ABOUT THE SPEAKER
Alyssa Monks - Painter
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface.

Why you should listen

Alyssa Monks blurs the line between abstraction and realism through layering different spaces and moments in her paintings. Using semi-transparent filters of glass, vinyl, steam and water to flip background and foreground in her 10-year water series, she seduced the viewer into shallow spaces. Today, she is imposing a transparent landscape of infinite space over her emotionally evocative subjects.

The tension in her mostly large-scale paintings is sustained not only by the composition but also by the surface treatment itself. Each brushstroke is thickly applied oil paint, like a fossil recording every gesture and decision, expressing the energetic and empathic experience of the handmade object.

Monks's work is represented by Forum Gallery in New York City. She lives and paints in Williamsburg, Brooklyn. Her latest solo exhibition "Resolution" took place March and April of 2016 at Forum Gallery. Monks's paintings have been the subject of numerous solo and group exhibitions including "Intimacy" at the Kunst Museum in Ahlen, Germany and "Reconfiguring the Body in American Art, 1820–2009" at the National Academy Museum of Fine Arts, New York. Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association, Fullerton College, the Seavest Collection and the collections of Eric Fischl, Howard Tullman, Gerrity Lansing, Danielle Steele, Alec Baldwin and Luciano Benetton.

Born 1977 in New Jersey, Monks began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’ Medici in Florence. She went on to earn her M.F.A from the New York Academy of Art, Graduate School of Figurative Art in 2001. She completed an artist in residency at Fullerton College in 2006 and has lectured and taught at universities and institutions nationwide. She continues to offer workshops and lectures regularly.

Monks has been awarded the Elizabeth Greenshields Foundation Grant for Painting three times and serves as a member of the New York Academy of Art's Board of Trustees.

More profile about the speaker
Alyssa Monks | Speaker | TED.com
TEDxIndianaUniversity

Alyssa Monks: How loss helped one artist find beauty in imperfection

阿丽莎·芒克斯: 失去如何帮助画家寻找不完整中的美

Filmed:
1,356,264 views

画家阿丽莎·芒克斯在未知的,不可预测的,甚至是可怕的事物中,寻找美丽和灵感。在这样一个诗意的,亲密的谈话中,她描述了作为一个画家,作为一个人类的发展过程中,感悟到的生命、颜料和画布的互动。
- Painter
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface. Full bio

Double-click the English transcript below to play the video.

