TED2011
Kate Hartman: The art of wearable communication
Kate Hartman: Arti i komunikimit qe vishet
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Artistja Kate Harman perdor veshje me perdorim elektronik per te zbuluar se si ne komunikojme, me veten tone dhe me boten. Ne kete bisesede qe provokon mendime, ajo na tregon" Kapelen fol me vete", "Zemren me ajer", "Kostumin per akullnaja", dhe pajisje tjera te pa para.
Kate Hartman - Artist and technologist
Kate Hartman creates devices and interfaces for humans, houseplants, and glaciers. Her work playfully questions the ways in which we relate and communicate. Full bio
Kate Hartman creates devices and interfaces for humans, houseplants, and glaciers. Her work playfully questions the ways in which we relate and communicate. Full bio
Double-click the English transcript below to play the video.
00:15
My name is Kate Hartman.
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Quhem Kate Harman.
00:22
And I like to make devices
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Dhe mua me pelqen te bej pajisje
00:24
that play with the ways
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qe funksionojne me menyrat
00:26
that we relate and communicate.
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qe na lidhin dhe komunikojme.
00:28
So I'm specifically interested in how we, as humans,
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Keshtu qe une jam me se shumti e interesuar se si ne, si njerez,
00:31
relate to ourselves, each other
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lidhemi me veten tone, me njeri-tjetrin
00:33
and the world around us.
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dhe me boten perreth nesh.
00:43
(Laughter)
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( Te qeshura )
00:47
So just to give you a bit of context,
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Sa per t'ju thene pak reth kontekstit,
00:49
as June said, I'm an artist, a technologist and an educator.
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sic tha June, une jam nje artiste, nje teknologe dhe edukatore.
00:52
I teach courses in physical computing
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Jam mesime per informatike fizike
00:54
and wearable electronics.
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dhe elektroniken qe mund te vishet.
00:56
And much of what I do is either wearable
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Dhe shume nga ajo qe bej une ose vishet ose
00:58
or somehow related to the human form.
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ose disi lidhet me formen njerzore.
01:01
And so anytime I talk about what I do,
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Dhe keshu sa here qe flas rreth asaj qe une bej,
01:03
I like to just quickly address
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une menjhere flas per
01:05
the reason why bodies matter.
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arsyen perse trupat kane rendesi.
01:07
And it's pretty simple.
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Dhe eshte shume e thjeshte.
01:10
Everybody's got one -- all of you.
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Cdonjeri ka nje te tile -- te gjithe ju.
01:12
I can guarantee, everyone in this room,
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Une mund t'ju garantoj, cdo njeri ne kete dhome,
01:14
all of you over there, the people in the cushy seats,
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te gjithe ju atje, ju ne karriget e rehatshme,
01:16
the people up top with the laptops --
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ju te ulur siper me laptope --
01:18
we all have bodies.
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ne te gjithe kemi trupa.
01:20
Don't be ashamed.
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Mos u turperoni.
01:22
It's something that we have in common
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Eshte dicka qe ne te gjithe e kemi te perbashket
01:24
and they act as our primary interfaces for the world.
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dhe ato veprojne si kontakti jone primar per boten.
01:27
And so when working as an interaction designer,
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Dhe keshtu duke punuar si nje disenjator interaktiv,
01:30
or as an artist who deals with participation --
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ose si nje artist qe merret me pjesemarrjen --
01:32
creating things that live on, in or around the human form --
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duke krijuar gjera qe i ben jetike, rreth formes njerzore --
01:36
it's really a powerful space to work within.
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eshte vertet hapesire e fuqishme per te punuar ne te.
01:39
So within my own work,
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Keshtu, ne punen time,
01:41
I use a broad range of materials and tools.
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une perdor nje game te gjere materialesh dhe veglash.
01:44
So I communicate through everything from radio transceivers
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Keshtu une komunikoj permes cdo gjeje nga radiomarresit
01:47
to funnels and plastic tubing.
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deri tek gypat dhe tubat plastik.
01:49
And to tell you a bit about the things that I make,
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Dhe qe t'u tregoj rreth gjerave qe une krijoj,
01:51
the easiest place to start the story
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pjesa me e lehte per te filluar tregimin
01:53
is with a hat.
