ABOUT THE SPEAKERS
Tom Shannon - Sculptor
Tom Shannon's mixed-material sculpture seems to levitate -- often it actually does -- thanks to powerful magnets and clever arrangements of suspension wire. He designed the TED Prize trophy.

Why you should listen

Artist and inventor Tom Shannon's sculpture has been exhibited in galleries and institutions all around the world, including the Centre Pompidou in Paris, the Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York City. His clever orchestrations of hidden magnets and tiny suspension cables make otherwise inert materials such as steel and wood take on a truly otherworldly quality -- bringing objects like planets, stars and atoms to a scale you can understand (and touch).

Shannon also holds the patents for the first tactile telephone, a color television projector and a synchronous world clock that is in the collection of the Smithsonian Institution. He is developing a spherical helium airship whose entire surface is an LED video screen.

More profile about the speaker
Tom Shannon | Speaker | TED.com
John Hockenberry - Journalist
Journalist and commentator John Hockenberry has reported from all over the world in virtually every medium. He's the author of "Moving Violations: War Zones, Wheelchairs and Declarations of Independence."

Why you should listen

Three-time Peabody Award winner, four-time Emmy award winner and Dateline NBC correspondent, John Hockenberry has broad experience as a journalist and commentator for more than two decades. He is the co-anchor of the public radio morning show “The Takeaway” on WNYC and PRI. He has reported from all over the world, in virtually every medium, having anchored programs for network, cable and radio. Hockenberry joined NBC as a correspondent for Dateline NBC in January 1996 after a fifteen-year career in broadcast news at both National Public Radio and ABC News. Hockenberry's reporting for Dateline NBC earned him three Emmys, an Edward R Murrow award and a Casey Medal.

His most prominent Dateline NBC reports include an hour-long documentary on the often-fatal tragedy of the medically uninsured, an emotionally gripping portrait of a young schizophrenic trying to live on his own, and extensive reporting in the aftermath of September 11th. In 2009 Hockenberry was appointed to the White House Fellows Commission by President Barack Obama where he participates in the selection of the annual Fellows for this most prestigious of Federal programs. Hockenberry is also the author of A River out of Eden, a novel based in the Pacific Northwest, and Moving Violations: War Zones, Wheelchairs and Declarations of Independence, a memoir of life as a foreign correspondent, which was a finalist for the National Book Critics Circle Award in 1996. He has also written for The New York Times, The New Yorker, I.D., Wired, The Columbia Journalism Review, Details, and The Washington Post.

Hockenberry spent more than a decade with NPR as a general assignment reporter, Middle East correspondent and host of several programs. During the Persian Gulf War (1990-91), Hockenberry was assigned to the Middle East, where he filed reports from Israel, Tunisia, Morocco, Jordan, Turkey, Iraq and Iran. He was one of the first Western broadcast journalists to report from Kurdish refugee camps in Northern Iraq and Southern Turkey. Hockenberry also spent two years (1988-90) as a correspondent based in Jerusalem during the most intensive conflict of the Palestinian uprising. Hockenberry received the Columbia Dupont Award for Foreign News Coverage for reporting on the Gulf War.

 

More profile about the speaker
John Hockenberry | Speaker | TED.com
TED in the Field

Tom Shannon, John Hockenberry: The painter and the pendulum

Tom Shannon: Slikar i njihalo

Filmed:
509,059 views

TED posjećuje Toma Shannona u njegovom Manhattanskom studiju za intiman pogled na njegovu umjetnost inspiriranu znanošću. Otvoren, osobni razgovor s Johnom Hockenberryem otkriva kako prirodne sile -- i početak Parkinsonovog podrhtavanja -- vrši interakciju u njegovom životu i zanatu.
- Sculptor
Tom Shannon's mixed-material sculpture seems to levitate -- often it actually does -- thanks to powerful magnets and clever arrangements of suspension wire. He designed the TED Prize trophy. Full bio - Journalist
Journalist and commentator John Hockenberry has reported from all over the world in virtually every medium. He's the author of "Moving Violations: War Zones, Wheelchairs and Declarations of Independence." Full bio

Double-click the English transcript below to play the video.