00:12
I'm a painter画家.
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我是一名画家。
00:14
I make large-scale大规模 figurative比喻 paintings绘画,
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我专攻大型具象绘画,
00:16
which哪一个 means手段 I paint涂料 people
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也就是说,我画的人物
00:18
like this.
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都是这样的。
00:20
But I'm here tonight今晚 to tell you
about something personal个人
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但是我今天来这里,
是想和大家分享
00:23
that changed my work and my perspective透视.
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一些改变了我的
作品和想法的私事。
00:27
It's something we all go through通过,
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这是我们都曾经历过的事,
00:29
and my hope希望 is that my experience经验
may可能 be helpful有帮助 to somebody.
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我希望我的经历会对
更多的人有所帮助。
00:34
To give you some background背景 on me,
I grew成长 up the youngest最年轻的 of eight.
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首先从我的背景说起,
我是家里八个孩子中最小的。
00:38
Yes, eight kids孩子 in my family家庭.
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是的,我们家中有八个孩子。
00:40
I have six older旧的 brothers兄弟 and a sister妹妹.
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我有六个哥哥和一个姐姐。
00:42
To give you a sense of what that's like,
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为了给你们一种
更加直观的感觉,
00:45
when my family家庭 went on vacation假期,
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我们家出游度假,
00:47
we had a bus总线.
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都是用大巴的。
00:49
(Laughter笑声)
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(笑声)
00:52
My supermom超级妈妈 would drive驾驶 us all over town
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我的超级妈妈会开车
把我们送往城中各处,
00:55
to our various各个 after-school放学后 activities活动 --
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送我们去参加
各自的课后活动-
00:58
not in the bus总线.
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不是用大巴。
01:00
We had a regular定期 car汽车, too.
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我们家也是有普通车的。
01:03
She would take me to art艺术 classes,
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她会把我送去美术课,
01:05
and not just one or two.
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各种美术课。
01:07
She took me to every一切 available可得到 art艺术 class
from when I was eight to 16,
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在我八岁到十六岁之间,她让
我参加所有能参加的美术课。
01:12
because that's all I wanted to do.
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因为那确实是我想做的。
01:14
She even took a class with me
in New York纽约 City.
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她甚至在纽约城里
和我一起上课。
01:18
Now, being存在 the youngest最年轻的 of eight,
I learned学到了 a few少数 survival生存 skills技能.
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作为家中最小的孩子,
我学会了一些生存技能。
01:21
Rule规则 number one:
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规则一:
01:23
don't let your big brother哥哥
see you do anything stupid.
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永远别让你的哥哥们
看见你做傻事。
01:27
So I learned学到了 to be quiet安静 and neat整齐
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所以我学会了
安静与干净,
01:30
and careful小心 to follow跟随 the rules规则
and stay in line线.
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小心行事,遵守规矩。
01:33
But painting绘画 was where I made制作 the rules规则.
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但是在绘画的世界中
就是我说了算。
01:36
That was my private私人的 world世界.
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那是我的自我世界。
01:39
By 14, I knew知道 I really wanted
to be an artist艺术家.
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我十四岁大的时候
就决心做一名画家。
01:43
My big plan计划 was to be a waitress小姐
to support支持 my painting绘画.
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我的宏伟计划是准备当一名
服务生来支持我的绘画开支。
01:48
So I continued继续 honing珩磨 my skills技能.
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我持续磨练我的技能。
01:50
I went to graduate毕业 school学校
and I got an MFAMFA,
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我进入了研究生院
并获得了硕士学位,
01:52
and at my first solo独奏 show显示,
my brother哥哥 asked me,
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在我第一次个人展中,
我的哥哥问我,
01:55
"What do all these red dots
mean next下一个 to the paintings绘画?"
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“那些画旁边的
红点是什么意思?”
01:58
Nobody没有人 was more surprised诧异 than me.
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没人比我更加惊讶了。
02:01
The red dots meant意味着
that the paintings绘画 were sold出售
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那些红点意味着
画已经卖出,
02:04
and that I'd be able能够 to pay工资 my rent出租
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我也就有能力支付
02:06
with painting绘画.
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我绘画的贷款了。
02:08
Now, my apartment公寓
had four electrical电动 outlets网点,
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那时,我的公寓有四个插座,
02:11
and I couldn't不能 use a microwave微波
and a toaster烤面包机 at the same相同 time,
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没法同时使用微波炉和烤面包机,
02:14
but still, I could pay工资 my rent出租.
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但是,
我至少可以付清我的租金了。
02:17
So I was very happy快乐.
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所以我很开心。
02:20
Here's这里的 a painting绘画
from back around that time.
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这是一幅我当时的绘画作品。
02:23
I needed需要 it to be
as realistic实际 as possible可能.
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我希望画中的形象越真实越好。
02:25
It had to be specific具体 and believable可信的.
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形象必须要具体且令人信服。
02:29
This was the place地点 where I was
isolated孤立 and in total control控制.
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这是一个让我感到独立,
感到有掌控感的地方。
02:35
Since以来 then, I've made制作 a career事业
of painting绘画 people in water.
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自此,我开始专攻描绘水中的人们。
02:39
Bathtubs浴缸 and showers阵雨 were
