ABOUT THE SPEAKER
Alyssa Monks - Painter
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface.

Why you should listen

Alyssa Monks blurs the line between abstraction and realism through layering different spaces and moments in her paintings. Using semi-transparent filters of glass, vinyl, steam and water to flip background and foreground in her 10-year water series, she seduced the viewer into shallow spaces. Today, she is imposing a transparent landscape of infinite space over her emotionally evocative subjects.

The tension in her mostly large-scale paintings is sustained not only by the composition but also by the surface treatment itself. Each brushstroke is thickly applied oil paint, like a fossil recording every gesture and decision, expressing the energetic and empathic experience of the handmade object.

Monks's work is represented by Forum Gallery in New York City. She lives and paints in Williamsburg, Brooklyn. Her latest solo exhibition "Resolution" took place March and April of 2016 at Forum Gallery. Monks's paintings have been the subject of numerous solo and group exhibitions including "Intimacy" at the Kunst Museum in Ahlen, Germany and "Reconfiguring the Body in American Art, 1820–2009" at the National Academy Museum of Fine Arts, New York. Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association, Fullerton College, the Seavest Collection and the collections of Eric Fischl, Howard Tullman, Gerrity Lansing, Danielle Steele, Alec Baldwin and Luciano Benetton.

Born 1977 in New Jersey, Monks began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’ Medici in Florence. She went on to earn her M.F.A from the New York Academy of Art, Graduate School of Figurative Art in 2001. She completed an artist in residency at Fullerton College in 2006 and has lectured and taught at universities and institutions nationwide. She continues to offer workshops and lectures regularly.

Monks has been awarded the Elizabeth Greenshields Foundation Grant for Painting three times and serves as a member of the New York Academy of Art's Board of Trustees.

More profile about the speaker
Alyssa Monks | Speaker | TED.com
TEDxIndianaUniversity

Alyssa Monks: How loss helped one artist find beauty in imperfection

Alyssa Monks: Como a perda ajudou uma artista a encontrar a beleza na imperfeição

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A pintora Alyssa Monks encontra beleza e inspiração no desconhecido, no imprevisível e até mesmo no terrível. Numa palestra intimista e poética, ela descreve a interação entre a vida, a pintura e a tela através de seu desenvolvimento como artista e como ser humano.
- Painter
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface. Full bio

Double-click the English transcript below to play the video.