00:15
JohnJohn HockenberryHockenberry: It's great to be here with you, TomTom.
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John Hockenberry: Super je biti ovdje s tobom Tom.
00:17
And I want to startpočetak with a questionpitanje
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I želim započeti s pitanjem
00:19
that has just been consumingkonzumiranje me
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koje me prožimalo
00:21
sinceod I first becamepostao familiarupoznat with your work.
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otkad sam se prvi put upoznao s tvojim radom.
00:24
In you work there's always this kindljubazan of hybridhibrid qualitykvaliteta
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U tvom radu postoji uvijek ta neka vrsta hibridne kvalitete
00:27
of a naturalprirodni forcesila
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prirodne sile
00:30
in some sortvrsta of interplayuzajamno djejstvo with creativekreativan forcesila.
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u nekoj vrsti međuigre s kreativnom silom.
00:33
Are they ever in equilibriumravnoteža
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Jesu li one ikada u ravnoteži
00:35
in the way that you see your work?
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na način na koji ti vidiš svoj rad?
00:37
TomTom ShannonShannon: Yeah, the subjectpredmet matterstvar that I'm looking for,
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Tom Shannon: Tema koju ja tražim
00:40
it's usuallyobično to solveriješiti a questionpitanje.
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je obično vezana uz rješavanje pitanja.
00:42
I had the questionpitanje poppedpopped into my headglava:
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Sinulo mi je pitanje u glavu
00:44
What does the conekonus that connectsspaja the sunsunce and the EarthZemlja look like
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kako stožac koji povezuje sunce i zemlju izgleda
00:48
if you could connectSpojiti the two spheressfere?
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kada spojite dvije sfere?
00:51
And in proportionrazmjer, what would the sizeveličina of the spheresfera
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I u proporciji, kako bi veličina sfere
00:54
and the lengthdužina, and what would the taperkonus be to the EarthZemlja?
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i dužina, i što bi bio šiljak okrenut prema zemlji?
00:58
And so I wentotišao about and madenapravljen that sculptureskulptura,
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I stoga sam se pozabavio time i izradio ovu skulpturu,
01:01
turningtokarenje it out of solidsolidan bronzebronca.
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od čiste bronce.
01:04
And I did one that was about 35 feetnoge long.
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I izradio sam jednu koja je bila oko 11 metara dugačka.
01:07
The sunsunce endkraj was about fourčetiri inchesinča in diameterpromjer,
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Kraj kod sunca je bio oko 10 centimetara u promjeru,
01:10
and then it taperedsužava over about 35 feetnoge
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a šiljak je bio preko 11 metara
01:13
to about a millimetermilimetar at the EarthZemlja endkraj.
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do oko milimetar na zemljinom kraju.
01:16
And so for me, it was really excitinguzbudljiv
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I tako je za mene, bilo je uistinu uzbudljivo
01:18
just to see what it looksizgled like
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samo vidjeti kako izgleda
01:21
if you could stepkorak outsideizvan and into a largerveći contextkontekst,
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kada biste mogli iskoračiti u veći kontekst,
01:24
as thoughiako you were an astronautastronaut,
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kao da ste astronaut,
01:26
and see these two things as an objectobjekt,
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i vidjeti te dvije stvari kao predmet,
01:29
because they are so intimatelyintimno boundgranica,
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jer su tako intimno povezane.
01:32
and one is meaninglessbez značenja withoutbez the other.
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Jedan bez drugog nemaju smisla.
01:35
JHJH: Is there a reliefolakšanje
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JH: Postoji li olakšanje
01:37
in playingigranje with these forcessnaga?
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u igranju s tim silama?
01:39
And I'm wonderingpitate how much of a senseosjećaj of discoveryotkriće there is
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I pitam se koliko smislenog otkrića ima
01:42
in playingigranje with these forcessnaga.
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u igranju s tim silama.
01:45
TSTS: Well, like the magneticallymagnetski levitatedlevitated objectsobjekti --
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TS: Pa, poput magnetsko levitirajućih predmeta
01:47
like that silversrebro one there,
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poput onog srebrnog tamo.
01:49
that was the resultproizlaziti
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To je bio rezultat
01:51
of hundredsstotine of experimentspokusi with magnetsMagneti,
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stotina pokusa s magnetima,
01:53
tryingtežak to find a way to make something floatplovak
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pokušavajući naći način da nešto pluta
01:56
with the leastnajmanje possiblemoguće connectionveza to the groundtlo.
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s najmanjom mogućom povezanosti s tlom.
01:59
So I got it down to just one tetherspona
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Stoga sam uspio to smanjiti na samo jedan konopac
02:02
to be ableu stanju to supportpodrška that.
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koji će to podupirati.
02:04
JHJH: Now is this electromagneticelektromagnetske here, or are these staticstatički?
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JH: Sada je li ovo ovdje elektromagnetsko ili su one statičke?
02:07
TSTS: Those are permanenttrajan magnetsMagneti, yeah.
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TS: To su trajni magneti, da.
02:09
JHJH: Because if the powervlast wentotišao out, there would just be a bigvelika noisebuka.
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JH: Jer kada bi struje nestalo, ostala bi samo velika buka.
02:12
TSTS: Yeah.
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TS: Da.
02:14
It's really unsatisfactorynezadovoljavajuće havingima plug-indodatak artumjetnost.
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Doista je nezadovoljavajuće imati umjetnost koja se ušteka.
02:17
JHJH: I agreesložiti.
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JH: Slažem se.
02:20
TSTS: The magneticmagnetski worksdjela
