ABOUT THE SPEAKER
Frank Gehry - Architect
A living legend, Frank Gehry has forged his own language of architecture, creating astonishing buildings all over the world, such as the Guggenheim in Bilbao, the Walt Disney Concert Hall in LA, and Manhattan's new IAC building.

Why you should listen

Frank Gehry is one of the world's most influential architects. His designs for the likes of the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA are bold statements that have imposed a new aesthetic of architecture on the world at large, enlivening streetscapes and creating new destinations. Gehry has extended his vision beyond brick-and-mortar too, collaborating with artists such as Claes Oldenberg and Richard Serra, and designing watches, teapots and a line of jewelry for Tiffany & Co.

Now in his 80s, Gehry refuses to slow down or compromise his fierce vision: He and his team at Gehry Partners are working on a $4 billion development of the Atlantic Yards in Brooklyn, and a spectacular Guggenheim museum in Abu Dhabi, United Arab Emirates, which interprets local architecture traditions into a language all his own. Incorporating local architectural motifs without simply paying lip service to Middle Eastern culture, the building bears all the hallmarks of a classic Gehry design.

More profile about the speaker
Frank Gehry | Speaker | TED.com
TED2002

Frank Gehry: A master architect asks, Now what?

Frank Gehry: Majstor arhitekt pita Što sad?

Filmed:
1,073,166 views

U fantastično zabavnom razgovoru s Richardom Saulom Wurmanom, arhitekt Frank Gehry predstavlja sudionicima TED-a svoj pogled na moć neuspjeha, svoje novije građevine, i na sve-važno pitanje “I što sad?”.
- Architect
A living legend, Frank Gehry has forged his own language of architecture, creating astonishing buildings all over the world, such as the Guggenheim in Bilbao, the Walt Disney Concert Hall in LA, and Manhattan's new IAC building. Full bio

Double-click the English transcript below to play the video.

