TEDGlobal 2017
George Steinmetz: Photos of Africa, taken from a flying lawn chair
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George Steinmetz's spectacular photos show Africa from the air, taken from the world's slowest, lightest aircraft. Join Steinmetz to discover the surprising historical, ecological and sociopolitical patterns that emerge when you go low and slow in a flying lawn chair.
George Steinmetz - Aerial photographer
Best known for his exploration photography, George Steinmetz has a restless curiosity for the unknown: remote deserts, obscure cultures and the mysteries of science and technology. Full bio
Best known for his exploration photography, George Steinmetz has a restless curiosity for the unknown: remote deserts, obscure cultures and the mysteries of science and technology. Full bio
Double-click the English transcript below to play the video.
00:12
I have to tell you,
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it's more than a little
intimidating being up here,
intimidating being up here,
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an old American guy
trying to tell Africans
trying to tell Africans
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something new about your own continent.
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But sometimes, an outsider
can see things in a different way,
can see things in a different way,
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like from the air.
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That's what I found by flying low and slow
all over the African continent
all over the African continent
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as I photographed
the spectacle of its diversity.
the spectacle of its diversity.
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And I wasn't always an old guy.
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(Laughter)
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This is me in 1979,
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a kid from California backpacking
his way through the Ituri Forest of Zaire.
his way through the Ituri Forest of Zaire.
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I was on a yearlong hitchhiking trip.
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I had just dropped out
of Stanford University,
of Stanford University,
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and I went from Tunis
to Kisangani to Cairo
to Kisangani to Cairo
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and learned how to live
on 10 dollars a day.
on 10 dollars a day.
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It was an amazing experience for me.
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I spent about a week
in this Dinka cattle camp
in this Dinka cattle camp
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on the banks of the Nile in South Sudan.
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The Dinka taught me
how to tie papyrus into a shelter,
how to tie papyrus into a shelter,
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and also I observed
how they had adapted their way of life
how they had adapted their way of life
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around the migratory needs
of their beloved cattle.
of their beloved cattle.
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It was a like a graduate course
in ecological ethnography,
in ecological ethnography,
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and I got busy taking notes with a camera.
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With no money for rides,
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they often made the Mzungu
ride on the roof of the trucks,
ride on the roof of the trucks,
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or in this case, on the top of the train
going across South Sudan.
going across South Sudan.
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I felt like I was riding
on the back of an insect
on the back of an insect
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going across the enormous
tapestry of Africa.
tapestry of Africa.
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It was an incredible view from up there,
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but I couldn't help but think,
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wouldn't it be even more amazing
if I could fly over that landscape
if I could fly over that landscape
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like a bird?
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Well, that notion stayed with me,
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and 20 years later,
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after becoming
a professional photographer,
a professional photographer,
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I was able to talk National Geographic
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into doing a big story
in the central Sahara,
in the central Sahara,
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and I came back with a new kind
of flying machine.
of flying machine.
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This is me piloting the world's lightest
and slowest aircraft.
and slowest aircraft.
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(Laughter)
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It's called a motorized paraglider.
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It consists of a backpack motor
and a parachute-style wing,
and a parachute-style wing,
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and it flies at about 30 miles an hour.
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With 10 liters of fuel,
I can fly for about two hours,
I can fly for about two hours,
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but what's really amazing about it
is it gives me an unobstructed view,
is it gives me an unobstructed view,
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both horizontally and vertically,
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like a flying lawn chair.
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My hitchhiker's dream
of flying over Africa came true
of flying over Africa came true
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when I spotted these two camel caravans
passing out in the middle of the Sahara.
passing out in the middle of the Sahara.
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The one in the foreground
is carrying salt out of the desert,
is carrying salt out of the desert,
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while the one in the background
is carrying fodder
is carrying fodder
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for the animals heading back in.
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I realized you couldn't take
this kind of picture
this kind of picture
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with a conventional aircraft.
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An airplane moves too fast,
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a helicopter would be too loud
with too much downdraft,
with too much downdraft,
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and it dawned on me that this crazy little
aircraft I was flying
aircraft I was flying
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would open up a new way of seeing
remote parts of the African landscape
remote parts of the African landscape
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in a way that had never
really been possible before.
really been possible before.
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Let me show you how it works.
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(Applause)
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Thanks.
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(Applause)
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This may seem a bit dangerous,
but I am not some kind of adventure dude.
but I am not some kind of adventure dude.
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I'm a photographer who flies,
and I only fly to take pictures.
and I only fly to take pictures.