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TS: Magnetsko djelovanje
02:22
are a combinationkombinacija of gravitygravitacija and magnetismmagnetizam,
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je kombinacija gravitacije i magnetizma,
02:25
so it's a kindljubazan of mixturesmjesa of these ambientambijent forcessnaga
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stoga je to neka vrsta tih ambijentalnih slika
02:28
that influenceutjecaj everything.
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koje utječu na sve.
02:30
The sunsunce has a tremendousogroman fieldpolje
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Sunce ima ogromno polje
02:32
that extendsproteže se way beyondIznad the planetsplaneti
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koje se proteže daleko iza planeta.
02:34
and the Earth'sZemlja je magneticmagnetski fieldpolje protectsštiti us from the sunsunce.
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A zemljino magnetsko polje nas štiti od sunca.
02:37
So there's this hugeogroman
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Stoga postoje tu te ogromne
02:39
invisiblenevidljiv shapeoblik structuresstrukture
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nevidljive strukture oblikovanja
02:42
that magnetismmagnetizam takes in the universesvemir.
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koje magnetizam nosi u svemir.
02:45
But with the pendulumklatno,
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Ali s njihalom,
02:48
it allowsomogućuje me to manifestmanifestirati
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dozvoljava mi odraziti
02:51
these invisiblenevidljiv forcessnaga
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te nevidljive sile
02:53
that are holdingdržanje the magnetsMagneti up.
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koje drže magnete u zraku.
02:55
My sculpturesskulpture
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Moje skulpture
02:57
are normallynormalno very simplifiedpojednostavljen.
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su normalno veoma pojednostavljene.
03:00
I try to refinepročišćavanje them down
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Pokušavam ih pročititi
03:02
to very simplejednostavan formsobrasci.
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na vrlo jednostavne oblike.
03:04
But the paintingsslike becomepostati very complexkompleks,
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Ali slike postaju jako kompleksne,
03:06
because I think the fieldspolja
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jer mislim kako polja
03:08
that are supportingPodrška them,
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koja ih podržavaju,
03:10
they're billowingcvile, and they're interpenetratingprožimanja,
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stvaraju valove i interpenetriraju,
03:12
and they're interferenceinterferencija patternsobrasci.
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i ona su uzorci smetnji.
03:15
JHJH: And they're non-deterministicNe-deterministički.
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JH: I one su nedeterminističke.
03:17
I mean, you don't know necessarilyobavezno where you're headeds glavom when you beginpočeti,
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Mislim, ne znaš nužno kuda ideš kada počneš,
03:20
even thoughiako the forcessnaga can be calculatedizračunava se.
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čak i ako se sile mogu izračunati.
03:23
So the evolutionevolucija of this --
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Stoga evolucija ovoga --
03:25
I gatherokupiti this isn't your first pendulumklatno.
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pretpostavljam kako ovo nije tvoje prvo njihalo.
03:27
TSTS: No. (JHJH: No.)
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TS: Ne. (JH: Ne.)
03:29
TSTS: The first one I did was in the latekasno 70's„s,
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TS: Prvo koje sam napravio je bilo kasnih 70-ih,
03:32
and I just had a simplejednostavan conekonus
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i imao sam samo jednostavan stožac
03:34
with a spigotslavina at the bottomdno of it.
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sa čepom na kraju.
03:37
I threwbacio it into an orbitorbita,
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Bacio sam ga u orbitu,
03:39
and it only had one colorboja,
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i imalo je samo jednu boju,
03:41
and when it got to the centercentar, the paintboja keptčuva runningtrčanje out,
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i kada sam ga donio u centar, boja je silazila dolje,
03:44
so I had to runtrčanje in there,
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stoga sam ga morao tamo koristiti,
03:46
didn't have any controlkontrolirati over the spigotslavina remotelydaljinski.
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nisam imao nikakvu kontrolu nad čepom.
03:49
So that told me right away: I need a remotedaljinski controlkontrolirati deviceuređaj.
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Stoga mi je to odmah reklo kako trebam uređaj za daljinsku kontrolu.
03:52
But then I startedpočeo dreamingsanjanje of havingima sixšest colorsboje.
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Ali onda sam počeo sanjati o šest boja.
03:55
I sortvrsta of think about it as the DNADNK --
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Na neki način mislim o tome kao DNK --
03:58
these colorsboje, the redcrvena, blueplava, yellowžuta boja,
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te boje, crvena, plava, žuta,
04:00
the primaryosnovni colorsboje and whitebijela and blackcrno.
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primarne boje i bijela i crna.
04:03
And if you put them togetherzajedno in differentdrugačiji combinationskombinacije --
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I ako ih stavite zajedno u različitim kombinacijama --
04:05
just like printingtiskanje in a senseosjećaj,
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na neki način poput printanja,
04:07
like how a magazinečasopis colorboja is printedtiskan --
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kao što je boja u časopisu isprintana --
04:09
and put them underpod certainsiguran forcessnaga,
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i stavim ih pod djelovanje određenih sila,
04:12
whichkoji is orbitingu orbiti them
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što znači njihovo orbitiranje
04:14
or passingpretjecanje them back and forthdalje
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ili njihovo premještanje naprijed i natrag
04:16
or drawingcrtanje with them,
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ili crtanje s njima,
04:18
these amazingnevjerojatan things startedpočeo appearingpojavljuju.
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te čudnovate stvari su se počele pojavljivati.
04:20
JHJH: It looksizgled like we're loadedopterećen for bearsnositi here.
