ABOUT THE SPEAKER
Chris Bangle - Car designer
Car design is a ubiquitous but often overlooked art form. As chief of design for the BMW Group, Chris Bangle has overseen cars that have been seen the world over, including BMW 7 Series and the Z4 roadster.

Why you should listen

American designer Chris Bangle understands that it can be difficult to see a car in terms of Art with a capital A. As such, he separates his work into issues of "automobiles" (unemotional products, causing problems such as pollution and congestion) and "car-iness" (an expansion of the human, and ultimately a truly artistic expression). Satisfying the tensions between these problems -- and the tensions between engineers and designers -- is, for him, the essence of his work.

Offering radical forms and ideas, Bangle has been a polarizing figure within the industry; he has overseen all of the brands within the BMW family, including Mini and Rolls-Royce. In 2009, Bangle left BMW to pursue his own personal design interests and develop his consulting firm, Chris Bangle Associates.

More profile about the speaker
Chris Bangle | Speaker | TED.com
TED2002

Chris Bangle: Great cars are great art

Chris Bangle: Sjajni automobili su sjajna umjetnost

Filmed:
973,938 views

Američki dizajner Chris Bangle objašnjava svoje viđenje dizajna automobila kao oblika umjetnosti, i to pomoću zabavne -- i nadasve dirljive -- priče o projektu Deep Blue BMW Grupe, čija je svrha bila osmisliti SUV budućnosti.
- Car designer
Car design is a ubiquitous but often overlooked art form. As chief of design for the BMW Group, Chris Bangle has overseen cars that have been seen the world over, including BMW 7 Series and the Z4 roadster. Full bio

Double-click the English transcript below to play the video.

