ABOUT THE SPEAKER
Jason deCaires Taylor - Sculptor
Jason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature.

Why you should listen

Born in 1974 to an English father and Guyanese mother, Taylor grew up in Europe and Asia, where he spent much of his early childhood exploring the coral reefs of Malaysia. Educated in the South East of England, Taylor graduated from the London Institute of Arts in 1998 with a BA Honours in Sculpture and went on to become a fully qualified diving instructor and underwater naturalist. With over 20 years diving experience under his belt, Taylor is also an award winning underwater photographer, famous for his dramatic images, which capture the metamorphosing effects of the ocean on his evolving sculptures.

In 2006, Taylor founded and created the world’s first underwater sculpture park. Situated off the west coast of Grenada in the West Indies, it is now listed as one of the Top 25 Wonders of the World by National Geographic and was instrumental in the creation of a national marine protected area by the local government. In 2009, he co-founded MUSA (Museo Subacuático de Arte), a monumental museum with a collection of over 500 of his sculptural works, submerged off the coast of Cancun, Mexico. Both of these ambitious, permanent public works have a practical, functional aspect, facilitating positive interactions between people and fragile underwater habitats while at the same relieving pressure on natural resources.

Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness, instigate social change and lead us to appreciate the breathtaking natural beauty of the underwater world. He is currently based in Lanzarote part of the Canary Islands where he is working on a major new underwater museum for the Atlantic Ocean.

More profile about the speaker
Jason deCaires Taylor | Speaker | TED.com
Mission Blue II

Jason deCaires Taylor: An underwater art museum, teeming with life

Jason deCaires Taylor: Podvodni umjetnički muzej, pun života

Filmed:
1,650,316 views

Za kipara Jasona deCaires Taylor, ocean je više od muze -- on je prostor za izložbu i muzej. Taylor stvara skulpture ljudskih oblika i svakodnevnog života na kopnu i potapa ih na oceansko dno, gdje se prožimaju morem i transformiraju iz beživotnog kamenja u titrava staništa za korale, rakove i ostala stvorenja. Rezultat: Enigmatski, nezaboravni i živopisni komentari o našem prolaznom postojanju, svetosti oceana i njegove očaravajuće moći obnavljanja.
- Sculptor
Jason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature. Full bio

Double-click the English transcript below to play the video.

