TEDSalon NY2011
Stefon Harris: There are no mistakes on the bandstand
Stefon Harris: Nema grešaka na bini
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Što je greška? Govoreći kroz primjere sa svojim Jazz kvartetom koji improvizira, Stefon Harris dovodi nas do duboke istine: mnoge akcije se doživljavaju kao pogrešne jer na njih ne reagiramo primjereno.
Stefon Harris - Jazz vibraphonist
Stefon Harris plays the vibraphone -- and leads a jazz ensemble with a collaborative sound built on collective inspiration. Full bio
Stefon Harris plays the vibraphone -- and leads a jazz ensemble with a collaborative sound built on collective inspiration. Full bio
Double-click the English transcript below to play the video.
00:15
Okay, I have no idea what we're going to play.
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OK, nemam pojma što ćemo svirati.
00:18
I won't be able to tell you what it is until it happens.
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Neću vam moći reći dok se ne dogodi.
00:21
I didn't realize there was going to be a little music before.
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Nisam znao da će biti malo glazbe prije.
00:24
So I think I'm going to start with what I just heard.
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Tako da ću krenuti s onime što sam upravo čuo.
00:26
(Music)
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(Glazba)
06:01
(Applause)
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(Pljesak)
06:10
Okay, so first of all,
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Dobro, prije svega,
06:12
let's welcome Mr. Jamire Williams on the drums,
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pozdravimo gosp. Jamirea Williamsa na bubnjevima,
06:15
(Applause)
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(Pljesak)
06:18
Burniss Travis on the bass,
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Burniss Travis na basu,
06:20
(Applause)
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(Pljesak)
06:22
and Mr. Christian Sands on the piano.
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i gosp. Christian Sands na klaviru.
06:25
(Applause)
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(Pljesak)
06:28
So the bandstand, as we call it,
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Dakle bina, kako je mi zovemo,
06:30
this is an incredible space.
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je nevjerojatan prostor.
06:32
It is really a sacred space.
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To je stvarno sveto mjesto.
06:34
And one of the things that is really sacred about it
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I jedna od stvari zbog koje je stvarno sveto
06:36
is that you have no opportunity to think about the future,
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jest da nemate priliku razmišljati o budućnosti,
06:39
or the past.
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ili prošlosti.
06:41
You really are alive right here in this moment.
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Stvarno ste živi upravo ovdje u ovom trenutku.
06:43
There are so many decisions being made
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Postoji toliko mnogo odluka koje se naprave
06:45
when you walk on the bandstand.
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dok hodate binom.
06:47
We had no idea what key we were going to play in.
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Nismo imali nikakvu ideju kojim ključem ćemo započeti svirati.
06:50
In the middle, we sort of made our way
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U sredini smo na neki način izgradili svoj put
06:52
into a song called "Titi Boom."
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u pjesmu pod nazivom "Titi Boom".
06:54
But that could have happened -- maybe, maybe not.
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Ali to se moglo dogoditi -- možda, možda i ne.
06:57
Everyone's listening. We're responding.
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Svi slušaju. Mi odgovaramo.
06:59
You have no time for projected ideas.
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Nemate vremena za projecirane ideje.
07:01
So the idea of a mistake:
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Tako ideja greške:
07:04
From the perspective of a jazz musician,
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iz perspektive jazz glazbenika,
07:06
it's easier to talk about someone else's mistake.
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jednostavnije je pričati o tuđim greškama.
07:11
So the way I perceive a mistake when I'm on the bandstand --
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Tako je način na koji ja doživljavam greške na bini --
07:14
first of all, we don't really see it as a mistake.
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prije svega, mi to i ne vidimo kao grešku.
07:16
The only mistake lies
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Jedina greška leži
07:18
in that I'm not able to perceive
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u tome što nisam u mogućnosti spoznati
07:20
what it is that someone else did.
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što je to netko drugi napravio.
07:22
Every "mistake" is an opportunity in jazz.
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Svaka "greška" je prilika u jazzu.
07:25
So it's hard to even describe
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Tako je teško čak i opisati
07:27
what a funny note would be.
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kako bi zvučala kriva nota.