O čemu želim govoriti,
a što nije u prvom planu,
00:26
What I want to talk about is, as backgroundpozadina,
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00:29
is the ideaideja that carsautomobili are artumjetnost.
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je ideja da su automobili umjetnost.
00:31
This is actuallyzapravo quitedosta meaningfulznačajan to me,
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Meni je to prilično značajno
00:34
because carautomobil designersdizajneri tendskloni to be a little bitbit lownizak on the totemtotem polepol --
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jer su dizajneri automobila
nisko na hijerarhijskoj ljestvici,
ne radimo dekorativne knjige
kojima je tema jedna svjetiljka,
00:38
we don't do coffeekava tablestol booksknjige with just one lampsvjetiljka insideiznutra of it --
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a automobili se toliko smatraju proizvodom
00:41
and carsautomobili are thought so much as a productproizvod
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00:44
that it's a little bitbit difficulttežak to get into the aestheticestetski sidestrana
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da je teško govoriti
o njihovoj estetskoj strani,
00:47
underpod the sameisti sortvrsta of terminologyterminologija that one would discussraspravljati artumjetnost.
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koristeći istu terminologiju
kao za razgovore o umjetnosti.
00:50
And so carsautomobili, as artumjetnost, bringsdonosi it into an emotionalemotivan planeavion -- if you acceptprihvatiti that --
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No automobili kao umjetnost
ulaze u tu emocionalnu sferu
00:56
that you have to dealdogovor with on the sameisti levelnivo you would with artumjetnost with a capitalglavni A.
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u kojoj na njih treba gledati
jednako kao na vrhunsku umjetnost.
00:59
Now at this pointtočka you're going to see a pictureslika of MichelangeloMichelangelo.
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Sada ću vam pokazati Michelangelovu sliku.
01:02
This is completelypotpuno differentdrugačiji than automobilesautomobili.
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Ovo je potpuno drukčije od automobila.
01:05
AutomobilesAutomobila are self-movingsamostalno kreće things, right? ElevatorsDizala are automobilesautomobili.
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Auto-mobili su samopokretni predmeti.
Dizala su auto-mobili.
01:11
And they're not very emotionalemotivan; they solveriješiti a purposesvrha;
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Nema u njima ništa posebno emocionalno;
oni samo služe svrsi.
01:14
and certainlysigurno automobilesautomobili have been around for 100 yearsgodina
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Automobili postoje oko 100 godina
01:17
and have madenapravljen our livesživot functionallyfunkcionalno a lot better in manymnogi waysnačine;
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i funkcionalno su nam dosta
unaprijedili živote;
01:20
they'vešto ga do alsotakođer been a realstvaran painbol in the assdupe,
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istovremeno, oni predstavljaju i gnjavažu,
01:22
because automobilesautomobili are really the thing we have to solveriješiti.
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oni su problem koji moramo riješiti.
Moramo riješiti probleme
onečišćenja, prometnih gužvi -
01:26
We have to solveriješiti the pollutionzagađenje, we have to solveriješiti the congestionkongestija --
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01:29
but that's not what interestsinteresi me in this speechgovor.
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no ne želim o tome u ovom govoru.
U ovom govoru zanimaju me auti.
Automobile koristimo,
01:32
What interestsinteresi me in this speechgovor is carsautomobili. AutomobilesAutomobila maysvibanj be what you use,
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ali auti su ono što,
na mnogo načina, jesmo.
01:37
but carsautomobili are what we are, in manymnogi waysnačine.
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Dok god možemo riješiti probleme
povezane s automobilima,
01:40
And as long as we can solveriješiti the problemsproblemi of automobilesautomobili,
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a vjerujem da možemo, gorivim ćelijama
ili hidrogenom, npr. BMW-ov je aktualan,
01:44
and I believe we can, with fuelgorivo cellsStanice or hydrogenvodik, like BMWBMW is really hipkuk on,
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01:48
and lots of other things, then I think we can look pastprošlost that
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i ima još puno toga,
mislim da to možemo zanemariti
01:51
and try and understandrazumjeti why this hookkuka is in manymnogi of us --
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i pokušati razumjeti
zašto smo, mnogi od nas --
01:55
of this car-y-nessauto-y-ness -- and what that meanssredstva, what we can learnnaučiti from it.
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zagrizli za aute -- i što to znači,
što možemo iz toga naučiti.
O tome želim govoriti.
Auti nisu nalik odjeći;
01:59
That's what I want to get to. CarsAutomobili are not a suitodijelo of clothesodjeća;
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02:02
carsautomobili are an avataravatar. CarsAutomobili are an expansionekspanzija of yourselfsami:
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auti su naš avatar.
Oni su produžetak nas samih:
02:06
they take your thoughtsmisli, your ideasideje, your emotionsemocije, and they multiplypomnožiti it --
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preuzmu vaše misli, ideje,
emocije i pojačaju ih --
02:10
your angerbijes, whateveršto god. It's an avataravatar.
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vašu ljutnju, što god. Auto je avatar.
Kao da si u čarobnom stroju
i ako se osjećaš privlačno,
02:13
It's a super-waldosuper Waldo that you happendogoditi se to be insideiznutra of, and if you feel sexyseksi,
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automobil je privlačan. Ako si gnjevan,
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the carautomobil is sexyseksi. And if you're fullpuni of roadcesta ragebijes,
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02:18
you've got a "ChevyChevy: Like a RockStijena," right?
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voziš opaki Chevy, zar ne?
Auti su skulpture -- znate li to?
02:21
CarsAutomobili are a sculptureskulptura -- did you know this?
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02:24
That everysvaki carautomobil you see out there is sculptedoblikovani by handruka.
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Svaki se automobil ručno modelira.
02:27
ManyMnogi people think, "Well, it's computersračunala,
