Alison Killing: What happens when a city runs out of room for its dead
Alison Killing: Hvad sker der når en by løber tør for plads til de døde
An architect and urban designer, Alison Killing uses journalism, filmmaking and exhibitions to help people better understand the built environment. Full bio
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but potentially lucrative
men potentiel lukrativ
has outperformed the UK property market
udkonkurreret ejendomsmarkedet
with plots for sale to investors,
med grunde til salg for investorer,
about 40 percent growth.
en stigning på 40 procent.
is a market with continuous demand.
market har kontinuerlig efterspørgsel.
that really are offering this investment,
som virkelig tilbyder denne investering,
to death and dying
døden og det at dø an
and the buildings within them.
og bygningerne i dem.
I did my first exhibition
lavede jeg min første udstilling
uncomfortable to talk about,
ukomfortabelt at tale om,
to be quite playful,
at være spøgende,
literally engage with it.
engagerede sig i det.
was an interactive map of London
var et interaktivt kort over London
of the real estate in the city
ejendommene i byerne
the building or the cemetery --
bygning eller kirkegård -
death and burial are things
begravelse er ting
important parts of our cities.
er en vigtig del af vores byer.
die in the UK each year,
dør om året, i UK,
will want to be buried.
en fjerdedes begraves.
Western European countries,
europæiske lande,
has been aware of this for a while,
været bevidst om dette længe
cemeteries are almost full.
næsten er fyldt op.
are considered to be occupied forever,
er betragtet som værende optaget forevigt,
people want to use that same land
folk vil gerne benytte samme jord til
reuse those graves after 50 years.
gravene efter 50 år,
like, four deep,
folk i flere lag,
in the same plot,
på samme plads,
of the land that way,
benytte pladsen,
will still have space to bury people
at London stadig har plads at begrave folk
haven't been taken care of
er ikke blevet taget hånd
there's no legal obligation
at der ikke er legale forpligtiglser
to provide burial space.
med begravelsessteder.
by private and religious organizations,
af private og religiøse organisationer,
been a for-profit group
været en profit-søgende gruppe
the small size of a burial plot
små begravelsesgrunde
serious money to be made.
at der er seriøse penge at hente.
and start your own cemetery,
at starte din egen kirkegård
and a load of fields next to it,
med en masse jord til,
a caravan park,
lave en campingplads,
of making a cemetery
at lave en kirkegård
the value of their land
to over one million pounds.
til over en million pund.
of making profit from cemeteries,
om at lave penge på kirkegårde,
of those burial plots
på de begravelsespladser
you need to maintain the burial plot --
at du skal vedligeholde grundene -
for the next 50 years.
i de næste 50 år.
to make money from cemeteries.
at tjene penge på kirkegårde.
they're run by the council
bliver drevet af byrådet
these people permission,
til ægteparret
to build their cemetery.
kind of how this works:
dette fungerer:
for planning permission first.
byggetilladelse.
office building for a client
for en klient
and I want to convert it into an office,
gerne vil omdanne til et kontor,
to the council for permission.
til byrådet for tilladelse.
how it fits in the surroundings.
som, hvordan det passer til omgivelserne.
like what impact is it going to have
indflydelse det får
that I've built?
like shops to the neighborhood
som butikker til nabolaget
and the disadvantages
to build a large cemetery.
hvis jeg vil bygge en stor kirkegård.
havde et stykke land
a few people, like five or six?
mennesker, måske fem-seks stykker?
permission from anyone!
ikke tilladelse fra nogen!
in the UK around burial,
i UK vedrørende begravelse,
is about not polluting water courses,
omhandler at man ikke må forurene vandet,
and make your own mini-cemetery,
mini kirkegård
who does this? Right?
virkelig lyst til det? Ikke?
and you have a large estate,
og du har en stor grund,
have a mausoleum on it,
har et mausoleum på det,
a piece of land of a certain size
en bestemt størrelse land
to start burying people on it.
of your house in the suburbs.
kunne gå an.
to try this yourself at home?
hjemme hos dig selv?
that have guidance on their website
vejledning på deres hjemmeside
of burial before you can go ahead --
certifikat, før du kan begynde -
and put them under the patio.
ihjel og begrave dem i haven.
a record of where the grave is.
at du skal holde regnskab over dine grave.
for formal requirements.
de formelle krav der stilles.
your neighbors might not like this,
din naboer måske ikke kan lide det,
nothing that they can do about it.
ikke gøre noget.
still had that profit idea in your mind
stadig har den tanke om profit i hovedet
you might be able to make,
har mulighed for at tjene
the value of your house
indflydelse på husets værdi
your house at all after that.
many of our attitudes towards death.
mange af vores holdninger til døden.
across Europe are probably similar,
andre steder i Europa,
have ever talked to anyone
har nogensinde talt med nogen
have ever talked about this.
som har snakket om det.
people give ... you know,
du ved,
to make people uncomfortable
at det vil gøre folk utilpasse
who are taking care of things for us.
tager sig af tingene for os.
and bureaucracy around things
og bureaukrati involveret
working lives to this issue.
til dette problem.
death fits in our cities,
passer ind i vores byer,
and design and thought
og design og tanker
are thinking about it --
ABOUT THE SPEAKER
Alison Killing - ArchitectAn architect and urban designer, Alison Killing uses journalism, filmmaking and exhibitions to help people better understand the built environment.
Why you should listen
Alison Killing is an architect and urban designer working to engage people with their built environment, via design of buildings and urban strategies, film making, exhibitions and events. She explores the relationship between death and modern architecture, looking at how cities are rebuilt after disaster.
Recent projects include Death in the City (and its first iteration, Death in Venice, which was shown as an independent event during the opening week of the Venice Architecture Biennale), a touring exhibition about death and modern architecture; work with the International Federation of Red Cross and Red Crescent Societies on better rebuilding after disaster and how to integrate relevant urban design tools into humanitarian response; and a study of financial models for arts and community projects temporarily using vacant buildings to help these projects become self-sustaining.
Alison Killing | Speaker | TED.com