the perfect完善 enclosed封闭 environment环境.
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浴缸和淋浴是完美的封闭环境。
02:43
It was intimate亲密 and private私人的,
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这些让人们感到亲密而隐秘,
02:45
and water was this complicated复杂 challenge挑战
that kept不停 me busy for a decade.
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水这个复杂的挑战
也让我忙了有十年。
02:49
I made制作 about 200 of these paintings绘画,
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我创作了大约200幅
这样的作品,
02:52
some of them six to eight feet,
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其中一些有6到8英寸大,
02:54
like this one.
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就跟这幅差不多。
02:56
For this painting绘画, I mixed flour面粉 in
with the bathwater洗澡水 to make it cloudy多云的
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为了这幅画,我把面粉撒进洗澡水,
让它看起来烟雾缭绕,
03:00
and I floated浮动 cooking烹饪 oil on the surface表面
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然后在表面浮上一层烹饪油,
03:03
and stuck卡住 a girl女孩 in it,
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再放上一个女孩,
03:05
and when I lit发光的 it up,
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当我把它照亮,
03:06
it was so beautiful美丽
I couldn't不能 wait to paint涂料 it.
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那画面太美了,
我都等不及马上要去画。
03:10
I was driven驱动 by this
kind of impulsive浮躁 curiosity好奇心,
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我被这种冲动的好奇心所驱使,
03:14
always looking for something new to add:
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总在寻找画作的新元素:
03:16
vinyl乙烯基, steam蒸汽, glass玻璃.
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黑胶唱片,水蒸气,玻璃。
03:19
I once一旦 put all this Vaseline矿脂
in my head and hair头发
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我曾经把凡士林涂得头上到处都是,
03:22
just to see what that would look like.
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就为了看看效果。
03:25
Don't do that.
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千万别那么做。
03:26
(Laughter笑声)
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(笑声)
03:30
So it was going well.
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一切都进行的很顺利。
03:31
I was finding发现 my way.
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我找到了自己的风格,
03:33
I was eager急于 and motivated动机
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被其他的画家包围着,
03:35
and surrounded包围 by artists艺术家,
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我是如此渴望,如此充满动力,
03:37
always going to openings开口 and events事件.
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我去参加各种开幕式和活动。
03:40
I was having some success成功 and recognition承认
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我取得了更多的成功和认可,
03:43
and I moved移动 into an apartment公寓
with more than four outlets网点.
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所以我能够搬到一个
不止四个插座的公寓里去。
03:48
My mom妈妈 and I would stay up very late晚了
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我和妈妈会熬夜谈论
03:50
talking about our latest最新 ideas思路
and inspiring鼓舞人心 each other.
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我们的最新想法,
从而激励对方。
03:53
She made制作 beautiful美丽 pottery陶器.
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她做的陶器很美。
03:56
I have a friend朋友 named命名 Bo
who made制作 this painting绘画
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我有一个叫博的朋友,
他画了一幅画,
03:59
of his wife妻子 and I dancing跳舞 by the ocean海洋,
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描绘了我和他的妻子
在海边跳舞。
04:01
and he called it "The Light Years年份."
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他给这幅画取名叫《光年》。
04:03
I asked him what that meant意味着, and he said,
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我问他那是什么意思,
他回答说:
04:06
"Well, that's when you've stepped加强
into adulthood成年, you're no longer a child儿童,
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“嗯,当你已经步入成年,
你就不再是一个孩子,
04:10
but you're not yet然而 weighed称重 down
by the responsibilities责任 of life."
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但你还没有权衡好生活的责任。”
04:15
That was it. It was the light years年份.
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就是这个,这就是光年。
04:18
On October十月 8, 2011,
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2011年10月8日,
04:20
the light years年份 came来了 to an end结束.
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光年终于来到了尾声。
04:22
My mom妈妈 was diagnosed确诊 with lung cancer癌症.
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我妈被诊断出了肺癌。
04:27
It had spread传播 to her bones骨头,
and it was in her brain.
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癌已经扩散到骨髓和大脑。
04:30
When she told me this, I fell下跌 to my knees膝盖.
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当她告诉我这件事时,
我跪倒了。
04:32
I totally完全 lost丢失 it.
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我完全不知所措。
04:35
And when I got myself together一起
and I looked看着 at her,
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当我整理好头绪,望向她,
04:38
I realized实现, this isn't about me.
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我意识到我不是重点,
04:39
This is about figuring盘算 out
how to help her.
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重点是如何帮助她。
04:43
My father父亲 is a doctor医生,
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我的父亲是一名医生,
04:44
and so we had a great advantage优点
having him in charge收费,
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所以让他负责治疗有很多好处,
04:48
and he did a beautiful美丽 job工作
taking服用 care关心 of her.
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他很好的照料了她。
04:50
But I, too, wanted to do
everything I could to help,
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但是,我也想尽一切努力帮助她,
04:53
so I wanted to try everything.
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我想尝试任何可能。
04:56
We all did.
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我们都这样做了。
04:57
I researched研究 alternative替代 medicines药品,
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我调查了其他可行的药物,
04:59
diets饮食, juicing榨汁, acupuncture针刺.
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饮食,果汁,针灸。
05:03
Finally最后, I asked her,