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eshte me nje kapele.
01:56
And so it all started several years ago,
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Kjo filloi disa vite me pare,
01:58
late one night when I was sitting on the subway, riding home,
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nje nate vone kur une isha ne metro, duke shkuar ne shtepi,
02:01
and I was thinking.
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dhe po mendoja.
02:03
And I tend to be a person who thinks too much and talks too little.
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Dhe kam tendence te jem nje person qe mendon shume dhe flet shume pak .
02:06
And so I was thinking about how it might be great
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Dhe keshtu po mendoja si to te ishte mire
02:08
if I could just take all these noises --
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sikur te merrja te gjithe keto zhurma --
02:10
like all these sounds of my thoughts in my head --
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gjithe keto zera te mendimeve ne koken time --
02:12
if I could just physically extricate them
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sikur te mundja fizikish t'i nxirrja ato
02:14
and pull them out in such a form
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dhe t'i nxirrja ne ate lloj forme
02:16
that I could share them with somebody else.
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qe do te mund t'i ndaja me dike tjeter.
02:19
And so I went home, and I made a prototype of this hat.
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Dhe keshtu shkova ne shpi, dhe bera nje prototip te kesaj kapele.
02:22
And I called it the Muttering Hat,
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Dhe e quajta ate Kapelja Peshperitese,
02:24
because it emitted these muttering noises
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sepse nxirrte zhurma pershperitese
02:27
that were kind of tethered to you,
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qe ishin disi te lidhura me ty,
02:29
but you could detach them
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por qe ti nuk mund t'i shkepusje ato
02:31
and share them with somebody else.
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dhe t'i ndaje me dike tjeter.
02:35
(Laughter)
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( Te qeshura )
02:40
So I make other hats as well.
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Keshtu une bej edhe kapela tjera.
02:42
This one is called the Talk to Yourself Hat.
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Kjo quhet Kapelja Fol me Veten.
02:44
(Laughter)
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( Te qeshura )
02:46
It's fairly self-explanatory.
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Eshte mjaft vete-shpjeguese.
02:48
It physically carves out conversation space for one.
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Fizikisht ndan hapesiren per bisede per ne.
02:52
And when you speak out loud,
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Dhe kur ti flet me ze te larte,
02:54
the sound of your voice is actually channeled back into your own ears.
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tingulli i zerit tend aktualisht kthehet prapa ne veshet e tu.
03:00
(Laughter)
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( Te qeshura )
03:02
And so when I make these things,
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Dhe keshtu kur une bej keto gjera,
03:04
it's really not so much about the object itself,
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nuk eshte aq shume per objektin sa
03:07
but rather the negative space around the object.
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hapesiren negative rreth objektit.
03:10
So what happens when a person puts this thing on?
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Cfare ndodh kur nje person e vendos kete gje ne koke ?
03:13
What kind of an experience do they have?
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Cfare lloj eksperience kane ata?
03:15
And how are they transformed by wearing it?
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Dhe si transformohen ata duke e veshur ate?
03:21
So many of these devices
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Shume nga keto pajisje
03:23
really kind of focus on the ways in which we relate to ourselves.
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me te vertete fokusohen ne menyren se si komunikojme me veten.
03:26
So this particular device is called the Gut Listener.
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Kjo pajisje quhet Gut Listener (Degjues i brendshem).
03:29
And it is a tool
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Dhe eshte mje mjet
03:31
that actually enables one
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qe aktualisht i mundeson nje njeriu
03:33
to listen to their own innards.
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te degjojr organet e tij te brendshme.
03:36
(Laughter)
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( Te qeshura )
03:43
And so some of these things
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Dhe disa nga keto gjera
03:46
are actually more geared toward expression and communication.
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me shume kane te bejne me shprehjen dhe komunikimin.
03:48
And so the Inflatable Heart
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Dhe keshtu Zemra e mbushur ajer
03:50
is an external organ
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eshte nje organ i jashtem
03:52
that can be used by the wearer to express themselves.