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My favorite altitude
is between 200 and 500 feet,
is between 200 and 500 feet,
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where I can see the world
three-dimensionally,
three-dimensionally,
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but also at a human scale.
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I find that a lot of what I'd done
over the years in Africa,
over the years in Africa,
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you could try to do with a drone,
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but drones aren't really made
for exploration.
for exploration.
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They only fly for about
20 minutes of battery life
20 minutes of battery life
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and about three kilometers of range,
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and all you get to see
is what's on a little screen.
is what's on a little screen.
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But I like to explore.
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I want to go over the horizon
and find new things, find weird stuff,
and find new things, find weird stuff,
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like this volcanic caldera in Niger.
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If you look at the altimeter
on my left leg,
on my left leg,
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you'll see that I'm about
a mile above takeoff.
a mile above takeoff.
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Flying that high really freaked me out,
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but if you talk to a pro pilot,
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they'll tell you that altitude
is actually your friend,
is actually your friend,
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because the higher you are,
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the more time you have
to figure out your problems.
to figure out your problems.
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(Laughter)
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As a rank amateur,
I figured this gave me more time
I figured this gave me more time
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to scream on the way back down.
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(Laughter)
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To calm myself down,
I started taking pictures,
I started taking pictures,
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and as I did, it became rational again,
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and I was getting buffeted
by a Harmattan wind
by a Harmattan wind
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which was coming out of the upper
right hand corner of this picture,
right hand corner of this picture,
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and I started to notice how it had filled
the entire crater with sand.
the entire crater with sand.
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When I got to the north of Chad,
I found a different kind of volcano.
I found a different kind of volcano.
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These had had their entire
exteriors stripped away,
exteriors stripped away,
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and all that was left was the old core,
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and in the middle of the Sahara,
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I felt like I was seeing the earth
with its living skin stripped away.
with its living skin stripped away.
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Much of the Sahara is underlain
by an enormous freshwater aquifer.
by an enormous freshwater aquifer.
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When you go to the basin,
sometimes you can see it leaking out.
sometimes you can see it leaking out.
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If you were to walk
through those palm groves,
through those palm groves,
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you could drink fresh water
out of your footsteps.
out of your footsteps.
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But that green lake water?
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Due to extreme evaporation,
it's saltier than seawater
it's saltier than seawater
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and virtually lifeless.
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In Niger, I was amazed to see
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how the locals learned how to exploit
a different kind of desert spring.
a different kind of desert spring.
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Here, they mix the salty mud
with spring water
with spring water
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and spread it out in shallow ponds,
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and as it evaporated,
it turned into a spectacle of color.
it turned into a spectacle of color.
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My rig is also amazing
for looking at agriculture.
for looking at agriculture.
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This picture was taken
in southern Algeria,
in southern Algeria,
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where the locals have learned
how to garden in a mobile dune field
how to garden in a mobile dune field
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by tapping into shallow groundwater.
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I also loved looking at how animals
have adapted to the African landscape.
have adapted to the African landscape.
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This picture was taken in Lake Amboseli,
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just across the border from here in Kenya.
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The elephants have carved
the shallow lake water up
the shallow lake water up
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into a network of little pathways,
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and they're spaced just enough apart
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that only elephants,
with their long trunks,
with their long trunks,
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can tap into the most succulent grasses.
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In Namibia, the zebra have learned
how to thrive in an environment
how to thrive in an environment
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that gets no rainfall at all.
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These grasses are irrigated
by the dense coastal fog
by the dense coastal fog
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that blankets the area every morning.
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And those bald patches out there?
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They call them fairy circles,
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and scientists still struggle
to understand what causes them.
to understand what causes them.
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This is Mount Visoke, with a small
crater lake in its summit at 3,700 meters.
crater lake in its summit at 3,700 meters.
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It forms the roof of the Great Rift Valley
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and also the border
between Rwanda and Congo.
between Rwanda and Congo.
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It's also the center of the reserve
for the fabled mountain gorilla.
for the fabled mountain gorilla.
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They're actually
the big money-maker in Rwanda,
the big money-maker in Rwanda,
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and on this side of the border,
conservation has become a huge success.
conservation has become a huge success.
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Rwanda has the highest
rural population density in Africa,
rural population density in Africa,
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and I saw it in almost every corner
of the country I went to.
of the country I went to.
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I've heard it said
that competition for land
that competition for land
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was one of the things
that led to the tensions
that led to the tensions
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that caused the genocide of the 1990s.
