ABOUT THE SPEAKER
Monika Bulaj - Photographer
Monika Bulaj’s stunning, painting-like photographs blur religious and cultural divisions, exploding stereotypes. She is a TED Fellow.

Why you should listen

Monika Bulaj is a photographer and writer who explores -- in Asia, Africa, Latin America and Eastern Europe -- the dim areas of monotheism, where the sacred can transcend borders: Bonfires, dances, cults of the dead, possession rites. She describes outskirts and deserts, frontiers and megalopolis. And the world of the last ones: nomads, farmers, immigrants, outcasts, untouchables and impure.

Her photos and reportaging have been published by GEO, National Geographic (Italy), La Repubblica, periodicals by Gruppo Espresso and Rcs, Courrier International, Gazeta Wyborcza (Poland), Internazionale, Freundin, Teatr (Poland) and other international magazines.
She has displayed more than 50 personal exibitions in Italy, Germany, Ungheria, Bulgaria, Egypt.

Her books include Libya felix, a travel into Sufism and the world of the Tuaregh; Figli di Noè, on minorities and faiths in Azerbaijian; Rebecca e la pioggia, on the nomadic tribe of the Dinka of South Sudan; Gerusalemme perduta with Paolo Rumiz, the special correspondent of La Repubblica, on the pellegrinage in the research of the Eastern Christians; Genti di Dio, viaggio nell'Altra Europa, a synthesis of 20 years of research in East Europe and Israel, and her latest book, Bozy ludzie. 

She has screenwritten documentaries, among which is the movie Romani Rat (2002) by M. Orlandi, on the Holocaust of the Roms, with the contribution of the Shoah Visual History Foundation. She's the director, photography director, and screenwriter of the documentary Figli di Noè, about the villages of Caucasus on the border between Dagestan and Azerbaigian.

Bulaj is a TED Fellow. Read TED's Q&A with Monika Bulaj >>

More profile about the speaker
Monika Bulaj | Speaker | TED.com
TEDGlobal 2011

Monika Bulaj: The hidden light of Afghanistan

Monika Bulaj : La lumière cachée d'Afghanistan

Filmed:
669,507 views

La photographe Monika Bulaj partage des images intimes et puissantes d'Afghanistan, de vie domestique, de rituels, d'hommes et de femmes. Derrière les gros titres, qu'est-ce que le monde sait vraiment de cet endroit ?
- Photographer
Monika Bulaj’s stunning, painting-like photographs blur religious and cultural divisions, exploding stereotypes. She is a TED Fellow. Full bio

Double-click the English transcript below to play the video.

