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Elise Roy: When we design for disability, we all benefit
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"I believe that losing my hearing was one of the greatest gifts I've ever received," says Elise Roy. As a disability rights lawyer and design thinker, she knows that being Deaf gives her a unique way of experiencing and reframing the world -- a perspective that could solve some of our largest problems. As she says: "When we design for disability first, you often stumble upon solutions that are better than those when we design for the norm."
Elise Roy - Lawyer, artist, human rights advocate
Elise Roy thinks that designers have the capacity and responsibility to address and resolve human problems on micro and macro scales and contribute to social well-being. Full bio
Elise Roy thinks that designers have the capacity and responsibility to address and resolve human problems on micro and macro scales and contribute to social well-being. Full bio
Double-click the English transcript below to play the video.
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I'll never forget the sound
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of laughing with my friends.
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I'll never forget the sound
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of my mother's voice
right before I fell asleep.
right before I fell asleep.
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And I'll never forget
the comforting sound of water
the comforting sound of water
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trickling down a stream.
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Imagine my fear, pure fear,
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when, at the age of 10,
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I was told I was going to lose my hearing.
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And over the next five years,
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it progressed until I was classified
as profoundly deaf.
as profoundly deaf.
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But I believe that losing my hearing
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was one of the greatest gifts
I've ever received.
I've ever received.
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You see, I get to experience
the world in a unique way.
the world in a unique way.
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And I believe that
these unique experiences
these unique experiences
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that people with disabilities have
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is what's going to help us
make and design a better world
make and design a better world
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for everyone -- both for people
with and without disabilities.
with and without disabilities.
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I used to be a disability rights lawyer,
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and I spent a lot of my time
focused on enforcing the law,
focused on enforcing the law,
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ensuring that accommodations were made.
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And then I had to quickly
learn international policy,
learn international policy,
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because I was asked to work
on the UN Convention
on the UN Convention
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that protects people with disabilities.
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As the leader of the NGO there,
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I spent most of my energy
trying to convince people
trying to convince people
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about the capabilities
of people with disabilities.
of people with disabilities.
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But somewhere along the way,
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and after many career transitions
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that my parents weren't so happy about --
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(Laughter)
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I stumbled upon a solution
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that I believe may be
an even more powerful tool
an even more powerful tool
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to solve some of the world's
greatest problems,
greatest problems,
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disability or not.
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And that tool is called design thinking.
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Design thinking is a process
for innovation and problem solving.
for innovation and problem solving.
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There are five steps.
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The first is defining the problem
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and understanding its constraints.
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The second is observing people
in real-life situations
in real-life situations
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and empathizing with them.
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Third, throwing out hundreds of ideas --
the more the better,
the more the better,
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the wilder the better.
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Fourth, prototyping:
gathering whatever you can,
gathering whatever you can,
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whatever you can find,
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to mimic your solution, to test it
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and to refine it.
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And finally, implementation:
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ensuring that the solution
you came up with is sustainable.
you came up with is sustainable.
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Warren Berger says that design thinking
teaches us to look sideways,
teaches us to look sideways,
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to reframe, to refine, to experiment
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and, probably most importantly,
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ask those stupid questions.
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Design thinkers believe
that everyone is creative.
that everyone is creative.
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They believe in bringing people
from multiple disciplines together,
from multiple disciplines together,
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because they want to share
multiple perspectives
multiple perspectives
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and bring them together
and ultimately merge them
and ultimately merge them
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to form something new.
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Design thinking is such a successful
and versatile tool
and versatile tool
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that it has been applied
in almost every industry.
in almost every industry.
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I saw the potential that it had
for the issues I faced,
for the issues I faced,
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so I decided to go back to school
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and get my master's in social design.
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This looks at how to use design
to create positive change in the world.
to create positive change in the world.
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While I was there,
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I fell in love with woodworking.
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But what I quickly realized
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was that I was missing out on something.
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As you're working with a tool,
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right before it's about
to kick back at you --
to kick back at you --
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which means the piece or the tool
jumps back at you --
jumps back at you --
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it makes a sound.
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And I couldn't hear this sound.
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So I decided,
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why not try and solve it?
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My solution was a pair of safety glasses
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that were engineered
to visually alert the user
to visually alert the user
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to pitch changes in the tool,
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before the human ear could pick it up.
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Why hadn't tool designers
thought of this before?
thought of this before?
