ABOUT THE SPEAKER
James Nachtwey - Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries.

Why you should listen

For the past three decades, James Nachtwey has devoted himself to documenting wars, conflicts and critical social issues, working in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States.

Nachtwey has been a contract photographer with Time since 1984. However, when certain stories he wanted to cover -- such as Romanian orphanages and famine in Somalia -- garnered no interest from magazines, he self-financed trips there. He is known for getting up close to his subjects, or as he says, "in the same intimate space that the subjects inhabit," and he passes that sense of closeness on to the viewer.

In putting himself in the middle of conflict, his intention is to record the truth, to document the struggles of humanity, and with this, to wake people up and stir them to action.

More profile about the speaker
James Nachtwey | Speaker | TED.com
TED Prize Wish

James Nachtwey: Moving photos of extreme drug-resistant TB

James Nachtwey luta contra a TBMR (Tuberculose Multirresistente)

Filmed:
470,998 views

O fotojosrnalista James Nachtwey vê o seu desejo do Prémio TED tornar-se realidade, connosco a partilhar as suas fotografias marcantes da TBMR, um tipo de Tuberculose resistente a medicamentos que está a lançar uma crise médica mundial. Saiba como ajudar em http://xdrtb.org
- Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries. Full bio

Double-click the English transcript below to play the video.