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qe mund te perdoret nga ai qe e vesh te shprehi vetveten.
03:55
So they can actually inflate it and deflate it
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Keshu ata mund ta fryjne dhe ta shfryjne ate
03:58
according to their emotions.
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varesisht nga emocionet e tyre.
04:00
So they can express everything from admiration and lust
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Keshtu ata mund te shprehin cdo gje nga admirimi deri tek lakmia
04:03
to anxiety and angst.
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ankthi dhe shqetesimi.
04:06
(Laughter)
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( Te qeshura)
04:08
And some of these are actually meant
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Dhe disa nga keto kane per qellim
04:10
to mediate experiences.
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qe te ndermjetesojne mes eksperiencave.
04:12
So the Discommunicator is a tool for arguments.
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Keshtu Jokomunikuesi eshte nje vegel per argumente.
04:15
(Laughter)
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( Te qeshura )
04:17
And so actually it allows for an intense emotional exchange,
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Dhe aktualisht pranon nje shkembim emocional te forte,
04:20
but is serves to absorb
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dhe sherben per te absorbuar
04:22
the specificity of the words that are delivered.
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specifikimin e fjaleve qe trasmetohen.
04:25
(Laughter)
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( Te qeshura )
04:31
And in the end,
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Dhe ne fund,
04:33
some of these things just act as invitations.
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dhe disa nga keto gjera veprojne si ftesa.
04:35
So the Ear Bender literally puts something out there
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Keshtu Veshi i lakuar nxjerr dicka jashte
04:38
so someone can grab your ear
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ne menyre qe dikush te mund te kapi veshin tend
04:40
and say what they have to say.
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dhe te thote ate qe ka per te thene.
04:42
So even though I'm really interested in the relationship
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Edhe pse jam shume interesuar ne marrdhenien
04:44
between people,
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midis njerezve,
04:46
I also consider the ways
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une gjithashtu e konsideroj menyren
04:48
in which we relate to the world around us.
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se si krijojme lidhje me boten rreth nesh.
04:50
And so when I was first living in New York City a few years back,
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Dhe kur fillova te jetoja ne New York City para disa vitesh,
04:53
I was thinking a lot about
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mendoja shume per
04:55
the familiar architectural forms that surrounded me
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format arkitekturale qe me rrethonin
04:57
and how I would like to better relate to them.
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dhe se si do doja te lidhesha me mire me ato.
05:00
And I thought, "Well, hey!
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Dhe mendova, "Hej!
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Maybe if I want to better relate to walls,
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Ndoshta nese dua te lidhem me shume me muret,
05:04
maybe I need to be more wall-like myself."
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ndoshta duhet te jem me shume sikurse muri."
05:06
So I made a wearable wall
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Keshtu krijova nje mur veshes
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that I could wear as a backpack.
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qe do te mund ta vishja si cante prapa shpines.
05:10
And so I would put it on
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Dhe keshtu kur e vishja
05:12
and sort of physically transform myself
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dhe e disi e transformoja veten fizikisht
05:14
so that I could either contribute to or critique
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ne menyre qe te mund te kontribuoja ose te kritikoja
05:16
the spaces that surrounded me.
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hapesirat qe me rrethonin.
05:18
(Laughter)
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( Te qeshura )
05:20
And so jumping off of that,
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Dhe keshtu duke mos mendur me per kete,
05:23
thinking beyond the built environment into the natural world,
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dhe duke menduar pertej nje ambienti ne nje bote sa me natyrale,
05:26
I have this ongoing project called Botanicalls --
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kam nje projekt qe akoma vazhdom dhe quhet Botanicalls --
05:29
which actually enables houseplants
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qe konkretisht mundeson lulet e shtepise
05:31
to tap into human communication protocols.
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te adresojne protokollet e komunikimit njerezor.
05:33
So when a plant is thirsty,
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Keshtu, kur nje lule e ka marre etja,
05:35
it can actually make a phone call
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ajo mund te beje nje telefonate
05:37
or post a message to a service like Twitter.
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ose te postoje nje mesazh tek Twitter.