00:13
TenDeset yearsgodina agoprije,
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Prije deset godina,
00:14
I had my first exhibitionizložba here.
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predstavio sam prvu izložbu ovdje.
00:16
I had no ideaideja if it would work
or was at all possiblemoguće,
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Nisam znao hoće li upaliti ili je li
uopće moguće,
00:20
but with a fewnekoliko smallmali stepskoraci
and a very steepstrm learningučenje curvezavoj,
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no, malim koracima i vrlo
strmom krivuljom učenja,
00:24
I madenapravljen my first sculptureskulptura,
calledzvao "The LostIzgubio CorrespondentDopisnik."
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napravio sam prvu skulpturu
imena "Izgubljeni dopisnik."
00:28
TeamingO tome up with a marinemarinac biologistbiolog
and a locallokalne diveronjenje centercentar,
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Uz pomoć morskog biologa i
lokalnog ronilačkog centra,
00:31
I submergedpotopljeni the work
off the coastobala of GrenadaGrenada,
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potopio sam svoj rad
blizu obale Grenade,
00:34
in an areapodručje decimateddesetkovana by HurricaneUragan IvanIvan.
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u područje uništeno uraganom Ivan.
00:37
And then this incrediblenevjerojatan thing happeneddogodilo.
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Onda se nevjerojatna stvar dogodila.
00:40
It transformedpretvara.
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Transformirao se.
00:43
One sculptureskulptura becamepostao two.
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Jedna skulptura je postala dvije.
00:46
Two quicklybrzo becamepostao 26.
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Dvije su postale 26.
00:50
And before I knewznao it,
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I prije nego sam shvatio,
00:51
we had the world'ssvijetu first
underwaterpod vodom sculptureskulptura parkpark.
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imali smo prvi podvodni park skulptura
na svijetu.
00:56
In 2009, I movedpomaknuto to MexicoMeksiko
and startedpočeo by castinglijevanje locallokalne fishermanribar.
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2009. godine sam se preselio u Meksiko i
počeo lijevati lokalne ribare.
01:02
This grewrastao to a smallmali communityzajednica,
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Ovo je preraslo u malu zajednicu,
01:06
to almostskoro an entirečitav movementpokret of people
in defenseodbrana of the seamore.
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i u cijeli pokret ljudi za obranu mora.
01:11
And then finallykonačno, to an underwaterpod vodom museummuzej,
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I konačno, u podvodni muzej,
01:13
with over 500 livingživot sculpturesskulpture.
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s preko 500 živućih skulptura.
01:18
GardeningVrtlarstvo, it seemsčini se,
is not just for greenhousesStaklenici.
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Vrtlarstvo, čini se, nije samo
za staklenike.
01:23
We'veMoramo sinceod scaledumanjena up the designsdizajna:
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Otad smo ih povećali:
01:26
"OceanOcean AtlasAtlas," in the BahamasBahami,
risingrastući 16 feetnoge up to the surfacepovršinski
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"Oceanski Atlas", na Bahamima,
se uzdiže oko 5 m do površine
01:30
and weighingvaganje over 40 tonstona,
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i teži preko 40 tona,
01:33
to now currentlytrenutno in LanzaroteLanzarote,
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pa do trenutnog u Lanzaroteu,
01:35
where I'm makingizrađivanje
an underwaterpod vodom botanicalBotanički gardenvrt,
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gdje pravim podvodni
botanički vrt,
01:38
the first of its kindljubazan
in the AtlanticAtlantic OceanOcean.
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prvi te vrste u Atlantskom Oceanu.
01:42
EachSvaki projectprojekt, we use materialsmaterijali
and designsdizajna that help encourageohrabriti life;
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Za svaki projekt koristimo materijale i
dizajn koji potiču život;
01:47
a long-lastingDugotrajna pH-neutralpH neutralni cementcement
providespruža a stablestabilan and permanenttrajan platformplatforma.
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dugotrajni pH neutralan cement
pruža stabilnu i stalnu platformu.
01:53
It is texturedteksturom to allowdopustiti
coralkoraljni polypspolipi to attachpričvrstiti.
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Tekstura dopušta pričvršćivanje
koraljnih polipa.
01:57
We positionpoložaj them down currentstruja
from naturalprirodni reefsgrebeni
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Postavljamo ih nizvodno od
prirodnih grebena
02:00
so that after spawningmrijesta,
there's areaspodručja for them to settlepodmiriti.
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tako da se imaju gdje smjestiti
nakon mriješćenja.
02:05
The formationsformacije are all configuredkonfiguriran
so that they aggregateskupina fishriba
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Formacije su konfigurirane
tako da se ribe gomilaju
02:08
on a really largeveliki scaleljestvica.
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u velikom razmjeru.
02:12
Even this VWVW BeetleBuba
has an internalinterni livingživot habitatstanište
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Čak i ova VW Buba ima
unutrašnje životno stanište
02:16
to encourageohrabriti crustaceansrakovi
suchtakav as lobstersjastozi and seamore urchinsježinaca.
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koje podržava rakove kao što su
jastozi i morski ježevi.
02:22
So why exhibitizložak my work in the oceanokean?
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No, zašto izlagati svoj rad u oceanu?
02:25
Because honestlypošteno, it's really not easylako.
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Zato što iskreno, zaista nije lako.
02:28
When you're in the middlesrednji of the seamore
underpod a hundred-foot30 metara cranedizalica,
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Kada ste usred mora ispod 30 m