00:12
FrankFrank GehryGehry: I listenedslušao to this scientistnaučnik this morningjutro.
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Frank Gehry: Slušao sam jutros jednog znanstvenika.
00:14
DrDr. MullisMullis was talkingkoji govori about his experimentspokusi,
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Dr. Mullis je govorio o svojim eksperimentima
00:19
and I realizedshvatio that I almostskoro becamepostao a scientistnaučnik.
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i shvatio sam da sam gotovo postao znanstvenik.
00:22
When I was 14 my parentsroditelji boughtkupio me a chemistrykemija setset
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Kad mi je bilo 14, roditelji su mi kupili
pribor za kemiju.
00:29
and I decidedodlučio to make watervoda.
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I ja sam odlučio napraviti vodu.
00:31
(LaughterSmijeh)
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(Smijeh)
00:40
So, I madenapravljen a hydrogenvodik generatorgenerator and I madenapravljen an oxygenkisik generatorgenerator,
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Izradio sam generator vodika
i generator kisika.
00:45
and I had the two pipescijevi leadingvodeći into a beakerpehar
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Dvije su cijevi vodile u epruvetu,
00:47
and I threwbacio a matchutakmica in.
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a ja sam u nju ubacio šibicu.
00:49
(LaughterSmijeh)
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(Smijeh)
00:51
And the glassstaklo -- luckilysrećom I turnedokrenut around --
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I čaša --.srećom, okrenuo sam se --
00:54
I had it all in my back
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Leđa su mi bila puna,
00:56
and I was about 15 feetnoge away.
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a bio sam udaljen oko pet metara.
00:59
The wallzid was coveredpokriven with ...
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Zid je bio prekriven...
01:01
I had an explosionEksplozija.
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Eksplodiralo je.
01:03
RichardRichard SaulŠaul WurmanWurman: Really?
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Richard Saul Wurman: Zbilja?
01:04
FGFG: People on the streetulica camedošao and knockedpokucao on the doorvrata
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FG: Ljudi su izvana došli i lupali na vrata
01:05
to see if I was okay.
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ne bi li vidjeli jesam li dobro.
01:07
RSWRSW: ... huh. (LaughterSmijeh)
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RSW: ... ha.
(Smijeh)
01:14
I'd like to startpočetak
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Volio bih ovaj razgovor
01:16
this sessionsjednica again.
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započeti ponovno.
01:19
The gentlemangospodin to my left is the very famouspoznat, perhapsmožda overlypreviše famouspoznat,
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Gospodin s moje lijeve strane vrlo je slavan,
možda suviše slavan,
01:24
FrankFrank GehryGehry.
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Frank Gehry.
01:26
(LaughterSmijeh)
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(Smijeh)
01:27
(ApplausePljesak)
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(Pljesak)
01:28
And FrankFrank, you've come to a placemjesto in your life, whichkoji is astonishingzačuđujući.
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I Frank, došao si do točke u životu,
koja je zadivljujuća.
01:32
I mean it is astonishingzačuđujući for an artistumjetnik, for an architectarhitekt,
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Mislim, zadivljujuće je za umjetnika, za arhitekta,
01:37
to becomepostati actuallyzapravo an iconikona and a legendlegenda in theirnjihov ownvlastiti time.
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postati istinska ikona i legenda još za života.
01:39
I mean you have becomepostati, whetherda li you can gigglecerekanje at it
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Hoću reći, postao si, smijao se ti tome ili ne,
01:42
because it's a funnysmiješno ... you know, it's a strangečudan thought,
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jer je smiješno... znaš, neobična je to misao...
01:45
but your buildingzgrada is an iconikona --
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Ali, tvoja je zgrada ikona...
01:47
you can drawizvući a little pictureslika of that buildingzgrada, it can be used in adsoglasi --
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Možete nacrtati sličicu te zgrade,
koristiti je u oglasima --
01:50
and you've had not rockstijena starzvijezda statusstatus, but celebritypoznata ličnost statusstatus
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Imao si i status ne rock-zvijezde,
nego celebrityja
01:55
in doing what you wanted to do for mostnajviše of your life.
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u onome što si čitavog života želio raditi.
02:00
And I know the roadcesta was extremelykrajnje difficulttežak.
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A znam da je put do toga bio izrazito težak.
02:05
And it didn't seemčiniti se, at leastnajmanje, that your sellprodavati outsizlasci,
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Nije se činilo da su tvoji ustupci,
02:09
whateveršto god they were, were very bigvelika.
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kakvi god bili, bili odviše veliki.
02:13
You keptčuva movingkreće aheadnaprijed in a life where you're dependentzavisan
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Nastavio si svojim putem ka životu
u kojemu ovisiš
02:19
on workingrad for somebodyneko.
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o radu za nekoga drugoga.
02:22
But that's an interestingzanimljiv thing for a creativekreativan personosoba.
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No, to je vrlo zanimljivo za jednu kreativnu osobu.
02:25
A lot of us work for people;
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Puno nas radi za druge ljude;
02:27
we're in the handsruke of other people.
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u rukama smo drugih ljudi.
02:29
And that's one of the great dilemmasdileme -- we're in a creativitykreativnost sessionsjednica --
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To je jedna od velikih dvojbi --
a sad govorimo o kreativnosti --
02:33
it's one of the great dilemmasdileme in creativitykreativnost:
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to je jedna od velikih dvojbi glede kreativnosti:
02:35
how to do work that's bigvelika enoughdovoljno and not sellprodavati out.
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Kako raditi dovoljno značajne stvari
i pritom se ne "prodati"?
02:39
And you've achievedpostići that
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Ti si u tome uspio
02:41
and that makesmarke your winpobijediti doublydvostruko bigvelika, triplytrostruko bigvelika.
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i to tvoj uspjeh čini dvostruko, trostruko većim.
02:46
It's not quitedosta a questionpitanje but you can commentkomentar on it.
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Ovo nije baš pitanje, ali možeš prokomentirati.
02:47
It's a bigvelika issueizdanje.
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Velik je to problem.
02:50
FGFG: Well, I've always just ...
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FG: Pa, uvijek sam...
02:52
I've never really goneotišao out looking for work.
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Nisam nikad, zapravo, tražio posao.
02:57
I always waitedčekao for it to sortvrsta of hithit me on the headglava.
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Uvijek sam čekao da me, na neki način,
strefi u glavu.
03:00
And when I startedpočeo out,
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I kad sam počinjao,
03:03
I thought that architecturearhitektura was a serviceservis businessPoslovni
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mislio sam da je arhitektura uslužna industrija,
03:06
and that you had to please the clientsklijenti and stuffstvari.
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i da trebamo udovoljiti klijentu, i slično.
03:09
And I realizedshvatio when I'd come into the meetingssastanci
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Shvatio sam kad bih dolazio na sastanke
03:13
with these corrugatedgofriran metalmetal and chainlanac linkveza stuffstvari,