00:12
I'm a painter.
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Eu sou pintora.
00:14
I make large-scale figurative paintings,
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Faço pinturas figurativas enormes,
00:16
which means I paint people
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ou seja, pinto pessoas...
00:18
like this.
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como esta.
00:20
But I'm here tonight to tell you
about something personal
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Mas estou aqui esta noite
para falar sobre algo pessoal
00:23
that changed my work and my perspective.
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que mudou meu trabalho
e minha perspectiva.
Algo pelo qual todos nós passamos,
00:27
It's something we all go through,
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00:29
and my hope is that my experience
may be helpful to somebody.
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e espero que minha experiência
seja útil para alguém.
00:34
To give you some background on me,
I grew up the youngest of eight.
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Para lhes dar algumas informações
sobre mim, sou a mais nova de oito irmãos.
00:38
Yes, eight kids in my family.
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Sim, oito crianças em minha família.
00:40
I have six older brothers and a sister.
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Tenho seis irmãos mais velhos e uma irmã.
00:42
To give you a sense of what that's like,
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Para lhes dar uma ideia do que é isso,
00:45
when my family went on vacation,
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para viajar em família nas férias,
00:47
we had a bus.
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tínhamos um ônibus.
00:49
(Laughter)
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(Risos)
00:52
My supermom would drive us all over town
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Minha supermãe nos levava
por toda a cidade
00:55
to our various after-school activities --
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para as nossas várias
atividades extraclasse,
00:58
not in the bus.
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mas não no ônibus.
(Risos)
01:00
We had a regular car, too.
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Nós tínhamos um carro normal também.
01:03
She would take me to art classes,
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Ela me levava para as aulas de artes,
01:05
and not just one or two.
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e não só uma ou duas.
01:07
She took me to every available art class
from when I was eight to 16,
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Ela me levou a todas as aulas de artes
disponíveis desde os meus 8 até os 16,
01:12
because that's all I wanted to do.
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pois isso era tudo o que eu queria fazer.
01:14
She even took a class with me
in New York City.
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Ela chegou a fazer um curso
comigo em Nova Iorque.
01:18
Now, being the youngest of eight,
I learned a few survival skills.
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Então, por ser a caçula dos oito,
eu aprendi algumas leis de sobrevivência.
01:21
Rule number one:
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Regra número um:
01:23
don't let your big brother
see you do anything stupid.
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não deixe seu irmão mais velho
ver você fazendo nada estúpido.
01:27
So I learned to be quiet and neat
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Eu aprendi a ser silenciosa e discreta,
01:30
and careful to follow the rules
and stay in line.
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seguindo as regras cuidadosamente
e andando na linha.
01:33
But painting was where I made the rules.
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Mas a pintura era o lugar
onde eu fazia as regras.
01:36
That was my private world.
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Era meu mundo particular.
01:39
By 14, I knew I really wanted
to be an artist.
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Aos 14, eu sabia que queria ser artista.
01:43
My big plan was to be a waitress
to support my painting.
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Meu plano original era ser garçonete
para sustentar a pintura.
01:48
So I continued honing my skills.
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Então, continuei me aperfeiçoando.
01:50
I went to graduate school
and I got an MFA,
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Tenho mestrado em artes
01:52
and at my first solo show,
my brother asked me,
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e, na minha primeira mostra solo,
meu irmão me perguntou:
01:55
"What do all these red dots
mean next to the paintings?"
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"O que significam esses pontos
vermelhos ao lado dos quadros?"
01:58
Nobody was more surprised than me.
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Ninguém estava mais surpresa do que eu.
02:01
The red dots meant
that the paintings were sold
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Aquilo significava que as obras
tinham sido vendidas
02:04
and that I'd be able to pay my rent
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e que eu seria capaz de pagar meu aluguel
02:06
with painting.
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pintando.
02:08
Now, my apartment
had four electrical outlets,
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Bem, meu apartamento tinha quatro tomadas,
02:11
and I couldn't use a microwave
and a toaster at the same time,
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e eu não podia usar o micro-ondas
e a torradeira ao mesmo tempo,
02:14
but still, I could pay my rent.
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mas eu ainda podia pagar meu aluguel.
02:17
So I was very happy.
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E eu estava muito feliz.
02:20
Here's a painting
from back around that time.
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Aqui está uma pintura que fiz nessa época.
02:23
I needed it to be
as realistic as possible.
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Eu queria que fosse
o mais realista possível.
02:25
It had to be specific and believable.
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Tinha que ser precisa e plausível.
02:29
This was the place where I was
isolated and in total control.
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Nesse lugar eu estava isolada
e totalmente no controle.
02:35
Since then, I've made a career
of painting people in water.
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Desde então, fiz carreira
pintando pessoas na água.