visokog krana,
02:31
tryingtežak to lowerdonji eightosam tonstona
down to the seamore floorkat,
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pokušavajući spustiti osam tona
na morsko dno,
02:34
you startpočetak to wonderčudo whetherda li I shouldn'tne treba
have takenpoduzete up watercolorakvarel paintingslika insteadumjesto.
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počnete se pitati ne bi li bilo bolje
da sam se radije prihvatio vodenih bojica.
02:38
(LaughterSmijeh)
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(Smijeh)
02:39
But in the endkraj, the resultsrezultati
always blowudarac my mindum.
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No, na kraju rezultati su uvijek
očaravajući.
02:42
(MusicGlazba)
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(Glazba)
03:04
The oceanokean is the mostnajviše
incrediblenevjerojatan exhibitionizložba spaceprostor
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Ocean je najnevjerojatniji
izložbeni prostor
03:07
an artistumjetnik could ever wishželja for.
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kojeg umjetnik može poželjeti.
03:09
You have amazingnevjerojatan lightingrasvjeta effectsefekti
changingmijenjanje by the hoursat,
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Imate zapanjujuće svjetlosne efekte
koji se mijenjaju svakog sata,
03:12
explosionseksplozija of sandpijesak coveringpokrivanje
the sculpturesskulpture in a cloudoblak of mysterymisterija,
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eksplozije pjeska prekrivaju
skulpture u oblaku misterije,
03:17
a uniquejedinstvena timelessbezvremenski qualitykvaliteta
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jedinstvena vanvremenska kvaliteta
03:19
and the processionprocesija
of inquisitiveradoznao visitorsposjetitelji,
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i povorka radoznalih posjetilaca,
03:21
eachsvaki lendingpozajmljivanje theirnjihov ownvlastiti
specialposeban touchdodir to the sitemjesto.
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svaki dodaje svoj vlastiti dodir
mjestu.
03:23
(MusicGlazba)
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(Glazba)
03:51
But over the yearsgodina,
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No, tijekom godina,
03:52
I've realizedshvatio that the greatestnajveći
thing about what we do,
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shvatio sam da je najbolja stvar
u vezi ovog posla,
03:55
the really humblinghumbling thing about the work,
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zaista skromna stvar u vezi posla,
03:58
is that as soonuskoro as we
submergepotopiti the sculpturesskulpture,
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je da čim uronimo skulpture,
04:00
they're not oursnaša anymoreviše,
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više nisu naše,
04:02
because as soonuskoro as we sinkumivaonik them,
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jer čim ih potopimo,
04:03
the sculpturesskulpture, they belongpripadati to the seamore.
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skulpture pripadaju moru.
04:06
As newnovi reefsgrebeni formoblik, a newnovi worldsvijet
literallydoslovce startspočinje to evolverazviti,
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Dok se novi grebeni formiraju, novi
svijet doslovno počinje evoluirati,
04:10
a worldsvijet that continuouslyneprekidno amazeszadivljuje me.
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svijet koji me neprestano zadivljuje.
04:12
It's a bitbit of a clichklišejé,
but nothing man-madekoje je prouzročio čovjek
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Malo je klišej,
no ništa što su ljudi napravili
04:15
can ever matchutakmica the imaginationmašta of naturepriroda.
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ne mogu ikad nadmašiti maštu prirode.
04:18
SpongesSpužve look like veinsvene acrosspreko the faceslica.
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Spužve izgledaju kao vene preko lica.
04:22
StaghornStaghorn coralkoraljni morphsMorf the formoblik.
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Koralji oblikuju formu.
04:26
FirewormsFireworms scrawlNapisao bi whitebijela lineslinije as they feedstočna hrana.
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Vatreni crvi škrabaju bijele crte kako se
hrane.
04:31
TunicatesTunicates explodeeksplodirati from the faceslica.
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Plaštenjaci eksplodiraju na licima.
04:36
SeaMore urchinsježinaca crawlpuzati acrosspreko
the bodiestjelesa feedinghranjenje at night.
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Morski ježevi pužu preko tijela
hraneći se po noći.
04:42
CorallineCoralline algaealge appliesvrijedi
a kindljubazan of purplepurpurna boja paintboja.
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Corallinales alge ostavljaju neku vrstu
ljubičaste boje.
04:47
The deepestnajdublja redcrvena I've ever seenvidio
in my life livesživot underwaterpod vodom.
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Najdublja crvena koju sam ikad vidio
živi pod vodom.
04:54
GorgonianGorgonije fansfanovi oscillateoscilirati with the wavesvalovi.
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Kožasti koralji osciliraju s valovima.
04:59
PurpleLjubičasta spongesspužve breathedisati watervoda like airzrak.
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Ljubičaste spužve dišu vodu kao zrak.
05:03
And greysiva angelfishAngelfish
glideklizanje silentlyTiho overheadnad glavom.
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A sivi skalari klize tiho iznad glava.
05:08
And the amazingnevjerojatan responseodgovor
we'veimamo had to these worksdjela
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Nevjerojatan odziv na ove radove
05:11
tellsgovori me that we'veimamo managedupravlja
to plugutikač into something really primalprvobitan,
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mi govori da smo uspjeli zagaziti u nešto
zaista iskonsko,
05:15
because it seemsčini se that these imagesslika
translatePrevedi acrosspreko the worldsvijet,
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čini se da se ove slike prenose
diljem svijeta,
05:19
and that's madenapravljen me focusfokus
on my responsibilityodgovornost as an artistumjetnik
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i to me natjeralo da se usredotočim na