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(Laughter)
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Two reasons: one, I was a beginner.
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I wasn't weighed down by expertise
or conventional wisdom.
or conventional wisdom.
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The second is: I was Deaf.
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My unique experience of the world
helped inform my solution.
helped inform my solution.
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And as I went on, I kept running into
more and more solutions
more and more solutions
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that were originally made
for people with disabilities,
for people with disabilities,
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and that ended up being picked up,
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embraced and loved by the mainstream,
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disability or not.
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This is an OXO potato peeler.
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It was originally designed
for people with arthritis,
for people with arthritis,
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but it was so comfortable,
everybody loved it.
everybody loved it.
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Text messaging: that was originally
designed for people who are Deaf.
designed for people who are Deaf.
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And as you know,
everybody loves that, too.
everybody loves that, too.
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(Laughter)
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I started thinking:
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What if we changed our mindset?
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What if we started designing
for disability first --
for disability first --
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not the norm?
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As you see, when we design
for disability first,
for disability first,
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we often stumble upon
solutions that are not only inclusive,
solutions that are not only inclusive,
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but also are often better
than when we design for the norm.
than when we design for the norm.
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And this excites me,
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because this means that the energy
it takes to accommodate someone
it takes to accommodate someone
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with a disability
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can be leveraged, molded and played with
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as a force for creativity and innovation.
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This moves us from the mindset
of trying to change the hearts
of trying to change the hearts
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and the deficiency mindset of tolerance,
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to becoming an alchemist,
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the type of magician that this world
so desperately needs
so desperately needs
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to solve some of its greatest problems.
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Now, I also believe
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that people with disabilities
have great potential to be designers
have great potential to be designers
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within this design-thinking process.
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Without knowing it, from a very early age,
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I've been a design thinker,
fine-tuning my skills.
fine-tuning my skills.
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Design thinkers are, by nature,
problem solvers.
problem solvers.
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So imagine listening to a conversation
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and only understanding
50 percent of what is said.
50 percent of what is said.
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You can't ask them to repeat
every single word.
every single word.
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They would just get frustrated with you.
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So without even realizing it,
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my solution was to take
the muffled sound I heard,
the muffled sound I heard,
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that was the beat,
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and turn it into a rhythm
and place it with the lips I read.
and place it with the lips I read.
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Years later, someone commented
that my writing had a rhythm to it.
that my writing had a rhythm to it.
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Well, this is because I experience
conversations as rhythms.
conversations as rhythms.
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I also became really,
really good at failing.
really good at failing.
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(Laughter)
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Quite literally.
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My first semester in Spanish, I got a D.
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But what I learned
was that when I picked myself up
was that when I picked myself up
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and changed a few things around,
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eventually, I succeeded.
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Similarly, design thinking
encourages people to fail
encourages people to fail
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and fail often,
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because eventually, you will succeed.
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Very few great innovations in this world
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have come from someone succeeding
on the first try.
on the first try.
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I also experienced this lesson in sports.
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I'll never forget my coach
saying to my mom,
saying to my mom,
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"If she just didn't have her hearing loss,
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she would be on the national team."
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But what my coach, and what I
didn't even know at the time,
didn't even know at the time,
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was that my hearing loss
actually helped me excel at sports.
actually helped me excel at sports.
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You see, when you lose your hearing,
not only do you adapt your behavior,
not only do you adapt your behavior,
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but you also adapt your physical senses.
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One example of this
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is that my visual
attention span increased.
attention span increased.
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Imagine a soccer player,
coming down the left flank.
coming down the left flank.
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Imagine being goalkeeper, like I was,
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and the ball is coming
down the left flank.
down the left flank.
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A person with normal hearing
would have the visual perspective of this.
would have the visual perspective of this.
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I had the benefit of a spectrum this wide.
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So I picked up the players over here,
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that were moving about
and coming down the field.
and coming down the field.
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And I picked them up quicker,
so that if the ball was passed,
so that if the ball was passed,
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I could reposition myself
and be ready for that shot.
and be ready for that shot.
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So as you can see,
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I've been a design thinker
for nearly all my life.
for nearly all my life.
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My observation skills have been honed
so that I pick up on things
so that I pick up on things
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that others would never pick up on.
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My constant need to adapt
has made me a great ideator
has made me a great ideator
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and problem solver.
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And I've often had to do this
within limitations and constraints.
within limitations and constraints.
