Jason deCaires Taylor: An underwater art museum, teeming with life
Jason deCaires Taylor: Et undervandskunstmuseum, fyldt med liv
Jason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature. Full bio
Double-click the English transcript below to play the video.
or was at all possible,
eller om det overhovedet var muligt.
and a very steep learning curve,
og med en meget stejl læringskurve
called "The Lost Correspondent."
kaldt "Den fortabte brevskriver".
and a local dive center,
og et lokalt dykkercenter.
off the coast of Grenada,
af Grenada,
underwater sculpture park.
undervandsskulpturpark.
and started by casting local fisherman.
og startede med at finde lokale fiskere
in defense of the sea.
der ville forsvare havet.
is not just for greenhouses.
Ikke kun at være for drivhuse
rising 16 feet up to the surface
Stiger 16 fod op til overfladen
an underwater botanical garden,
botanisk have
in the Atlantic Ocean.
i Atlanterhavet.
and designs that help encourage life;
designs, der hjælper med at fremme livet;
provides a stable and permanent platform.
giver en stabil og permanent platform.
coral polyps to attach.
polypper fastgøre sig.
from natural reefs
fra naturlige rev
there's areas for them to settle.
områder de kan bosætte sig i
so that they aggregate fish
så de tiltrækker fisk
has an internal living habitat
har et indvendigt levende levested
such as lobsters and sea urchins.
som hummere og søpindsvin.
under a hundred-foot crane,
under en hundrede-fod kran,
down to the sea floor,
ned til havbunden,
have taken up watercolor painting instead.
skulle bruge vandmaling i stedet
always blow my mind.
altid forbløffe mig.
incredible exhibition space
changing by the hour,
skiftende time for time,
the sculptures in a cloud of mystery,
skulpturerne i en sky af mystik,
of inquisitive visitors,
af nysgerrige besøgende,
special touch to the site.
specielle 'touch' til stedet
ved det vi gør,
thing about what we do,
submerge the sculptures,
literally starts to evolve,
verden
but nothing man-made
men intet menneskeskabt
the bodies feeding at night.
når de spiser om natten.
a kind of purple paint.
lilla maling.
in my life lives underwater.
i mit, liv lever under vandet.
glide silently overhead.
vi har haft på disse værker
we've had to these works
to plug into something really primal,
tilslutte til noget virkelig oprindeligt,
translate across the world,
fænger over hele verden,
on my responsibility as an artist
på mit ansvar som kunstner
in the middle of the ocean,
af havet,
really important effect of my work.
vigtige effekt af mit arbejde.
and our oceans are in trouble.
og vores have er i problemer.
are beginning to understand
begynder at forstå
and the destruction of nature,
og ødelæggelse af naturen,
about our oceans, too.
at tænke på vores verdenshave.
har vi set nogle fænomenale
we've seen some phenomenal
of new habitats and living reef,
af nye levesteder og levende koralrev,
now divide half their time
nu halvdelen af deres tid
for natural, overstressed areas.
for naturlige, overbelastede områder.
in the Bahamas highlighted a leak
fremhævede et udslip
forced the local government
har tvunget den lokale regering
in coastal cleanups.
i kystnære oprydninger.
was instrumental
a marine-protected area.
i et marine-beskyttet område.
now help fund park rangers
til lønnen til naturvejledere
as a "Wonder of the World"
som et "Wonder of the World"
rum?
our oceans as sacred,
vores oceaner som hellige,
or the La Sagrada Família,
eller La Sagrada Família
places and things,
to cherish them, to protect them
værne om dem, beskytte dem
to assign that value;
tildele denne værdi;
understand that value.
by talking about sacred things.
ved at tale om hellige ting.
important and simple reason:
vigtig og simpel grund:
objects of great value to us,
genstande af stor værdi for os,
for them being themselves.
for at være sig selv.
an egg at the Sistine Chapel,
et æg på Det Sixtinske Kapel,
to build a seven-star hotel
bygge et syv-stjernet hotel
and overfish our oceans.
og overfisker vi vores oceaner hver dag.
so plain and so enormous, as fragile.
fladt og så enormt som skrøbeligt.
too vast, too endless.
alt for enormt og alt for uendeligt.
look past to the horizon.
kigger forbi til horisonten.
that we take it for granted.
at vi tager det for givet.
can ride around on Jet Skis
kan ride rundt på jetski
there's now a little corner of Cancun
er der nu et lille hjørne af Cancun
these Four Horsemen of the Apocalypse
disse fire apokalyptiske ryttere
of the Houses of Parliament,
af parlamentsbygningen,
about climate change
om klima forandringer
the power to help change things.
magt til at ændre tingene.
the beginning of the mission.
begyndelsen af missionen.
med andre opfindere,
educators, biologists,
undervisere, biologer,
for vores oceaner.
barn fra byen,
to the natural history museum
til det naturhistoriske museum
through a dry-glass viewing tunnel,
gennem en tør glasvisningtunnel,
all the wildlife of the land
alle de vilde dyr på land
at det ville være en stor oplevelse.
and willpower can lead us?
og viljestyrke kan føre os?
our art into the ocean,
vores kunst ud i havet,
of amazing creativity
den fantastisk kreativitet
giving something back,
giver noget tilbage,
new environments to thrive,
nye miljøer til at trives,
or maybe it's a really old way
eller måske er det en rigtig gamle måde
ABOUT THE SPEAKER
Jason deCaires Taylor - SculptorJason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature.
Why you should listen
Born in 1974 to an English father and Guyanese mother, Taylor grew up in Europe and Asia, where he spent much of his early childhood exploring the coral reefs of Malaysia. Educated in the South East of England, Taylor graduated from the London Institute of Arts in 1998 with a BA Honours in Sculpture and went on to become a fully qualified diving instructor and underwater naturalist. With over 20 years diving experience under his belt, Taylor is also an award winning underwater photographer, famous for his dramatic images, which capture the metamorphosing effects of the ocean on his evolving sculptures.
In 2006, Taylor founded and created the world’s first underwater sculpture park. Situated off the west coast of Grenada in the West Indies, it is now listed as one of the Top 25 Wonders of the World by National Geographic and was instrumental in the creation of a national marine protected area by the local government. In 2009, he co-founded MUSA (Museo Subacuático de Arte), a monumental museum with a collection of over 500 of his sculptural works, submerged off the coast of Cancun, Mexico. Both of these ambitious, permanent public works have a practical, functional aspect, facilitating positive interactions between people and fragile underwater habitats while at the same relieving pressure on natural resources.
Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness, instigate social change and lead us to appreciate the breathtaking natural beauty of the underwater world. He is currently based in Lanzarote part of the Canary Islands where he is working on a major new underwater museum for the Atlantic Ocean.
Jason deCaires Taylor | Speaker | TED.com