svoje odgovornosti kao umjetnik
05:23
and about what I'm tryingtežak to achievepostići.
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i ono što pokušavam postići.
05:25
I'm standingstajati here todaydanas on this boatčamac
in the middlesrednji of the oceanokean,
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Stojim ovdje danas na ovom brodu
usred oceana,
05:29
and this couldn'tne mogu be a better placemjesto
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i ovo ne može biti bolje mjesto
05:31
to talk about the really,
really importantvažno effectposljedica of my work.
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za govor o zaista, zaista bitnoj
posljedici mog rada.
05:35
Because as we all know,
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Jer svi znamo,
05:37
our reefsgrebeni are dyingumiranje,
and our oceansoceani are in troublenevolja.
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naši grebeni umiru,
i naši oceani su u opasnosti.
05:41
So here'sevo the thing:
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Stvar je ova:
05:42
the mostnajviše used, searchedtražili and sharedpodijeljen imageslika
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najkorištenija, najtraženija i podjeljena
slika
05:45
of all my work thustako fardaleko is this.
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od svog mog rada je ova.
05:49
And I think this is for a reasonrazlog,
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I mislim da je to s razlogom,
05:51
or at leastnajmanje I hopenada it is.
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ili se barem nadam.
05:53
What I really hopenada is that people
are beginningpočetak to understandrazumjeti
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Ono što se stvarno nadam je da ljudi
počinju razumijevati
05:56
that when we think of the environmentokolina
and the destructionrazaranje of naturepriroda,
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da kad razmišljamo o okolini i
uništavanju prirode,
06:00
that we need to startpočetak thinkingmišljenje
about our oceansoceani, too.
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moramo početi razmišljati o
našim oceanima, također.
06:03
SinceOd buildingzgrada these sitesstranice,
we'veimamo seenvidio some phenomenalfenomenalan
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Otkad smo napravili ova mjesta,
vidjeli smo neke fenomenalne
06:06
and unexpectedneočekivan resultsrezultati.
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i neočekivane rezultate.
06:08
BesidesOsim toga creatingstvaranje over 800 squarekvadrat metersmetara
of newnovi habitatsstaništa and livingživot reefgreben,
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Uz stvaranje preko 800 kvadratnih metara
novog staništa i živog grebena,
06:13
visitorsposjetitelji to the marinemarinac parkpark in CancunCancun
now dividepodijeliti halfpola theirnjihov time
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posjetitelji morskog parka u Cancunu
sad dijele vrijeme
06:17
betweenizmeđu the museummuzej and the naturalprirodni reefsgrebeni,
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između muzeja i prirodnih grebena,
06:20
providingpružanje significantznačajan restodmor
for naturalprirodni, overstressedoverstressed areaspodručja.
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pružajući znatni odmor za
prirodna, previše posjećena područja.
06:24
VisitorsPosjetitelja to "OceanOcean AtlasAtlas"
in the BahamasBahami highlightedistaknut a leakcurenje
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Posjetitelji " Oceanskog Atlasa" na
Bahamima su istaknuli izlijevanje
06:28
from a nearbyu blizini oilulje refineryrafinerija.
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iz obližnje rafinerije nafte.
06:31
The subsequentnaknadne internationalmeđunarodna mediamedia
forcedprisiljeni the locallokalne governmentvlada
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Sljedeće su internacionalni mediji
natjerali lokalnu vladu
06:34
to pledgezalog 10 millionmilijuna dollarsdolara
in coastalpriobalni cleanupsčišćenje.
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da obećaju 10 milijuna dolara za
čišćenje obale.
06:38
The sculptureskulptura parkpark in GrenadaGrenada
was instrumentalinstrumentalni
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Park skulptura u Grenadi je bio
ključan
06:40
in the governmentvlada designatingodređivanje a spotmjesto --
a marine-protectedzaštićeni morski areapodručje.
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u imenovanju mjesta --
morsko-zaštićenog područja.
06:44
EntranceUlaz feesnaknada to the parkpark
now help fundfond parkpark rangersRendžeri
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Novac od ulaznica u park
sad pomaže financirati čuvare parka
06:48
to manageupravljati tourismturizam and fishingribolov quotaskvote.
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koji upravljaju turizmom i
ribolovnim kvotama.
06:51
The sitemjesto was actuallyzapravo listedpopisu
as a "WonderPitam se of the WorldSvijet"
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Zapravo National Geographic
mjesto smatra
06:53
by NationalNacionalne GeographicGeografski.
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"Svjetskim čudom."
06:56
So why are we all here todaydanas in this roomsoba?
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No, zašto smo danas svi u ovoj prostoriji?
06:58
What do we all have in commonzajednička?
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Što svi mi imamo zajedničko?
07:01
I think we all sharePodjeli a fearstrah
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Mislim da svi dijelimo strah
07:03
that we don't protectzaštititi our oceansoceani enoughdovoljno.
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da ne štitimo naše oceane dovoljno.
07:05
And one way of thinkingmišljenje about this
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Jedan način razmišljanja o ovome
07:07
is that we don't regardobzir
our oceansoceani as sacredsvet,
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je da ne smatramo naše oceane
svetima,
07:10
and we should.
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a trebali bi.
07:12
When we see incrediblenevjerojatan placesmjesta --
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Kada vidimo nevjerojatna mjesta --
