TEDGlobal 2014
Anastasia Taylor-Lind: Fighters and mourners of the Ukrainian revolution
安娜塔莎‧泰勒-林德: 烏克蘭革命的戰士與哀悼者
Filmed:
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「男人披掛上陣；女人獻花哀悼。」攝影師安娜塔莎‧泰勒-林德說。這位TED研究會員在烏克蘭的獨立廣場抗議中拍下了一張張觸動人心的鮮明照片，並在這憂傷又美麗的演講中，分享了革命背後那些動人的面孔。
Anastasia Taylor-Lind - Documentary photographer
Anastasia Taylor-Lind is a documentary photographer who works around the world on issues relating to women, birth rights, depopulation and post-conflict regions. Full bio
Anastasia Taylor-Lind is a documentary photographer who works around the world on issues relating to women, birth rights, depopulation and post-conflict regions. Full bio
Double-click the English transcript below to play the video.
00:13
When I arrived in Kiev,
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我在今年二月一日抵達基輔時，
00:15
on February 1 this year,
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00:17
Independence Square was under siege,
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獨立廣場被佔領，
00:20
surrounded by police
loyal to the government.
loyal to the government.
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由對政府效忠的警察包圍。
00:23
The protesters who occupied Maidan,
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佔領獨立廣場的抗議者
00:26
as the square is known,
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00:28
prepared for battle,
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都已備戰，
00:29
stockpiling homemade weapons
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儲備自製武器
和大量臨時製造的盔甲。
00:32
and mass-producing improvised body armor.
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00:36
The Euromaidan protests began peacefully
at the end of 2013,
at the end of 2013,
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烏克蘭親歐盟示威
在 2013 年底和平展開，
在 2013 年底和平展開，
00:41
after the president of Ukraine,
Viktor Yanukovych,
Viktor Yanukovych,
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就在烏克蘭總統
維克多‧亞努科維奇
維克多‧亞努科維奇
00:44
rejected a far-reaching accord
with the European Union
with the European Union
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拒絕與歐盟簽署影響極大的協議，
00:47
in favor of stronger ties with Russia.
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以強化和俄羅斯的關係之後。
00:50
In response, tens of thousands
of dissatisfied citizens
of dissatisfied citizens
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為了回應這項做法，上萬名不滿的民眾
00:54
poured into central Kiev
to demonstrate against this allegiance.
to demonstrate against this allegiance.
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湧進基輔市中心表達抗議。
00:59
As the months passed,
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經過幾個月，
01:01
confrontations between police
and civilians intensified.
and civilians intensified.
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警民的對峙加深。
01:05
I set up a makeshift portrait studio
by the barricades on Hrushevsky Street.
by the barricades on Hrushevsky Street.
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我臨時在赫雪司基街的
護欄邊搭了攝影棚，
護欄邊搭了攝影棚，
01:12
There, I photographed
the fighters against a black curtain,
the fighters against a black curtain,
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以黑簾為背景拍攝示威者，
01:16
a curtain that obscured
the highly seductive and visual backdrop
the highly seductive and visual backdrop
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黑簾遮蔽了視覺性強
且引人注意的背景：
且引人注意的背景：
01:20
of fire, ice and smoke.
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槍火、白雪與黑煙。
01:24
In order to tell the individual
human stories here,
human stories here,
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為了述說每個人的故事，
01:28
I felt that I needed to remove
the dramatic visuals
the dramatic visuals
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我覺得有必要移除
這些引人注目的背景，
這些引人注目的背景，
01:31
that had become so familiar and repetitive
within the mainstream media.
within the mainstream media.
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那些在主流媒體裡不停重覆
人們熟悉的景象。
人們熟悉的景象。
01:36
What I was witnessing
was not only news, but also history.
was not only news, but also history.
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我所目睹的不只是新聞，還有歷史。
01:40
With this realization,
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有了這項體認，
01:41
I was free from
the photojournalistic conventions
the photojournalistic conventions
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我便不受傳統攝影新聞拘束，
01:44
of the newspaper and the magazine.
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有別於其他報紙雜誌。
01:47
Oleg, Vasiliy and Maxim
were all ordinary men,
were all ordinary men,
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歐雷格、瓦西里和邁可森都是平凡人，
住在平凡的小鎮過著平凡的生活。
01:52
with ordinary lives from ordinary towns.
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01:56
But the elaborate costumes
that they had bedecked themselves in
that they had bedecked themselves in
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但他們穿上的精緻服裝
01:59
were quite extraordinary.