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JH: Čini se kao da se ovdje pripremamo za sezonu lova na medvjede.
04:23
TSTS: Yeah, well let's put a couplepar of canvasesplatna.
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TS: Da, pa stavimo nekoliko platna.
04:25
I'll askpitati a couplepar of my sonssinovi
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Zamolit ću par mojih sinova
04:27
to setset up the canvasesplatna here.
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kako bi posložili ovdje platna.
04:31
I want to just say --
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Reći ću samo kako --
04:33
so this is JackJack, NickNick and LouieLouie.
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dakle, to su Jack, Nick i Louie.
04:35
JHJH: ThanksHvala guys.
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JH: Hvala momci.
04:38
TSTS: So here are the --
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TS: Dakle, ovdje su --
04:40
JHJH: All right, I'll get out of the way here.
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JH: U redu. Maknut ću se s puta.
04:42
TSTS: I'm just going to throwbacanje this into an orbitorbita
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TS: Samo ću baciti ovo u orbitu
04:45
and see if I can paintboja everybody'ssvatko je shoescipele in the frontispred.
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i vidjeti mogu li naslikati svačije cipele sprijeda.
04:48
(LaughterSmijeh)
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(Smijeh)
05:01
JHJH: WhoaOpa. That is ...
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JH: Wow. Ovo je ...
05:06
oohooh, nicelijepo.
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Ooh. Lijepo.
05:10
TSTS: So something like this.
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TS: Dakle, nešto poput ovoga.
05:12
I'm doing this as a demoogledni primjerak,
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Radim ovo kao demonstraciju,
05:14
and it's more playfulrazigrani,
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i više je zaigrano.
05:17
but inevitablyneizbježno,
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Ali neizbježno,
05:19
all of this can be used.
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sve ovo se može iskoristiti.
05:22
I can redeemotkupiti this paintingslika,
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Mogu ispuniti ovu sliku,
05:24
just continuingnastavlja on,
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samo nastavljati
05:26
doing layersslojevi uponna layersslojevi.
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stavljati sloj na sloj.
05:28
And I keep it around for a couplepar of weeksTjedni,
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I držim to okolo na par tjedana.
05:30
and I'm contemplatingRazmatrajući it,
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I kontempliram,
05:32
and I'll do anotherjoš sessionsjednica with it
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i napraviti ću još jednu seriju s time
05:35
and bringdonijeti it up to anotherjoš levelnivo,
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i dovesti na iduću razinu,
05:38
where all of this
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gdje sve to
05:40
becomespostaje the backgroundpozadina, the depthdubina of it.
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postaje pozadina, dubina svega toga.
05:43
JHJH: That's fantasticfantastičan.
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JH: To je fantastično.
05:48
So the valvesventili at the bottomdno of those tubescijevi there
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Stoga su ventili na krajevima cijevi ovdje
05:51
are like radio-controlledradio-kontrolirana airplanezrakoplov valvesventili.
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poput radio kontroliranih avionskih ventila.
05:54
TSTS: Yes, they're servosservos with camskamere
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TS: Da, to su servi s kamerama
05:57
that pinchprstohvat these rubberguma tubescijevi.
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koji prikliješte te gumene cijevi.
05:59
And they can pinchprstohvat them very tighttijesan and stop it,
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I mogu ih prikliještiti vrlo čvrsto i zaustaviti ih,
06:01
or you can have them wideširok openotvoren.
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ili ih mogu širom otvoriti.
06:03
And all of the colorsboje
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A sve boje
06:05
come out one centralsredišnji portluka
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izađu van iz jednog središnjeg otvora
06:07
at the bottomdno.
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na dnu.
06:09
You can always be changingmijenjanje colorsboje, put aluminumaluminijum paintboja,
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Uvijek možete mijenjati boje, staviti aluminijsku boju,
06:12
or I could put anything into this.
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ili mogu staviti bilo što u to.
06:14
It could be tomatorajčica sauceumak,
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Može biti umak od rajčice,
06:17
or anything could be dispensedlijek --
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ili bilo što može biti upotrijebljeno --
06:20
sandpijesak, powdersprah or anything like that.
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pijesak, prah, bilo što poput toga.
06:23
JHJH: So manymnogi forcessnaga there.
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JH: Toliko mnogo sila je ovdje.
06:25
You've got gravitygravitacija, you've got the centrifugalcentrifugalne forcesila,
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Imate gravitacijsku, imate centrifugalnu silu,
06:27
you've got the fluidtekućine dynamicsdinamika.
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imate fluidnu dinamiku.
06:33
EachSvaki of these beautifullijep paintingsslike,
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Svaka od tih prekrasnih slika,
06:36
are they imagesslika in and of themselvesse,
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je svoja iznutra
06:39
or are they recordsploče
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ili je snimka
06:41
of a physicalfizička eventdogađaj
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fizičkog događaja
06:43
calledzvao the pendulumklatno approachingse približava the canvasplatno?
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zvana njihalo koje se približava platnu?
06:46
TSTS: Well, this paintingslika here,
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TS: Pa, ova slika ovdje,
06:48
I wanted to do something very simplejednostavan,
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htio sam učiniti nešto jako jednostavno,
06:50
a simplejednostavan, iconickultni imageslika
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jednostavnu, ikonsku sliku
06:52
of two ripplesvalovi interferinguplitanja.
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dva žubora koja se isprepliću.