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s tim valovitim limovima i žičanim mrežama,
03:18
and people would just look at me
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i ljudi bi me samo gledali
03:21
like I'd just landedsletio from MarsMars.
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kao da sam sletio s Marsa.
03:23
But I couldn'tne mogu do anything elsedrugo.
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Ja, jednostavno, nisam mogao raditi išta drugo.
03:26
That was my responseodgovor to the people in the time.
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U to doba, to je bio moj odgovor ljudima.
03:29
And actuallyzapravo, it was respondingreagirati to clientsklijenti that I had
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Ustvari, bilo je to odgovaranje
onim mojim klijentima
03:33
who didn't have very much moneynovac, so they couldn'tne mogu affordpriuštiti very much.
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koji nisu imali osobito mnogo novca,
pa si i nisu previše mogli priuštiti.
03:36
I think it was circumstantialsticajem okolnosti.
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Mislim da je ovisilo o okolnostima.
03:38
UntilDo I got to my housekuća, where the clientklijent was my wifežena.
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Sve dok se nije radilo o mojoj kući,
pri čemu je klijentica bila moja supruga.
03:43
We boughtkupio this tinysićušan little bungalowbungalov in SantaDjed Mraz MonicaMonica
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Kupili smo tu sićušnu prizemnicu za odmor
u Santa Monici,
03:46
and for like 50 grandveličanstven I builtizgrađen a housekuća around it.
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i za nekih 50 tisuća izgradio sam kuću oko nje.
03:49
And a fewnekoliko people got exciteduzbuđen about it.
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I nekoliko se ljudi uzbudilo zbog nje.
03:53
I was visitinggostujući with an artistumjetnik, MichaelMichael HeizerHeizer,
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S umjetnikom Michaelom Heizerom
bio sam u obilasku
03:56
out in the desertpustinja nearblizu LasLas VegasVegas somewherenegdje.
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negdje u pustinji, blizu Las Vegasa.
03:59
He's buildingzgrada this hugeogroman concretebeton placemjesto.
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Gradio je neku veliku betonsku kuću.
04:02
And it was latekasno in the eveningvečer. We'dMi bi had a lot to drinkpiće.
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Bilo je kasno uvečer.
Dosta smo i popili.
04:05
We were standingstajati out in the desertpustinja all alonesam and,
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Stajali smo vani, u pustinji, posve sami,
04:08
thinkingmišljenje about my housekuća, he said,
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i, razmišljajući o svojoj kući, rekao sam:
04:10
"Did it ever occurdoći to you if you builtizgrađen stuffstvari more permanenttrajan,
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"Jesi li ikad pomislio da budeš li
gradio trajnije objekte,
04:15
somewherenegdje in 2000 yearsgodina somebody'snetko je going to like it?"
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nekome će se za nekih 2000 godina to i svidjeti."
04:20
(LaughterSmijeh)
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(Smijeh)
04:24
So, I thought, "Yeah, that's probablyvjerojatno a good ideaideja."
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Pomislio sam:
"A-ha, to je vjerojatno dobra ideja."
04:29
LuckilySrećom I startedpočeo to get some clientsklijenti that had a little more moneynovac,
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Nasreću, počeo sam pribavljati klijente
s malo više novca,
04:33
so the stuffstvari was a little more permanenttrajan.
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pa su i objekti bili malo trajniji.
04:36
But I just foundpronađeno out the worldsvijet ain'tnije going to last that long,
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No, upravo sam shvatio da svijet
neće trajati toliko dugo,
04:39
this guy was tellingreći us the other day.
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kao što nam je onaj dečko govorio neki dan.
04:41
So where do we go now?
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Dakle, kamo sada?
04:44
Back to -- everything'ssve je so temporaryprivremen.
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Natrag prema -- sve je tako prolazno.
04:46
I don't see it the way you characterizednaznačen it.
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Ne vidim to baš tako kako si ti opisao.
04:52
For me, everysvaki day is a newnovi thing.
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Za mene je svaki dan novina.
04:56
I approachpristup eachsvaki projectprojekt with a newnovi insecuritynesigurnost,
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Svakom projektu prilazim iznova nesiguran,
05:01
almostskoro like the first projectprojekt I ever did,
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gotovo kao prvom svom projektu.
05:03
and I get the sweatsznojenje,
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I znojim se,
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I go in and startpočetak workingrad, I'm not sure where I'm going --
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uhvatim se s tim ukoštac i započnem raditi --
05:09
if I knewznao where I was going, I wouldn'tne bi do it.
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kad bih znao kamo idem, ne bih to radio.
05:12
When I can predictpredvidjeti or planplan it, I don't do it.
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Kad mogu predvidjeti ili isplanirati,
ja to ne radim.
05:15
I discardodbaciti it.
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Odbacujem takav projekt.
05:17
So I approachpristup it with the sameisti trepidationstrah.
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Dakle, pristupam mu s uvijek istom drhtavicom.
05:20
ObviouslyOčito, over time I have a lot more confidencepovjerenje
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Očito, tijekom vremena stekao sam
puno više pouzdanja
05:25
that it's going to be OK.
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da će sve biti u redu.
05:28
I do runtrčanje a kindljubazan of a businessPoslovni --
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Vodim svojevrsni posao --
05:31
I've got 120 people
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Imam 120 ljudi
05:33
and you've got to payplatiti them,
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koje moram plaćati,
05:35
so there's a lot of responsibilityodgovornost involvedumiješan --
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što znači da tu ima poprilično odgovornosti --
05:37
but the actualstvaran work on the projectprojekt is with,
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ali, stvaran rad na projektu odvija se u,
05:41
I think, a healthyzdrav insecuritynesigurnost.
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mislim, zdravoj neizvjesnosti.
05:43
And like the playwrightdramaturg said the other day -- I could relatepovezati to him:
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I kao što je neki dan dramski pisac rekao --
Mogu ga razumjeti:
05:50
you're not sure.
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Niste sigurni.
05:52
When BilbaoBilbao was finishedgotov and I lookedgledao at it,
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Nakon što je muzej u Bilbau bio završen,
i kad sam ga pogledao,
05:56
I saw all the mistakesgreške, I saw ...
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vidio sam sve pogreške, vidio sam...
05:58
They weren'tnisu mistakesgreške;
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To nisu bile pogreške;
06:00
I saw everything that I would have changedpromijenjen
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vidio sam što sam sve poželio promijeniti
06:02
and I was embarrassedzbunjen by it.
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i bilo mi je neugodno zbog toga.
06:05
I feltosjećala an embarrassmentSram -- "How could I have doneučinio that?
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Nisam mogao vjerovati --
"Kako sam to mogao učiniti?
06:08
How could I have madenapravljen shapesoblika like that or doneučinio stuffstvari like that?"
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Kako sam mogao napraviti takve oblike
ili učiniti takve stvari?"