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非常特別。
02:00
I say the word "costume"
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我用服裝這個詞
是因為這些衣服並不是
有人負責協調或統一發放的，
有人負責協調或統一發放的，
02:02
because these were not clothes
that had been issued
that had been issued
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02:05
or coordinated by anyone.
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02:07
They were improvised uniforms
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而是臨時的制服，
02:09
made up of decommissioned
military equipment,
military equipment,
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用退役的軍用裝備改製，
02:12
irregular combat fatigues
and trophies taken from the police.
and trophies taken from the police.
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配上淘汰的軍備
跟向警方取得的戰利品。
02:17
I became interested in the way they
were choosing to represent themselves,
were choosing to represent themselves,
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我對於他們選擇
呈現的樣子很感興趣，
呈現的樣子很感興趣，
02:22
this outward expression of masculinity,
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他們這種非常具男子氣概的表現
02:25
the ideal of the warrior.
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就是戰士的樣子。
02:28
I worked slowly,
using an analog film camera
using an analog film camera
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我慢慢地用底片相機拍攝，
02:32
with a manual focusing loop
and a handheld light meter.
and a handheld light meter.
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用手動對焦與手持式曝光錶。
02:35
The process is old-fashioned.
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這種拍攝方式過時了，
02:38
It gives me time to speak with each person
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但讓我有時間跟每個人對話，
02:41
and to look at them, in silence,
while they look back at me.
while they look back at me.
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在他們回望我的同時，
安靜地與他們對看。
安靜地與他們對看。
02:47
Rising tensions culminated
in the worst day of violence
in the worst day of violence
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雙方對峙的緊張情勢
在充滿暴力的二月二十日這天爆發，
02:50
on February 20,
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02:52
which became known as Bloody Thursday.
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也是後來為人所知的血腥星期四。
02:55
Snipers, loyal to the government,
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效忠政府的狙擊手
02:57
started firing on the civilians
and protesters on Institutskaya Street.
and protesters on Institutskaya Street.
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開始在學院街上對著平民和抗議者開槍，
03:03
Many were killed
in a very short space of time.
in a very short space of time.
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短時間內造成很多人死亡。
03:07
The reception of the Hotel Ukraine
became a makeshift morgue.
became a makeshift morgue.
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烏克蘭飯店的大廳變成臨時停屍間。
03:11
There were lines
of bodies laid in the street.
of bodies laid in the street.
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街上滿是一排排屍體；
行道上充滿斑斑血跡。
03:14
And there was blood
all over the pavements.
all over the pavements.
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03:17
The following day,
President Yanukovych fled Ukraine.
President Yanukovych fled Ukraine.
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隔天，亞努科維奇總統逃離烏克蘭。
03:22
In all, three months of protests
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簡言之，三個月的抗爭
導致超過 120 人死亡，
03:23
resulted in more than 120 confirmed dead
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許多人失蹤。
03:27
and many more missing.
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03:29
History unfolded quickly,
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事件很快就結束，
03:31
but celebration remained
elusive in Maidan.
elusive in Maidan.
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但獨立廣場上絲毫不見欣喜之情。
03:35
As the days passed
in Kiev's central square,
in Kiev's central square,
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隨著日子過去，
基輔的中央廣場除了武裝鬥士，
03:38
streams of armed fighters
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03:39
were joined by tens of thousands
of ordinary people,
of ordinary people,
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更有成千上萬名平民參與，
03:43
filling the streets in an act
of collective mourning.
of collective mourning.
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湧上街頭集體哀悼逝者。
03:47
Many were women who often carried flowers
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很多女性帶著鮮花
03:49
that they had brought to lay
as marks of respect for the dead.
as marks of respect for the dead.
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放在地上向逝者致敬。
03:53
They came day after day
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他們每天上街頭，
03:55
and they covered the square
with millions of flowers.
with millions of flowers.
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在廣場內擺滿了上百萬朵花。
04:00
Sadness enveloped Maidan.
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廣場被悲傷掩沒，
04:03
It was quiet and I could hear
the birds singing.
the birds singing.
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安靜到我能聽見鳥鳴，
04:05
I hadn't heard that before.
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這是前所未有的景象。
04:08
I stopped women
as they approached the barricades
as they approached the barricades
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我叫住那些走到柵欄前
要向逝者致意的人，
04:10
to lay their tributes
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04:11
and asked to make their picture.
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問她們是否願意讓我拍照。
04:14
Most women cried when I photographed them.