05:40
And so this really shifts the human/plant dynamic,
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Dhe keshtu kjo vertet zhvendos dinamizmin njerzor/bimor,
05:44
because a single house plant
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sepse nje lule e vetme
05:47
can actually express its needs
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mund te shprehi novojat e saj
05:49
to thousands of people at the same time.
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tek mijera njerez ne te njejten kohe.
05:52
And so kind of thinking about scale,
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Dhe duke menduar rreth balancit,
05:54
my most recent obsession
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mania ime me e fundit
05:56
is actually with glaciers -- of course.
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ishte me akullnajat -- natyrisht.
06:00
And so glaciers are these magnificent beings,
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Akullnajat jane krijesa mahnitese,
06:03
and there's lots of reasons to be obsessed with them,
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dhe ka shume arsye pse mund te jesh i obsesionuar pas tyre,
06:06
but what I'm particularly interested in
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por une vecanerisht jam e interesuar
06:08
is in human-glacier relations.
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ne marredheniet njeri-akullnaja.
06:10
(Laughter)
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( Te qeshura )
06:12
Because there seems to be an issue.
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Sepse duket sikur ka dicka.
06:14
The glaciers are actually leaving us.
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Akullnajat jane duke na braktisur.
06:16
They're both shrinking and retreating --
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Ato po zvoglohen dhe po terhiqen --
06:18
and some of them have disappeared altogether.
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dhe disa prej tyre jane zhdukur.
06:20
And so I actually live in Canada now,
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Keshtu une tani jetoj ne Kanada,
06:23
so I've been visiting one of my local glaciers.
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dhe kam vizituar nje nga akullnajat lokale.
06:25
And this one's particularly interesting,
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Dhe kjo ka dicka te vecante dhe interesante,
06:27
because, of all the glaciers in North America,
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sepse, sepse nga te gjitha akullnajat ne Amriken Veriore,
06:29
it receives the highest volume of human traffic in a year.
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ka me se shumti turiste brenda nje viti.
06:32
They actually have these buses that drive up and over the lateral moraine
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Ka disa autobuse qe dergojne njerzit deri tek mbetjet anesore te akullnajave
06:35
and drop people off on the surface of the glacier.
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dhe i zbresin ata ne siperfaqen e saj.
06:38
And this has really gotten me thinking
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Dhe kjo me ka bere te mendoj
06:40
about this experience of the initial encounter.
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rreth pervojes sime ne takimin e pare.
06:42
When I meet a glacier for the very first time,
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Kur e takoj akullnajen per here te pare,
06:46
what do I do?
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cfare te bej?
06:48
There's no kind of social protocol for this.
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S'ka ndonje lloj protokolli social per kete.
06:52
I really just don't even know
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Me te vertete nuk di
06:54
how to say hello.
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si ta pershendes.
06:56
Do I carve a message in the snow?
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Ta gdhend nje mesazh ne bore?
06:59
Or perhaps I can assemble one
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Ose ndoshta mund ta mbledh
07:01
out of dot and dash ice cubes --
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kube te akullit --
07:03
ice cube Morse code.
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Kodi Mors i kubeve te akullit.
07:05
Or perhaps I need to make myself a speaking tool,
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Ose ndoshta duhet t'i bej vetes nje mjet foles,
07:07
like an icy megaphone
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si psh. nje megafon prej akulli
07:09
that I can use to amplify my voice
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qe do te mund ta perdor per te amplifikuar zerin tim
07:11
when I direct it at the ice.
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kur i drejtohem akullit.
07:13
But really the most satisfying experience I've had
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Por eksperienca me e bukur qe kam pasur
07:15
is the act of listening,
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eshte akti i degjimit,
07:17
which is what we need in any good relationship.
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qe eshte cfare kemi nevoje ne nje marredhenie te mire.
07:19
And I was really struck by how much it affected me.
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Dhe me mahniti se sa kjo ndikoi tek une.
07:22
This very basic shift in my physical orientation
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Kjo zhvendosje bazike ne orientimin tim fizik
07:25
helped me shift my perspective
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me ndihmoi te ndryshoja perspektiven time
07:27
in relation to the glacier.
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ndaj akullnajes.