06:55
So the one on the right was doneučinio first,
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Dakle, onaj s desne je prvi napravljen,
06:57
and then the one on the left
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a zatim je onaj s lijeve strane
06:59
was doneučinio over it.
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napravljen preko njega.
07:01
And then I left gapspraznine
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I zatim sam ostavio praznine
07:03
so you could see the one that was doneučinio before.
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tako da možete vidjeti onaj koji je napravljen prije.
07:05
And then when I did the seconddrugi one,
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A zatim kada sam napravio drugi,
07:07
it really disturbedporemećen the piecekomad --
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doista je poremetio mir --
07:09
these bigvelika blueplava lineslinije
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te velike plave linije
07:11
crashingpad sustava throughkroz the centercentar of it --
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koje udaraju kroz centar toga.
07:13
and so it createdstvorio a kindljubazan of tensionnapetost and an overlappreklapanje.
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I stoga je to kreiralo neku vrstu napetosti i preklapanja.
07:16
There are lineslinije in frontispred of the one on the right,
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Tamo su linije ispred onoga s desne strane,
07:20
and there are lineslinije behindiza the one on the left,
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i tamo su linije iza onoga s lijeve strane.
07:23
and so it takes it into differentdrugačiji planeszrakoplovi.
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I stoga ih nosi u različita područja.
07:27
What it's alsotakođer about,
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Ono o čemu se radi,
07:29
just the little eventsdogađaji,
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samo mali događaji,
07:32
the eventsdogađaji of the interpenetrationisprepletenošću of --
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događaji koji interpretiraju --
07:35
JHJH: Two starszvijezde, or --
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JH: Dvije zvijezde, ili --
07:37
TSTS: Two things that happeneddogodilo --
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TS: Dvije stvari koje su se dogodile,
07:39
there's an interferenceinterferencija patternuzorak, and then a thirdtreći thing happensdogađa se.
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postoji uzorak preklapanja i zatim se treća stvar dogodi.
07:42
There are shapesoblika that come about
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Postoje oblici koji dolaze
07:44
just by the marriagebrak
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samo do braka
07:46
of two eventsdogađaji that are happeningdogađa,
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dva događaja koji se događaju.
07:48
and I'm very interestedzainteresiran in that.
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I to me jako interesira.
07:51
Like the occurrencepojava of moireMoire patternsobrasci.
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Poput ponavljanja uzoraka mramornih oblika.
07:54
Like this greenzelena one,
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Poput ove zelene,
07:56
this is a paintingslika I did about 10 yearsgodina agoprije,
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ovo je slika koju sam napravio prije 10 godina.
07:59
but it has some --
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Ali ima neke --
08:01
see, in the upperGornji thirdtreći --
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vidite, u gornjoj trećini --
08:03
there are these moiresmalo and interferenceinterferencija patternsobrasci
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postoje ti mramorasti oblici i uzorci preplitanja
08:06
that are radioradio kindljubazan of imagerylik.
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koji su vrsta radio zamišljanja.
08:08
And that's something that in paintingslika
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A to je nešto u slikarstvu
08:10
I've never seenvidio doneučinio.
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što nikada nisam vidio.
08:12
I've never seenvidio a representationprikaz
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Nikada nisam vidio prikaz
08:14
of a kindljubazan of radioradio interferenceinterferencija patternsobrasci,
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neke vrste uzoraka radio preplitanja,
08:17
whichkoji are so ubiquitoussveprisutan
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koji su toliko sveprisutni
08:20
and suchtakav an importantvažno partdio of our livesživot.
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i toliko važni dijelovi naših života.
08:23
JHJH: Is that a literaldoslovan partdio of the imageslika,
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JH: Je li to doslovni dio slike,
08:25
or is my eyeoko makingizrađivanje that interferenceinterferencija patternuzorak --
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ili se u mojim očima stvara uzorak preplitanja?
08:28
is my eyeoko completingzavršetak rada that interferenceinterferencija patternuzorak?
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Dovršavam li ja taj uzorak preplitanja?
08:30
TSTS: It is the paintboja actuallyzapravo,
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TS: Slika je zapravo,
08:32
makesmarke it realstvaran.
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čini stvarnom.
08:34
It's really manifestedočituje there.
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To je uistinu prikazano ovdje.
08:36
If I throwbacanje a very concentrickoncentričnim circlekrug,
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Ukoliko ubacim jako koncentričan krug,
08:39
or concentrickoncentričnim ellipseElipsa,
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ili koncentričnu elipsu,
08:41
it just dutifullyposlušno makesmarke
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samo poslušno napravi
08:43
these evenlyravnomjerno spacedrazmaknuti lineslinije,
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te jednako razmaknute linije,
08:45
whichkoji get closerbliže and closerbliže togetherzajedno,
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koje se sve više približavaju,
08:48
whichkoji describesopisuje how gravitygravitacija worksdjela.
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što objašnjava kako gravitacija funkcionira.
08:50
There's something very appealingprivlačan
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Postoji nešto vrlo privlačno
08:52
about the exactitudeprecizno of scienceznanost
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o točnosti znanosti
08:54
that I really enjoyuživati.
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u kojoj doista uživam.
08:56
And I love the shapesoblika that I see
