Jason deCaires Taylor: An underwater art museum, teeming with life
Jason deCaires Taylor: Podvodní muzeum, které překypuje životem
Jason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature. Full bio
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or was at all possible,
a velmi klopotném učení
and a very steep learning curve,
„Ztraceného dopisovatele“.
called "The Lost Correspondent."
and a local dive center,
a místním centrem potápěčů
do moře u pobřeží Grenady,
off the coast of Grenada,
underwater sculpture park.
park se sochami na světě.
and started by casting local fisherman.
ztvárňovat místní rybáře.
in defense of the sea.
lidí chránících moře.
is not just for greenhouses.
nemusí mít zrovna skleník.
rising 16 feet up to the surface
a váží přes 40 tun.
an underwater botanical garden,
botanickou zahradu,
in the Atlantic Ocean.
and designs that help encourage life;
v projektech, pomáhají podporovat život.
provides a stable and permanent platform.
s dlouhou životností a neutrálním pH.
coral polyps to attach.
korálům přichytit se.
směrem po proudu,
from natural reefs
there's areas for them to settle.
měly kde usadit.
so that they aggregate fish
aby mohly pojmout
has an internal living habitat
či mořští ježci,
i vnitřek tohoto VW Brouka.
such as lobsters and sea urchins.
na dně oceánu?
není to zrovna snadné.
under a hundred-foot crane,
spouští obří jeřáb
down to the sea floor,
have taken up watercolor painting instead.
měli dát na malování akvarelem.
always blow my mind.
incredible exhibition space
si nemůže umělec
která se každou hodinu mění,
changing by the hour,
do tajemných oblaků;
the sculptures in a cloud of mystery,
of inquisitive visitors,
svoji jedinečnou stopu.
special touch to the site.
thing about what we do,
submerge the sculptures,
a doslova vzniká nový svět.
literally starts to evolve,
but nothing man-made
ale žádný lidský výtvor
na tvářích soch jako žíly.
bílé klikyháky.
the bodies feeding at night.
na tělech soch potravu.
a kind of purple paint.
purpurový nádech.
in my life lives underwater.
červeň jako pod vodou.
glide silently overhead.
z celého světa mě přesvědčují,
we've had to these works
to plug into something really primal,
do čehosi prapůvodního.
translate across the world,
po celém světě stejně.
umělecké zodpovědnosti
on my responsibility as an artist
in the middle of the ocean,
uprostřed oceánu,
really important effect of my work.
co je na mé práci nejzásadnější.
a oceány jsou ohrožené.
and our oceans are in trouble.
a nejvíce šířená fotografie
are beginning to understand
o životním prostředí
and the destruction of nature,
se musí stát i oceány.
about our oceans, too.
we've seen some phenomenal
a nečekané úspěchy.
of new habitats and living reef,
nového habitatu s živoucími korály,
teď vyhledávají také podvodní muzeum,
now divide half their time
for natural, overstressed areas.
výrazně méně zatížené.
in the Bahamas highlighted a leak
na Bahamách upozornili na únik
forced the local government
mezinárodních médií
na vyčištění pobřeží.
in coastal cleanups.
was instrumental
místa za mořskou rezervaci.
a marine-protected area.
mohou strážci parku
now help fund park rangers
as a "Wonder of the World"
our oceans as sacred,
or the La Sagrada Família,
(La Sagrada Familia)
places and things,
to cherish them, to protect them
uchovávat, chránit
to assign that value;
understand that value.
by talking about sacred things.
pohovořil o tom, co je posvátné.
important and simple reason:
objects of great value to us,
mají velkou cenu.
že jsou, jaké jsou.
for them being themselves.
an egg at the Sistine Chapel,
házel vajíčka,
to build a seven-star hotel
7hvězdičkový hotel
a znečišťujeme naše oceány.
and overfish our oceans.
so plain and so enormous, as fragile.
ohromného a nedozírného.
obrovský a nedohledný.
too vast, too endless.
look past to the horizon.
vodní plocha moří s obzorem.
that we take it for granted.
že ho budeme brát jako samozřejmost.
s jarními prázdninami,
si tam jezdí na vodních skútrech
can ride around on Jet Skis
there's now a little corner of Cancun
v Cancúnu malé zákoutí,
these Four Horsemen of the Apocalypse
do Temže toto sousoší,
of the Houses of Parliament,
přímo naproti parlamentu,
about climate change
the power to help change things.
kteří mohou něco změnit.
the beginning of the mission.
educators, biologists,
to the natural history museum
do muzea dějin přírody
tunelem ze skla,
through a dry-glass viewing tunnel,
all the wildlife of the land
volně žijící v oceánu.
ve velkém a dalekosáhleji.
and willpower can lead us?
představivost a odhodlání zavede?
our art into the ocean,
of amazing creativity
giving something back,
new environments to thrive,
či možná naopak velmi staré ‒
or maybe it's a really old way
ABOUT THE SPEAKER
Jason deCaires Taylor - SculptorJason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature.
Why you should listen
Born in 1974 to an English father and Guyanese mother, Taylor grew up in Europe and Asia, where he spent much of his early childhood exploring the coral reefs of Malaysia. Educated in the South East of England, Taylor graduated from the London Institute of Arts in 1998 with a BA Honours in Sculpture and went on to become a fully qualified diving instructor and underwater naturalist. With over 20 years diving experience under his belt, Taylor is also an award winning underwater photographer, famous for his dramatic images, which capture the metamorphosing effects of the ocean on his evolving sculptures.
In 2006, Taylor founded and created the world’s first underwater sculpture park. Situated off the west coast of Grenada in the West Indies, it is now listed as one of the Top 25 Wonders of the World by National Geographic and was instrumental in the creation of a national marine protected area by the local government. In 2009, he co-founded MUSA (Museo Subacuático de Arte), a monumental museum with a collection of over 500 of his sculptural works, submerged off the coast of Cancun, Mexico. Both of these ambitious, permanent public works have a practical, functional aspect, facilitating positive interactions between people and fragile underwater habitats while at the same relieving pressure on natural resources.
Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness, instigate social change and lead us to appreciate the breathtaking natural beauty of the underwater world. He is currently based in Lanzarote part of the Canary Islands where he is working on a major new underwater museum for the Atlantic Ocean.
Jason deCaires Taylor | Speaker | TED.com