo je štampana
u međunarodnim izdanjima.
u međunarodnim izdanjima.
08:21
This thing blew up.
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Stvar je poprimila velike dimenzije.
08:23
It was denounced as anti-Semitic,
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Proglašena je za antisemitsku
08:26
triggered widespread outrage,
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i naširoko pokrenula bes,
08:28
apologies
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izvinjenja
08:29
and a lot of damage control by the Times.
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i mnogo rada u Tajmsu
na popravljanju počinjene štete.
na popravljanju počinjene štete.
08:33
A month after, my editor told me
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Mesec dana kasnije, urednik mi je rekao
08:35
they were ending
political cartoons altogether.
political cartoons altogether.
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da ukidaju sve političke karikature.
08:41
So we could, and we should,
have a discussion about that cartoon.
have a discussion about that cartoon.
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Mogli bismo, a i trebalo bi,
da povedemo raspravu o toj karikaturi.
da povedemo raspravu o toj karikaturi.
08:45
Some people say it reminds them
of the worst anti-Semitic propaganda.
of the worst anti-Semitic propaganda.
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Neki kažu da ih podseća
na najgoru antisemitsku propagandu.
na najgoru antisemitsku propagandu.
08:49
Others, including in Israel,
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Drugi, uključujući neke iz Izraela,
08:51
say no, it's just
a harsh criticism of Trump,
a harsh criticism of Trump,
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kažu da nije tako, već je u pitanju
samo oštra kritika Trampa,
samo oštra kritika Trampa,
08:54
who is shown as blindly following
the Prime Minister of Israel.
the Prime Minister of Israel.
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koji je prikazan tako da slepo prati
premijera Izraela.
premijera Izraela.
I za mene je ova karikatura problematična,
08:58
I have some issues with this cartoon,
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09:00
but that discussion did not happen
at the "New York Times."
at the "New York Times."
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ali rasprava o tome nije povedena
u „Njujork tajmsu“.
u „Njujork tajmsu“.
09:03
Under attack, they took the easiest path:
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Pod napadom su krenuli najlakšim putem:
09:06
in order to not have problems
with political cartoons in the future,
with political cartoons in the future,
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da ubuduće ne bismo imali problema
sa političkim karikaturama,
sa političkim karikaturama,
09:11
let's not have any at all.
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hajde da ih sve ukinemo.
09:14
Hey, this is new.
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Hej, ovo je nešto novo.
09:16
Did we just invent
preventive self-censorship?
preventive self-censorship?
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Da li smo upravo izmislili
preventivnu samocenzuru?
preventivnu samocenzuru?
09:21
I think this is bigger than cartoons.
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Mislim da se ovde ne radi
samo o karikaturama.
samo o karikaturama.
09:23
This is about opinion and journalism.
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Ovde se radi o mišljenjima i novinarstvu.
09:26
This, in the end, is about democracy.
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Radi se, naposletku, o demokratiji.
09:30
We now live in a world
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Živimo u svetu
09:32
where moralistic mobs
gather on social media
gather on social media
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u kome se moralističke rulje
okupljaju na društvenim mrežama
okupljaju na društvenim mrežama
09:36
and rise like a storm.
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i podižu se kao oluja.
09:38
The most outraged voices
tend to define the conversation,
tend to define the conversation,
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Najbešnji glasovi
obično definišu razgovor,
obično definišu razgovor,
09:42
and the angry crowd follows in.
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a ljuta gomila sledi za njima.
09:45
These social media mobs,
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Te rulje sa društvenih mreža,
09:47
sometimes fueled by interest groups,
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ponekad pod uticajem interesnih grupa,
09:50
fall upon newsrooms
in an overwhelming blow.
in an overwhelming blow.
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napadaju redakcije velikom silinom.
09:54
They send publishers and editors
scrambling for countermeasures.
scrambling for countermeasures.
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Zbog njih se izdavači i urednici
dovijaju da nađu protivmere.
dovijaju da nađu protivmere.
09:58
This leaves no room
for meaningful discussions.
for meaningful discussions.
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To ne ostavlja mesta
za smislene razgovore.
za smislene razgovore.
10:02
Twitter is a place for fury,
not for debate.
not for debate.
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Tviter je mesto za ispoljavanje
besa, a ne za debatu.
besa, a ne za debatu.
10:09
And you know what?
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I znate šta?
10:10
Someone described pretty well
our human condition in this noisy age.
our human condition in this noisy age.
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Neko je prilično dobro opisao
naše ljudsko stanje u ovom bučnom dobu.
naše ljudsko stanje u ovom bučnom dobu.
10:14
You know who?
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Znate ko?