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Mnogi misle, "Pa to rade računala,
za to postoje strojevi i slično."
02:29
and it's doneučinio by machinesstrojevi and stuffstvari like that."
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Oni ih reproduciraju,
ali originali se izrađuju ručno.
02:31
Well, they reproducereproduciraju it, but the originalsoriginali are all doneučinio by handruka.
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I to čine muškarci i žene
s puno vjere u svoje umijeće.
02:34
It's doneučinio by menmuškarci and womenžene who believe a lot in theirnjihov craftčamac.
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And they put that sameisti kindljubazan of tensionnapetost into the sculptingoblikovanje of a carautomobil
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Osjeti se napetost u oblikovanju auta,
ista napetost kao kod skulptura
koje se izlažu u muzejima.
02:42
that you do in a great sculptureskulptura that you would go and look at in a museummuzej.
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Ta rastrganost između
potrebe za izražavanjem i otkrivanjem,
02:45
That tensionnapetost betweenizmeđu the need to expressizraziti, the need to discoverotkriti,
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dodavanjem nečeg novog,
02:49
then you put something newnovi into it,
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a istovremeno tu su ograničenja zanata.
02:51
and at the sameisti time you have boundsgranica of craftsmanshipumješnost.
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RulesPravila that say, this is how you handlerukovati surfacespovršine;
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Pravila koja određuju
kako se oblikuju površine;
to je kontrola, tako pokazujete
da ste majstor u svom poslu.
02:57
this is what controlkontrolirati is all about; this is how you showpokazati you're a mastermajstorski of your craftčamac.
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03:01
And that tensionnapetost, that discoveryotkriće, that pushgurnuti for something newnovi --
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Ta napetost, to otkrivanje,
potraga za novim --
03:04
and at the sameisti time, that senseosjećaj of obligationobaveza
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i istovremeno osjećaj da ste dužni
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to the regardsPozdrav of craftsmanshipumješnost --
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poštovati svoju struku --
03:08
that's as strongjak in carsautomobili as it is in anything.
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nigdje nije jači nego u ovom poslu.
03:10
We work in clayglina, whichkoji hasn'tnema changedpromijenjen much
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Koristimo glinu, što se nije promijenilo
03:12
sinceod MichelangeloMichelangelo startedpočeo screwingvijak around with it,
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još od Michelangelovih dana,
03:15
and there's a very interestingzanimljiv analogyanalogija to that too.
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i zanimljiva je analogija povezana s tim.
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RealPravi quicklybrzo -- MichelangeloMichelangelo oncejednom said he's there to "discoverotkriti the figurelik withinunutar," OK?
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Michelangelo je jednom rekao da je ovdje
kako bi oslobodio "kip u kamenu".
03:24
There we go, the automobileautomobil.
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I evo nas, automobil.
To je bilo prije 100 g. -- vidite?
03:26
That was 100 yearsgodina right there -- did you catchulov that?
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03:28
BetweenIzmeđu that one there, and that one there, it changedpromijenjen a lot didn't it?
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Puno se toga promijenilo
u međuvremenu, zar ne?
03:31
OK, it's not marketingMarketing; there's a very interestingzanimljiv carautomobil conceptkoncept here,
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Nije riječ o marketingu;
ovo je zanimljiv koncept automobila,
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but the marketingMarketing partdio is not what I want to talk about here.
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no sada ne želim govoriti o marketingu.
03:37
I want to talk about this.
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Želim govoriti o ovome.
Ta želja da operete auto,
kakvu to senzualnost krije
03:39
Why it meanssredstva you have to washpranje a carautomobil, what is it, that sensualityputenost
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03:41
you have to touchdodir about it? That's the sculptureskulptura that goeside into it. That sensualityputenost.
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da ga želite dodirnuti?
Riječ je o skulpturi, otuda senzualnost.
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And it's doneučinio by menmuškarci and womenžene workingrad just like this, makingizrađivanje carsautomobili.
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Stvaraju je ovakvi muškarci i žene,
koji izrađuju automobile.
03:51
Now this little quotecitat about sculptureskulptura from HenryHenry MooreMoore,
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Evo citata Henryja Moorea o skulpturama,
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I believe that that "pressurepritisak withinunutar" that Moore'sMooreov talkingkoji govori about --
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mislim da Mooreov "pritisak iznutra",
iz kojeg nastaje skulptura,
03:56
at leastnajmanje when it comesdolazi to carsautomobili --
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bar kad je riječ o autima,
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comesdolazi right back to this ideaideja of the mean.
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da se sve svodi na smisao.
To je volja za životom,
preživljavanjem, samoizražavanjem,
04:01
It's that will to liveživjeti, that need to survivepreživjeti, to expressizraziti itselfsebe,
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04:04
that comesdolazi in a carautomobil, and takes over people like me.
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koja dolazi s autom
i ovlada ljudima poput mene.
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And we tell other people, "Do this, do this, do this," untildo this thing comesdolazi aliveživ.
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Mi onda govorimo drugima "Učini to i to",
dok ta stvar ne oživi.
Potpuno smo zaraženi.
I ljepota može biti ishod
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We are completelypotpuno infectedzaražen. And beautyljepota can be the resultproizlaziti
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04:14