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I went back to South Sudan
a few years ago,
a few years ago,
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and it was amazing to see
how much things had changed.
how much things had changed.
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The Dinka were still in love
with their cattle,
with their cattle,
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but they had turned in
their spears for Kalashnikovs.
their spears for Kalashnikovs.
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The cattle camps from above
were even more spectacular
were even more spectacular
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than I could have imagined,
but things had changed there too.
but things had changed there too.
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You see those little blue dots down there?
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The Dinka had adapted to the new reality,
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and now they covered
their papyrus shelters
their papyrus shelters
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with the tarps from UN food convoys.
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In Mali, the Bozo people
have learned how to thrive
have learned how to thrive
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in the pulsating rhythms
of the Niger River.
of the Niger River.
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As the rainy season ends
and the water subsides,
and the water subsides,
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they plant their rice
in the fertile bottoms.
in the fertile bottoms.
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And that village
in the lower right corner,
in the lower right corner,
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that's Gao, one of the jumping off points
for the major trade routes
for the major trade routes
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across the Sahara.
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At the end of the harvest,
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the Bozo take the leftover rice straw
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and they mix it with mud to reinforce
their roofs and the village mosque.
their roofs and the village mosque.
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I must have flown over a dozen
villages like this along the Niger River,
villages like this along the Niger River,
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and each one was unique,
it had a different pattern.
it had a different pattern.
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and each mosque was like
a sculptural masterpiece,
a sculptural masterpiece,
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and no two were alike.
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I've flown all over the world,
and nothing can really compare
and nothing can really compare
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to the cultural diversity of Africa.
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You see it in every country,
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from Morocco
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to Ethiopia,
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to South Africa,
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to Mozambique,
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to South Sudan,
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to Mali.
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The array of environments
and cultural adaptations to them
and cultural adaptations to them
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is really extraordinary,
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and the history is pretty cool too.
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From the air, I have a unique window
into the earliest waves
into the earliest waves
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of colonial history.
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This is Cyrene on the coastal
mountains of Libya,
mountains of Libya,
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that was founded by the Greeks,
in 700 BC, as a learning center,
in 700 BC, as a learning center,
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and Timgad, which was founded
in what's now Algeria
in what's now Algeria
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by the Romans in 100 AD.
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This was built as a retirement community
for old Roman soldiers,
for old Roman soldiers,
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and it amazed me to think
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that North Africa was once
the breadbasket for the Roman Empire.
the breadbasket for the Roman Empire.
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But 700 years after Timgad was built,
it was buried in sand,
it was buried in sand,
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and even then, the African climate
was wetter than it is today.
was wetter than it is today.
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The African climate continues to change,
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and you see it everywhere,
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like here in the Gorges de Ziz,
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where a freak rainstorm
came barreling out of the Sahara
came barreling out of the Sahara
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and blanketed the mountains in snow.
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I never thought I would see
date palms in snow,
date palms in snow,
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but the kids that day had a great time
throwing snowballs at each other.
throwing snowballs at each other.
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But it made me wonder,
how are Africans going to adapt
how are Africans going to adapt
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to this rapidly changing
climate going forward?
climate going forward?
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In a continent as dynamic
and diverse as Africa,
and diverse as Africa,
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sometimes it seems
that the only constant is change.
that the only constant is change.
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But one thing I've learned
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is that Africans
are the ultimate improvisers,
are the ultimate improvisers,
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always adapting and finding a way forward.
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Thank you.
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(Applause)
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ABOUT THE SPEAKER
George Steinmetz - Aerial photographerBest known for his exploration photography, George Steinmetz has a restless curiosity for the unknown: remote deserts, obscure cultures and the mysteries of science and technology.
Why you should listen
Since 1986, George Steinmetz has completed more than 40 major photo essays for National Geographic and 25 stories for GEO magazine in Germany, exploring the most remote stretches of Arabia's Empty Quarter to the unknown tree people of Irian Jaya. His expeditions to the Sahara and Gobi deserts have been featured in separate "National Geographic Explorer" programs. In 2006 he was awarded a grant by the National Science Foundation to document the work of scientists in the Dry Valleys and volcanoes of Antarctica.
Steinmetz began his career in photography after hitchhiking through Africa for 28 months. He then spent fifteen years photographing all of the world’s extreme deserts while piloting a motorized paraglider. This experimental aircraft enables him to capture unique images of the world, inaccessible by traditional aircraft and most other modes of transportation. He has authored four books, and his current project is documenting the challenge of meeting humanity’s rapidly expanding demand for food.
George Steinmetz | Speaker | TED.com