10:16
Shakespeare, 400 years ago.
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Šekspir, pre 400 godina.
[„(Život je) priča koju idiot priča,
puna krika i besa, a ne znači ništa.“]
puna krika i besa, a ne znači ništa.“]
10:19
["(Life is) a tale told by an idiot, full
of sound and fury, signifying nothing."]
of sound and fury, signifying nothing."]
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Ovo je za mene vrlo značajno. Šekspir
je i dalje vrlo primenljiv, zar ne?
je i dalje vrlo primenljiv, zar ne?
10:23
This speaks to me.
Shakespeare is still very relevant, no?
Shakespeare is still very relevant, no?
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10:25
But the world has changed a bit.
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Ali svet se malo promenio.
10:27
[Too long!]
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[Predugačko!]
10:28
(Laughter)
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(Smeh)
10:30
It's true.
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Istina.
10:31
(Applause)
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4792
(Aplauz)
10:37
You know, social media is both
a blessing and a curse for cartoons.
a blessing and a curse for cartoons.
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Znate, društvene mreže su istovremeno
blagoslov i prokletstvo za karikature.
blagoslov i prokletstvo za karikature.
10:41
This is the era of the image,
so they get shared, they get viral,
so they get shared, they get viral,
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Ovo je doba slike,
pa se one dele i šire se,
pa se one dele i šire se,
10:45
but that also makes them a prime target.
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ali zbog toga postaju i glavna meta.
10:49
More than often, the real target
behind the cartoon
behind the cartoon
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Često su prava meta iza karikatura
10:53
is the media that published it.
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mediji koji ih objavljuju.
[Izveštavaš o Iraku?
Ne, o Trampu!]
Ne, o Trampu!]
10:55
[Covering Iraq?
No, Trump!]
No, Trump!]
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10:56
That relationship between
traditional media and social media
traditional media and social media
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Taj odnos između tradicionalnih
medija i društvenih mreža
medija i društvenih mreža
11:00
is a funny one.
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je baš zanimljiv.
11:01
On one hand, you have
the time-consuming process
the time-consuming process
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Sa jedne strane imate dugotrajan proces
11:04
of information, verification, curation.
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prikupljanja informacija,
njihove provere i uređivanja.
njihove provere i uređivanja.
11:07
On the other hand,
it's an open buffet, frankly,
it's an open buffet, frankly,
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S druge strane je, iskreno, otvoreni bife
11:10
for rumors, opinions, emotions,
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za glasine, mišljenja, emocije,
11:13
amplified by algorithms.
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pojačane algoritmima.
11:16
Even quality newspapers mimic the codes
of social networks on their websites.
of social networks on their websites.
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Čak i kvalitetne novine oponašaju kodove
društvenih mreža na svojim sajtovima.
društvenih mreža na svojim sajtovima.
11:22
They highlight the 10 most read,
the 10 most shared stories.
the 10 most shared stories.
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Istaknu 10 najčitanijih priča,
onih koje se najviše dele.
onih koje se najviše dele.
11:26
They should put forward
the 10 most important stories.
the 10 most important stories.
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Trebalo bi da izbace 10 najvažnijih priča.
11:31
(Applause)
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(Aplauz)
11:40
The media must not be
intimidated by social media,
intimidated by social media,
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Mediji ne smeju biti zastrašeni
društvenim mrežama,
društvenim mrežama,
11:44
and editors should stop
being afraid of the angry mob.
being afraid of the angry mob.
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i urednici treba da prestanu
da se boje besne gomile.
da se boje besne gomile.
11:49
(Applause)
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(Aplauz)
11:57
We're not going to put up warnings
the way we do on cigarette packs, are we?
the way we do on cigarette packs, are we?
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Nećemo valjda postavljati upozorenja
kao na kutijama cigareta?
kao na kutijama cigareta?
[Satira vam može povrediti osećanja]
12:00
[Satire can hurt your feelings]
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12:02
(Laughter)
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(Smeh)
12:03
Come on.
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Ma dajte, molim vas.
12:04
[Under your bikini
you could be hiding a sex bomb]
you could be hiding a sex bomb]
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[Pod burkinijem možda krijete seks-bombu]
Političke karikature imaju za cilj
da provociraju, baš kao i mišljenja.
da provociraju, baš kao i mišljenja.
12:06
Political cartoons are meant
to provoke, just like opinions.
to provoke, just like opinions.
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12:10
But before all, they are meant
to be thought-provoking.
to be thought-provoking.
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Ali pre svega imaju za cilj
da podstaknu na razmišljanje.
da podstaknu na razmišljanje.
12:14
You feel hurt?