06:12
It's takenpoduzete severalnekoliko yearsgodina to now look at it detachedodvojen and say --
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Trebalo mi je nekoliko godina
da ga nepristrano pogledam i kažem --
06:18
as you walkhodati around the cornerugao and a piecekomad of it worksdjela with the roadcesta
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dok ga zaobilaziš oko ugla
i jedan je dio u skladu s cestom
06:23
and the streetulica, and it appearsČini to have a relationshipodnos --
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i s ulicom, i čini se da je u odnosu --
06:27
that I startedpočeo to like it.
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koji mi se počeo sviđati.
06:29
RSWRSW: What's the statusstatus of the NewNovi YorkYork projectprojekt?
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RSW: Kakav je status njujorškog projekta?
06:32
FGFG: I don't really know.
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FG: Doista ne znam.
06:34
TomTom KrensKrens camedošao to me with BilbaoBilbao and explainedobjašnjen it all to me,
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Tom Krens mi je objasnio cijeli
projekt u Bilbau,
06:38
and I thought he was nutsorašasto voće.
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i pomislio sam da je lud.
06:40
I didn't think he knewznao what he was doing,
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Nisam mislio da zna što radi,
06:42
and he pulledizvukao it off.
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ali uspio ga je provesti u djelo.
06:44
So, I think he's IcarusIcarus and PhoenixPhoenix all in one guy.
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Zato, mislim da je on i Ikar i Feniks,
u jednoj osobi.
06:48
(LaughterSmijeh)
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(Smijeh)
06:50
He getsdobiva up there and then he ... comesdolazi back up.
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On se diže i onda se... ponovno podiže.
06:57
They're still talkingkoji govori about it.
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Još se uvijek o tome priča.
06:59
SeptemberRujna 11 generatedgeneriran some interestinteres
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11. rujna je potaknuo izvjesno zanimanje
07:05
in movingkreće it over to GroundTlo ZeroNula,
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za njegovo premještanje na Nultu Točku,
07:09
and I'm totallypotpuno againstprotiv that.
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ali ja sam izrazito protiv toga.
07:14
I just feel uncomfortableneudoban talkingkoji govori about or buildingzgrada anything on GroundTlo ZeroNula
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Jednostavno, nelagodno mi je govoriti o tome
ili išta graditi na Nultoj Točki;
07:22
I think for a long time.
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zadugo, mislim.
07:26
RSWRSW: The pictureslika on the screenzaslon,
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RSW: Fotografija na ekranu,
07:28
is that DisneyDisney?
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je li to Disney?
07:30
FGFG: Yeah.
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FG: Je.
07:31
RSWRSW: How much furtherunaprijediti alonguz is it than that,
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RSW: Koliko još preostaje izgradnje
07:33
and when will that be finishedgotov?
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i kad će ovo biti dovršeno?
07:34
FGFG: That will be finishedgotov in 2003 -- SeptemberRujna, OctoberTravanj --
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FG: Bit će dovršeno 2003 --
u rujnu, listopad --
07:41
and I'm hopingnadajući KyuKyu, and HerbieHerbie, and Yo-YoJo-Jo and all those guys
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Nadam se da će Kyu, Herbie, Yo-Yo
i svi ti momci
07:48
come playigrati with us at that placemjesto.
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doći igrati se s nama na tom mjestu.
07:52
LuckilySrećom, todaydanas mostnajviše of the people I'm workingrad with are people I really like.
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Nasreću, većinu ljudi s kojima danas radim
ja doista i volim.
07:56
RichardRichard KoshalekKoshalek is probablyvjerojatno one of the mainglavni reasonsrazlozi
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Richard Koshalek je vjerojatno
jedan od najzaslužnijih
07:59
that DisneyDisney HallDvorana camedošao to me.
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što mi je pristupio Disney Hall.
08:02
He's been a cheerleadernavijačica for quitedosta a long time.
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Navijao je poprilično dugo.
08:05
There aren'tnisu manymnogi people around that are really involvedumiješan
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Nema mnogo ljudi koji su stvarno vezani
08:09
with architecturearhitektura as clientsklijenti.
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uz arhitekturu kao klijenti.
08:11
If you think about the worldsvijet,
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Razmislite li o svijetu,
08:15
and even just in this audiencepublika,
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pa čak i samo u ovoj publici,
08:17
mostnajviše of us are involvedumiješan with buildingsgrađevine.
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većina je nas vezana uza zgrade.
08:23
Nothing that you would call architecturearhitektura, right?
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Ništa što biste nazvali arhitekturom, zar ne?
08:26
And so to find one, a guy like that,
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Zato da biste našli jednog,
momka poput njega,
08:31
you hangobjesiti on to him.
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držat ćete ga se.
08:33
He's becomepostati the headglava of ArtUmjetnost CenterCentar,
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Postao je prvi čovjek Umjetničkog centra;
08:36
and there's a buildingzgrada by CraigCraig EllwoodEllwood there.
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ondje je zgrada Craiga Elwooda.
08:40
I knewznao CraigCraig and respectedugledan him.
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Poznavao sam Craiga i poštivao ga.
08:44
They want to adddodati to it
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Željeli su joj nešto pridodati,
08:46
and it's hardteško to adddodati to a buildingzgrada like that --
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a takvoj je građevini teško išta dodati --
08:47
it's a beautifullijep, minimalistminimalistički, blackcrno steelželjezo buildingzgrada --
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To je prelijepa, minimalistička zgrada,
od crnoga čelika --
08:51
and RichardRichard wants to adddodati a libraryknjižnica and more studentstudent stuffstvari
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Richard želi pridodati knjižnicu i
više nekih studentskih sadržaja,
09:01
and it's a lot of acreagepovršina u jutrima.
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a to zahtijeva dosta površine.
09:03
I convinceduvjeren him to let me bringdonijeti in anotherjoš architectarhitekt
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Uvjerio sam ga da mi dopusti
dovesti jednog arhitekta
09:07
from PortugalPortugal: AlvaroAlvaro SizaEmanuela Vidovića do.
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iz Portugala - Alvara Sizu.
09:10
RSWRSW: Why did you want that?
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RSW: Zašto si to želio?
09:12
FGFG: I knewznao you'dti bi askpitati that questionpitanje.
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FG: Znao sam da ćeš postaviti to pitanje.
09:15
It was intuitiveintuitivan.
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Bilo je to intuitivno.
09:18
(LaughterSmijeh)
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(Smijeh)
09:21
AlvaroAlvaro SizaEmanuela Vidovića do grewrastao up and livedživjeli in PortugalPortugal
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Alvaro Siza odrastao je i živio u Portugalu,
09:27
and is probablyvjerojatno consideredsmatra the Portugueseportugalski mainglavni guy in architecturearhitektura.
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i vjerojatno je najvažniji portugalski arhitekt.
09:32
I visitedposjetila with him a fewnekoliko yearsgodina agoprije
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Posjetio sam ga prije nekoliko godina
09:35
and he showedpokazala me his earlyrano work,
