ABOUT THE SPEAKER
Prumsodun Ok - Interdisciplinary artist
TED Fellow Prumsodun Ok heals, empowers and advocates using the ancient art of Khmer classical dance.

Why you should listen

Prumsodun Ok groundbreaking performances have been described as "radical beauty" by the Bangkok Post and have been staged throughout Cambodia, Thailand, Mexico, Greece and the United States. Ok's 2013 book Moni Mekhala and Ream Eyso was reviewed in the Asian Theatre Journal as “a sampeah kru ritual of a sort: an offering to teachers living and deceased and to Moni Mekhala [the Goddess of the Ocean] herself.”

Ok has brought a diverse group of artists, activists and scholars together for Children of Refugees, a program of talks and performances raising awareness for the Syrian refugee crisis. Among many honors, Ok is a TED Senior Fellow and was named by Tea Uglow, creative director of Google Creative Lab in Sydney,  an LGBT+ Creative Leader of Tomorrow for The Dots's and WeTransfer's Championing Diversity Initiative. Ok is based in Phnom Penh where he founded Prumsodun Ok & NATYARASA, Cambodia’s first gay dance company.

More profile about the speaker
Prumsodun Ok | Speaker | TED.com
TED2017

Prumsodun Ok: The magic of Khmer classical dance

普姆桑顿·奥克: 高棉古典舞的神奇力量

Filmed:
1,616,145 views

1000多年来,高棉古典舞舞者一直被视为上天与苍生之间的桥梁。普姆桑顿·奥克是柬埔寨首家男同性恋舞蹈公司的创始人,他通过舞蹈与演讲生动阐述了高棉古典舞的丰富历史与如今的复兴,承担起艺术家作为信使的角色,向大众传递讯息。
- Interdisciplinary artist
TED Fellow Prumsodun Ok heals, empowers and advocates using the ancient art of Khmer classical dance. Full bio

Double-click the English transcript below to play the video.

