Amit Sood: Every piece of art you've ever wanted to see -- up close and searchable
Amit Sud (Amit Sood): Svako umetničko delo koje ste ikad želeli da vidite - izbliza i lako za pretragu
As the director of Google's Cultural Institute and Art Project, Amit Sood leads the effort to bring cultural artifacts from museums, archives and foundations onto the web in extraordinary detail. Full bio
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with incredible objects
without real access to arts and culture.
bez pravog pristupa umetnosti i kulturi.
when we start exploring our heritage,
kad počnemo da istražujemo naše nasleđe,
and the art in this world?
in this presentation,
of a few housekeeping points.
na nekoliko tačaka održavanja.
za umetnost ili kulturu.
but I'm loving it.
ali veoma mi se sviđa.
I'm going to show you
archives and foundations
arhivima i fondacijama
on your mobile phones,
na vašim mobilnim telefonima,
gde možete da istražujete
where you can explore
and objects at your fingertips,
koji su vam nadomak prstiju,
is what's amazing.
we launched the "Black History" channel
pokrenuli smo kanal "Crna istorija"
in that community.
u toj zajednici.
amazing objects from Japan,
neke sjajne objekte iz Japana,
called "Made in Japan."
nazvane "Proizvedeno u Japanu".
a fan of Japanese dolls.
japanskih lutki.
about the craftsmanship
o umešnosti izrade
da vam pokažem na ovoj platformi,
to showcase in this platform,
and your friends right now,
s vašom decom i prijateljima
amazing institutions virtually, as well.
da putujete na sve ove sjajne ustanove.
The Guggenheim Museum in New York,
s muzejom Gugenhajm u Njujorku
of what it might feel like
I assume, have been there.
bila je tamo.
masterpiece that it is.
da je to remek-delo arhitekture.
for a kid in Bombay
znači za dete iz Bombaja
to go to The Guggenheim as yet.
da poseti Gugenhajm.
in the Guggenheim Museum,
iz muzeja Gugenhajm,
and so on and so forth.
i tako dalje.
of my talk today.
to a very exciting future,
za veoma uzbudljivu budućnost,
by my good friend and artist in residence
moj dobar prijatelj i gostujući umetnik
Siril Dijan,
in Lausanne, Switzerland.
u Lozani u Švajcarskoj.
of engineers have been doing
and visualize a few of these.
i da vizualizuju neke od njih.
behind me -- oh, just clarification:
eh, samo da objasnim:
I'm trying to replicate the real thing.
da repliciram prave objekte.
is the Venus of Berekhat Ram.
je Venera iz Berekat Rama.
objekata na svetu,
objects in the world,
around 233,000 years ago,
pre oko 233.000 godina
at the Israel Museum in Jerusalem.
u Izraelskom muzeju u Jerusalimu.
objects on our platform.
objekata na našoj platformi.
our own cultural big bang?
naš sopstveni kulturološki veliki prasak?
at the Cultural Institute --
na Institutu za kuturu -
curated and given to us by institutions,
su institucije odabrale i poklonile nama
about our society through these.
naše društvo preko njih.
from the perspective of our planet,
iz ugla naše planete
it might look without borders,
kako bi izgledalo bez granica,
umetnosti i kulturu.
in me, is very fascinating.
u meni, veoma fascinantno.
looking at every decade
posmatrajući svaku deceniju
in that decade and in those years
showing you each and every decade,
pokazujući vam baš svaku deceniju,
and actually do it yourself.
i zapravo to sami uradite.
and can hold your applause till later,
zadržite aplauz za kasnije,
a lot of cool stuff.
mnogo sjajnih stvari.
to another very interesting idea.
do još jedne veoma zanimljive ideje.
from discussions with curators
iz diskusije s kustosima
to try to tell these stories.
kako bi ispričali ove priče.
"Amit, what would it be like
"Amite, kako bi izgledalo
a virtual curator's table
virtuelnu tabelu za kustose
to look at the connections between them?"
da tražimo veze među njima?"
looking at different objects
verujte mi, posmatrajući različite objekte
Vincent Van Gogh,
Vinsenta van Goga,
on this platform.
na ovoj platformi.
of the institutions we have,
institucija ovde,
amazing artworks by this artist,
u visokoj rezoluciji od ovog umetnika,
and as Cyril goes deeper,
i Siril ide dublje,
jedan veoma kratak primer,
one very quick example,
where three copies exist --
koga postoje tri kopije -
Čikaškom umetničkom institutu,
is hosting a reunion
domaćin fizičkog okupljanja
for anybody to look at
tako da ih svako može videti
in the line in the crowd.
through "The Bedroom" very quickly,
kroz "Spavaću sobu" veoma brzo,
for every single object.
sa svakim objektom.
as much as it can
connection and a computer
je internet veza i kompjuter.
a little bit of --
Renaissance -- you name it,
renesansu - šta god,
what can attract you
or to a cultural discovery.
ili kulturološkog otkrića.
it was quite a challenge
to bio popriličan izazov
my full-time job at Google,
stalni posao u Guglu,
naročitu podršku.
with this museum stuff.
na ove muzejske stvari.
you do when you go on vacation
kad ste na odmoru
I realized one day that she loves gold.
shvativši jednog dana da voli zlato.
that have the material gold in them.
sve objekte koji imaju zlato u sebi.
nije toliko velika,
je to nemoguće, majko.
actually do that, mom.