07:14
like the HimalayasHimalaja
or the LaLa SagradaSagrada FamFamíliaLia,
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poput Himalaja ili
La Sagrada Familia,
07:18
or the MonaMona LisaLisa, even --
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ili Mona Lisu, čak --
07:19
when we see these incrediblenevjerojatan
placesmjesta and things,
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kada vidimo ta nevjerojatna mjesta
i stvari,
07:22
we understandrazumjeti theirnjihov importancevažnost.
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razumijemo njihovu važnost.
07:24
We call them sacredsvet,
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Nazivamo ih svetima,
07:26
and we do our bestnajbolje
to cherishnjegovati them, to protectzaštititi them
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i trudimo ih se njegovati,
štititi ih
07:29
and to keep them safesef.
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i čuvati na sigurnom.
07:31
But in ordernarudžba to do that,
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No, da bi to napravili,
07:33
we are the onesone that have
to assigndodijeliti that valuevrijednost;
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mi smo ti koji pridodajemo
tu vrijednost,
07:36
otherwiseinače, it will be desecratedoskrnavio
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inače će ih oskvrnuti
07:38
by someonenetko who doesn't
understandrazumjeti that valuevrijednost.
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netko tko ne razumije tu
vrijednost.
07:41
So I want to finishZavrši up tonightvečeras
by talkingkoji govori about sacredsvet things.
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Tako da želim završiti večeras sa
pričom o svetim stvarima.
07:45
When we were namingimenovanja the sitemjesto in CancunCancun,
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Kad smo imenovali mjesto u Cancunu,
07:47
we namedpod nazivom it a museummuzej for a very
importantvažno and simplejednostavan reasonrazlog:
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nazvali smo ga muzej iz veoma važnog
i jednostavnog razloga:
07:51
museumsMuzeji are placesmjesta of preservationočuvanje,
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muzeji su mjesta očuvanja,
07:54
of conservationkonzervacija and of educationobrazovanje.
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konzervacije i obrazovanja.
07:57
They're placesmjesta where we keep
objectsobjekti of great valuevrijednost to us,
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To su mjesta gdje čuvamo objekte
velike vrijednosti za nas,
08:00
where we simplyjednostavno treasureblago them
for them beingbiće themselvesse.
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gdje ih jednostavno skupljamo
zbog njih samih.
08:04
If someonenetko was to throwbacanje
an eggjaje at the SistineSikstinske ChapelKapela,
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Ako bi netko bacio jaje na
Sistinsku Kapelicu,
08:07
we'dmi bismo all go crazylud.
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svi bi poludjeli.
08:09
If someonenetko wanted
to buildizgraditi a seven-starSedam zvijezda hotelhotel
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Ako bi netko htio izgraditi
hotel sa sedam zvjezdica
08:12
at the bottomdno of the GrandVelika CanyonKanjon,
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na dnu Grand Canyona,
08:14
then we would laughsmijeh them out of ArizonaArizona.
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istjerali bi ih smijehom iz Arizone.
08:16
YetJoš everysvaki day we dredgebager, pollutezagaditi
and overfishoverfish our oceansoceani.
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No ipak, svakog dana kopamo, onečišćujemo
i izlovljavamo naše oceane.
08:20
And I think it's easierlakše for us to do that,
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I mislim da nam je lakše to raditi,
08:23
because when we see the oceanokean,
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jer kad pogledamo ocean,
08:25
we don't see the havocpustoš we're wreakingosveta.
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ne vidimo štetu koju nanosimo.
08:27
Because for mostnajviše people,
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Za većinu ljudi,
08:29
the oceanokean is like this.
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ocean je ovakav.
08:30
And it's really hardteško
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I veoma je teško
08:32
to think of something that's just
so plainobičan and so enormousogroman, as fragilelomljiv.
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misliti o nečemu tako jasnom i tako
ogromnom kao krhkom.
08:37
It's simplyjednostavno too massivemasivan,
too vastogroman, too endlessbeskrajan.
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Jednostavno je prevelik,
preprostran, beskrajan.
08:41
And what do you see here?
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Što vidite ovdje?
08:42
I think mostnajviše people actuallyzapravo
look pastprošlost to the horizonhorizont.
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Mislim da većina ljudi zapravo
gleda preko horizonta.
08:45
So I think there's a realstvaran dangeropasnost
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Mislim da je to prava opasnost
08:47
that we never really see the seamore,
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što nikad zapravo ne vidimo more,
08:50
and if we don't really see it,
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i ako ga ne vidimo,
08:51
if it doesn't have its ownvlastiti iconographyikonografija,
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ako nema svoju vlastitu ikonografiju,
08:54
if we misspropustiti its majestyVeličanstvo,
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ako propuštamo njegovu veličanstvenost,
08:56
then there's a bigvelika dangeropasnost
that we take it for grantedodobreno.
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onda je velika opasnost da ga
uzmemo zdravo za gotovo.
09:00
CancunCancun is famouspoznat for springProljeće breakpauza,
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Cancun je poznat po proljetnim praznicima,
09:04
tequilaTekila and foampjena partiesstranke.
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tekili i pjena partyjima.
09:06