00:15
My travelsvoyages to AfghanistanAfghanistan
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Mes voyages en Afghanistan
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begana commencé manybeaucoup, manybeaucoup yearsannées agodepuis
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ont commencé il y a bien des années
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on the easternest borderfrontière of my countryPays,
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sur la frontière est de mon pays,
00:24
my homelandpatrie, PolandPologne.
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ma patrie, la Pologne.
00:27
I was walkingen marchant throughpar the forestsles forêts
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Je marchais à travers les forêts
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of my grandmother'sgrand-mère talescontes.
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des contes de ma grand-mère.
00:33
A landterre where everychaque fieldchamp hidesmasque a gravela tombe,
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Une terre où chaque champ cache une tombe,
00:38
where millionsdes millions of people
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où des millions de gens
00:40
have been deporteddéporté or killedtué
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ont été déportés ou tués
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in the 20thth centurysiècle.
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au 20ème siècle.
00:46
BehindDerrière the destructiondestruction,
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Derrière la destruction,
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I founda trouvé a soulâme of placesdes endroits.
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j'ai trouvé une âme de lieux.
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I metrencontré humblehumble people.
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J'ai rencontré des gens humbles.
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I heardentendu theirleur prayerprière
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J'ai entendu leur prière
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and atea mangé theirleur breadpain.
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et j'ai mangé leur pain.
00:57
Then I have been walkingen marchant EastEast for 20 yearsannées --
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Et puis, j'ai marché vers l'est pendant 20 ans,
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from EasternOrientale EuropeL’Europe to CentralCentral AsiaL’Asie --
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de l'Europe de l'Est à l'Asie Centrale,
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throughpar the CaucasusCaucase MountainsMontagnes,
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en traversant les montagnes du Caucase,
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MiddleMoyen EastEast,
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au Moyen Orient,
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NorthNord AfricaL’Afrique,
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en Afrique du Nord,
01:11
RussiaRussie.
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en Russie
01:13
And I ever metrencontré more humblehumble people.
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Et j'ai rencontré encore plus de gens humbles.
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And I sharedpartagé theirleur breadpain and theirleur prayerprière.
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Et j'ai partagé leur pain et leur prière.
01:20
This is why I wentest allé to AfghanistanAfghanistan.
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C'est pourquoi je suis allée en Afghanistan.
01:23
One day, I crossedfranchi the bridgepont
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Un jour, j'ai traversé le pont
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over the OxusOXUS RiverRivière.
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sur la rivière Oxus.
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I was aloneseul on footpied.
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J'étais seule et à pied.
01:31
And the AfghanAfghan soldiersoldat was so surprisedsurpris to see me
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Et le soldat afghan a été si surpris de me voir
01:33
that he forgotoublié to stamptimbre my passportpasseport.
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qu'il a oublié de tamponner mon passeport.
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But he gavea donné me a cupCoupe of teathé.
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Mais il m'a offert une tasse de thé.
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And I understoodcompris
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Et j'ai compris
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that his surprisesurprise was my protectionprotection.
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que sa surprise était ma protection.
01:43
So I have been walkingen marchant and travelingen voyageant,
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Et donc je marche et je voyage,
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by horsesles chevaux, by yakyak, by truckun camion, by hitchhikingfaisant de l’auto-stop,
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à dos de cheval, à dos de yack, en camion, en auto-stop,
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from Iran'sPar l’Iran borderfrontière
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de la frontière iranienne
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to the bottombas, to the edgebord of the WakhanWakhan CorridorCorridor.
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au fond, à la lisière du couloir de Wakhan.
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And in this way
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Et c'est ainsi
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I could find noorNoor, the hiddencaché lightlumière of AfghanistanAfghanistan.
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que j'ai pu trouver noor, la lumière cachée d'Afghanistan.
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My only weaponarme
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Ma seule arme,
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was my notebookordinateur portable and my LeicaLeica.
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c'était mon carnet et mon Leica.
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I heardentendu prayersprières of the SufiSoufi --
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J'ai entendu les prières des Sufis,
02:14
humblehumble MuslimsMusulmans,
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des musulmans humbles,
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hateddétesté by the TalibanTaliban.
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détestés des talibans.
02:18
HiddenCaché riverrivière,
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Rivière cachée,
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interconnectedinterconnecté with the mysticismmysticisme
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inter-connectée avec le mysticisme
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from GibraltarGibraltar to IndiaInde.
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de Gibraltar à l'Inde.
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The mosqueMosquée where the respectfulrespectueux foreignerétranger
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La mosquée où l'étranger respectueux
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is showeredune douche with blessingsbénédictions
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est douché de bénédictions
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and with tearslarmes,
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et de larmes,
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and welcomeds’est félicité de as a giftcadeau.
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et accueilli comme un cadeau.
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What do we know
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Que savons-nous
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about the countryPays and the people
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du pays et des gens
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that we pretendfaire semblant to protectprotéger,
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que nous prétendons protéger,
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about the villagesles villages
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des villages
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where the only one medicinemédicament
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où le seul médicament
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to killtuer the paindouleur and to stop the hungerfaim
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contre la douleur et la faim
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is opiumopium?
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est l'opium ?
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These are opium-addictedopium-dépendants people
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Voici des gens drogués à l'opium
02:58
on the roofsles toits of KabulKaboul
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sur les toits de Kaboul,
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10 yearsannées after the beginningdébut of our warguerre.
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10 ans après le début de la guerre.
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These are the nomadNomad girlsfilles
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Voici des filles nomades
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who becamedevenu prostitutesles prostituées for AfghanAfghan businessmenhommes d’affaires.
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qui sont devenues prostituées pour des hommes d'affaires afghans.
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What do we know about the womenfemmes
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Que savons-nous des femmes
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10 yearsannées after the warguerre?
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10 ans après la guerre ?
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ClothedHabillé in this nylonnylon bagsac,
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Habillées de ce sac de nylon,
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madefabriqué in ChinaLa Chine,
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fabriqué en Chine,
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with the nameprénom of burqaburqa.
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et qu'on appelle burqa.
03:24
I saw one day,
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Un jour, j'ai vu
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the largestplus grand schoolécole in AfghanistanAfghanistan,
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la plus grande école d'Afghanistan,
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a girls'filles' schoolécole.
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une école de filles.
03:31
13,000 girlsfilles
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13 000 filles
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studyingen train d'étudier here
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qui étudient ici
03:38
in the roomspièces undergroundsouterrain,
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dans les pièces souterraines,
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fullplein of scorpionsscorpions.
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pleines de scorpions.
03:44
And theirleur love [for studyingen train d'étudier]
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Et leur soif d'apprendre
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was so biggros that I crieds’écria.
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était si grande que j'en ai pleuré.
03:52
What do we know
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Que savons-nous
03:54
about the deathdécès threatsmenaces by the TalibanTaliban
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des menaces de mort proférées par les Talibans,
03:57
nailedcloué on the doorsdes portes
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clouées sur les portes
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of the people who dareoser to sendenvoyer theirleur daughtersfilles to schoolécole as in BalkhBalkh?
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des gens qui osent envoyer leurs filles à l'école comme à Balkh ?
04:05
The regionRégion is not securegarantir, but fullplein of the TalibanTaliban,
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La région n'est pas sûre, mais pleine de talibans,
04:08
and they did it.
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et ils l'ont fait.
04:10
My aimobjectif is to give a voicevoix
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Mon but est de donner une voix
04:12
to the silentsilencieux people,
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aux gens silencieux,
04:15
to showmontrer the hiddencaché lightslumières
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de montrer les lumières cachées
04:19
behindderrière the curtainrideau of the great gameJeu,
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derrière le rideau de la grande honte,
04:22
the smallpetit worldsmondes ignoredignoré by the mediamédias
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les petites guerres ignorées des médias
04:25
and the prophetsprophètes of a globalglobal conflictconflit.
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et les profits d'un conflit mondial.
04:27
ThanksMerci.
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Merci.
04:29
(ApplauseApplaudissements)
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(Applaudissements)
Translated by Elisabeth Buffard
Reviewed by Amélie Gourdon