02:39
Bathtubs and showers were
the perfect enclosed environment.
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Banheiras e chuveiros
criavam o ambiente perfeito.
02:43
It was intimate and private,
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Era intimísta e particular,
02:45
and water was this complicated challenge
that kept me busy for a decade.
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e a água era um desafio complicado
que me manteve ocupada por uma década.
02:49
I made about 200 of these paintings,
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Fiz cerca de 200 desses quadros,
02:52
some of them six to eight feet,
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alguns deles com dois
a dois metros e meio, como este.
02:54
like this one.
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02:56
For this painting, I mixed flour in
with the bathwater to make it cloudy
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Neste quadro eu misturei farinha
na água do banho para ficar nublado,
03:00
and I floated cooking oil on the surface
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derramei óleo de cozinha na superfície
03:03
and stuck a girl in it,
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e coloquei uma garota lá
03:05
and when I lit it up,
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e, quando iluminei aquilo,
03:06
it was so beautiful
I couldn't wait to paint it.
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estava tão bonito que eu
mal podia esperar para pintar.
03:10
I was driven by this
kind of impulsive curiosity,
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Eu estava sendo guiada
por essa curiosidade impulsiva,
03:14
always looking for something new to add:
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sempre procurando algo novo:
03:16
vinyl, steam, glass.
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vinil, vapor, vidro.
03:19
I once put all this Vaseline
in my head and hair
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Um vez coloquei vaselina
na minha cabeça e cabelos
03:22
just to see what that would look like.
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apenas para ver como ficaria.
03:25
Don't do that.
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Não façam isso.
03:26
(Laughter)
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(Risos)
03:30
So it was going well.
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Então, estava indo bem.
03:31
I was finding my way.
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Eu estava encontrando meu caminho.
03:33
I was eager and motivated
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Estava motivada e ansiosa
03:35
and surrounded by artists,
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e cercada de artistas,
03:37
always going to openings and events.
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sempre indo a eventos e inaugurações.
03:40
I was having some success and recognition
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Estava tendo algum sucesso
e reconhecimento,
03:43
and I moved into an apartment
with more than four outlets.
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e me mudei para um apartamento
com mais de quatro tomadas.
03:48
My mom and I would stay up very late
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Minha mãe e eu ficávamos até tarde
03:50
talking about our latest ideas
and inspiring each other.
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trocando ideias e inspirando uma à outra.
03:53
She made beautiful pottery.
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Ela fazia lindas cerâmicas.
03:56
I have a friend named Bo
who made this painting
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Tenho um amigo, que se chama Bo,
que fez um quadro
03:59
of his wife and I dancing by the ocean,
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de sua esposa e eu dançando perto do mar,
o qual ele chamou de "The Light Years".
04:01
and he called it "The Light Years."
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04:03
I asked him what that meant, and he said,
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Eu perguntei o que aquilo
significava, e ele disse:
04:06
"Well, that's when you've stepped
into adulthood, you're no longer a child,
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"Bem, é quando você deixa
de ser criança e se torna adulto,
04:10
but you're not yet weighed down
by the responsibilities of life."
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mas ainda não está sobrecarregado
pelas responsabilidades da vida".
04:15
That was it. It was the light years.
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Esses eram os bons tempos.
04:18
On October 8, 2011,
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Em 8 de outubro de 2011,
04:20
the light years came to an end.
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os bons tempos chegaram ao fim.
04:22
My mom was diagnosed with lung cancer.
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Minha mãe foi diagnosticada com câncer.
04:27
It had spread to her bones,
and it was in her brain.
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Estava espalhado pelos ossos,
e atingiu o cérebro.
04:30
When she told me this, I fell to my knees.
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Quando ela me contou, eu desmontei.
04:32
I totally lost it.
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Fiquei totalmente perdida.
04:35
And when I got myself together
and I looked at her,
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E, quando me controlei e olhei para ela,
04:38
I realized, this isn't about me.
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percebi que não era sobre mim.
04:39
This is about figuring out
how to help her.
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Era sobre descobrir como ajudá-la.
04:43
My father is a doctor,
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Meu pai é médico,
04:44
and so we had a great advantage
having him in charge,
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por isso tivemos uma grande
vantagem com ele no comando,
04:48
and he did a beautiful job
taking care of her.
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e ele fez um lindo trabalho cuidando dela.
04:50
But I, too, wanted to do
everything I could to help,
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Mas eu também queria fazer
tudo o que podia para ajudar,
04:53
so I wanted to try everything.
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então eu queria tentar de tudo.
04:56
We all did.
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Nós todos queríamos.
04:57
I researched alternative medicines,
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Pesquisei medicinas alternativas,
04:59
diets, juicing, acupuncture.
