ABOUT THE SPEAKER
Stefan Sagmeister - Graphic designer
Renowned for album covers, posters and his recent book of life lessons, designer Stefan Sagmeister invariably has a slightly different way of looking at things.

Why you should listen

Stefan Sagmeister is no mere commercial gun for hire. Sure, he's created eye-catching graphics for clients including the Rolling Stones and Lou Reed, but he pours his heart and soul into every piece of work. His design work is at once timeless and of the moment, and his painstaking attention to the smallest details creates work that offers something new every time you look at it.

While a sense of humor invariably surfaces in his designs, Sagmeister is nonetheless very serious about his work; his intimate approach and sincere thoughtfulness elevate his design. A genuine maverick, Sagmeister achieved notoriety in the 1990s as the designer who self-harmed in the name of craft: He created a poster advertising a speaking engagement by carving the salient details onto his torso.

More profile about the speaker
Stefan Sagmeister | Speaker | TED.com
TED2008

Stefan Sagmeister: Things I've learned in my life so far

Stefan Sagmeister discursa sobre o que ele aprendeu

Filmed:
1,000,193 views

O designer-rockstar Stefan Sagmeister faz um breve e genial discurso sobre lições de vida através de impressionantes peças de design (incluindo... macacos infláveis?).
- Graphic designer
Renowned for album covers, posters and his recent book of life lessons, designer Stefan Sagmeister invariably has a slightly different way of looking at things. Full bio

Double-click the English transcript below to play the video.