▲Back to top

ABOUT THE SPEAKER
Monika Bulaj - Photographer
Monika Bulaj’s stunning, painting-like photographs blur religious and cultural divisions, exploding stereotypes. She is a TED Fellow.

Why you should listen

Monika Bulaj is a photographer and writer who explores -- in Asia, Africa, Latin America and Eastern Europe -- the dim areas of monotheism, where the sacred can transcend borders: Bonfires, dances, cults of the dead, possession rites. She describes outskirts and deserts, frontiers and megalopolis. And the world of the last ones: nomads, farmers, immigrants, outcasts, untouchables and impure.

Her photos and reportaging have been published by GEO, National Geographic (Italy), La Repubblica, periodicals by Gruppo Espresso and Rcs, Courrier International, Gazeta Wyborcza (Poland), Internazionale, Freundin, Teatr (Poland) and other international magazines.
She has displayed more than 50 personal exibitions in Italy, Germany, Ungheria, Bulgaria, Egypt.

Her books include Libya felix, a travel into Sufism and the world of the Tuaregh; Figli di Noè, on minorities and faiths in Azerbaijian; Rebecca e la pioggia, on the nomadic tribe of the Dinka of South Sudan; Gerusalemme perduta with Paolo Rumiz, the special correspondent of La Repubblica, on the pellegrinage in the research of the Eastern Christians; Genti di Dio, viaggio nell'Altra Europa, a synthesis of 20 years of research in East Europe and Israel, and her latest book, Bozy ludzie. 

She has screenwritten documentaries, among which is the movie Romani Rat (2002) by M. Orlandi, on the Holocaust of the Roms, with the contribution of the Shoah Visual History Foundation. She's the director, photography director, and screenwriter of the documentary Figli di Noè, about the villages of Caucasus on the border between Dagestan and Azerbaigian.

Bulaj is a TED Fellow. Read TED's Q&A with Monika Bulaj >>

More profile about the speaker
Monika Bulaj | Speaker | TED.com

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