00:19
I was a studentaluna in the '60s, a time of socialsocial upheavalagitação and questioningquestionando,
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Eu era um estudante na década de 60, tempo de tumulto social e em que imperavam questões,
00:24
and -- on a personalpessoal levelnível -- an awakeningdespertar sensesentido of idealismidealismo.
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e a nível pessoal, o despertar de um sentido de idealismo.
00:28
The warguerra in VietnamVietname was ragingfurioso, the CivilCivil RightsDireitos movementmovimento was undersob way
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A guerra do Vietnam estava no auge; o movimento dos Direitos Civis estava a dar os primeiros passos
00:33
and picturesAs fotos had a powerfulpoderoso influenceinfluência on me.
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e as fotografias tinham uma forte influência em mim.
00:36
Our politicalpolítico and militarymilitares leaderslíderes were tellingdizendo us one thing
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Os nosso líderes políticos e militares estavam a contar-nos uma história
00:39
and photographersfotógrafos were tellingdizendo us anotheroutro.
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e os fotógrafos estavam a contar-nos outra.
00:42
I believedacreditava the photographersfotógrafos and so did millionsmilhões of other AmericansAmericanos.
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Eu acreditei nos fotógrafos e assim fizeram milhões de outros americanos.
00:47
TheirSeus imagesimagens fuelledalimentado resistanceresistência to the warguerra and to racismracismo.
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As suas imagens fomentaram a resistência à guerra e ao racismo.
00:51
They not only recordedgravado historyhistória -- they helpedajudou changemudança the coursecurso of historyhistória.
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Eles não só documentaram a história, eles ajudaram a mudar o curso da história.
00:55
TheirSeus picturesAs fotos becamepassou a ser partparte of our collectivecoletivo consciousnessconsciência
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As suas fotografias tornaram-se parte da nossa consciência colectiva
00:59
and, as consciousnessconsciência evolvedevoluiu into a sharedcompartilhado sensesentido of conscienceconsciência,
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e, à medida que a consciência evolui para um sentido partilhado de consciência,
01:03
changemudança becamepassou a ser not only possiblepossível, but inevitableinevitável.
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a mudança tornou-se não só possível, mas inevitável.
01:06
It putscoloca a humanhumano facecara on issuesproblemas whichqual, from afarlonge,
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Pôs um rosto humano em questões que de longe
01:10
can appearaparecer abstractabstrato or ideologicalideológica or monumentalmonumental in theirdeles globalglobal impactimpacto.
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podem parecer abstractas ou ideológicas ou monumentais no seu impacto global.
01:15
What happensacontece at groundchão levelnível, farlonge from the hallssalões of powerpoder,
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O que acontece no terreno, longe dos centros de poder,
01:20
happensacontece to ordinarycomum citizenscidadãos one by one.
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acontece a cidadãos comuns, um a um.
01:23
And I understoodEntendido that documentarydocumentário photographyfotografia
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E eu percebi que a fotografia documental
01:26
has the abilityhabilidade to interpretinterpretar eventseventos from theirdeles pointponto of viewVisão.
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tem o dom de interpretar os acontecimentos do ponto de vista deles.
01:30
It gives a voicevoz to those who otherwisede outra forma would not have a voicevoz.
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Dá voz a todos aqueles que de outra forma não teriam voz.
01:34
My TEDTED wishdesejo. There’s a vitalvital storyhistória that needsprecisa to be told
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O meu desejo TED. Existe uma história vital que precisa de ser contada
01:40
and I wishdesejo for TEDTED to help me gainganho accessAcesso to it
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e eu desejo que TED me possa ajudar a conhecê-la
01:43
and then to help me come up with innovativeInovativa and excitingemocionante waysmaneiras
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e depois me possa ajudar a criar formas inovadoras e emocionantes
01:47
to use newsnotícia photographyfotografia in the digitaldigital eraera.
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de usar o fotojornalismo na era digital.
01:50
Thank you very much.
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Muito obrigado a todos.
01:57
[ 10.3.08 -- The storyhistória breaksrompe. ]
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[10-03-2008 - A história começa]
02:03
[ "I have been a witnesstestemunha, and these picturesAs fotos are my testimonytestemunho." ]
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["Eu tenho sido uma testemunha, e estas fotografias são o meu legado"]
02:09
[ SouthSul AfricaÁfrica ]
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[África do Sul]
02:27
[ This is happeningacontecendo now. ]
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[Está a acontecer agora]
02:31
[ CambodiaCamboja ]
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[Cambodja]
02:46
[ SwazilandSuazilândia ]
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[Suazilândia]
02:59
[ One personpessoa diesmorre everycada 20 secondssegundos. ]
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[1 pessoa morre a cada 20 segundos]
03:03
[ ThailandTailândia ]
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[Tailândia]
03:16
[ An ancientantigo diseasedoença is takinglevando on a deadlymortal newNovo formFormato. ]
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[Uma doença antiga está a tomar uma nova forma mortífera]
03:21
[ SiberiaSibéria ]
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[Sibéria]
03:32
[ LesothoLesoto ]
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[Lesoto]
03:45
[ TuberculosisTuberculose: the nextPróximo pandemicpandemia? ]
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[Tuberculose: a nova pandemia?]
03:49
[ IndiaÍndia ]
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[Índia]
04:02
[ TBTB is preventableevitável and curablecurável, ]
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[A Tuberculose é prevenível e curável]
04:09
[ but it is mutatingem mutação duevencimento to inadequateinadequada treatmenttratamento. ]
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[Mas está a sofrer mutações devido ao tratamento inadequado]
04:18
[ XDR-TBXDR-TB: ]
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[TBMR]
04:21
[ extremeextremo drugdroga resistantresistente tuberculosistuberculose. ]
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[Tuberculose Multirresistente]
04:25
[ There is no reliableconfiável curecura. ]
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[Não existe cura efectiva]
04:33
[ PatientsPacientes oftenfrequentemente diemorrer withindentro weekssemanas of diagnosisdiagnóstico. ]
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[Os pacientes morrem frequentemente num espaço de semanas após o diagnóstico]
04:40
[ 49 countriespaíses have reportedrelatado XDR-TBXDR-TB. ]
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[49 países já reportaram casos de TBMR]
04:48
[ XDR-TBXDR-TB is a criticalcrítico threatameaça to globalglobal healthsaúde. ]
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[A TBMR é uma ameaça crítica à saúde global]
04:56
[ ExtremeExtremo outbreaksurto, sufferingsofrimento, afflictionaflição ]
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[Surto extremo]
04:57
[ ExtremeExtremo lossperda, paindor, pandemicpandemia ]
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[Sofrimento extremo]
05:05
[ ExtremelyExtremamente preventableevitável. ]
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[Prevenção extrema]
05:08
[ XDR-TBXDR-TB. ]
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[TBMR]
05:14
[ We can stop this now. ]
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[Podemos pará-la agora]
05:22
[ SpreadPropagação the storyhistória. Stop the diseasedoença. ]
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[Espalhem a notícia. Parem a doença.]
05:27
[ Go to XDRTBTBXDR.orgorg now. ]
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[Vão a XDRTB.org agora]
05:31
[ XDRTBTBXDR.orgorg: we are the treatmenttratamento. ]
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[XDRTB.org: Nós somos o tratamento]
05:35
[ We are the treatmenttratamento. ]
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[Nós somos o tratamento]
05:40
[ MadeFeita possiblepossível throughatravés the kindtipo supportApoio, suporte of BDBD. ]
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[Tornado possível através do generoso suporte de BD]
Translated by João Mestre Costa
Reviewed by Rafael Eufrasio

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ABOUT THE SPEAKER
James Nachtwey - Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries.

Why you should listen

For the past three decades, James Nachtwey has devoted himself to documenting wars, conflicts and critical social issues, working in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States.

Nachtwey has been a contract photographer with Time since 1984. However, when certain stories he wanted to cover -- such as Romanian orphanages and famine in Somalia -- garnered no interest from magazines, he self-financed trips there. He is known for getting up close to his subjects, or as he says, "in the same intimate space that the subjects inhabit," and he passes that sense of closeness on to the viewer.

In putting himself in the middle of conflict, his intention is to record the truth, to document the struggles of humanity, and with this, to wake people up and stir them to action.

More profile about the speaker
James Nachtwey | Speaker | TED.com

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