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I volim oblike koje vidim
08:59
in scientificznanstvena observationszapažanja
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u znanstvenim opažanjima
09:02
and apparatusuređaj,
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i aparatima,
09:04
especiallyposebno astronomicalastronomski formsobrasci
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naročito astronomske forme
09:07
and the ideaideja of the vastnessbeskonačnost of it,
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i ideju o prostornosti iste,
09:09
the scaleljestvica,
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ljestvica,
09:11
is very interestingzanimljiv to me.
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mi je jako zanimljiva.
09:13
My focusfokus in recentnedavni yearsgodina
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Moj fokus se s godinama
09:16
has kindljubazan of shiftedpomaknut more towardprema biologybiologija.
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više nagnuo prema biologiji.
09:19
Some of these paintingsslike, when you look at them very closeblizu,
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Neke od tih slika, kada ih pogledate iz neposredne blizine,
09:22
oddneparan things appearpojaviti
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čudne stvari se pojave
09:24
that really look like horseskonji or birdsptice
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koje doista izgledaju poput konja ili ptica
09:27
or crocodilesKrokodili, elephantsslonovi.
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ili krokodila, slonova.
09:30
There are lots of things that appearpojaviti.
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Ima puno stvari koje se pojavljuju.
09:32
When you look into it, it's sortvrsta of like looking at cloudoblak patternsobrasci,
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Kada pogledate u njih, to je nešto nalik na uzorak oblaka,
09:35
but sometimesponekad they're very modeledpo uzoru and highlyvisoko rendereddonesena.
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ali ponekad su jako modelirani i imaju visoku rezoluciju.
09:38
And then there are all these formsobrasci
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I zatim su tu svi ti oblici
09:40
that we don't know what they are,
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za koje ne znamo što su,
09:42
but they're equallyjednako well-resolveddobro riješen
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ali oni su jednako tako dobro riješeni
09:44
and complexkompleks.
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i kompleksni.
09:46
So I think, conceivablyubjedljivo, those could be predictivePrediktivni.
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Stoga mislim, jako smisleno, oni se mogu predvidjeti.
09:49
Because sinceod it has the abilitysposobnost
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Jer kako ima mogućnost
09:51
to make formsobrasci
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poprimanja oblika
09:53
that look like formsobrasci that we're familiarupoznat with
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koji izgledaju poput oblika s kojima smo mi upoznati
09:55
in biologybiologija,
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u biologiji,
09:57
it's alsotakođer makingizrađivanje other formsobrasci that we're not familiarupoznat with.
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isto tako poprimaju druge oblike s kojima nismo upoznati.
10:00
And maybe it's the kindljubazan of formsobrasci
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I možda će neke vrste oblika
10:02
we'lldobro discoverotkriti underneathispod the surfacepovršinski of MarsMars,
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netko otkriti ispod površine Marsa,
10:04
where there are probablyvjerojatno lakesjezera
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gdje se vjerojatno nalaze jezera
10:06
with fishriba swimmingplivanje underpod the surfacepovršinski.
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s ribama koje plivaju ispod površine.
10:08
JHJH: Oh, let's hopenada so. Oh, my God, let's.
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JH: Oh, nadajmo se. O, moj Bože, da bar.
10:10
Oh, please, yes. Oh, I'm so there.
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O, molim te, da. O, toliko sam u tome.
10:13
You know, it seemsčini se
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Znate, čini se
10:16
at this stagefaza in your life,
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u ovoj fazi vašeg života,
10:18
you alsotakođer very personallylično
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vi ste isto jako osobno
10:20
are in this statedržava of confrontationsukob
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u tom stanju konfrontacije
10:23
with a sortvrsta of dissonantdisonantnih --
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s nekom vrstom disonancije --
10:26
I supposepretpostaviti it's an electromagneticelektromagnetske forcesila
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pretpostavljam kako je to elektromagnetska sila
10:28
that somehownekako governsuređuje se your Parkinson'sParkinsonove
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koja nekako vlada Parkinsonovom
10:30
and this creativekreativan forcesila
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i ta kreativna sila
10:32
that is bothoba the artistumjetnik
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koja je i umjetnik
10:35
who is in the here and now
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koji je ovdje i sada
10:37
and this sortvrsta of arcluk of your wholečitav life.
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i taj cijeli luk vašeg života.
10:39
Is that relevantrelevantan to your work?
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Je li to važno za vaš rad?
10:42
TSTS: As it turnsokreti out,
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TS: Ispostavlja se,
10:44
this deviceuređaj kindljubazan of comesdolazi in handylak za baratanje,
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ta naprava je prilično priručna,
10:46
because I don't have to have
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jer ne moram imati
10:48
the fine motormotor skillsvještine to do,
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dobre motoričke vještine kako bih radio,
10:50
that I can operateraditi slidesslajdova,
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da mogu upravljati slajdovima,
10:52
whichkoji is more of a mentalmentalni processpostupak.
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što je više mentalni proces.
10:54
I'm looking at it and makingizrađivanje decisionsodluke:
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Gledam u to i donosim odluke.
10:57
It needspotrebe more redcrvena, it needspotrebe more blueplava,
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Potrebno je više crvene, potrebno je više plave,
10:59
it needspotrebe a differentdrugačiji shapeoblik.