00:12
I was here about four years ago,
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Eu estive aqui quatro anos atrás,
00:14
talking about the relationship of design and happiness.
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falando sobre a relação entre design e felicidade.
00:20
At the very end of it, I showed a list under that title.
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No final, eu mostrei uma lista sob aquele título.
00:26
I learned very few things in addition since
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Eu aprendi muitas poucas coisas desde então --
00:32
(Laughter) --
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(Risadas)
00:33
but made a whole number of them into projects since.
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mas transformei várias destas em projetos.
00:39
These are inflatable monkeys in every city in Scotland:
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Isso são macacos infláveis em todas as cidades da Escócia --
00:44
"Everybody always thinks they are right."
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"Todos acham que estão certos."
00:52
They were combined in the media.
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Eles foram combinados na mídia.
00:57
"Drugs are fun in the beginning but become a drag later on."
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"As drogas são legais no começo, mas depois viram uma droga."
01:07
We're doing changing media.
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Estamos usando mídias mutáveis.
01:11
This is a projection that can see the viewer
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Essa é uma projeção que pode ver a pessoa
01:14
as the viewer walks by.
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enquanto ela passa.
01:16
You can't help but actually ripping that spider web apart.
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Você acaba rasgando aquela teia de aranha.
01:22
All of these things are pieces of graphic design.
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Tudo isso são peças de design gráfico.
01:26
We do them for our clients.
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Nós as fazemos para nossos clientes.
01:28
They are commissioned.
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São encomendadas.
01:30
I would never have the money to actually pay for the installment
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Eu nunca teria dinheiro para pagar pela instalação
01:34
or pay for all the billboards or the production of these,
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ou pagar por toda a divulgação ou produção delas.
01:39
so there's always a client attached to them.
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Então sempre há um cliente por trás delas.
01:44
These are 65,000 coat hangers in a street
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Isso são 65.000 cabides em uma rua
01:49
that's lined with fashion stores.
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cheia de lojas de roupa.
01:55
"Worrying solves nothing."
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"Preocupar-se não resolve nada"
01:57
"Money does not make me happy"
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"O dinheiro não me faz feliz."
02:03
appeared first as double-page spreads in a magazine.
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Apareceu primeiro em várias páginas duplas de uma revista.
02:06
The printer lost the file, didn't tell us.
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O impressor perdeu o arquivo e não nos contou.
02:09
When the magazine -- actually, when I got the subscription --
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Quando eu recebi uma cópia da revista,
02:11
it was 12 following pages.
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eram 12 páginas sequenciais
02:13
It said, "Money does does make me happy."
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dizendo: "O dinheiro me faz faz feliz."
02:16
And a friend of mine in Austria felt so sorry for me
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Um amigo meu da Áustria ficou tão triste por mim
02:22
that he talked the largest casino owner in Linz
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que convenceu o dono do maior cassino de Linz
02:27
into letting us wrap his building.
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a nos deixar embalar seu prédio.
02:30
So this is the big pedestrian zone in Linz.
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Essa é uma grande área de pedestres em Linz
02:32
It just says "Money," and if you look down the side street,
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e diz apenas "Dinheiro". Se você olhar da rua lateral,
02:36
it says, "does not make me happy."
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você vê "não me faz feliz."
02:39
We had a show that just came down last week in New York.
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Tivemos uma mostra, viemos para Nova Iorque na semana passada,
02:45
We steamed up the windows permanently,
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nós embaçamos janelas permanentemente,
02:47
and every hour we had a different designer come in
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e a cada hora nós tinhamos um designer diferente
02:51
and write these things that they've learned into the steam in the window.
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escrevendo algo que aprenderam na janela embaçada.
02:55
Everybody participated -- Milton Glaser,
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Todos participaram -- Milton Glaser.
02:59
Massimo Vignelli.
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Massimo Vignelli.
03:02
Singapore was quite in discussion.
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Cingapura estava em discussão.
03:06
This is a little spot that we filmed there
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Esse é um pequeno vídeo que filmamos lá
03:11
that's to be displayed on the large JumboTrons in Singapore.
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para ser passado em telões em Cingapura.
03:17
And, of course, it's one that's dear to my heart,
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E claro que essa peça mexe muito comigo
03:22
because all of these sentiments --
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porque todos esses sentimentos,
03:24
some banal, some a bit more profound --
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alguns banais, outros mais profundos,
03:27
all originally had come out of my diary.
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saíram originalmente do meu diário.
03:43
And I do go often into the diary
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E eu sempre consulto meu diário
03:45
and check if I wanted to change something about the situation.
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para refletir se quero mudar alguma coisa daquela situação.
03:51
If it's -- see it for a long enough time,
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E se eu refletir por tempo suficiente,
03:53
I actually do something about it.
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eu realmente faço algo a respeito.
03:57
And the very last one is a billboard.
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E o último é um painel.
04:04
This is our roof in New York, the roof of the studio.
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Esse é o telhado do nosso estúdio em Nova Iorque.
04:08
This is newsprint plus stencils that lie on the newsprint.
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Isto é papel jornal com estêncil por cima
04:13
We let that lie around in the sun.
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O deixamos um tempo no sol.
04:14
As you all know, newsprint yellows significantly in the sun.
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E como sabem, o papel jornal amarela bastante no sol.
04:19
After a week, we took the stencils and the leaves off,
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Depois de uma semana, tiramos os estênceis,
04:21
shipped the newsprints to Lisbon to a very sunny spot,
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enviamos o painel para Lisboa, em um local bem ensolarado.
04:26
so on day one the billboard said,
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Então, no primeiro dia, o painel dizia:
04:28
"Complaining is silly. Either act or forget."
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"Reclamar é tolo. Aja ou esqueça"
04:31
Three days later it faded, and a week later,
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Três dias depois começou a sumir, e uma semana depois,
04:34
no more complaining anywhere.
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mais nenhuma reclamação.
04:37
(Laughter)
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(Risadas)
04:38
Thank you so much.
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Muito obrigado.
04:39
(Applause)
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(Aplausos)
Translated by Andre Cunha
Reviewed by Eduardo Fernandes

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ABOUT THE SPEAKER
Stefan Sagmeister - Graphic designer
Renowned for album covers, posters and his recent book of life lessons, designer Stefan Sagmeister invariably has a slightly different way of looking at things.

Why you should listen

Stefan Sagmeister is no mere commercial gun for hire. Sure, he's created eye-catching graphics for clients including the Rolling Stones and Lou Reed, but he pours his heart and soul into every piece of work. His design work is at once timeless and of the moment, and his painstaking attention to the smallest details creates work that offers something new every time you look at it.

While a sense of humor invariably surfaces in his designs, Sagmeister is nonetheless very serious about his work; his intimate approach and sincere thoughtfulness elevate his design. A genuine maverick, Sagmeister achieved notoriety in the 1990s as the designer who self-harmed in the name of craft: He created a poster advertising a speaking engagement by carving the salient details onto his torso.

More profile about the speaker
Stefan Sagmeister | Speaker | TED.com

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