ABOUT THE SPEAKER
James Nachtwey - Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries.

Why you should listen

For the past three decades, James Nachtwey has devoted himself to documenting wars, conflicts and critical social issues, working in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States.

Nachtwey has been a contract photographer with Time since 1984. However, when certain stories he wanted to cover -- such as Romanian orphanages and famine in Somalia -- garnered no interest from magazines, he self-financed trips there. He is known for getting up close to his subjects, or as he says, "in the same intimate space that the subjects inhabit," and he passes that sense of closeness on to the viewer.

In putting himself in the middle of conflict, his intention is to record the truth, to document the struggles of humanity, and with this, to wake people up and stir them to action.

More profile about the speaker
James Nachtwey | Speaker | TED.com
TED Prize Wish

James Nachtwey: Moving photos of extreme drug-resistant TB

James Nachtwey lutte contre la TB-UR

Filmed:
470,998 views

Le photojournaliste James Nachtwey voit son souhait TED Prize se réaliser, tandis que nous partageons ses photos fortes de TB-UR, une souche de tuberculose résistante aux médicaments qui est en train de provoquer une globale crise médicale. Voyez comment aider sur http://www.xdrtb.org
- Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries. Full bio

Double-click the English transcript below to play the video.

00:19
I was a studentétudiant in the '60s, a time of socialsocial upheavalbouleversement and questioninginterrogatoire,
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J’étais étudiant dans les années 60, une époque d’agitation sociale et de questionnement,
00:24
and -- on a personalpersonnel levelniveau -- an awakeningl’éveil sensesens of idealismidéalisme.
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et au niveau personnel, d’idéalisme émergent.
00:28
The warguerre in VietnamViêt Nam was ragingrage, the CivilCivile RightsDroits movementmouvement was underen dessous de way
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La guerre du Vietnam faisait rage ; le mouvement des droits civiques était en route
00:33
and picturesdes photos had a powerfulpuissant influenceinfluence on me.
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et les images avaient une puissante influence sur moi.
00:36
Our politicalpolitique and militarymilitaire leadersdirigeants were tellingrécit us one thing
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Nos chefs militaires et politiques nous disaient une chose
00:39
and photographersles photographes were tellingrécit us anotherun autre.
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et les photographes nous disaient quelque chose d’autre.
00:42
I believeda cru the photographersles photographes and so did millionsdes millions of other AmericansAméricains.
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Je croyais les photographes et des millions d’autres Américains ont fait de même.
00:47
TheirLeur imagesimages fuelledalimenté resistancela résistance to the warguerre and to racismracisme.
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Leurs images alimentaient un mouvement de résistance à la guerre et au racisme.
00:51
They not only recordedenregistré historyhistoire -- they helpedaidé changechangement the coursecours of historyhistoire.
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Ils ne faisaient pas qu’enregistrer l’histoire, ils aidaient à changer le cours de l’histoire.
00:55
TheirLeur picturesdes photos becamedevenu partpartie of our collectivecollectif consciousnessconscience
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Leurs photos sont devenues une part de notre conscience collective
00:59
and, as consciousnessconscience evolvedévolué into a sharedpartagé sensesens of conscienceconscience,
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et, tandis que la sensibilisation évoluait vers une conscience partagée,
01:03
changechangement becamedevenu not only possiblepossible, but inevitableinévitable.
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le changement ne devint pas seulement possible, mais inévitable.
01:06
It putsmet a humanHumain facevisage on issuesproblèmes whichlequel, from afarau loin,
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Cela donne un visage humain aux problèmes qui de loin
01:10
can appearapparaître abstractabstrait or ideologicalidéologique or monumentalmonumental in theirleur globalglobal impactimpact.
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peuvent sembler abstraits ou idéologiques ou monumentaux dans leur impact global.
01:15
What happensarrive at groundsol levelniveau, farloin from the hallshalls of powerPuissance,
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Ce qui passe sur le terrain, loin des couloirs du pouvoir,
01:20
happensarrive to ordinaryordinaire citizenscitoyens one by one.
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se transmet de citoyen ordinaire en citoyen ordinaire.
01:23
And I understoodcompris that documentarydocumentaire photographyla photographie
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Et je comprenais que la photographie documentaire
01:26
has the abilitycapacité to interpretinterpréter eventsévénements from theirleur pointpoint of viewvue.
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a la capacité d’interpréter les événements de leur point de vue.
01:30
It givesdonne a voicevoix to those who otherwiseautrement would not have a voicevoix.
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Elle donne une voix à ceux qui sinon n’auraient pas de voix.
01:34
My TEDTED wishsouhait. There’s a vitalvital storyrécit that needsBesoins to be told
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Mon souhait TED. Il y a une histoire vitale qui doit être racontée
01:40
and I wishsouhait for TEDTED to help me gainGain accessaccès to it
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et je souhaite que TED m’aide à le faire