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dietas, sucos, acupuntura.
05:03
Finally, I asked her,
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Até que perguntei a ela:
05:05
"Is this what you want me to do?"
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"É isso o que você quer de mim?"
05:07
And she said, "No."
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E ela disse: "Não".
05:09
She said, "Pace yourself.
I'm going to need you later."
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Ela disse: "Acalme-se.
Vou precisar de você mais tarde".
05:16
She knew what was happening,
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Ela sabia o que estava acontecendo,
05:17
and she knew what the doctors
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e sabia o que os médicos
05:19
and the experts
and the internet didn't know:
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e especialistas da internet não sabiam:
05:21
how she wanted to go through this.
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como ela queria passar por isso.
05:24
I just needed to ask her.
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Eu só precisava lhe perguntar.
05:27
I realized that if I tried to fix it,
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Eu percebi que, se tentasse consertar,
05:29
I would miss it.
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eu bagunçaria mais.
05:32
So I just started to be with her,
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Então passei a apenas estar com ela,
05:34
whatever that meant
and whatever situation came up,
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independente do que isso
fosse ou viesse a ser,
05:37
just really listen to her.
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eu estava ali para ouvi-la.
05:40
If before I was resisting,
then now I was surrendering,
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Se antes eu estava resistindo,
agora eu estava me rendendo,
05:45
giving up trying to control
the uncontrollable
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desistindo de controlar o incontrolável
05:47
and just being there in it with her.
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e simplesmente ficando lá com ela.
05:51
Time slowed down,
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O tempo desacelerou,
05:53
and the date was irrelevant.
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e a data era irrelevante.
05:57
We developed a routine.
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Nós desenvolvemos uma rotina.
05:59
Early each morning I would crawl
into bed with her and sleep with her.
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Todos os dias, ao amanhecer,
eu ia para a cama dormir com ela.
06:03
My brother would come for breakfast
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Meu irmão vinha para o café
e nós ficávamos felizes ao ouvir
o barulho do carro chegando.
06:04
and we'd be so glad to hear
his car coming up the driveway.
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06:07
So I'd help her up and take both her hands
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Eu a ajudava a se levantar,
pegava nas duas mãos dela
06:11
and help her walk to the kitchen.
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e a ajudava a caminhar até a cozinha.
06:13
She had this huge mug she made
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Ela tinha uma caneca enorme que ela fez
06:17
she loved to drink her coffee out of,
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de onde adorava beber seu café,
06:19
and she loved Irish soda bread
for breakfast.
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e adorava comer pão irlandês
no café da manhã.
06:23
Afterwards was the shower,
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Depois íamos para o banho,
06:25
and she loved this part.
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e ela adorava essa parte.
06:26
She loved the warm water,
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Ela amava a água morna,
06:27
so I made this as indulgent as I could,
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então eu preparava isso
o melhor que podia,
06:31
like a spa.
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como em um spa.
06:33
My sister would help sometimes.
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Minha irmã ajudava às vezes.
06:35
We had warm towels
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Nós tínhamos toalhas quentinhas
06:37
and slippers ready immediately
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e chinelos prontos,
06:39
so she never got cold for a second.
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para ela não pegar frio nem um segundo.
06:42
I'd blow-dry her hair.
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Eu secava os cabelos dela.
06:45
My brothers would come in the evenings
and bring their kids,
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Meus irmãos chegavam
no fim do dia com suas crianças,
06:48
and that was the highlight of her day.
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e aquele era o ponto alto do dia dela.
06:51
Over time, we started to use a wheelchair,
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Com o tempo começamos
a usar cadeira de rodas,
06:54
and she didn't want to eat so much,
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e ela não queria comer muito,
06:55
and she used the tiniest little teacup
we could find to drink her coffee.
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e usava a menor xícara
que encontramos para beber seu café.
07:03
I couldn't support her myself anymore,
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Eu não conseguia mais cuidar dela,
07:05
so we hired an aide
to help me with the showers.
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então uma cuidadora ajudava nos banhos.
07:08
These simple daily activities
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Essas simples tarefas diárias
07:11
became our sacred ritual,
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tornaram-se nosso ritual sagrado,
07:13
and we repeated them day after day
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e nós as repetíamos todos os dias
07:15
as the cancer grew.
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enquanto o câncer avançava.
07:17
It was humbling and painful
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Era humilhante e doloroso,
07:19
and exactly where I wanted to be.
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mas era exatamente onde eu queria estar.
07:24
We called this time "the beautiful awful."
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Chamamos aquele tempo
de "o belo terrível".
07:28
She died on October 26, 2012.
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Ela morreu em 26 de outubro de 2012,
07:32
It was a year and three weeks