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potreban je drugačiji oblik.
11:01
And so I make these creativekreativan decisionsodluke
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I stoga donosim te kreativne odluke
11:04
and can executeizvršiti them
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i izvršavam ih
11:07
in a much, much simplerjednostavnije way.
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na bitno, bitno jednostavniji način.
11:09
I mean, I've got the symptomssimptomi.
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Mislim, imam simptome.
11:12
I guessnagađati Parkinson'sParkinsonove kindljubazan of creepsjeza up over the yearsgodina,
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Nagađam kako se Parkinsonova nekako potkrade tijekom godina,
11:15
but at a certainsiguran pointtočka you startpočetak seeingvidim the symptomssimptomi.
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ali u određenoj točki počnete vidjeti simptome.
11:18
In my casespis,
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U mom slučaju,
11:20
my left handruka has a significantznačajan tremortremor
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moja lijeva ruka ima poprilično podrhtavanje
11:23
and my left legnoga alsotakođer.
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kao i moja lijeva noga.
11:26
I'm left-handedljevak, and so I drawizvući.
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Lijevoruk sam i mislim da je to zato.
11:29
All my creationskreacije
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Sve moje kreacije
11:31
really startpočetak on smallmali drawingscrteži,
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zapravo počinju na malim crtežima,
11:34
whichkoji I have thousandstisuća of,
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kojih imam na tisuće.
11:36
and it's my way of just thinkingmišljenje.
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I to je moj način samo razmišljanja.
11:38
I drawizvući with a simplejednostavan pencilolovka,
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Crtam s običnom olovkom.
11:41
and at first, the Parkinson'sParkinsonove
271
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I isprva, Parkinsonova
11:43
was really upsettingpotresan,
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me doista uznemirila
11:45
because I couldn'tne mogu get the pencilolovka to standstajati still.
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jer nisam mogao držati mirno olovku.
11:49
JHJH: So you're not a gatekeeperVratar for these forcessnaga.
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JH: Dakle, vi niste čuvar tih sila.
11:52
You don't think of yourselfsami as the mastermajstorski of these forcessnaga.
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Ne razmišljate o sebi kao o majstoru tih sila.
11:55
You think of yourselfsami as the servantsluga.
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Razmišljate o sebi kao o sluzi.
11:58
TSTS: NaturePriroda is -- well, it's a godsendBožji dar.
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TS: Priroda je -- pa, to je Bogom dano.
12:01
It just has so much in it.
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Toliko je toga u tome.
12:04
And I think naturepriroda
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I mislim kako se priroda
12:06
wants to expressizraziti itselfsebe
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želi izraziti
12:08
in the senseosjećaj that we are naturepriroda,
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na način da smo mi priroda,
12:10
humansljudi are of the universesvemir.
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ljudi su dio svemira.
12:13
The universesvemir is in our mindum,
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Svemir je u našem umu,
12:15
and our mindsmisli are in the universesvemir.
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a naši umovi su u svemiru.
12:17
And we are expressionsizrazi
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A mi smo ekspresije
12:19
of the universesvemir, basicallyu osnovi.
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svemira, u osnovi.
12:21
As humansljudi,
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Kao ljudi,
12:23
ultimatelyna kraju beingbiće partdio of the universesvemir,
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ultimativno kao dio svemira,
12:26
we're kindljubazan of the spokespeopleGlasnogovornici
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mi smo na neki način zagovornici
12:28
or the observerposmatrač partdio
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ili promatrački dio
12:30
of the constituencyizborna jedinica
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izborne jedinice
12:33
of the universesvemir.
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svemira.
12:35
And to interfacesučelje with it,
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A da bismo komunicirali s njime,
12:37
with a deviceuređaj that letsomogućuje these forcessnaga
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s napravom koja dopušta tim silama
12:40
that are everywheresvugdje, posvuda
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koje su posvuda
12:42
actčin and showpokazati what they can do,
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da djeluju i pokažu što mogu učiniti,
12:44
givingdavanje them pigmentpigmenta and paintboja just like an artistumjetnik,
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dajući im pigment i boju baš poput umjetnika,
12:47
it's a good allysaveznik.
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to je dobar saveznik.
12:50
It's a terrificSjajno studiostudio assistantpomoćnik.
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To je odličan asistent u studiju.
12:52
JHJH: Well, I love the ideaideja
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JH: Pa, sviđa mi se ideja
12:54
that somewherenegdje withinunutar this ideaideja
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kako negdje unutar te ideje
12:56
of fine motionpokret and controlkontrolirati
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glatke kretnje i kotrole
12:59
with the traditionaltradicionalan skillsvještine
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s tradicionalnim vještinama
13:01
that you have with your handruka,
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koje imate sa svojom rukom,
13:03
some sortvrsta of more elementalelementarne forcesila getsdobiva revealedobjavio,
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neka vrsta više elementarne sile bude otkrivena
13:05
and that's the beautyljepota here.
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a to je ovdje ljepota.
13:07
TomTom, thank you so much. It's been really, really great.
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Tom, puno ti hvala. Bilo je stvarno, stvarno odlično.
13:10
TSTS: Thank you, JohnJohn.
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TS: Hvala ti, John.
13:12
(ApplausePljesak)
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(Pljesak)

