Ziyah Gafić: Everyday objects, tragic histories
Ziyah Gafic: Objetos do dia a dia, histórias trágicas
To help him come to terms with the tragedy of his own homeland, Bosnian photographer Ziyah Gafić turns his camera on the aftermath of conflict, showing his images in galleries, in books and on Instagram. Full bio
Double-click the English transcript below to play the video.
de genocídio na Bósnia
na sua jornada final.
transportarem
toothpaste and a toothbrush
pasta de dentes e escovas de dentes
de que eles não faziam a mínima ideia
por prisioneiros de guerra.
os forenses estão a desenterrar corpos
de valas comuns,
que alguma vez se descobriram.
no início da década de 90,
principalmente civis,
como Srebrenica,
sistemática e deliberada
de que eles alguma vez existiram.
os seus corpos frágeis
seletiva e desvanecida.
desta coleção de objetos
desapareceram nas matanças,
as vítimas levaram com elas,
packed in white plastic bags
em sacos de plástico brancos
como utensílos forenses
very valuable forensic evidence
como valiosa informação forense
de guerra em curso
ocasionalmente
fisicamente esses objetos,
é extremamente difícil,
custa a acreditar,
objeto desenterrado
facilmente consultar.
eu gosto de compensar a comunidade.
reconhecer estes objetos
as suas fotografias permanecerão
imparcial e rigorosa
items guarantee empathy.
garante a empatia.
do que é um documento.
todas as pessoas desaparecidas,
corpos em decomposição
ABOUT THE SPEAKER
Ziyah Gafić - Photographer + storytellerTo help him come to terms with the tragedy of his own homeland, Bosnian photographer Ziyah Gafić turns his camera on the aftermath of conflict, showing his images in galleries, in books and on Instagram.
Why you should listen
Ziyah Gafić uses his camera to capture the aftermath of war. He has traveled to Pakistan, Iraq and Chechnya to capture beautiful portraits of people carrying on with their lives in the face of destruction; he has photographed the everyday lives of children in Rwanda, a generation born from the widespread use of rape as a weapon during the Rwandan genocide. A moving question runs through his work: After war, how do people manage to keep the fabric of society together?
Gafić's interest in this subject comes from his own biography. Born in Sarajevo, he was a teenager during the Bosnian War of the 1990s. Through photography, he parses what happened in his homeland. For his book Quest for Identity, Gafić photographed the watches, keys, shoes, combs and glasses exhumed from mass graves 20 years after the Bosnian War. These objects are cleaned, catalogued and used to help identify the bodies found with them, but afterwards, they become what Gafić calls “orphans of the narrative,” either destroyed or stored away out of sight and out of mind. His quest is to keep them in view as a last testament to the fact that these people existed, preserving them as an easily accessible visual archive that tells the story of what happened—integrating an objective forensic perspective with human compassion.
Ziyah Gafić | Speaker | TED.com