And its watersvode are where fratbratstva boysdječaci
can ridevožnja around on JetJet SkisSkije
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I na njegovim vodama se dečki iz bratstva
voze na Jet Skiju
09:09
and bananabanana boatsbrodovi.
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i banana brodovima.
09:11
But because of our work there,
there's now a little cornerugao of CancunCancun
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No, zbog našeg rada tamo,
sad postoji jedan kutak Cancuna
09:15
that is simplyjednostavno preciousdragocjen for beingbiće itselfsebe.
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koji je jednostavno dragocjen sam po sebi.
09:19
And we don't want to stop in GrenadaGrenada,
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I ne želimo stati u Grenadi,
09:21
in CancunCancun or the BahamasBahami.
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u Cancunu ili Bahamima.
09:24
Just last monthmjesec, I installedinstaliran
these FourČetiri HorsemenKonjanici of the ApocalypseApokalipsa
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Baš prošlog mjeseca sam instalirao
Četiri jahača Apokalipse
09:28
in the ThamesThames RiverRijeka,
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u Temzi,
09:31
in centralsredišnji LondonLondon, right in frontispred
of the HousesKuće of ParliamentParlament,
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u središtu Londona, upravo ispred
zgrade Parlamenta,
09:34
puttingstavljanje a starkStark messageporuka
about climateklima changepromijeniti
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stavljajući jaku poruku
o klimatskim promjenama
09:37
in frontispred of the people that have
the powervlast to help changepromijeniti things.
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ispred ljudi koji imaju moć
promijeniti stvari.
09:43
Because for me, this is just
the beginningpočetak of the missionmisija.
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Za mene je ovo tek početak misije.
09:46
We want to teamtim up with other inventorsizumitelji,
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Želimo se povezati s ostalim izumiteljima,
09:48
creatorskreatori, philanthropistsfilantropi,
educatorsodgojitelji, biologistsbiolozi,
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stvarateljima, filantropima,
odgajateljima, biolozima,
09:52
to see better futuresbudućnosti for our oceansoceani.
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da vidimo bolju budućnost za naše oceane.
09:54
And we want to see beyondIznad sculptureskulptura,
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I želimo vidjeti više od skulptura,
09:57
beyondIznad artumjetnost, even.
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više od umjetnosti, čak.
09:59
Say you're a 14-year-old-godinu star kiddijete from the cityGrad,
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Recimo da ste 14-godišnji klinac iz grada,
10:02
and you've never seenvidio the oceanokean.
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koji nikad nije vidio ocean.
10:04
And insteadumjesto of gettinguzimajući takenpoduzete
to the naturalprirodni historypovijest museummuzej
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Umjesto da vas odvedu u
prirodoslovni muzej
10:08
or an aquariumakvarij,
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ili akvarij,
10:09
you get takenpoduzete out to the oceanokean,
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odvedu vas do oceana,
10:12
to an underwaterpod vodom Noah'sNoina ArkArk,
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do podvodne Noine arke,
10:15
whichkoji you can accesspristup
throughkroz a dry-glasskemijska-staklo viewinggledanja tunneltunel,
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kojoj možete pristupiti putem
staklenog tunela,
10:19
where you can see
all the wildlifebiljni i životinjski svijet of the landzemljište
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gdje možete vidjeti svu divljinu sa kopna
10:21
be colonizedsvaki kutak by the wildlifebiljni i životinjski svijet of the oceanokean.
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koloniziranu divljinom oceana.
10:24
ClearlyJasno, it would blowudarac your mindum.
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Očito, bili bi očarani.
10:27
So let's think bigvelika and let's think deepduboko.
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Razmislimo dobro i duboko.
10:30
Who knowszna where our imaginationmašta
and willpowersnaga volje can leaddovesti us?
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Tko zna gdje nas naša mašta i
volja mogu odvesti?
10:34
I hopenada that by bringingdonošenje
our artumjetnost into the oceanokean,
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Nadam se da dovodeći umjetnost u ocean,
10:37
that not only do we take advantageprednost
of amazingnevjerojatan creativitykreativnost
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ne samo da iskorištavamo
nevjerojatnu kreativnost
10:40
and visualvidni impactudar of the settingpostavljanje,
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i vizualni utjecaj instalacije,
10:42
but that we are alsotakođer
givingdavanje something back,
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nego, također, dajemo nešto zauzvrat,
10:45
and by encouragingohrabrujući
newnovi environmentsokruženja to thrivenapredovati,
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i poticanjem napretka novog okoliša,
10:48
and in some way openingotvor up a newnovi --
or maybe it's a really oldstar way
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i na neki način, novim --
ili možda veoma starim načinom
10:53
of seeingvidim the seasmorima:
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gledanja na more:
10:55
as delicatedelikatan, preciousdragocjen placesmjesta,
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kao nježnim, dragocjenim mjestima,
10:59
worthydostojan of our protectionzaštita.
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vrijednima naše zaštite.
11:01
Our oceansoceani are sacredsvet.
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Naši oceani su sveti.
11:03
Thank you.
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Hvala vam.
11:05
(ApplausePljesak)
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(Pljesak)
Translated by Sonja Zaric
Reviewed by Ivan Stamenkovic

