Alyssa Monks: How loss helped one artist find beauty in imperfection
Alyssa Monks: Como a perda ajudou uma artista a encontrar a beleza na imperfeição
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface. Full bio
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about something personal
para falar sobre algo pessoal
e minha perspectiva.
may be helpful to somebody.
seja útil para alguém.
I grew up the youngest of eight.
sobre mim, sou a mais nova de oito irmãos.
por toda a cidade
atividades extraclasse,
from when I was eight to 16,
disponíveis desde os meus 8 até os 16,
in New York City.
comigo em Nova Iorque.
I learned a few survival skills.
eu aprendi algumas leis de sobrevivência.
see you do anything stupid.
ver você fazendo nada estúpido.
and stay in line.
e andando na linha.
onde eu fazia as regras.
to be an artist.
to support my painting.
para sustentar a pintura.
and I got an MFA,
my brother asked me,
meu irmão me perguntou:
mean next to the paintings?"
vermelhos ao lado dos quadros?"
that the paintings were sold
tinham sido vendidas
had four electrical outlets,
and a toaster at the same time,
e a torradeira ao mesmo tempo,
from back around that time.
as realistic as possible.
o mais realista possível.
isolated and in total control.
e totalmente no controle.
of painting people in water.
pintando pessoas na água.
the perfect enclosed environment.
criavam o ambiente perfeito.
that kept me busy for a decade.
que me manteve ocupada por uma década.
a dois metros e meio, como este.
with the bathwater to make it cloudy
na água do banho para ficar nublado,
I couldn't wait to paint it.
mal podia esperar para pintar.
kind of impulsive curiosity,
por essa curiosidade impulsiva,
in my head and hair
na minha cabeça e cabelos
e reconhecimento,
with more than four outlets.
com mais de quatro tomadas.
and inspiring each other.
who made this painting
que fez um quadro
o qual ele chamou de "The Light Years".
significava, e ele disse:
into adulthood, you're no longer a child,
de ser criança e se torna adulto,
by the responsibilities of life."
pelas responsabilidades da vida".
and it was in her brain.
e atingiu o cérebro.
and I looked at her,
how to help her.
having him in charge,
vantagem com ele no comando,
taking care of her.
everything I could to help,
tudo o que podia para ajudar,
I'm going to need you later."
Vou precisar de você mais tarde".
and the internet didn't know:
and whatever situation came up,
fosse ou viesse a ser,
then now I was surrendering,
agora eu estava me rendendo,
the uncontrollable
into bed with her and sleep with her.
eu ia para a cama dormir com ela.
o barulho do carro chegando.
his car coming up the driveway.
pegava nas duas mãos dela
for breakfast.
no café da manhã.
o melhor que podia,
and bring their kids,
no fim do dia com suas crianças,
a usar cadeira de rodas,
we could find to drink her coffee.
que encontramos para beber seu café.
to help me with the showers.
de "o belo terrível".
after her diagnosis.
supportive and attentive way.
de um modo solidário e diligente.
all together in this unknown,
todos juntos no desconhecido,
of my time alone in a studio working,
trabalhando sozinha em um estúdio,
de que esse tipo de ligação
tão restauradora.
for me to go back to my studio.
de voltar para o estúdio.
and I drove back to Brooklyn,
e dirigi de volta para o Brooklyn.
so that's what I did.
e era o que continuaria a fazer.
that was unraveling in me.
que se passava dentro de mim.
rendered safe place
cuidadosamente construído
I didn't want to paint anymore.
pois não queria mais pintar.
and I wasn't a landscape painter,
e eu não era pintora de paisagens,
much of any kind of painter at all,
em nenhum tipo de pintura,
It didn't matter. It didn't matter.
não importava. Não importava.
back to my studio,
para o estúdio,
that were fascinating me,
que me fascinavam,
the paint like I used to.
a pintura como costumava.
and suggesting,
chaotic, turbulent surface
imperfeita, caótica e turbulenta
as I was when I was a student.
como quando eu era estudante.
to put figures in these paintings, people,
colocar figuras nos quadros, pessoas,
both people and this atmosphere.
as pessoas e a atmosfera.
what I've been working on.
no que tenho trabalhado.
and it's like a preview, I guess,
é como uma pré-estreia, eu acho,
do que tenho até agora.
what matters most to me,
intenção, o que importa mais para mim,
where there's no resisting or controlling.
onde não há resistência ou controle.
big losses in our lives,
grandes perdas em nossas vidas
are out of our control.
estão fora de nosso controle.
to find something beautiful
de encontrar algo belo
ABOUT THE SPEAKER
Alyssa Monks - PainterAlyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface.
Why you should listen
Alyssa Monks blurs the line between abstraction and realism through layering different spaces and moments in her paintings. Using semi-transparent filters of glass, vinyl, steam and water to flip background and foreground in her 10-year water series, she seduced the viewer into shallow spaces. Today, she is imposing a transparent landscape of infinite space over her emotionally evocative subjects.
The tension in her mostly large-scale paintings is sustained not only by the composition but also by the surface treatment itself. Each brushstroke is thickly applied oil paint, like a fossil recording every gesture and decision, expressing the energetic and empathic experience of the handmade object.
Monks's work is represented by Forum Gallery in New York City. She lives and paints in Williamsburg, Brooklyn. Her latest solo exhibition "Resolution" took place March and April of 2016 at Forum Gallery. Monks's paintings have been the subject of numerous solo and group exhibitions including "Intimacy" at the Kunst Museum in Ahlen, Germany and "Reconfiguring the Body in American Art, 1820–2009" at the National Academy Museum of Fine Arts, New York. Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association, Fullerton College, the Seavest Collection and the collections of Eric Fischl, Howard Tullman, Gerrity Lansing, Danielle Steele, Alec Baldwin and Luciano Benetton.
Born 1977 in New Jersey, Monks began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’ Medici in Florence. She went on to earn her M.F.A from the New York Academy of Art, Graduate School of Figurative Art in 2001. She completed an artist in residency at Fullerton College in 2006 and has lectured and taught at universities and institutions nationwide. She continues to offer workshops and lectures regularly.
Monks has been awarded the Elizabeth Greenshields Foundation Grant for Painting three times and serves as a member of the New York Academy of Art's Board of Trustees.
Alyssa Monks | Speaker | TED.com