07:29
So for example, if I played a color, like we were playing on a palette,
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Na primjer, da sam odsvirao boju, kao što smo svirali na paleti,
07:32
that sounded like this ...
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to je zvučalo ovako...
07:34
(Music)
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(Glazba)
07:36
So if Christian played a note -- like play an F.
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Dakle kada bi Christian odsvirao notu -- poput F.
07:39
(Music)
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(Glazba)
07:41
See, these are all right inside of the color palette.
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Vidite, ove su dobre unutar palete boja.
07:44
If you played an E.
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Ako biste odsvirali E.
07:47
See, these all lie right inside
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Vidite, sve one leže točno unutar
07:49
of this general emotional palette that we were painting.
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te opće emocionalne palete koju slikamo.
07:51
If you played an F# though,
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Kada biste ipak odsvirali F,
07:53
(Dissonance)
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(Disonanca)
07:57
to most people's ears, they would perceive that as a mistake.
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većina ljudi bi to doživjeli kao grešku.
08:00
So I'm going to show you, we're going to play just for a second.
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Tako ću vam pokazati, zasvirati ćemo to samo na sekundu.
08:02
And we're going to play on this palette.
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I zasvirati ćemo na toj paleti.
08:04
And at some point, Christian will introduce this note.
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I u jednoj točci, Christian će odsvirati tu notu.
08:06
And we won't react to it.
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I mi nećemo na nju reagirati.
08:08
He'll introduce it for a second
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On će je zasvirati na sekundu
08:10
and then I'll stop, I'll talk for a second.
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i onda će stati, ja ću pričati na sekundu.
08:12
We'll see what happens when we play with this palette.
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Vidjeti ćemo što će se dogoditi kada je odsviramo unutar te palete.
08:14
(Music)
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(Glazba)
08:39
So someone could conceptually perceive that as a mistake.
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Dakle, netko bi to mogao konceptualno shvatiti kao grešku.
08:43
The only way that I would say it was a mistake
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Jedini način na koji bih ja rekao da je to greška
08:45
is in that we didn't react to it.
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jest da mi nismo na to reagirali.
08:47
It was an opportunity that was missed.
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To bi bila prilika koja je propuštena.
08:49
So it's unpredictable. We'll paint this palette again.
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Dakle, to je nepredvidivo. Oslikat ćemo tu paletu ponovno.
08:52
He'll play it. I don't know how we'll react to it, but something will change.
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On će je odsvirati. Ne znam kako ćemo reagirati na nju, ali nešto će se promijeniti.
08:55
We'll all accept his ideas,
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Svi ćemo prihvatiti njegove ideje,
08:57
or not.
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ili nećemo.
08:59
(Music)
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(Glazba)
10:08
So you see, he played this note.
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Vidite, on je odsvirao tu notu.
10:10
I ended up creating a melody out of it.
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Ja sam završio stvarajući melodiju iz nje.
10:12
The texture changed in the drums this time.
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Tekstura se promijenila u bubnjevima ovaj put.
10:14
It got a little bit more rhythmic, a little bit more intense
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Postalo je malo ritmičnije, malo intenzivnije
10:17
in response to how I responded to it.
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u načinu na koji sam odgovorio na to.
10:19
So there is no mistake.
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Dakle, nema greške.
10:21
The only mistake is if I'm not aware,
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Jedina greška jest ako nisam svjestan,
10:23
if each individual musician is not aware
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ako bilo koji od glazbenika nije svjestan
10:25
and accepting enough of his fellow band member
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i ne prihvaća dovoljno drugog člana benda
10:29
to incorporate the idea and we don't allow for creativity.
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kako bi uključio ideju i dozvolio kreativni proces.
10:32
So jazz, this bandstand is absolutely amazing.
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Jazz, ova bina je apsolutno nevjerojatna.
10:36
It's a very purifying experience.
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To je intezivno iskustvo koje čisti.
10:38
And I know that I speak for all of us when I tell you that we don't take it for granted.
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I znam kako govorim u ime svih nas kada vam kažem kako to ne uzimamo 'zdravo za gotovo'.
10:41
We know that to be able to come on the bandstand and play music is a blessing.
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Znamo kako je sposobnost izlaska na binu i sviranja blagoslov.