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i on mi je pokazao svoje rane radove,
09:37
and his earlyrano work had a resemblancesličnost to my earlyrano work.
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A njegovi su rani radovi nalikovali mojima.
09:44
When I camedošao out of collegekoledž,
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Pošto sam završio koledž,
09:47
I startedpočeo to try to do things contextuallykontekstualno in SouthernJužni CaliforniaCalifornia,
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započeo sam raditi kontekstualno,
u južnoj Kaliforniji.
09:51
and you got into the logiclogika of Spanishšpanjolski colonialkolonijalan tilepločica roofskrovovi
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Tako uvidite logiku španjolskih
kolonijalnih krovova od opeke,
09:57
and things like that.
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i sličnih stvari.
09:59
I triedpokušala to understandrazumjeti that languagejezik as a beginningpočetak,
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Nastojao sam razumjeti taj jezik kao početak,
10:04
as a placemjesto to jumpskok off,
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kao točku za odskok,
10:06
and there was so much of it beingbiće doneučinio by specšpekulacija buildersgraditelji
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Ondje su toliko toga gradili
špekulativni građevinari,
10:11
and it was trivializedbanalizirajući so much that it wasn'tnije ...
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i toliko je toga bilo trivijalizirano
da nije bilo...
10:15
I just stoppedprestao.
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Jednostavno sam prestao.
10:17
I mean, CharlieCharlie MooreMoore did a bunchmnogo of it,
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Hoću reći, Charlie Moore napravio je toliko toga,
10:19
but it didn't feel good to me.
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ali meni se to nije činilo dobrim.
10:23
SizaEmanuela Vidovića do, on the other handruka, continuedi dalje in PortugalPortugal
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Naprotiv, Siza je nastavio u Portugalu,
10:26
where the realstvaran stuffstvari was
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gdje su se zbivale prave stvari,
10:29
and evolvedrazvio a modernmoderan languagejezik that relatesodnosi to that historicpovijesni languagejezik.
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i razvio suvremen jezik koji je
povezan s povijesnim jezikom.
10:37
And I always feltosjećala that he should come to SouthernJužni CaliforniaCalifornia
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Oduvijek sam osjećao da bi on trebao doći
u južnu Kaliforniju
10:43
and do a buildingzgrada.
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i izgraditi zgradu.
10:44
I triedpokušala to get him a couplepar of jobsposlovi and they didn't pantava out.
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Nastojao sam mu pribaviti par poslova,
ali nije ispalo dobro.
10:49
I like the ideaideja of collaborationkolaboracija with people like that
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Sviđa mi se zamisao o suradnji
s takvim ljudima,
10:56
because it pushesgura you.
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jer vas to tjera naprijed.
11:04
I've doneučinio it with ClaesClaes OldenburgOldenburg and with RichardRichard SerraSerra,
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Radio sam s Claesom Oldenburgom
i s Richardom Serrom,
11:09
who doesn't think architecturearhitektura is artumjetnost.
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Koji ne misli da je arhitektura umjetnost.
11:12
Did you see that thing?
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Jesi li vidio to?
11:15
RSWRSW: No. What did he say?
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RSW: Ne. Što je rekao?
11:17
FGFG: He callspozivi architecturearhitektura "plumbingvodovodni."
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FG: Arhitekturu naziva "instalaterstvom".
11:19
(LaughterSmijeh)
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(Smijeh)
11:22
FGFG: AnywayU svakom slučaju, the SizaEmanuela Vidovića do thing.
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FG: Kako god, Siza.
11:26
It's a richerbogatiji experienceiskustvo.
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Iskustvo je bogatije.
11:28
It mustmora be like that for KyuKyu doing things with musiciansglazbenici --
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Vjerojatno je to tako i kad Kyu
radi s glazbenicima --
11:31
it's similarsličan to that I would imaginezamisliti --
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Pretpostavljam da je slično tome --
11:33
where you ... huh?
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kad vi... ha?
11:35
AudiencePublika: LiquidTekućina architecturearhitektura.
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Publika: Protočna arhitektura.
11:37
FGFG: LiquidTekućina architecturearhitektura.
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FG: Protočna arhitektura.
11:39
(LaughterSmijeh)
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(Smijeh)
11:40
Where you ... It's like jazzjazz: you improviseimprovizirati, you work togetherzajedno,
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Kad vi... To je poput jazza:
improvizirate, radite zajedno,
11:44
you playigrati off eachsvaki other, you make something,
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nadigravate se međusobno,
vi stvorite nešto,
11:50
they make something.
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oni stvore nešto.
11:52
And I think
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I mislim
11:55
for me, it's a way of tryingtežak to understandrazumjeti the cityGrad
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po meni, to je način da pokušate
razumjeti grad
11:59
and what mightmoć happendogoditi se in the cityGrad.
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i što se u gradu može dogoditi.
12:01
RSWRSW: Is it going to be nearblizu the currentstruja campuskampus?
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RSW: Hoće li biti u blizini sadašnjeg kampusa?
12:04
Or is it going to be down nearblizu ...
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Ili će biti dolje, bliže...
12:06
FGFG: No, it's nearblizu the currentstruja campuskampus.
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FG: Ne, blizu je sadašnjeg kampusa.
12:08
AnywayU svakom slučaju, he's that kindljubazan of patronpokrovitelj.
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Svejedno, on je takav pokrovitelj.
12:10
It's not his moneynovac, of coursenaravno.
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Nije njegov novac, naravno.
12:12
(LaughterSmijeh)
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(Smijeh)
12:15
RSWRSW: What's his scheduleraspored on that?
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RSW: Kakav mu je plan po tom pitanju?
12:17
FGFG: I don't know.
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FG: Ne znam.
12:18
What's the scheduleraspored, RichardRichard?
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Kakav je plan, Richarde?
12:20
RichardRichard KoshalekKoshalek: [UnclearNejasno] startspočinje from 2004.
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Richard Koshalek: [Nejasno] započinje 2004.
12:22
FGFG: 2004.
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FG: 2004.
12:25
You can come to the openingotvor. I'll invitepozvati you.
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Možeš doći na otvorenje. Pozvat ću te.
12:27
No, but the issueizdanje of cityGrad buildingzgrada in democracydemokratija is interestingzanimljiv
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Ne, ali problematika izgradnje gradova
u demokraciji zanimljiva je,
12:35
because it createsstvara chaoshaos, right?
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jer njome se stvara kaos, zar ne?
12:38
EverybodySvi doing theirnjihov thing makesmarke a very chaotichaotičan environmentokolina,
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Svatko tko radi svoj posao
doprinosi stvaranju kaotičnog okoliša,
12:42
and if you can figurelik out how to work off eachsvaki other --
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i ako se možete dosjetiti kako
izraditi jedni druge...
12:47
if you can get a bunchmnogo of people
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Ako možete okupiti skupinu ljudi
12:52
who respectpoštovanje eachsvaki other'sdrugi work and playigrati off eachsvaki other,