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终于,我问她,
05:05
"Is this what you want me to do?"
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“这是你想让我为你做的吗?”
05:07
And she said, "No."
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她说:“不。”
05:09
She said, "Pace步伐 yourself你自己.
I'm going to need you later后来."
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她说:“做你该做的,
我以后会需要你的。”
05:16
She knew知道 what was happening事件,
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她知道正在发生的一切,
05:17
and she knew知道 what the doctors医生
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她还知道医生,
05:19
and the experts专家
and the internet互联网 didn't know:
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专家和网络不知道的:
05:21
how she wanted to go through通过 this.
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她自己想要怎样度过这一切。
05:24
I just needed需要 to ask her.
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我需要的仅仅是问她就好。
05:27
I realized实现 that if I tried试着 to fix固定 it,
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我意识到如果我想要修复这一切,
05:29
I would miss小姐 it.
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我就会错过这一切。
05:32
So I just started开始 to be with her,
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所以我决定守护在她身边。
05:34
whatever随你 that meant意味着
and whatever随你 situation情况 came来了 up,
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不管情况变得怎样,
05:37
just really listen to her.
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我需要去听她的想法。
05:40
If before I was resisting抵制,
then now I was surrendering投降,
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以前我会抗拒,
但之后我开始屈服,
05:45
giving up trying to control控制
the uncontrollable不可控
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放弃尝试去控制
那些不可控的东西。
05:47
and just being存在 there in it with her.
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我就在那儿,和她在一起。
05:51
Time slowed放缓 down,
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时间放慢了脚步,
05:53
and the date日期 was irrelevant不相干.
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日期开始变得模糊。
05:57
We developed发达 a routine常规.
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我们设计了新的日常。
05:59
Early each morning早上 I would crawl爬行
into bed with her and sleep睡觉 with her.
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每天早上我都会拱进
她的被窝和她一起。
06:03
My brother哥哥 would come for breakfast早餐
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我哥哥会
过来一起吃早饭,
06:04
and we'd星期三 be so glad高兴 to hear
his car汽车 coming未来 up the driveway车道.
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当听见他的车驶入车道,
我们会很开心。
06:07
So I'd help her up and take both her hands
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我就会握住她的双手,
扶她起来,
06:11
and help her walk步行 to the kitchen厨房.
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带她走到厨房。
06:13
She had this huge巨大 mug she made制作
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她有这样一个自己做的大马克杯,
06:17
she loved喜爱 to drink her coffee咖啡 out of,
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她喜欢把一大杯咖啡都喝掉,
06:19
and she loved喜爱 Irish爱尔兰的 soda苏打 bread面包
for breakfast早餐.
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她也喜欢早餐的爱尔兰苏打面包。
06:23
Afterwards之后 was the shower淋浴,
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之后就是洗澡,
06:25
and she loved喜爱 this part部分.
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这是她钟爱的环节。
06:26
She loved喜爱 the warm water,
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她享受温暖的水浴,
06:27
so I made制作 this as indulgent放纵的 as I could,
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我会尽量帮她放松,
06:31
like a spa温泉.
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像做 spa 一样。
06:33
My sister妹妹 would help sometimes有时.
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我的姐姐有时会来帮忙。
06:35
We had warm towels毛巾
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我们会快速准备好
06:37
and slippers拖鞋 ready准备 immediately立即
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温暖的毛巾和拖鞋,
06:39
so she never got cold for a second第二.
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这样她就不会着凉。
06:42
I'd blow-dry吹干 her hair头发.
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我会吹干她的头发。
06:45
My brothers兄弟 would come in the evenings晚上
and bring带来 their kids孩子,
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到了晚上,
哥哥们会带着他们的孩子来,
06:48
and that was the highlight突出 of her day.
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那是她一天当中最精彩的部分。
06:51
Over time, we started开始 to use a wheelchair轮椅,
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一段时间以后,我们开始使用轮椅,
06:54
and she didn't want to eat so much,
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她不再吃那么多,
06:55
and she used the tiniest最小的 little teacup茶碗
we could find to drink her coffee咖啡.
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她使用我们能找到的
最小的茶杯来喝咖啡。
07:03
I couldn't不能 support支持 her myself anymore,
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我一个人已经不足以支持她了,
07:05
so we hired雇用 an aide助手
to help me with the showers阵雨.
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所以我们雇了一个助手
来帮助我为她洗澡。
07:08
These simple简单 daily日常 activities活动
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这些简单的日常活动,
07:11
became成为 our sacred神圣 ritual仪式,
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逐渐变成了一种神圣的仪式,
07:13
and we repeated重复 them day after day
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随着癌症的扩散,
07:15
as the cancer癌症 grew成长.
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我们日复一日的重复这些日常。
07:17
It was humbling震撼人心 and painful痛苦
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我们承受着痛苦和卑微,
07:19
and exactly究竟 where I wanted to be.
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但也正是我愿意经受的。
07:24
We called this time "the beautiful美丽 awful可怕."
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我们把这称为“美丽的痛楚“。
07:28
She died死亡 on October十月 26, 2012.
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她死于2012年10月26日。
07:32
It was a year and three weeks
after her diagnosis诊断.