after her diagnosis.
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um ano e três semanas após o diagnóstico.
07:36
She was gone.
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Ela se foi.
07:41
My brothers, sister, and father and I
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Meus irmãos, minha irmã, meu pai e eu
07:43
all came together in this
supportive and attentive way.
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enfrentamos tudo isso
de um modo solidário e diligente.
07:47
It was as though our whole family dynamic
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Toda nossa dinâmica familiar
07:49
and all our established roles vanished
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e papéis pré-estabelecidos desapareceram,
07:51
and we were just
all together in this unknown,
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e simplesmente estávamos
todos juntos no desconhecido,
07:54
feeling the same thing
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sentindo a mesma coisa
07:56
and taking care of each other.
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e cuidando uns dos outros.
07:59
I'm so grateful for them.
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Sou tão grata a eles.
08:05
As someone who spends most
of my time alone in a studio working,
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Como alguém que passa muito tempo
trabalhando sozinha em um estúdio,
08:08
I had no idea that this kind of connection
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eu não tinha ideia
de que esse tipo de ligação
08:11
could be so important, so healing.
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poderia ser tão importante,
tão restauradora.
08:14
This was the most important thing.
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Isso foi a coisa mais importante.
08:18
It was what I always wanted.
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Era o que eu sempre quis.
08:21
So after the funeral, it was time
for me to go back to my studio.
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Depois do funeral, era hora
de voltar para o estúdio.
08:27
So I packed up my car
and I drove back to Brooklyn,
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Então, peguei meu carro
e dirigi de volta para o Brooklyn.
08:30
and painting is what I've always done,
so that's what I did.
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Pintar era tudo o que sempre fiz,
e era o que continuaria a fazer.
08:34
And here's what happened.
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E foi o que aconteceu.
08:39
It's like a release of everything
that was unraveling in me.
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Foi como a liberação de tudo
que se passava dentro de mim.
08:45
That safe, very, very carefully
rendered safe place
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Aquela lugar seguro
cuidadosamente construído
08:50
that I created in all my other paintings,
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que criei em todos os outros quadros
08:53
it was a myth.
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era um mito.
08:55
It didn't work.
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Não funcionava.
08:57
And I was afraid, because
I didn't want to paint anymore.
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E eu estava com medo,
pois não queria mais pintar.
09:03
So I went into the woods.
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Então eu fui para a floresta.
09:04
I thought, I'll try that, going outside.
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Eu pensei: "Vou tentar do lado de fora".
09:08
I got my paints,
and I wasn't a landscape painter,
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Peguei minhas tintas,
e eu não era pintora de paisagens,
09:12
but I wasn't really
much of any kind of painter at all,
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mas eu não era grande coisa
em nenhum tipo de pintura,
09:14
so I had no attachment, no expectation,
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então eu não tinha apego ou expectativas,
09:17
which allowed me to be reckless and free.
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o que me permitiu ser descuidada e livre.
09:20
I actually left one of these wet paintings
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Na verdade, eu deixei um desses quadros
09:22
outside overnight
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do lado de fora à noite,
09:25
next to a light in the woods.
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próximo da luz na floresta.
09:28
By the morning it was lacquered with bugs.
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Pela manhã estava coberto de insetos.
09:32
But I didn't care.
It didn't matter. It didn't matter.
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Mas não liguei. Aquilo
não importava. Não importava.
09:35
I took all these paintings
back to my studio,
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Levei todas aqueles quadros
para o estúdio,
09:37
and scraped them, and carved into them,
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eu os raspei e esculpi,
09:40
and poured paint thinner on them,
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derramei solvente,
09:42
put more paint on top, drew on them.
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coloquei mais tinta e desenhei neles.
09:45
I had no plan,
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1200
Eu não tinha um plano,
09:47
but I was watching what was happening.
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mas eu estava assistindo aquilo tudo.
09:50
This is the one with all the bugs in it.
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Este era aquele com insetos.
09:53
I wasn't trying to represent a real space.
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Eu queria representar a realidade.
09:56
It was the chaos and the imperfections
that were fascinating me,
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4456
Eram o caos e as imperfeições
que me fascinavam,
10:00
and something started to happen.
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e algo começou a acontecer.
10:03
I got curious again.
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Fiquei curiosa novamente.
10:06
This is another one from the woods.
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Este é outro da floresta.
10:10
There was a caveat now, though.
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Contudo, eu ainda estava embargada.
10:12
I couldn't be controlling
the paint like I used to.
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Eu não conseguia controlar
a pintura como costumava.
10:15
It had to be about implying
and suggesting,
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Tinha que ser insinuação e sugestão.
10:18