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ABOUT THE SPEAKER
Jason deCaires Taylor - Sculptor
Jason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature.

Why you should listen

Born in 1974 to an English father and Guyanese mother, Taylor grew up in Europe and Asia, where he spent much of his early childhood exploring the coral reefs of Malaysia. Educated in the South East of England, Taylor graduated from the London Institute of Arts in 1998 with a BA Honours in Sculpture and went on to become a fully qualified diving instructor and underwater naturalist. With over 20 years diving experience under his belt, Taylor is also an award winning underwater photographer, famous for his dramatic images, which capture the metamorphosing effects of the ocean on his evolving sculptures.

In 2006, Taylor founded and created the world’s first underwater sculpture park. Situated off the west coast of Grenada in the West Indies, it is now listed as one of the Top 25 Wonders of the World by National Geographic and was instrumental in the creation of a national marine protected area by the local government. In 2009, he co-founded MUSA (Museo Subacuático de Arte), a monumental museum with a collection of over 500 of his sculptural works, submerged off the coast of Cancun, Mexico. Both of these ambitious, permanent public works have a practical, functional aspect, facilitating positive interactions between people and fragile underwater habitats while at the same relieving pressure on natural resources.

Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness, instigate social change and lead us to appreciate the breathtaking natural beauty of the underwater world. He is currently based in Lanzarote part of the Canary Islands where he is working on a major new underwater museum for the Atlantic Ocean.

More profile about the speaker
Jason deCaires Taylor | Speaker | TED.com

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