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这是离她诊断出癌症
一年零三周之后。
07:36
She was gone走了.
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她离开了。
07:41
My brothers兄弟, sister妹妹, and father父亲 and I
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我的哥哥们,姐姐,父亲还有我,
07:43
all came来了 together一起 in this
supportive支持 and attentive细心 way.
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大家一起以这种支持
和关爱的方式一路走来。
07:47
It was as though虽然 our whole整个 family家庭 dynamic动态
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那就好像是我们整个家庭的动力,
07:49
and all our established既定 roles角色 vanished消失
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突然我们所有的角色都消失了,
07:51
and we were just
all together一起 in this unknown未知,
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我们就一起面对这全新的未知,
07:54
feeling感觉 the same相同 thing
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怀着相同的感受,
07:56
and taking服用 care关心 of each other.
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照顾彼此。
07:59
I'm so grateful感激 for them.
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我真心感激他们。
08:05
As someone有人 who spends most
of my time alone单独 in a studio工作室 working加工,
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作为一个大部分时间都独自
待在画室工作的人,
08:08
I had no idea理念 that this kind of connection连接
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我以前对这种联系感
08:11
could be so important重要, so healing复原.
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如此重要,如此治愈的联系感,
毫无概念。
08:14
This was the most important重要 thing.
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这是最重要的事情。
08:18
It was what I always wanted.
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这就是我一直追寻的。
08:21
So after the funeral葬礼, it was time
for me to go back to my studio工作室.
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在葬礼之后,
我就该回到我的画室了。
08:27
So I packed打包 up my car汽车
and I drove开车 back to Brooklyn布鲁克林,
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所以我就收拾好车,
开回了布鲁克林,
08:30
and painting绘画 is what I've always doneDONE,
so that's what I did.
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绘画是我一直以来从事的,
也是我之后会一直做的。
08:34
And here's这里的 what happened发生.
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然后一些事情发生了:
08:39
It's like a release发布 of everything
that was unraveling解开 in me.
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我感到了身体中的释放感。
08:45
That safe安全, very, very carefully小心
rendered呈现 safe安全 place地点
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那个我在其他画作中,
精心创造出的安全之地,
08:50
that I created创建 in all my other paintings绘画,
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08:53
it was a myth神话.
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烟消云散。
08:55
It didn't work.
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它不再起作用了。
08:57
And I was afraid害怕, because
I didn't want to paint涂料 anymore.
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我很害怕,
我不想再画下去了。
09:03
So I went into the woods树木.
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所以我跑进了小树林里。
09:04
I thought, I'll try that, going outside.
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我想着,尝试出去画。
09:08
I got my paints油漆,
and I wasn't a landscape景观 painter画家,
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我带上颜料,
但我并非风景画家,
09:12
but I wasn't really
much of any kind of painter画家 at all,
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其实我什么画家也不是,
没有附属感,没有期望感,
09:14
so I had no attachment附件, no expectation期望,
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09:17
which哪一个 allowed允许 me to be reckless鲁莽 and free自由.
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这让我可以完全自由,
不计后果地创作。
09:20
I actually其实 left one of these wet湿 paintings绘画
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我留了一副未干的画,
09:22
outside overnight过夜
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在外面过夜,
09:25
next下一个 to a light in the woods树木.
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把它放在了
小树林中一盏路灯的旁边。
09:28
By the morning早上 it was lacquered上漆 with bugs虫子.
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等到第二天早上很多
虫子都被漆在画里了。
09:32
But I didn't care关心.
It didn't matter. It didn't matter.
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但我并不关心,
我对此感到毫无所谓。
09:35
I took all these paintings绘画
back to my studio工作室,
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我把这些画都带回了我的画室,
09:37
and scraped them, and carved into them,
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我在画上进行刮刻,
09:40
and poured paint涂料 thinner更薄 on them,
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我把涂料稀释剂倒在画上,
09:42
put more paint涂料 on top最佳, drew德鲁 on them.
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倒更多的染料在上面,
在顶层作画。
09:45
I had no plan计划,
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我毫无计划,
09:47
but I was watching观看 what was happening事件.
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但我看到了发生的一切。
09:50
This is the one with all the bugs虫子 in it.
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这就是当时那幅有
好多小虫在里面的画。
09:53
I wasn't trying to represent代表 a real真实 space空间.
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我没有尝试去创作真实的空间。
09:56
It was the chaos混沌 and the imperfections缺陷
that were fascinating迷人 me,
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是其中的混乱感和
不完整感让我感到着迷,
10:00
and something started开始 to happen发生.
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随后一些事情发生了。
10:03
I got curious好奇 again.
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我的好奇心回来了。
10:06
This is another另一个 one from the woods树木.
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这是在小树林里的另一幅画。
10:10
There was a caveat警告 now, though虽然.
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不过现在多了一份解释。
10:12
I couldn't不能 be controlling控制
the paint涂料 like I used to.
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我无法像以前一样
去控制我所画的。
10:15
It had to be about implying这意味着
and suggesting提示,
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我需要去暗示,启发,
10:18