00:12
"Robam罗巴姆 kbachkbach boran硼烷,"
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“Robam kbach boran (宫廷舞蹈)”,
00:14
or the art艺术 of Khmer高棉 classical古典 dance舞蹈,
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即高棉古典舞,
00:16
is more than 1,000 years年份 old.
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已经有超过1000年的历史了。
00:19
It was developed发达 as a prayer祷告 in movement运动
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这种舞蹈被人们用于
00:21
for rain and fertility生育能力,
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祈求雨水和丰收,
00:23
and a prosperity繁荣 that this meant意味着
for an agricultural农业的 society社会.
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预示农业社会的繁荣。
00:29
Dancers舞者 who were both men男人 and women妇女
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舞者中有男有女,
00:31
were offered提供 to temples寺庙
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他们作为上天与苍生之间的
00:33
where they served提供服务 as living活的 bridges桥梁
between之间 heaven天堂 and earth地球.
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桥梁被供奉给寺庙。
00:36
Their dancing跳舞 bodies身体 carried携带的 the prayers祈祷
of the people up to the gods,
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他们用舞蹈将人们的祷告带给神明,
00:41
and the will of the deities神佛
was delivered交付 back through通过 them
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再将神明的启示传达给
00:45
to the people and the land土地.
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苍生和大地。
00:49
There are a lot of curves曲线 in Khmer高棉 dance舞蹈.
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高棉舞蹈中有很多曲线,
00:53
Our backs are arched拱形的,
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我们把背拱起,
00:55
our knees膝盖 are bent弯曲,
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膝盖弯曲,
00:57
our toes脚趾 are curled卷曲,
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脚尖卷起,
00:59
our elbows肘部 are hyperflexedhyperflexed
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手肘屈曲,
01:02
and our fingers手指 are curved弯曲 backwards向后.
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手指内扣。
01:05
All of these curves曲线
create创建 a serpentine蛇纹石 impression印象,
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这些曲线会让人想起蛇。
01:09
and this is important重要 because before
the introduction介绍 of major重大的 religions宗教,
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这一点很重要,
因为在宗教进入之前,
01:14
Khmers高棉人, and people all over the world世界
practiced animism万物有灵论.
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高棉人和其他地方的人一样,
都相信万物有灵。
01:21
Serpents were especially特别 important重要
in this belief信仰 system系统
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在这个信仰体系里,
蛇占有重要的位置。
01:24
because in their fluid流体,
curvilinear曲线 movement运动,
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它们蜿蜒流畅的前进姿态,
01:28
they mimicked模仿 the flow of water.
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如流水一般,
01:31
So to invoke调用 the serpent
in your dancing跳舞 body身体 then
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所以用舞蹈表现蛇的姿态其实也是在
01:35
was to conjure变戏法 the image图片
of rivers河流 cutting切割 across横过 the earth地球:
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展现河川塑造大地形态的样子。
01:39
inspire启发 the flow of life-giving起死回生 waters水域.
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让人们联想到孕育生命的水。
01:45
As you can see then,
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各位可以想见,
01:46
Khmer高棉 classical古典 dance舞蹈
is a transformation转型 of nature性质,
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高棉古典舞代表着自然的变化,
01:50
of both the physical物理 world世界 around us
and of our own拥有 internal内部 universe宇宙.
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代表着我们周围以及内心世界的变化。
01:55
We have four primary
hand gestures手势 that we use.
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这种舞蹈主要包括四种手势,
01:58
Can we do them together一起?
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我们一起试一试?
02:00
Yeah? OK.
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可以吗?好的。
02:04
This is a tree.
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这是一颗树,
02:07
That tree will grow增长,
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树会生长,
02:10
and then it will have leaves树叶.
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它会长出叶子,
02:14
After it has leaves树叶,
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长出叶子以后。
02:16
it'll它会 have flowers花卉,
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它会开花,
02:19
and after it has flowers花卉,
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开完花以后,
02:22
it'll它会 have fruit水果.
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它会结果。
02:24
That fruit水果 will drop下降
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果实会掉落,
02:27
and a new tree will grow增长.
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又会长出新的树。
02:29
And in those four gestures手势
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这四种手势
02:31
is the cycle周期 of life.
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代表了生命的循环。
02:40
These four gestures手势 are then used
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舞者用这四种手势
02:43
to create创建 a whole整个 entire整个 language语言
with which哪一个 dancers舞者 express表现 themselves他们自己.
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创造了一种可以表达自我的语言。
02:48
So for example,
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比如
02:49
I can say,
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我会说:
02:50
"I."
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“我”。
02:53
"I."
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“我”。
02:54
In dance舞蹈 that would be ...
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在舞蹈里就是
02:58
"I."
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“我”。
03:00
Or I can say ...