▲Back to top

ABOUT THE SPEAKERS
Tom Shannon - Sculptor
Tom Shannon's mixed-material sculpture seems to levitate -- often it actually does -- thanks to powerful magnets and clever arrangements of suspension wire. He designed the TED Prize trophy.

Why you should listen

Artist and inventor Tom Shannon's sculpture has been exhibited in galleries and institutions all around the world, including the Centre Pompidou in Paris, the Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York City. His clever orchestrations of hidden magnets and tiny suspension cables make otherwise inert materials such as steel and wood take on a truly otherworldly quality -- bringing objects like planets, stars and atoms to a scale you can understand (and touch).

Shannon also holds the patents for the first tactile telephone, a color television projector and a synchronous world clock that is in the collection of the Smithsonian Institution. He is developing a spherical helium airship whose entire surface is an LED video screen.

More profile about the speaker
Tom Shannon | Speaker | TED.com
John Hockenberry - Journalist
Journalist and commentator John Hockenberry has reported from all over the world in virtually every medium. He's the author of "Moving Violations: War Zones, Wheelchairs and Declarations of Independence."

Why you should listen

Three-time Peabody Award winner, four-time Emmy award winner and Dateline NBC correspondent, John Hockenberry has broad experience as a journalist and commentator for more than two decades. He is the co-anchor of the public radio morning show “The Takeaway” on WNYC and PRI. He has reported from all over the world, in virtually every medium, having anchored programs for network, cable and radio. Hockenberry joined NBC as a correspondent for Dateline NBC in January 1996 after a fifteen-year career in broadcast news at both National Public Radio and ABC News. Hockenberry's reporting for Dateline NBC earned him three Emmys, an Edward R Murrow award and a Casey Medal.

His most prominent Dateline NBC reports include an hour-long documentary on the often-fatal tragedy of the medically uninsured, an emotionally gripping portrait of a young schizophrenic trying to live on his own, and extensive reporting in the aftermath of September 11th. In 2009 Hockenberry was appointed to the White House Fellows Commission by President Barack Obama where he participates in the selection of the annual Fellows for this most prestigious of Federal programs. Hockenberry is also the author of A River out of Eden, a novel based in the Pacific Northwest, and Moving Violations: War Zones, Wheelchairs and Declarations of Independence, a memoir of life as a foreign correspondent, which was a finalist for the National Book Critics Circle Award in 1996. He has also written for The New York Times, The New Yorker, I.D., Wired, The Columbia Journalism Review, Details, and The Washington Post.

Hockenberry spent more than a decade with NPR as a general assignment reporter, Middle East correspondent and host of several programs. During the Persian Gulf War (1990-91), Hockenberry was assigned to the Middle East, where he filed reports from Israel, Tunisia, Morocco, Jordan, Turkey, Iraq and Iran. He was one of the first Western broadcast journalists to report from Kurdish refugee camps in Northern Iraq and Southern Turkey. Hockenberry also spent two years (1988-90) as a correspondent based in Jerusalem during the most intensive conflict of the Palestinian uprising. Hockenberry received the Columbia Dupont Award for Foreign News Coverage for reporting on the Gulf War.

 

More profile about the speaker
John Hockenberry | Speaker | TED.com

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This site was created in May 2015 and the last update was on January 12, 2020. It will no longer be updated.

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