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koji međusobno poštuju ono što drugi rade
i nadigravaju se međusobno,
12:56
you mightmoć be ableu stanju to createstvoriti modelsmodeli for
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mogli biste stvoriti modele
12:58
how to buildizgraditi sectionsdijelovi of the cityGrad withoutbez resortingpribjegavanja to the one architectarhitekt.
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gradnji gradskih četvrti
a da pritom ne pribjegavate samo jednom arhitektu,
13:06
Like the RockefellerRockefeller CenterCentar modelmodel,
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poput modela gradnje Rockefellerovog centra,
13:08
whichkoji is kindljubazan of from anotherjoš eradoba.
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koji kao da je iz nekog drugog doba.
13:11
RSWRSW: I foundpronađeno the mostnajviše remarkableizvanredan thing.
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RSW: Otkrio sam nešto posve izvanredno.
13:14
My preconceptionpredrasuda of BilbaoBilbao was this wonderfulpredivan buildingzgrada,
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Moja predrasuda o muzeju u Bilbau
bila je ta čudesna zgrada -
13:19
you go insideiznutra and there'dcrveno be extraordinaryizvanredan spacesprostori.
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ulaziš u nju, a ondje sav taj izvanredan prostor...
13:21
I'd seenvidio drawingscrteži you had presentedpredstavili here at TEDTED.
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Vidio sam crteže koje si prezentirao
ovdje, na TED-u.
13:24
The surpriseiznenađenje of BilbaoBilbao was in its contextkontekst to the cityGrad.
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Iznenađujuće kod tog Bilbaa bio je
taj njegov položaj prema gradu.
13:29
That was the surpriseiznenađenje of going acrosspreko the riverRijeka,
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Bilo je to iznenađenje prelaska rijeke,
13:31
of going on the highwayautocesta around it,
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odlaska na auto-cestu oko njega,
13:33
of walkinghodanje down the streetulica and findingnalaz it.
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hodanja ulicom i pronalaženja muzeja.
13:36
That was the realstvaran surpriseiznenađenje of BilbaoBilbao.
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To je bilo istinski iznenađujuće kod Bilbaa.
13:39
FGFG: But you know, RichardRichard,
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FG: Ali, znaš, Richarde,
13:40
mostnajviše architectsarhitekti when they presentpredstaviti theirnjihov work --
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većina arhitekata, kad predstavljaju svoj rad,
13:42
mostnajviše of the people we know,
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većina ljudi koje poznajemo,
13:43
you get up and you talk about your work,
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Ustanete i govorite o svome radu;
13:46
and it's almostskoro like you tell everybodysvi you're a good guy
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to je gotovo kao da svima govorite
kako ste dobar lik,
13:53
by sayingizreka, "Look, I'm worriedzabrinut about the contextkontekst,
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govoreći: "Gledajte, zabrinut sam za kontekst,
13:58
I'm worriedzabrinut about the cityGrad,
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zabrinut sam za grad,
14:00
I'm worriedzabrinut about my clientklijent,
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zabrinut sam za svog klijenta,
14:03
I worrybrinuti about budgetbudžet, that I'm on time."
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muči me i budžet, stižem li sve napraviti..."
14:05
BlahBla, blahpretjerivanje, blahpretjerivanje and all that stuffstvari.
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Bla, bla, bla i koješta tome slično.
14:07
And it's like cleansingčišćenje yourselfsami so that you can ...
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To sliči čišćenju samoga sebe kako biste...
14:11
by sayingizreka all that, it meanssredstva your work is good somehownekako.
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Izgovarajući sve to, čini se da je to što radite
na neki način dobro.
14:18
And I think everybodysvi --
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I mislim da svi --
14:21
I mean that should be a matterstvar of factčinjenica, like gravitygravitacija.
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To bi trebala biti činjenica, poput gravitacije.
14:24
You're not going to defyprkositi gravitygravitacija.
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Nećete prkositi gravitaciji.
14:27
You've got to work with the buildingzgrada departmentodjel.
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Morate raditi s odsjekom za gradnju.
14:29
If you don't meetsastati the budgetsproračuni, you're not going to get much work.
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Prekoračujete li budžete,
nećete sklapati puno poslova.
14:35
If it leakscuri --
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Procuri li --
14:37
BilbaoBilbao did not leakcurenje.
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Bilbao nije procurio.
14:40
I was so proudponos.
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Silno sam bio ponosan.
14:43
(LaughterSmijeh)
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(Smijeh)
14:45
The MITMIT projectprojekt -- they were interviewingintervjuiranje me for MITMIT
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Projekt MIT-a --
Intervjuirali su me za MIT
14:48
and they sentposlao theirnjihov facilitiespostrojenja people to BilbaoBilbao.
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i poslali u Bilbao svoje ljude za održavanje objekata.
14:51
I metsastali them in BilbaoBilbao.
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Sreo sam ih u Bilbau.
14:53
They camedošao for threetri daysdana.
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Došli su na tri dana.
14:55
RSWRSW: This is the computerračunalo buildingzgrada?
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RSW: To je računalno konstruiranje?
14:57
FGFG: Yeah, the computerračunalo buildingzgrada.
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FG: Je, računalno konstruiranje.
14:58
They were there threetri daysdana and it rainedkiša everysvaki day
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Bili su ondje tri dana i kiša je padala svaki dan...
15:00
and they keptčuva walkinghodanje around --
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I oni su obilazili i obilazili --
15:02
I noticedprimijetio they were looking underpod things
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Primijetio sam da su zagledavali ispod,
15:04
and looking for things,
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da su tražili koješta,
15:06
and they wanted to know where the bucketskante were hiddenskriven, you know?
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željeli su doznati gdje su kante skrivene, znaš?
15:10
People put bucketskante out ...
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Ljudi ostavljaju kante --
15:13
I was cleančist. There wasn'tnije a bloodykrvav leakcurenje in the placemjesto,
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Bio sam čist.
Nije bilo jedne jedine pukotine;
15:15
it was just fantasticfantastičan.
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bilo je to jednostavno fantastično.
15:17
But you've got to --
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Ali, morate --
15:19
yeah, well up untildo then everysvaki buildingzgrada leakedpukotina, so this ...
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da, sve dotad svaka je građevina procurila,
pa je ovo...
15:23
(LaughterSmijeh)
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(Smijeh)
15:28
RSWRSW: FrankFrank had a sortvrsta of ...
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RSW: Frank je...
15:30
FGFG: AskPitaj MiriamMiriam!
278
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FG: Pitaj Miriam!
15:31
RWRW: ... sortvrsta of had a fameslava. His fameslava was builtizgrađen on that in L.A. for a while.
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RSW: ... na neki način bio slavan. Njegova je slava
bila izgrađena na tome, neko vrijeme u L.A.-u.
15:36
(LaughterSmijeh)
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(Smijeh)
15:39
FGFG: You've all heardčuo the FrankFrank LloydLloyd WrightWright storypriča,