not explaining or describing.
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não explicação ou descrição.
10:21
And that imperfect,
chaotic, turbulent surface
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E era aquela superfície
imperfeita, caótica e turbulenta
10:26
is what told the story.
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que contava a história.
10:30
I started to be as curious
as I was when I was a student.
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E voltei a ser curiosa
como quando eu era estudante.
10:34
So the next thing was I wanted
to put figures in these paintings, people,
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A próxima coisa que eu queria era
colocar figuras nos quadros, pessoas,
10:38
and I loved this new environment,
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e eu amei este novo ambiente,
10:39
so I wanted to have
both people and this atmosphere.
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então eu queria os dois,
as pessoas e a atmosfera.
10:45
When the idea hit me of how to do this,
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Quando me dei conta de como fazer isto,
10:47
I got kind of nauseous and dizzy,
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tive náuseas e vertigens,
10:50
which is really just adrenaline, probably,
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que provavelmente era apenas adrenalina,
10:53
but for me it's a really good sign.
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mas para mim era um ótimo sinal.
10:56
And so now I want to show you
what I've been working on.
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E agora quero mostrar a vocês
no que tenho trabalhado.
10:59
It's something I haven't shown yet,
and it's like a preview, I guess,
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É algo que não mostrei ainda,
é como uma pré-estreia, eu acho,
11:03
of my upcoming show,
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da minha próxima mostra,
do que tenho até agora.
11:05
what I have so far.
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1200
11:08
Expansive space
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Um espaço expansivo
11:11
instead of the isolated bathtub.
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em vez de uma banheira isolada.
11:13
I'm going outside instead of inside.
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Estou do lado de fora ao invés de dentro.
11:17
Loosening control,
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1200
Perdendo o controle,
11:19
savoring the imperfections,
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saboreando as imperfeições,
11:21
allowing the --
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permitindo...
11:24
allowing the imperfections.
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permitindo as imperfeições.
11:27
And in that imperfection,
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E nesta imperfeição,
11:29
you can find a vulnerability.
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você pode achar a vunerabilidade.
11:31
I could feel my deepest intention,
what matters most to me,
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Eu pude sentir minha mais profunda
intenção, o que importa mais para mim,
11:38
that human connection
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a conexão humana
11:40
that can happen in a space
where there's no resisting or controlling.
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que pode acontecer em um espaço
onde não há resistência ou controle.
11:45
I want to make paintings about that.
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Quero fazer quadros sobre isto.
11:50
So here's what I learned.
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E aqui está o que aprendi.
11:53
We're all going to have
big losses in our lives,
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Todos nós vamos sofrer
grandes perdas em nossas vidas
11:57
maybe a job or a career,
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talvez um emprego ou carreira,
11:59
relationships, love, our youth.
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3280
relacionamentos, amor, a juventude.
12:03
We're going to lose our health,
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Perderemos nossa saúde,
12:05
people we love.
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1200
pessoas que amamos.
12:08
These kinds of losses
are out of our control.
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Estes tipos de perda
estão fora de nosso controle.
12:10
They're unpredictable,
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1200
Eles são imprevisíveis,
12:12
and they bring us to our knees.
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e nos fazem desmoronar.
12:15
And so I say, let them.
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Então eu digo: deixem acontecer.
12:18
Fall to your knees. Be humbled.
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Caiam de joelhos. Sejam humildes.
12:22
Let go of trying to change it
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Parem de tentar mudar
12:25
or even wanting it to be different.
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ou querer que fosse diferente.
12:27
It just is.
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Apenas deixem acontecer.
12:31
And then there's space,
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Então haverá espaço,
12:32
and in that space feel your vulnerability,
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e nesse espaço sintam sua vulnerabilidade,
12:35
what matters most to you,
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o que importa mais para vocês,
12:37
your deepest intention.
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sua mais profunda intenção.
12:40
And be curious to connect
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E estejam interessado em se ligar
12:43
to what and who is really here,
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com o que e quem está realmente aqui,
12:47
awake and alive.
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acordado e vivo.
12:50
It's what we all want.
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Isso é o que todos queremos.
12:52
Let's take the opportunity
to find something beautiful
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Vamos aproveitar a chance
de encontrar algo belo
12:56
in the unknown, in the unpredictable,
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no desconhecido, no imprevisível,
13:00
and even in the awful.
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e mesmo no terrível.
13:03
Thank you.
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Obrigada.
13:04
(Applause)
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(Aplausos)
Translated by Elisangela Santos
Reviewed by Custodio Marcelino