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This is something that designers
also have to deal with frequently.
also have to deal with frequently.
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My work most recently took me to Haiti.
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Design thinkers often seek out
extreme situations,
extreme situations,
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because that often informs
some of their best designs.
some of their best designs.
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And Haiti -- it was like a perfect storm.
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I lived and worked
with 300 Deaf individuals
with 300 Deaf individuals
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that were relocated
after the 2010 earthquake.
after the 2010 earthquake.
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But five and a half years later,
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there still was no electricity;
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there still was no safe drinking water;
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there were still no job opportunities;
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there was still rampant crime,
and it went unpunished.
and it went unpunished.
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International aid organizations
came one by one.
came one by one.
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But they came
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with pre-determined solutions.
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They didn't come ready
to observe and to adapt
to observe and to adapt
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based on the community's needs.
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One organization gave them
goats and chickens.
goats and chickens.
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But they didn't realize
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that there was so much hunger
in that community,
in that community,
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that when the Deaf went to sleep
at night and couldn't hear,
at night and couldn't hear,
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people broke into their yards
and their homes
and their homes
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and stole these chickens and goats,
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and eventually they were all gone.
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Now, if that organization
had taken the time
had taken the time
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to observe Deaf people,
to observe the community,
to observe the community,
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they would have realized their problem
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and perhaps they would have
come up with a solution,
come up with a solution,
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something like a solar light,
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lighting up a secure pen
to put them in at night
to put them in at night
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to ensure their safety.
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You don't have to be a design thinker
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to insert the ideas
I've shared with you today.
I've shared with you today.
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You are creative.
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You are a designer --
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everyone is.
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Let people like me help you.
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Let people with disabilities
help you look sideways,
help you look sideways,
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and in the process,
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solve some of the greatest problems.
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That's it. Thank you.
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(Applause)
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ABOUT THE SPEAKER
Elise Roy - Lawyer, artist, human rights advocateElise Roy thinks that designers have the capacity and responsibility to address and resolve human problems on micro and macro scales and contribute to social well-being.
Why you should listen
Deaf from the age of ten, Elise Roy has been a design thinker from early on, constantly adapting her environment and its tools to serve her extraordinary abilities.
A Division I athlete in both soccer and lacrosse, Roy participated in the Olympic Development Program for soccer. In the classroom, she learned how to teach herself from books. At Brown University, Roy was recognized as one of the nation's elite soccer goalkeepers. She also began to see herself as an advocate for people with non-normative abilities. During her freshman year, the University tried to take away real time captioning, a cross between closed captions that you see on television and a courtroom stenographer, enabling her to hear and participate in the classroom for the first time. After organizing the other Deaf students at the University and meeting with several deans, Roy was able to secure the real time captioning for the remainder of her time at Brown.
Following Brown, Roy turned down an invitation to play professional soccer and instead opted for law school at Northeastern University. While in law school, Roy became actively involved in gay and lesbian rights, acting as a fellow for the human rights campaign in Washington D.C. Upon graduation, Roy received the highly prestigious Georgetown University Women's Law and Public Policy Fellowship, with alumni and board members that included Supreme Court Justice Ruth Ginsburg as well as D.C. Congresswoman Eleanor Holmes Norton.
Roy was in law school when she began working on the International Disability Rights Treaty at the United Nations, the first such human rights treaty to be passed in the 21st century. She quickly found herself thrust from a mere observer to the leader of her Article on culture, sport, recreation and leisure. The treaty, the first human rights treaty at the United Nations to be passed in the 21st century, was ratified in 2007. Over 155 countries have become signatories. After the treaty was signed in 2007, she traveled the world to see it put into action. Her work took her to Southeast Asia and the Gulf region as well as Africa.
Roy's deafness has always given her a heightened awareness of how profoundly design shapes the social, emotional and physical environment and this led her to study human-centered design in Maryland Institute College of Art's (MICA) Social Design program. Premised on the foundational notion that complex social problems require creative problem solving through design, she completed a master's degree with a thesis that investigated the barriers that exist for individuals with hearing loss in the fabrication technology and design realm. She researched various tools to identify possible adaptations for the Deaf user based on the auditory information emitted.
Roy promotes design thinking as fundamental to progressive social change and is a passionate proponent of applying social impact and human-centered design research to international aid and development work.
Elise Roy | Speaker | TED.com