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Osećate se povređeno?
12:16
Just let it go.
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Prevaziđite to.
12:17
You don't like it?
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Ne sviđa vam se?
12:19
Look the other way.
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Skrenite pogled.
12:22
Freedom of expression
is not incompatible with dialogue
is not incompatible with dialogue
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Sloboda izražavanja
nije nespojiva s dijalogom
nije nespojiva s dijalogom
12:26
and listening to each other.
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i međusobnim slušanjem.
12:27
But it is incompatible with intolerance.
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Ali je nespojiva sa netolerancijom.
12:31
(Applause)
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(Aplauz)
12:37
Let us not become our own censors
in the name of political correctness.
in the name of political correctness.
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Nemojmo postati sopstveni cenzori
u ime političke korektnosti.
u ime političke korektnosti.
12:44
We need to stand up, we need to push back,
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Moramo da ustanemo, moramo da se odupremo,
12:47
because if we don't,
we will wake up tomorrow
we will wake up tomorrow
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jer ćemo se u suprotnom sutradan probuditi
12:49
in a sanitized world,
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u sterilizovanom svetu
12:51
where any form of satire and political
cartooning becomes impossible.
cartooning becomes impossible.
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u kome bilo koja vrsta satire
i političke karikature postaje nemoguća.
i političke karikature postaje nemoguća.
12:56
Because, when political pressure
meets political correctness,
meets political correctness,
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Jer kada se politički pritisak
susretne sa političkom korektnošću,
susretne sa političkom korektnošću,
13:01
freedom of speech perishes.
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sloboda govora nestaje.
13:05
(Applause)
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(Aplauz)
13:09
Do you remember January 2015?
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Sećate li se januara 2015?
13:14
With the massacre
of journalists and cartoonists
of journalists and cartoonists
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Kroz masakr novinara i karikaturista
13:19
at "Charlie Hebdo" in Paris,
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„Šarli ebdoa“ u Parizu,
13:20
we discovered the most
extreme form of censorship:
extreme form of censorship:
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otkrili smo najekstremniji oblik cenzure:
13:26
murder.
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ubistvo.
Setite se kakav je bio osećaj.
13:28
Remember how it felt.
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13:29
[Without humor we are all dead]
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[Bez humora svi smo mrtvi]
13:31
Whatever one thought
of that satirical magazine,
of that satirical magazine,
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Šta god mislili o tom satiričnom časopisu,
13:34
however one felt about
those particular cartoons,
those particular cartoons,
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kakva god osećanja
da vam bude te karikature,
da vam bude te karikature,
13:38
we all sensed that something
fundamental was at stake,
fundamental was at stake,
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svi smo osetili da je u pitanju
nešto fundamentalno,
nešto fundamentalno,
13:42
that citizens of free societies --
actually, citizens of any society --
actually, citizens of any society --
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da građanima slobodnih društava -
u stvari, građanima bilo kog društva -
u stvari, građanima bilo kog društva -
13:47
need humor as much as the air we breathe.
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treba humor koliko i vazduh koji udišemo.
13:51
This is why the extremists,
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Zbog toga ekstremisti,
13:54
the dictators, the autocrats and, frankly,
all the ideologues of the world
all the ideologues of the world
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diktatori, autokrati i,
iskreno, svi ideolozi sveta
iskreno, svi ideolozi sveta
13:59
cannot stand humor.
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ne podnose humor.
14:04
In the insane world we live in right now,
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U suludom svetu u kome trenutno živimo,
14:07
we need political cartoons more than ever.
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potrebne su nam političke kartikature
više nego ikada pre.
više nego ikada pre.
14:11
And we need humor.
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I treba nam humor.
14:14
Thank you.
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Hvala.
14:15
(Applause)
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(Aplauz)
ABOUT THE SPEAKER
Patrick Chappatte - Editorial cartoonistUsing clean, simple pencil strokes, editorial cartoonist Patrick Chappatte wields globally literate and to-the-point humor on world events -- the tragic, the farcical and the absurd.
Why you should listen
Patrick Chappatte is a global soul. Born in Pakistan to a Lebanese mother and a Swiss father, raised in Singapore, he has lived in New York and lives now in Geneva, Switzerland. Perhaps this explains his way of looking at world events, applying the unfettered perspective of humor to the tragic, the farcical and the absurd.
His simple line delivers pointed jokes. He draws for The International Herald Tribune (in English) and for the Swiss newspapers Le Temps (in French) and NZZ am Sonntag (in German), and in all three languages the subtle insightfulness of his cartoons consistently robs you of a laugh, or more.
Patrick Chappatte | Speaker | TED.com