01:43
and then to help me come up with innovativeinnovant and excitingpassionnant waysfaçons
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et ensuite m’aide à trouver des façons innovantes et excitantes
01:47
to use newsnouvelles photographyla photographie in the digitalnumérique eraère.
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d’utiliser le journalisme photo à l’ère numérique.
01:50
Thank you very much.
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Merci beaucoup.
01:57
[ 10.3.08 -- The storyrécit breakspauses. ]
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[ 10.3.08 -- la nouvelle éclate ]
02:03
[ "I have been a witnesstémoin, and these picturesdes photos are my testimonytémoignage." ]
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[ « J’ai été témoin, et ces photos sont mon témoignage. » ]
02:09
[ SouthSud AfricaL’Afrique ]
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[ Afrique du Sud ]
02:27
[ This is happeningévénement now. ]
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[ Ça se passe maintenant ]
02:31
[ CambodiaCambodge ]
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[ Cambodge ]
02:46
[ SwazilandSwaziland ]
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[ Swaziland ]
02:59
[ One personla personne diesmeurt everychaque 20 secondssecondes. ]
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[ Une personne meurt toutes les 20 secondes ]
03:03
[ ThailandThaïlande ]
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[ Thaïlande ]
03:16
[ An ancientancien diseasemaladie is takingprise on a deadlymortel newNouveau formforme. ]
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[ Une maladie ancienne prend une nouvelle forme fatale ]
03:21
[ SiberiaSibérie ]
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[ Sibérie ]
03:32
[ LesothoLesotho ]
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[ Lesotho ]
03:45
[ TuberculosisTuberculose: the nextprochain pandemicpandémie? ]
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[ Tuberculose: La prochaine pandémie? ]
03:49
[ IndiaInde ]
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[ Inde ]
04:02
[ TBTB is preventableévitable and curableDURCISSABLE, ]
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[ La TB est évitable et guérissable ]
04:09
[ but it is mutatingla mutation due to inadequateinadéquate treatmenttraitement. ]
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[ Mais mute faute de traitement approprié ]
04:18
[ XDR-TBXDR-TB: ]
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[ TB-UR (et en anglais : XDR-TB) ]
04:21
[ extremeextrême drugdrogue resistantrésistant tuberculosistuberculose. ]
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[ Tuberculose Ultra-résistante ]
04:25
[ There is no reliablefiable cureguérir. ]
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[ Il n’y a pas de remède fiable ]
04:33
[ PatientsPatients oftensouvent diemourir withindans weekssemaines of diagnosisdiagnostic. ]
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[ Les patients meurent souvent dans les semaines suivant le diagnostic ]
04:40
[ 49 countriesdes pays have reportedsignalé XDR-TBXDR-TB. ]
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[ 49 pays ont signalé la TB-UR ]
04:48
[ XDR-TBXDR-TB is a criticalcritique threatmenace to globalglobal healthsanté. ]
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[ La TB-UR est une menace critique pour la santé mondiale ]
04:56
[ ExtremeExtrême outbreakdéclenchement, sufferingSouffrance, afflictionaffliction ]
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[ Recrudescence extrême ]
04:57
[ ExtremeExtrême lossperte, paindouleur, pandemicpandémie ]
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[ Souffrance extrême ]
05:05
[ ExtremelyExtrêmement preventableévitable. ]
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[ Extrêmement évitable ]
05:08
[ XDR-TBXDR-TB. ]
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[ XDR-TB (en français : TB-UR) ]
05:14
[ We can stop this now. ]
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[ Nous pouvons arrêter ça maintenant ]
05:22
[ SpreadPropagation the storyrécit. Stop the diseasemaladie. ]
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[ Faites circuler l’histoire. Arrêtez la maladie. ]
05:27
[ Go to XDRTBXDRTB.orgorg now. ]
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[ Allez sur XDRTB.org maintenant ]
05:31
[ XDRTBXDRTB.orgorg: we are the treatmenttraitement. ]
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[ XDRTB.org : Nous sommes le traitement ]
05:35
[ We are the treatmenttraitement. ]
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[ Nous sommes le traitement ]
05:40
[ MadeFaites possiblepossible throughpar the kindgentil supportsoutien of BDBD. ]
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[ Rendu possible grâce au soutien de BD ]
Translated by Jenny Zurawell
Reviewed by Thomas VANDENBOGAERDE

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ABOUT THE SPEAKER
James Nachtwey - Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries.

Why you should listen

For the past three decades, James Nachtwey has devoted himself to documenting wars, conflicts and critical social issues, working in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States.

Nachtwey has been a contract photographer with Time since 1984. However, when certain stories he wanted to cover -- such as Romanian orphanages and famine in Somalia -- garnered no interest from magazines, he self-financed trips there. He is known for getting up close to his subjects, or as he says, "in the same intimate space that the subjects inhabit," and he passes that sense of closeness on to the viewer.

In putting himself in the middle of conflict, his intention is to record the truth, to document the struggles of humanity, and with this, to wake people up and stir them to action.

More profile about the speaker
James Nachtwey | Speaker | TED.com

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