I meet her, she asks me,
kad me vidi pita:
in your project? Can you show me?"
u tvom projektu? Možeš li da mi pokažeš?"
I'm trying to illustrate.
koju pokušavam da ilustrujem,
o razigranoj ideji, zapravo,
quite quickly on this one.
in person is amazing.
gledanje umetnina uživo.
that most of us can't do it,
da većina nas to ne može da uradi,
to do it, it's complicated.
komplikovano je.
up our art trip, what do we call it?
umetničko putovanje, kako ga zovemo?
around 1,000 amazing institutions,
oko 1000 sjajnih institucija,
Rembrandt object artworks
Rembrantovih umetničkih dela
every single one of them.
53,000 kilometers,
53.000 kilometara,
10 tons of CO2 emissions.
oslobodili biste 10 tona CO2.
perhaps, in some way.
more technical and more interesting.
više tehničko i interesantnije.
uses metadata to make the connections.
koristi metapodatke za pravljenje veza.
something cool nowadays
which is machine learning.
a to je mašinsko učenje.
let's strip out all the metadata,
hajde da ogolimo sve metapodatke,
može da postigne
of this entire collection.
prepoznavanju čitave ove kolekcije.
is this very interesting map,
ovu veoma zanimljivu mapu,
no reference point information,
informacije s referencama,
to cluster things together.
by itself of discovery.
je za nas umetnost.
to show you very quickly
da vam pokažemo na kratko
around the world.
a little bit more, Cyril.
just travel through portraits.
da možete da putujete putem portreta.
you can do horses
možete s konjima,
something fun for kids,
nešto zabavno za decu
zainteresovali za portrete?"
to go to a portrait gallery.
zbog posete galeriji portreta.
što se zove uparivanje portreta.
called the portrait matcher.
show his beautiful face.
da pokaže svoje lepo lice.
with the movement of his head,
da pokretima svoje glave,
around the world from museums.
iz muzeja širom sveta.
"When can we go see this?"
"Kad možemo da vidimo ovo?"
and find a happy one?
i pronađeš srećni primerak?
Sjajan materijal. Alal vera!
this will just take the whole time.
ovo će nam uzeti sve vreme.
can be fun also, right?
mogu i da budu zabavni, ne?
comes back to machine learning.
nas vraća mašinskom učenju.
to also name these clusters?
da takođe imenuje ove grupe?
them, using no actual metadata?
bez upotrebe stvarnih metapodataka?
I think, around 4,000 labels.
verujem, oko 4000 oznaka.
done anything special here,
bilo šta naročito ovde,
a very straightforward category.
veoma jednostavna kategorija.
kako je mašina unela
that the machine has put
right over there,
tačno ovde,
and cluster as horses.
i grupiše kao konja.
in terms of a horse.
u konjskom smislu.
as to why it got categorized in this.
which I found very funny and interesting,
koja mi je veoma smešna i zanimljiva
how this category came up.
kako smo došli do ove kategorije.
these amazing images
koje čekaju ili poziraju.
moje kontakte iz muzeja,
my museum contacts,
What's going on here?"
obeležila sve zlato.
tagged all the gold.
ne obeležava kao zlato.
because I'm moving too fast.
jer suviše brzo pričam.
all the bling-bling
and these experiments,
i ovih eksperimenata,
is happiness and emotion.
osećati sreću i emocije.
when we see happiness?
that was very fascinating and interesting,
koji je veoma fascinantan i zanimljiv,
by Douglas Coupland,
Daglasa Koplanda,
in residence as well,
preinternetski mozak".
it misses its pre-Internet brain
njen preinternetski mozak
preinternetski mozak,
umetnosti i kulture na internetu.
arts and culture online.
take out your computers,
izvadite kompjutere,
to all the amazing archivists,
svih divnih arhivara,
preserving all this culture.
čuvajući svu tu kulturu.
svoju dnevnu dozu umetnosti i kulture
our daily dose of art and culture
ABOUT THE SPEAKER
Amit Sood - TechnologistAs the director of Google's Cultural Institute and Art Project, Amit Sood leads the effort to bring cultural artifacts from museums, archives and foundations onto the web in extraordinary detail.
Why you should listen
Amit Sood is the director of Google's Cultural Institute. He and his team work on making art and culture accessible and engaging for everyone. They have partnered with over 1,000 museums, archives and other institutions from more than 70 countries to bring our shared heritage onto the web and connect them with people through new technologies. Most recently they have been experimenting with combining art with machine learning algorithms and other advanced technologies to create new ways to explore our cultures.
Amit Sood | Speaker | TED.com