10:45
So how does this all relate to behavioral finance?
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I kako je sve to povezano s ponašajnim financijama?
10:48
Well we're jazz musicians,
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Mi smo jazz glazbenici,
10:50
so stereotypically we don't have a great relationship to finance.
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stereotipično nemamo sjajan odnos s financijama.
10:52
(Laughter)
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(Smijeh)
10:55
Anyway, I just wanted to sort of point out the way that we handle it.
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Kako bilo, želio bih naglasiti kako se snalazimo.
10:58
And the other dynamic of it
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I druga dinamika toga
11:00
is that we don't micromanage in jazz.
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jest što mi ne mikroupravljamo jazzom.
11:03
You have some people who do.
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Imate nekih ljudi koji to rade.
11:05
But what that does
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Ali što to čini
11:07
is it actually limits the artistic possibilities.
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jest da u stvari ograničava umjetničke mogućnosti.
11:09
If I come up and I dictate to the band
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Ako izađem i diktiram bendu
11:12
that I want to play like this and I want the music to go this way,
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kako želim svirati ovako i želim da glazba ide ovim putem,
11:14
and I just jump right in ...
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i onda jednostavno uskačem u...
11:16
ready, just play some time.
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spremni, samo svirajte.
11:18
One, two, one, two, three, four.
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Jedan, dva, jedan, dva, tri, četiri.
11:20
(Music)
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(Glazba)
11:32
It's kind of chaotic because I'm bullying my ideas.
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Na neki način je kaotično jer guram svoje ideje.
11:34
I'm telling them, "You come with me over this way."
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Njima govorim, "Dođite sa mnom ovim putem."
11:36
If I really want the music to go there,
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Ako stvarno želim da glazba ide tim putem,
11:38
the best way for me to do it is to listen.
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najbolji način da to napravim jest da slušam.
11:40
This is a science of listening.
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To je umjetnost slušanja.
11:42
It has far more to do with what I can perceive
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To daleko ima više s time što mogu osjetiti
11:44
than what it is that I can do.
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nego s time što mogu učiniti.
11:46
So if I want the music to get to a certain level of intensity,
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ako želim da glazba ide na određenu razinu inteziteta,
11:49
the first step for me is
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prvi korak za mene je
11:51
to be patient, to listen to what's going on
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da budem strpljiv, da slušam što se događa
11:53
and pull from something that's going on around me.
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i izvučem nešto iz onoga što se događa oko mene.
11:56
When you do that, you engage and inspire the other musicians
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Kada to napravite, uključite i inspirirate druge glazbenike
11:59
and they give you more, and gradually it builds.
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i oni vam daju više, i polako gradite.
12:01
Watch. One, two, a one, two, three, four.
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Gledajte. Jedan, dva, jedan, dva, tri, četiri.
12:04
(Music)
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(Glazba)
12:44
Totally different experience when I'm pulling ideas.
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Potpuno drugačije iskustvo kada povlačim ideje.
12:47
It's much more organic. It's much more nuanced.
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Puno je više organsko. Puno je više nijansiranije.
12:49
It's not about bullying my vision or anything like that.
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Nije da guram svoju viziju ili takvo nešto.
12:51
It's about being here in the moment,
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Radi se o tome da ste prisutni u trenutku,
12:53
accepting one another
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prihvaćate jedni druge
12:55
and allowing creativity to flow.
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i dozvoljavate kreativnosti da poteče.
12:57
Thank you.
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Hvala vam.
12:59
(Applause)
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(Pljesak)
ABOUT THE SPEAKER
Stefon Harris - Jazz vibraphonistStefon Harris plays the vibraphone -- and leads a jazz ensemble with a collaborative sound built on collective inspiration.
Why you should listen
Stefon Harris' passionate artistry, energetic stage presence, and astonishing virtuosity have propelled him into the forefront of hte current jazz scene. Widely recognized and lauded by both his peers and jazz critics, Harris is committed to exploring the rich potential of jazz composition and blazing trails on the vibraphone.
His TEDTalk was performed with Jamire Williams on drums, Burniss Travis on bass, and Christian Sands on piano.
Stefon Harris | Speaker | TED.com