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FG: Svi ste čuli priču o Franku Lloydu Wrightu,
15:42
when the womanžena calledzvao and said,
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kad je žena nazvala i rekla:
15:44
"MrG.. WrightWright, I'm sittingsjedenje on the couchkauč
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"G. Wright, sjedim na ležaju
15:49
and the water'svoda je pouringkoji lije in on my headglava."
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i voda mi se slijeva na glavu."
15:51
And he said, "MadamGospođo, movepotez your chairstolica."
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A on je odgovorio: "Gospođo, pomaknite fotelju."
15:53
(LaughterSmijeh)
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(Smijeh)
15:57
So, some yearsgodina laterkasnije I was doing a buildingzgrada,
287
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Nekoliko godina kasnije gradio sam
16:01
a little housekuća on the beachplaža for NortonSjever SimonSimon,
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kućicu na plaži, za Nortona Simona.
16:03
and his secretarytajnica, who was kindljubazan of a hellpakao on wheelskotači typetip ladydama,
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Njegova tajnica, svojevrsna ženska
Sodoma i Gomora,
16:07
calledzvao me and said,
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nazvala me i rekla:
16:10
"MrG.. Simon'sSimon sittingsjedenje at his deskstol
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"G. Simon sjedi za svojim stolom
16:13
and the water'svoda je comingdolazak in on his headglava."
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i voda mu kaplje po glavi."
16:15
And I told her the FrankFrank LloydLloyd WrightWright storypriča.
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Ispričao sam joj priču Franka Lloyda Wrighta.
16:17
RSWRSW: Didn't get a laughsmijeh.
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RSW: Nije se nasmijala?
16:19
FGFG: No. Not now eitherili.
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FG: Ne. Ni sada ovdje.
16:21
(LaughterSmijeh)
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(Smijeh)
16:28
But my pointtočka is that ... and I call it the "then what?"
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Ali, ono što sam želio reći...
Nazvao sam to "I što sad?".
16:32
OK, you solvedriješen all the problemsproblemi,
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Dobro, riješili ste sve probleme,
16:34
you did all the stuffstvari, you madenapravljen nicelijepo,
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napravili ste sve, lijepo to izveli,
16:37
you lovedvoljen your clientsklijenti,
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voljeli ste svoje klijente,
16:39
you lovedvoljen the cityGrad,
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voljeli grad,
16:41
you're a good guy, you're a good personosoba ...
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dobar ste lik, dobra ste osoba...
16:43
and then what?
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I što sad?
16:45
What do you bringdonijeti to it?
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Što tad činite?
16:47
And I think that's what I've always been interestedzainteresiran in,
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Mislim da je to nešto što me oduvijek zanimalo,
16:51
is that -- whichkoji is a personalosobni kindljubazan of expressionizraz.
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To je.-- neka vrlo osobna vrsta ekspresije.
17:03
BilbaoBilbao, I think, showspokazuje that you can have
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Mislim da Bilbao dokazuje da se možete
17:07
that kindljubazan of personalosobni expressionizraz
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osobno izraziti
17:09
and still touchdodir all the basesbaze that are necessarypotreban
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i pritom obuhvatiti sve što je nužno
17:13
of fittingpogodan into the cityGrad.
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za uklapanje u grad.
17:15
That's what remindedpodsjetio me of it.
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Na to me je to podsjetilo.
17:20
And I think that's the issueizdanje, you know;
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I mislim da je tu problem, znaš;
17:22
it's the "then what" that mostnajviše clientsklijenti who hirenajam architectsarhitekti --
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taj "I što sad?" što većina klijenata
koji angažiraju arhitekte --
17:26
mostnajviše clientsklijenti aren'tnisu hiringzapošljavanje architectsarhitekti for that.
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većina klijenata ne angažira arhitekte radi toga.
17:31
They're hiringzapošljavanje them to get it doneučinio, get it on budgetbudžet,
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Angažiraju ih da realiziraju željeno,
da to učine u okviru budžeta,
17:35
be politelijep,
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da budu uljudni,
17:38
and they're missingnedostaje out on the realstvaran valuevrijednost of an architectarhitekt.
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i tako propuštaju iskoristiti
stvarnu vrijednost arhitekta.
17:50
RSWRSW: At a certainsiguran pointtočka a numberbroj of yearsgodina agoprije, people --
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RSW: U određenom trenutku,
prije dosta godina, ljudi --
17:52
when MichaelMichael GravesGrobovi was a fashionmoda, before teapotsteapots ...
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dok je Michael Graves bio u modi,
prije čajnika...
18:00
FGFG: I did a teapotčajnik and nobodynitko boughtkupio it.
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FG: Ja sam izradio čajnik
i nitko ga nije kupio.
18:02
(LaughterSmijeh)
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(Smijeh)
18:04
RSWRSW: Did it leakcurenje?
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RSW: Je li propuštao?!
18:06
FGFG: No.
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FG: Nije.
18:07
(LaughterSmijeh)
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(Smijeh)
18:13
RSWRSW: ... people wanted a MichaelMichael GravesGrobovi buildingzgrada.
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RSW: ... ljudi su željeli kuću tipa
"Michael Graves".
18:21
Is that a cursekletva, that people want a BilbaoBilbao buildingzgrada?
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Je li to kletva što ljudi žele zgradu poput Bilbaa?
18:26
FGFG: Yeah.
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FG: Je.
18:30
SinceOd BilbaoBilbao openedotvori, whichkoji is now fourčetiri, fivepet yearsgodina,
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Otkad je otvoren muzej u Bilbau -
sad je tome već četiri, pet godina -
18:34
bothoba KrensKrens and I have been calledzvao
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i Krensu i meni ponudili su
18:39
with at leastnajmanje 100 opportunitiesprilike --
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barem stotinjak prilika --
18:43
ChinaKina, BrazilBrazil, other partsdijelovi of SpainŠpanjolska --
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u Kini, Brazilu, drugim dijelovima Španjolske --
18:50
to come in and do the BilbaoBilbao effectposljedica.
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da dođemo i izazovemo "Bilbao-efekt".
18:53
And I've metsastali with some of these people.
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I susreo sam se s nekima od ovih ljudi.
18:56
UsuallyObično I say no right away,
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Obično odmah kažem "Ne",
18:58
but some of them come with pedigreepedigre
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ali neki od njih stignu s pedigreom
19:01
and they soundzvuk well-intentioneddobronamjeran
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zvuče dobronamjerno,
19:04
and they get you for at leastnajmanje one or two meetingssastanci.
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i dobiju vas na barem jedan ili dva sastanka.
19:10
In one casespis, I flewletio all the way to MalagaMalaga with a teamtim
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U jednom slučaju, letio sam
sve do Malage s timom,
19:15
because the thing was signedpotpisan with sealstuljani and variousraznovrstan
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jer sve je bilo potpisano i zapečaćeno,
među njima i
19:21
very officialslužbeno sealstuljani from the cityGrad,