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我拍照時，很多女性都哭了。
04:17
On the first day,
my fixer, Emine, and I cried
my fixer, Emine, and I cried
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第一天，我和助理艾密內
04:19
with almost every woman
who visited our studio.
who visited our studio.
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都跟每位來拍照的女人一起哭。
04:24
There had been such a noticeable
absence of women
absence of women
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女性顯然缺席了許久，
04:27
up until that point.
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直到這一刻才現身。
04:29
And the color of their pastel coats,
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她們淺色的大衣、
04:31
their shiny handbags,
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鮮艷的手提包，
04:33
and the bunches of red carnations,
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手上一束束的紅色康乃馨、
04:35
white tulips and yellow roses
that they carried
that they carried
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白色鬱金香與黃色玫瑰花
和滿是黑色的廣場
04:38
jarred with the blackened square
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04:41
and the blackened men
who were encamped there.
who were encamped there.
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以及被困在此的陰鬱男子
顯得格格不入。
顯得格格不入。
04:45
It is clear to me
that these two sets of pictures
that these two sets of pictures
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我很清楚這兩組照片
04:47
don't make much sense without the other.
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單獨看來不太合理。
04:50
They are about men and women
and the way we are --
and the way we are --
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照片上的是男人與女人本身的體現，
04:53
not the way we look,
but the way we are.
but the way we are.
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不是外表，而是本質。
04:55
They speak about different
gender roles in conflict,
gender roles in conflict,
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照片述說著不同性別在衝突中的角色，
04:58
not only in Maidan,
and not only in Ukraine.
and not only in Ukraine.
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不只在獨立廣場，不只在烏克蘭而已。
05:02
Men fight most wars and women mourn them.
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男人披掛上陣；女人獻花哀悼。
05:06
If the men showed
the ideal of the warrior,
the ideal of the warrior,
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如果說男人展現了勇士的樣貌，
05:08
then the women showed
the implications of such violence.
the implications of such violence.
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那女人正是這種暴力的體現。
05:13
When I made these pictures,
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拍攝這些照片時，
05:15
I believed that I was documenting
the end of violent events in Ukraine.
the end of violent events in Ukraine.
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我相信我在記錄
烏克蘭暴力事件的結束。
烏克蘭暴力事件的結束。
05:18
But now I understand
that it is a record of the beginning.
that it is a record of the beginning.
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但現在我相信這是記錄一種開始。
05:22
Today, the death toll stands around 3,000,
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今天，死亡人數達到約三千人，
05:25
while hundreds of thousands
have been displaced.
have been displaced.
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還有數十萬人流離失所。
05:29
I was in Ukraine again six weeks ago.
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我六週前又回到烏克蘭。
05:32
In Maidan, the barricades
have been dismantled,
have been dismantled,
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獨立廣場的護欄已經拆卸完畢，
05:36
and the paving stones which were used
as weapons during the protests replaced,
as weapons during the protests replaced,
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抗議時用來當武器的
鋪路石也都不見了，
鋪路石也都不見了，
05:39
so that traffic flows freely
through the center of the square.
through the center of the square.
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所以現在廣場的交通又恢復正常。
05:44
The fighters, the women
and the flowers are gone.
and the flowers are gone.
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抗議者、女人和鮮花都不見了。
05:48
A huge billboard depicting geese
flying over a wheat field
flying over a wheat field
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一片巨大廣告牆上畫的是
一隻鵝飛過麥田，
一隻鵝飛過麥田，
05:52
covers the burned-out shell
of the trade union's building
of the trade union's building
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遮蓋了工會大樓外牆的斑駁痕跡，
05:55
and proclaims,
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上頭寫著：
「烏克蘭萬歲；
05:57
"Glory to Ukraine.
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英雄萬歲。」
05:58
Glory to heroes."
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謝謝。
06:00
Thank you.
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06:01
(Applause).
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（掌聲）
ABOUT THE SPEAKER
Anastasia Taylor-Lind - Documentary photographerAnastasia Taylor-Lind is a documentary photographer who works around the world on issues relating to women, birth rights, depopulation and post-conflict regions.
Why you should listen
Anastasia Taylor-Lind is an independent documentary photographer based in London. The TED Fellow has photographed hidden groups from hard to reach places, such as female PKK guerilla fighters, Gaza zookeepers and Siberian supermodels. Taylor-Lind's work has been shown in spaces like the Saatchi Gallery and London's National Portrait Gallery. Her first book, Maidan -- Portraits from the Black Square, was released in 2014.
More profile about the speakerAnastasia Taylor-Lind | Speaker | TED.com