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我也可以说
03:03
"Hey you, come here, come here."
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“你,过来,过来。”
03:06
In dance舞蹈 ...
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在舞蹈里,
03:11
"Come here,"
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“过来。”
03:12
or, "Go, go."
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或者“去去去。”
03:14
(Laughter笑声)
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(笑声)
03:18
"Go."
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“去”。
03:20
And everything from ...
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既可以表达
03:24
love ...
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爱,
03:31
to sadness,
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悲伤,
03:33
to --
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也可以是
03:34
(Stomping跺脚)
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(跺脚声)
03:35
anger愤怒
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愤怒,
03:37
can be expressed表达
through通过 the dance舞蹈 as well.
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都可以通过舞蹈去表达。
03:42
There's a certain某些 magic魔法
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这其中蕴含着一股神奇的力量,
03:43
in the way that things are filtered过滤,
transformed改造 and put together一起
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事物经过筛选、改变、组合,
03:48
to create创建 limitless无限 possibilities可能性 in art艺术.
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创造出了艺术的无限可能。
03:51
The Khmer高棉 word for art艺术,
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高棉语中的“艺术”一词
03:53
silapaksilapak,
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叫“silapak”,
03:54
in fact事实, at its root, means手段 "magic魔法."
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根据词根,意为“魔法”。
03:58
The artist艺术家 --
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“艺术家”
03:59
the silapakarsilapakar,
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高棉语为“silapakar”
04:01
or the silapakaranisilapakarani, then,
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或“silapakarani”,
04:02
is nothing short of a magician魔术师.
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意为魔术师。
04:06
I am very proud骄傲 to say
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我可以非常自豪地说,
04:08
that I belong属于 to a long line线 of magicians魔术师,
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自己师承多代魔术师,
04:11
from my teacher老师, Sophiline索菲林 Cheam切姆 Shapiro夏皮罗,
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从我的老师夏皮诺
(Sophiline Cheam Shapiro)
04:14
to her teachers教师 who were stars明星
in the royal王室的 palace,
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到我老师的老师们,
她们当时是皇宫里的红人,
04:18
to the ancient dancers舞者 of Angkor吴哥
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到吴哥窟的舞蹈先辈,
04:21
and to the primal原始 villagers村民
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再到远古村落的居民们,
04:22
from which哪一个 the art艺术 form形成
originally本来 took life.
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他们让这种艺术形式得以萌发。
04:27
That said,
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大家知道
04:28
our cherished珍爱的 heritage遗产 was once一旦
almost几乎 completely全然 destroyed销毁.
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这份珍贵的遗产
曾经差点被彻底摧毁。
04:36
If you are wearing穿着 glasses眼镜,
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如果你戴眼镜,
04:38
please stand up.
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请起立。
04:44
If you speak说话 more than one language语言,
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如果你会说两种及以上的语言,
04:47
please stand up.
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请起立。
04:53
If you have light skin皮肤,
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如果你皮肤很白,
04:54
please stand up.
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请起立。
05:03
Your glasses眼镜 meant意味着
that you could afford给予 health健康 care关心.
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你戴眼镜说明你付得起医保。
05:08
That second第二 or third第三 language语言 you spoke
indicated指示 your elite原种 education教育.
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会说第二种或第三种语言
说明你接受过良好的教育。
05:15
Your light skin皮肤 meant意味着
you didn't have to work beneath下面 the sun太阳.
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皮肤白说明你不需要在太阳底下劳作。
05:20
Under the Khmer高棉 Rouge胭脂,
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红色高棉
05:21
who took over Cambodia柬埔寨 from 1975 to 1979,
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在1975至1979年间统治了柬埔寨,
05:25
we would all be dead now,
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要是在那时,我们已经死了,
05:28
targeted针对 because of our assumed假定 privilege特权.
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就因为我们身上的特权。
05:37
You see,
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各位可以想见,
05:38
the Khmer高棉 Rouge胭脂 looked看着 to Cambodia柬埔寨,
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红色高棉眼中的柬埔寨,
05:40
and they saw centuries百年
of rigid死板 inequality不等式.
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让他们看到了长达几个世纪、
顽硬不化的不平等。
05:44
The king国王 and the few少数 elites精英 around him
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国王和他身边的少数精英阶级
05:46
had all the pleasures乐趣
and comforts舒适 of the world世界
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极尽全天下的享受于一身,
05:49
while the mass majority多数
suffered遭遇 from backbreaking非常辛劳的 labor劳动
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而民众则要艰苦劳作,
05:52
and harsh苛刻 poverty贫穷.
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忍受贫穷。
05:54
You don't need a history历史 book
to see that this is true真正.
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事实显而易见,
都不需要查阅历史书。
05:58
The Khmer高棉 word for "I,"