not explaining说明 or describing说明.
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而非解释,描述。
10:21
And that imperfect不完善,
chaotic混乱的, turbulent汹涌 surface表面
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那不完美的,混沌的,
湍流的表面
10:26
is what told the story故事.
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给我们讲述了故事的经过。
10:30
I started开始 to be as curious好奇
as I was when I was a student学生.
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我开始变得好奇,
就像我学生时代那样。
10:34
So the next下一个 thing was I wanted
to put figures人物 in these paintings绘画, people,
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所以,我开始想把人物
放进这些绘画当中,
10:38
and I loved喜爱 this new environment环境,
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我喜欢这个新的环境,
10:39
so I wanted to have
both people and this atmosphere大气层.
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我希望人物和这环境融为一体。
10:45
When the idea理念 hit击中 me of how to do this,
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当这种想法降临,
10:47
I got kind of nauseous恶心 and dizzy头晕,
214
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我感到了恶心和眩晕,
10:50
which哪一个 is really just adrenaline肾上腺素, probably大概,
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可能只是因为肾上腺素的原因,
10:53
but for me it's a really good sign标志.
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但这对我来说是一个好的迹象。
10:56
And so now I want to show显示 you
what I've been working加工 on.
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所以,我现在想展示给
你们我最近从事的作品。
10:59
It's something I haven't没有 shown显示 yet然而,
and it's like a preview预习, I guess猜测,
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这是一些我还没来得及
展示的,我想,就把它当作
11:03
of my upcoming即将到来 show显示,
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我即将到来的画展预告吧。
11:05
what I have so far.
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迄今为止,
11:08
Expansive膨胀 space空间
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这广阔的空间,
11:11
instead代替 of the isolated孤立 bathtub浴缸.
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而非孤立的浴室。
11:13
I'm going outside instead代替 of inside.
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我要出去,而非进来。
11:17
Loosening control控制,
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放开控制感,
11:19
savoring品尝 the imperfections缺陷,
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体味不完整,
11:21
allowing允许 the --
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允许-
11:24
allowing允许 the imperfections缺陷.
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允许那些不完整。
11:27
And in that imperfection缺陷,
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在那些不完整中,
11:29
you can find a vulnerability漏洞.
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你能找寻到脆弱。
11:31
I could feel my deepest最深 intention意向,
what matters事项 most to me,
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我能感知到我最深处
的意图,对我最重要的,
11:38
that human人的 connection连接
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是那些发生在开阔空间
中的,毫无抵抗和控制的,
11:40
that can happen发生 in a space空间
where there's no resisting抵制 or controlling控制.
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人与人之间的联系。
11:45
I want to make paintings绘画 about that.
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我想要对此作画。
11:50
So here's这里的 what I learned学到了.
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这就是我学到的。
11:53
We're all going to have
big losses损失 in our lives生活,
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我们都会经历人生中的重创,
11:57
maybe a job工作 or a career事业,
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也许是一份工作,事业,
11:59
relationships关系, love, our youth青年.
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关系,爱,我们的青春。
12:03
We're going to lose失去 our health健康,
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我们终究丧失健康,
12:05
people we love.
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我们爱的人。
12:08
These kinds of losses损失
are out of our control控制.
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这些失去都不是
我们能控制的。
12:10
They're unpredictable不可预料的,
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1200
它们是无法预测的,
12:12
and they bring带来 us to our knees膝盖.
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它们让我们跪倒在地,
12:15
And so I say, let them.
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所以我说,让它们来吧。
12:18
Fall秋季 to your knees膝盖. Be humbled自愧不如.
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跪倒在地,变得谦逊。
12:22
Let go of trying to change更改 it
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我们应该放弃改变它,
12:25
or even wanting希望 it to be different不同.
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或是希望它变得不同。
12:27
It just is.
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让它那样吧。
12:31
And then there's space空间,
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在那种时刻,
12:32
and in that space空间 feel your vulnerability漏洞,
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尝试感知你的脆弱,
12:35
what matters事项 most to you,
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去想对你最重要的事,
12:37
your deepest最深 intention意向.
251
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你心底的意图。
12:40
And be curious好奇 to connect
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抱着好奇的心里,
12:43
to what and who is really here,
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与周围活生生的事物和人,
12:47
awake苏醒 and alive.
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联系起来。
12:50
It's what we all want.
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这就是我们所需要的。
12:52
Let's take the opportunity机会
to find something beautiful美丽
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让我们把握机会,
去发现那些存在于
12:56
in the unknown未知, in the unpredictable不可预料的,
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未知,不可预测,
13:00
and even in the awful可怕.
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甚至可怕的事物中的美吧!
13:03
Thank you.
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谢谢。
13:04
(Applause掌声)
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(掌声)
Translated by Junyi Sha
Reviewed by Yangyang Liu