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ABOUT THE SPEAKER
Alyssa Monks - Painter
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface.

Why you should listen

Alyssa Monks blurs the line between abstraction and realism through layering different spaces and moments in her paintings. Using semi-transparent filters of glass, vinyl, steam and water to flip background and foreground in her 10-year water series, she seduced the viewer into shallow spaces. Today, she is imposing a transparent landscape of infinite space over her emotionally evocative subjects.

The tension in her mostly large-scale paintings is sustained not only by the composition but also by the surface treatment itself. Each brushstroke is thickly applied oil paint, like a fossil recording every gesture and decision, expressing the energetic and empathic experience of the handmade object.

Monks's work is represented by Forum Gallery in New York City. She lives and paints in Williamsburg, Brooklyn. Her latest solo exhibition "Resolution" took place March and April of 2016 at Forum Gallery. Monks's paintings have been the subject of numerous solo and group exhibitions including "Intimacy" at the Kunst Museum in Ahlen, Germany and "Reconfiguring the Body in American Art, 1820–2009" at the National Academy Museum of Fine Arts, New York. Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association, Fullerton College, the Seavest Collection and the collections of Eric Fischl, Howard Tullman, Gerrity Lansing, Danielle Steele, Alec Baldwin and Luciano Benetton.

Born 1977 in New Jersey, Monks began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’ Medici in Florence. She went on to earn her M.F.A from the New York Academy of Art, Graduate School of Figurative Art in 2001. She completed an artist in residency at Fullerton College in 2006 and has lectured and taught at universities and institutions nationwide. She continues to offer workshops and lectures regularly.

Monks has been awarded the Elizabeth Greenshields Foundation Grant for Painting three times and serves as a member of the New York Academy of Art's Board of Trustees.

More profile about the speaker
Alyssa Monks | Speaker | TED.com

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