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高棉语中的
06:00
for "me,"
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“我”,
06:02
is khnhomkhnhom.
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叫做“khnhom”。
06:05
This very same相同 word can also mean "slave奴隶"
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这个词的意思也可以是“奴隶”,
06:08
and dancers舞者 were in fact事实 known已知
as knhomknhom preah柏威夏 robam老板电器,
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而舞者则被称作
“knhom preah robam”,
06:12
or "slaves奴隶 of the sacred神圣 dance舞蹈."
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意为“神圣舞蹈的奴隶”。
06:17
The Khmer高棉 Rouge胭脂 sought追捧
to end结束 slavery奴隶制度 in Cambodia柬埔寨,
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红色高棉本想结束柬埔寨的奴役,
06:20
yet然而 somehow不知何故 they turned转身
everyone大家 into slaves奴隶 to do it.
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到头来却让所有人成了奴隶。
06:24
They became成为 the oppression压迫
that they sought追捧 to end结束.
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他们则成了自己想要结束的压迫力量。
06:28
They evacuated疏散 the capital首都
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他们把人赶出都城,
06:30
and forced被迫 people into labor劳动 camps营地.
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强迫民众进入劳改营。
06:32
They tore撕毁 families家庭 apart距离
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家庭四分五裂,
06:34
and brainwashed洗脑 children孩子
against反对 their own拥有 parents父母.
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孩子们被洗脑,
反过来对抗自己的父母。
06:38
Everywhere到处, people were dying垂死
and being存在 killed杀害,
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到处都是奄奄一息的人或尸体,
06:41
losing失去 their lives生活 from disease疾病,
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他们因为疾病,
06:43
overwork工作过度,
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过度劳作,
06:44
execution执行 and starvation饥饿.
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处决、饥荒而丧命。
06:48
The result结果 of this is that an entire整个 third第三
of Cambodia's柬埔寨的 population人口 was lost丢失
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柬埔寨人口因而减少了三分之一,
06:53
in less than four years年份,
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而这仅仅用了不到四年的时间,
06:55
and in that number were 90 percent百分
of Khmer高棉 dance舞蹈 artists艺术家.
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其中有90%的人
是高棉舞蹈的艺术家。
07:00
In other words,
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换句话说,
07:01
nine out of 10 visions愿景
for the tradition传统 and future未来 were lost丢失.
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继承传统与未来希望的人
仅剩下十分之一。
07:07
Thankfully感激地, however然而,
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但幸运的是,
07:09
it was my teacher's教师 teachers教师,
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我老师的老师们
07:11
Chea Samy萨米, Soth索思 Sam山姆 On and Chheng陈恒 Phon,
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契萨梅、索潘桑和琴朋,
07:15
who would lead the revival复兴 of the art艺术 form形成
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她们让这种艺术形式
重新焕发了光彩,
07:17
from the ashes灰烬 of war战争 and genocide种族灭绝:
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从战争和种族屠杀的
残垣断壁中重生:
07:20
one student学生,
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一个学生,
07:22
one gesture手势,
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一个动作,
07:23
one dance舞蹈 at a time.
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一套舞蹈,一步一步来。
07:25
They wrote the love,
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她们将爱,
07:27
magic魔法,
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魔法,
07:29
beauty美女,
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美,
07:30
history历史 and philosophy哲学 of our lineage血统
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历史和哲学
07:32
into the bodies身体 of the next下一个 generation.
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灌注到下一代人身上。
07:37
Nearly几乎 40 years年份 later后来,
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近40年后,
07:39
Khmer高棉 classical古典 dance舞蹈
has been revived复活 to new heights高度.
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高棉古典舞已经恢复到了新的高度,
07:44
Yet然而 somehow不知何故 it still exists存在
in a vulnerable弱势 environment环境.
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但所处环境依旧脆弱。
07:48
The disastrous惨重 effects效果 of war战争
still haunt出没 Khmer高棉 people today今天.
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战争的阴霾仍然挥之不去,
07:52
It is written书面 in our bodies身体,
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侵害着我们的身体,
07:54
manifested表现 in a genetic遗传 passage通道 of PTSDPTSD
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让我们遗传了创伤后应激障碍,
07:58
and in families家庭 facing面对 cyclical周期性 poverty贫穷
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一个个家庭始终
逃脱不了贫困的循环,
08:01
and immense巨大 cultural文化 rifts裂谷
and language语言 barriers障碍.
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文化和语言的传播
则产生了极大的障碍。
08:06
Yet然而 beauty美女 is a most resilient弹性 thing.
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但美拥有极强的适应力。
08:11
Beauty美女 has this ability能力
to grow增长 anywhere随地 and everywhere到处
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美可以在任何时间、任何地点
08:14
at any time.
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生根发芽。
08:17
Beauty美女 is what connects所连接 people
through通过 time and place地点.
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美可以穿越时间和地点,
将人们联系在一起。
08:22
Beauty美女 is a liberation解放 from suffering痛苦.
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美可以让人们拜托苦痛。
08:28
As Khmer高棉 artists艺术家 work to revive复活
our culture文化 and country国家,
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柬埔寨艺术家们正努力
复兴他们的文化与国家,
08:32
we find that there are many许多 paths路径
in which哪一个 to move移动 forward前锋 into the future未来.