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ABOUT THE SPEAKER
Alyssa Monks - Painter
Alyssa Monks transfers the intimacy and vulnerability of human experience onto a painted surface.

Why you should listen

Alyssa Monks blurs the line between abstraction and realism through layering different spaces and moments in her paintings. Using semi-transparent filters of glass, vinyl, steam and water to flip background and foreground in her 10-year water series, she seduced the viewer into shallow spaces. Today, she is imposing a transparent landscape of infinite space over her emotionally evocative subjects.

The tension in her mostly large-scale paintings is sustained not only by the composition but also by the surface treatment itself. Each brushstroke is thickly applied oil paint, like a fossil recording every gesture and decision, expressing the energetic and empathic experience of the handmade object.

Monks's work is represented by Forum Gallery in New York City. She lives and paints in Williamsburg, Brooklyn. Her latest solo exhibition "Resolution" took place March and April of 2016 at Forum Gallery. Monks's paintings have been the subject of numerous solo and group exhibitions including "Intimacy" at the Kunst Museum in Ahlen, Germany and "Reconfiguring the Body in American Art, 1820–2009" at the National Academy Museum of Fine Arts, New York. Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association, Fullerton College, the Seavest Collection and the collections of Eric Fischl, Howard Tullman, Gerrity Lansing, Danielle Steele, Alec Baldwin and Luciano Benetton.

Born 1977 in New Jersey, Monks began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’ Medici in Florence. She went on to earn her M.F.A from the New York Academy of Art, Graduate School of Figurative Art in 2001. She completed an artist in residency at Fullerton College in 2006 and has lectured and taught at universities and institutions nationwide. She continues to offer workshops and lectures regularly.

Monks has been awarded the Elizabeth Greenshields Foundation Grant for Painting three times and serves as a member of the New York Academy of Art's Board of Trustees.

More profile about the speaker
Alyssa Monks | Speaker | TED.com

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