07:29
And so since we use devices
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Dhe pasi ne perdorim pajisje
07:31
to figure out how to relate to the world these days,
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per kuptuar se si te lidhemi me boten ne ditet e sotme,
07:35
I actually made a device called the Glacier Embracing Suit.
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une ne fact kam krijuar nje pajisje qe quhet Kostumi per Akullnaja.
07:38
(Laughter)
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( Te qeshura )
07:40
And so this is constructed out of a heat reflected material
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Dhe ky perbehet nga material qe reflekton nxehtesi
07:43
that serves to mediate the difference in temperature
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qe sherben te balancoje ndryshimin ne temperature
07:45
between the human body and the glacial ice.
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ndermjet trupit tone dhe akullnajes.
07:48
And once again, it's this invitation
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Edhe nje here, eshte kjo thirrje
07:51
that asks people to lay down on the glacier
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qe u kerkon njerzve shtrihen ne akullnaje
07:55
and give it a hug.
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dhe ta perqafojne.
07:58
So, yea, this is actually just the beginning.
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Dhe keshtu, ky eshte vetem fillimi.
08:00
These are initial musings for this project.
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Keto jane jane episodet e para per kete projekt.
08:02
And just as with the wall, how I wanted to be more wall-like,
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Dhe sikurse me murin, sesi doja te behesha si ai,
08:05
with this project, I'd actually like to take more a of glacial pace.
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me kete projekt, une do doja te merrja nje hap me tek me akullnajat.
08:09
And so my intent
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Dhe qellimi im
08:11
is to actually just take the next 10 years
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eshte qe te kaloj 10 vitet e ardhshme
08:15
and go on a series of collaborative projects
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ne projekte te vazhdueshme bashkepunuese
08:19
where I work with people from different disciplines --
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ku do te mund te punoj me njerez nga disiplina te ndryshme --
08:21
artists, technologists, scientists --
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artiste, teknologe, shkencetare --
08:23
to kind of work on this project
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te punojme ne kete projekt me menyre
08:25
of how we can improve human-glacier relations.
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qe te kuptojme se si mund te permirsojme marredheniet akullnajo-njerzore.
08:29
So beyond that, in closing,
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Dhe per fund,
08:32
I'd just like to say that we're in this era
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do doja te thoja se ne jemi ne kete epoke
08:35
of communications and device proliferation,
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te komunikimit dhe perhapjeje te madhe te pajisjeve,
08:38
and it's really tremendous and exciting and sexy,
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dhe eshte aq e jashtezakonshme, interesante dhe seksi,
08:41
but I think what's really important
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por cfare une mendoj se eshte e rendesishme
08:43
is thinking about how we can simultaneously
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eshte te mendosh se si ne mund ne te njejten kohe
08:45
maintain a sense of wonder and a sense of criticality
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te mbajme nje sens te te menduarit dhe te kritikes
08:48
about the tools that we use and the ways in which we relate to the world.
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sa u perket pajisjeve qe perdorim menyrave se si lidhemi me boten.
08:51
Thanks.
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Faleminderit.
08:53
(Applause)
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( Duartrokitje )
ABOUT THE SPEAKER
Kate Hartman - Artist and technologistKate Hartman creates devices and interfaces for humans, houseplants, and glaciers. Her work playfully questions the ways in which we relate and communicate.
Why you should listen
Kate Hartman, Professor of Wearable and Mobile Technology at the Ontario College of Art and Design, uses simple, open-source technology to build objects and do-it-yourself kits, such as her Inflatable Heart or Glacier Embracing Suit -- that allow for new modes of expression and communication.
She is the co-creator of Botanicalls, a system for letting plants tweet and call their owners when they need watering, or more sunlight. Aways mixing the whimsical with the thought provoking, Hartman and her work raise key questions about how we communicate with our environment, and with ourselves.
More profile about the speakerShe is the co-creator of Botanicalls, a system for letting plants tweet and call their owners when they need watering, or more sunlight. Aways mixing the whimsical with the thought provoking, Hartman and her work raise key questions about how we communicate with our environment, and with ourselves.
Kate Hartman | Speaker | TED.com