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我们知道,通往未来有无数条路。
08:38
And in a tradition传统 where we often经常
don't know the dancer's舞者的 names,
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按传统来说,我们不知道舞者的名字,
08:42
who they were,
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他们是谁,
08:43
what their lives生活 were like,
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生活经历怎样,
08:45
what they felt,
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内心感受如何,
08:47
let me propose提出 that we move移动 forward前锋
honestly老老实实 and openly公然 from "khnhomkhnhom."
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我提议,从真诚开放地
看待“khnhom”一词开始,
08:53
Khnhom赫霍姆 not as in slave奴隶,
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khnhom 指的不是奴隶,
08:55
but as in conscious意识 service服务.
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而是自愿的行为。
08:58
Khnhom赫霍姆:
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Khnhom:
09:00
"I,"
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“我”,
09:01
"me,"
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“我”,
09:03
"flowering开花."
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“盛放”。
09:06
My name名称 is Prumsodun普鲁姆索敦 Ok.
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我的名字叫普姆桑顿·奥克,
09:08
I am Khmer高棉,
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我是高棉人,
09:10
and I am American美国.
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也是美国人,
09:12
I am the child儿童 of refugees难民,
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我是难民的后代,
09:14
a creator创造者, a healer治愈者,
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一个创作者,一位治愈者,
09:16
and a builder建设者 of bridges桥梁.
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也是桥梁的建设者。
09:18
I am my teacher's教师 first male student学生
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我是老师的第一个男学生,
09:21
in a tradition传统 understood了解
by many许多 as female,
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舞者在传统上都是由女性传承,
09:24
and I founded成立 Cambodia's柬埔寨的 first
gay同性恋者 dance舞蹈 company公司.
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而我则成立了柬埔寨
第一家同性恋舞蹈公司。
09:28
I am the incarnation化身
of the beauty美女, dreams and power功率
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先辈们的美、梦想和力量
09:33
of those who came来了 before me.
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在我身上得到了显现。
09:34
The convergence收敛
of past过去, present当下 and future未来,
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个人与集体的过去、现在和未来
09:38
and of individual个人 and collective集体.
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交汇在一起。
09:43
Let me then play
that ancient and ageless永恒 role角色
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接下来我将承担起
艺术家作为信使的角色,
09:46
of the artist艺术家 as messenger信使,
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传达信息,延续
这一亘古不变的使命,
09:48
by sharing分享 the words of Chheng陈恒 Phon
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琴朋曾说过:
09:52
"A garden花园 with only one type类型 of flower,
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“花园里只有一种花,
09:55
or flowers花卉 of only one color颜色,
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或是所有的花只有一种颜色,
09:57
is no good."
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都不是件好事。”
10:00
This is a reminder提醒 that our strength强度,
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这提醒着我们,我们的力量,
10:04
growth发展,
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发展,
10:05
survival生存
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生存
和我们的存在
10:06
and very existence存在,
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10:07
lies in diversity多样.
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都诞生于多样性之中。
10:10
It is, however然而,
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但是,
10:11
a message信息 of courage勇气 as well.
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它同时还传达出了一份勇气。
10:15
For a flower does not ask
for anyone's任何人的 permission允许 to bloom盛开.
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鲜花的绽放不需要征求别人的应允。
10:20
It was born天生 to offer提供 itself本身 to the world世界.
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鲜花生来就可以把自己奉献给世界。
10:23
Fearless无畏 love is its nature性质.
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其本质,是无所畏惧的爱。
10:26
Thank you.
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谢谢。
10:28
(Applause掌声)
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(掌声)
Translated by Fan WANG
Reviewed by KYEONGMIN WOO

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ABOUT THE SPEAKER
Prumsodun Ok - Interdisciplinary artist
TED Fellow Prumsodun Ok heals, empowers and advocates using the ancient art of Khmer classical dance.

Why you should listen

Prumsodun Ok groundbreaking performances have been described as "radical beauty" by the Bangkok Post and have been staged throughout Cambodia, Thailand, Mexico, Greece and the United States. Ok's 2013 book Moni Mekhala and Ream Eyso was reviewed in the Asian Theatre Journal as “a sampeah kru ritual of a sort: an offering to teachers living and deceased and to Moni Mekhala [the Goddess of the Ocean] herself.”

Ok has brought a diverse group of artists, activists and scholars together for Children of Refugees, a program of talks and performances raising awareness for the Syrian refugee crisis. Among many honors, Ok is a TED Senior Fellow and was named by Tea Uglow, creative director of Google Creative Lab in Sydney,  an LGBT+ Creative Leader of Tomorrow for The Dots's and WeTransfer's Championing Diversity Initiative. Ok is based in Phnom Penh where he founded Prumsodun Ok & NATYARASA, Cambodia’s first gay dance company.

More profile about the speaker
Prumsodun Ok | Speaker | TED.com

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