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nekim vrlo službenim gradskim pečatima.
19:27
and that they wanted me to come and do a buildingzgrada in theirnjihov portluka.
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Željeli su da dođem i izgradim
zgradu u njihovoj luci.
19:31
I askedpitao them what kindljubazan of buildingzgrada it was.
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Pitao sam ih kakva je to zgrada bila.
19:33
"When you get here we'lldobro explainobjasniti it." BlahBla, blahpretjerivanje, blahpretjerivanje.
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"Kad stignete ovamo, objasnit ćemo Vam."
Bla, bla, bla.
19:36
So fourčetiri of us wentotišao.
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I tako je nas četvero otišlo.
19:39
And they tookuzeo us -- they put us up in a great hotelhotel
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Smjestili su nas u sjajan hotel,
19:44
and we were looking over the bayzaljev,
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s pogledom na zaljev.
19:47
and then they tookuzeo us in a boatčamac out in the watervoda
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Povezli su nas čamcem
19:50
and showedpokazala us all these sightsznamenitosti in the harborluka.
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i pokazali nam sve te njihove lučke vizure.
19:53
EachSvaki one was more beautifullijep than the other.
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Svaka je bila ljepša od prethodne.
19:59
And then we were going to have lunchručak with the mayorgradonačelnik
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Potom smo trebali ručati s gradonačelnikom,
20:03
and we were going to have dinnervečera with
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pa onda i večerati s
20:05
the mostnajviše importantvažno people in MalagaMalaga.
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najvažnijim ljudima Malage.
20:09
Just before going to lunchručak with the mayorgradonačelnik,
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Netom prije odlaska na ručak s gradonačelnikom,
20:13
we wentotišao to the harborluka commissionerpovjerenik.
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posjetili smo lučkog upravitelja.
20:15
It was a tablestol as long as this carpettepih
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Bio je ondje stol dug poput ovog tepiha,
20:18
and the harborluka commissionerpovjerenik was here,
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i lučki upravitelj je bio tu,
20:20
and I was here, and my guys.
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ja sam bio ovdje, i moji dečki.
20:22
We satsat down, and we had a drinkpiće of watervoda
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Sjedili smo, popili vode,
20:25
and everybodysvi was quietmiran.
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i svi su utihnuli.
20:27
And the guy lookedgledao at me and said,
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Čovjek me pogledao i rekao:
20:29
"Now what can I do for you, MrG.. GehryGehry?"
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"Što mogu učiniti za Vas, g. Gehry?"
20:32
(LaughterSmijeh)
362
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(Smijeh)
20:36
RSWRSW: Oh, my God.
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1224000
2000
RSW: O, Bože.
20:38
FGFG: So, I got up.
364
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2000
FG: Ustao sam.
20:40
I said to my teamtim,
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1228000
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Rekao sam svom timu:
20:42
"Let's get out of here."
366
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2000
"Idemo odavde."
20:44
We stoodstajao up, we walkedhodao out.
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Ustali smo i otišli.
20:45
They followedslijedi -- the guy that draggedvukao us there followedslijedi us and he said,
368
1233000
3000
Krenuli su za nama --
Tip koji nas je doveo, pratio nas je i rekao:
20:48
"You mean you're not going to have lunchručak with the mayorgradonačelnik?"
369
1236000
2000
"Znači li ovo da nećete na ručak
s gradonačelnikom?"
20:50
I said, "NopeNe."
370
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2000
Rekao sam: "Nećemo."
20:52
"You're not going to have dinnervečera at all?"
371
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2000
"Nećete ni na večeru?"
20:54
They just broughtdonio us there to hustleenergičnost this groupskupina,
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Doveli su nas onamo da izguramo tu grupu,
20:58
you know, to createstvoriti a projectprojekt.
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znaš, da stvorimo projekt.
21:00
And we get a lot of that.
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I toga ima dosta.
21:05
LuckilySrećom, I'm oldstar enoughdovoljno that
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Srećom, dovoljno sam star da se
21:08
I can complainžaliti se I can't travelputovati.
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mogu požaliti kako ne mogu putovati...
21:11
(LaughterSmijeh)
377
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(Smijeh)
21:13
I don't have my ownvlastiti planeavion yetjoš.
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Nemam još vlastiti avion.
21:18
RSWRSW: Well, I'm going to windvjetar this up and windvjetar up the meetingsastanak
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RSW: Dakle, zaključio bih ovo
i zaključio bih sastanak,
21:21
because it's been very long.
380
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jer se poprilično oduljio,
21:23
But let me just say a couplepar wordsriječi.
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ali dopusti mi samo par riječi.
21:25
FGFG: Can I say something?
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FG: Mogu li ja nešto reći?
21:28
Are you going to talk about me or you?
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Hoćeš li govoriti o meni ili o sebi?
21:31
(LaughterSmijeh)
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(Smijeh)
21:34
(ApplausePljesak)
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(Pljesak)
21:37
RSWRSW: OnceJednom a shitsranje, always a shitsranje!
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RSW: Jednom govno, uvijek govno!
21:42
FGFG: Because I want to get a standingstajati ovationovacija like everybodysvi, so ...
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FG: Jer i ja, kao i svi, priželjkujem ovacije, pa...
21:45
RSWRSW: You're going to get one! You're going to get one!
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RSW: Dobit ćeš jedne! Dobit ćeš jedne!
21:47
(LaughterSmijeh)
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(Smijeh)
21:48
I'm going to make it for you!
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Ja ću ti ih priuštiti!
21:50
FGFG: No, no. Wait a minuteminuta!
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FG: Nemoj, nemoj! Pričekaj trenutak!
21:51
(ApplausePljesak)
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(Pljesak)
Translated by Mladen Barešić
Reviewed by Ivan Stamenkovic

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ABOUT THE SPEAKER
Frank Gehry - Architect
A living legend, Frank Gehry has forged his own language of architecture, creating astonishing buildings all over the world, such as the Guggenheim in Bilbao, the Walt Disney Concert Hall in LA, and Manhattan's new IAC building.

Why you should listen

Frank Gehry is one of the world's most influential architects. His designs for the likes of the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA are bold statements that have imposed a new aesthetic of architecture on the world at large, enlivening streetscapes and creating new destinations. Gehry has extended his vision beyond brick-and-mortar too, collaborating with artists such as Claes Oldenberg and Richard Serra, and designing watches, teapots and a line of jewelry for Tiffany & Co.

Now in his 80s, Gehry refuses to slow down or compromise his fierce vision: He and his team at Gehry Partners are working on a $4 billion development of the Atlantic Yards in Brooklyn, and a spectacular Guggenheim museum in Abu Dhabi, United Arab Emirates, which interprets local architecture traditions into a language all his own. Incorporating local architectural motifs without simply paying lip service to Middle Eastern culture, the building bears all the hallmarks of a classic Gehry design.

More profile about the speaker
Frank Gehry | Speaker | TED.com

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