of this infectiousnessinfektivnost; it's quitedosta wonderfulpredivan.
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ove zaraze, prilično nevjerojatno.
04:16
This sculptureskulptura is, of coursenaravno, at the heartsrce of all of it,
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Skulptura je, naravno, srce svega,
04:19
and it's really what putsstavlja the craftsmanshipumješnost into our carsautomobili.
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razlog zašto su automobili umijeće.
04:22
And it's not a wholečitav lot differentdrugačiji, really, when they're workingrad like this,
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Nema puno razlike u tome radi li se ovako
ili ovako.
04:26
or when somebodyneko worksdjela like this.
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04:28
It's that sameisti kindljubazan of commitmentopredjeljenje, that sameisti kindljubazan of beautyljepota.
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Riječ je o istoj vrsti predanosti,
istoj vrsti ljepote.
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Now, now I get to the pointtočka. I want to talk about carsautomobili as artumjetnost.
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Želim govoriti o autima
kao o vrsti umjetnosti.
04:34
ArtUmjetnost, in the PlatonicPlatonove senseosjećaj, is truthistina; it's beautyljepota, and love.
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Umjetnost je, u platonovskom smislu,
istina; ona je ljepota i ljubav.
04:38
Now this is really where designersdizajneri in carautomobil businessPoslovni divergerazilaziti se from the engineersinženjeri.
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U tome se dizajneri automobila
razlikuju od inženjera.
04:42
We don't really have a problemproblem talkingkoji govori about love.
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Nije nam teško govoriti o ljubavi.
04:44
We don't have a problemproblem talkingkoji govori about truthistina or beautyljepota in that senseosjećaj.
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Nije nam teško
govoriti o istini i ljepoti.
04:47
That's what we're searchingu potrazi for --
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To je ono što tražimo --
04:49
when we're workingrad our craftčamac, we are really tryingtežak to find that truthistina out there.
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kada se bavimo svojim poslom,
pokušavamo doći do istine.
04:52
We're not tryingtežak to find vanitytaština and beautyljepota.
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Ne pokušavamo naći taštinu i ljepotu.
04:54
We're tryingtežak to find the beautyljepota in the truthistina.
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Pokušavamo naći ljepotu u istini.
04:56
HoweverMeđutim, engineersinženjeri tendskloni to look at things a little bitbit more NewtonianNewton-ove,
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Pristup inženjera je više njutnovski,
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insteadumjesto of this quantumkvantni approachpristup.
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za razliku od ovog kvantnog pristupa.
05:02
We're dealingbavljenje with irrationalismsirrationalisms,
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Mi se bavimo iracionalnim
05:04
and we're dealingbavljenje with paradoxesparadoksi that we admitpriznati existpostojati,
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i paradoksima čije postojanje priznajemo,
05:06
and the engineersinženjeri tendskloni to look things a little bitbit more like
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dok inženjeri to gledaju ovako,
05:08
two and two is fourčetiri, and if you get 4.0 it's better, and 4.000 is even better.
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dva i dva su četiri,
bolje je dobiti 4,0, ili još bolje 4,000.
05:13
And that sometimesponekad leadsvodi to bitbit of a divergencedivergencija
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To ponekad dovodi do razilaženja
05:17
in why we're doing what we're doing.
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u našim motivima za bavljenje ovim poslom.
05:19
We'veMoramo prettyprilično much acceptedpriznat the factčinjenica, thoughiako,
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Jednu smo činjenicu ipak prihvatili,
da smo mi žene u organizaciji BMW --
05:21
that we are the womenžene in the organizationorganizacija at BMWBMW --
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BMW je vrlo muževna tvrtka --
muškarci, to su inženjeri.
05:23
BMWBMW is a very manlymuževan typetip businessPoslovni, -- menmuškarci, menmuškarci, menmuškarci; it's engineersinženjeri.
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05:26
And we're kindljubazan of the femaležena sidestrana to that. That's OK,
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Mi predstavljamo
ženstvenu stranu. To je OK,
to je u redu. Samo vi budite muževni,
mi ćemo biti ženstveni.
05:29
that's coolsvjež. You go off and be manlymuževan. We're going to be a little bitbit more femaležena.
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05:32
Because what we're interestedzainteresiran in is findingnalaz formoblik that's more than just a functionfunkcija.
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Zanima nas oblik
koji nije samo funkcionalan.
05:39
We're interestedzainteresiran in findingnalaz beautyljepota that's more than just an aestheticestetski;
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Zanima nas ljepota
koja nije samo estetska,
05:42
it's really a truthistina.
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nego ona koja je istina.
05:44
And I think this ideaideja of soulduša, as beingbiće at the heartsrce of great carsautomobili,
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Zato je ideja duše,
koja je u srcu sjajnih automobila,
05:47
is very applicableprimjenjivo. You all know it. You know a carautomobil when you've seenvidio it,
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vrlo primjenjiva. Svi to znate.
Znate prepoznati auto
s dušom. Znate koliko je to snažno.
05:50
with soulduša. You know how strongjak this is.
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05:52
Well, this experienceiskustvo of love, and the experienceiskustvo of designdizajn, to me,
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Ta iskustva ljubavi i dizajniranja
za mene se isprepliću.
I sada dolazim do svoje priče.
05:56
are interchangeablerazmjenljiv. And now I'm comingdolazak to my storypriča.
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05:59
I discoveredotkriven something about love and designdizajn throughkroz a projectprojekt calledzvao DeepDuboko BluePlava.
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Otkrio sam nešto o ljubavi i dizajnu
radeći na projektu Deep Blue.
06:04
And first of all, you have to go with me for a seconddrugi, and say,
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Prvo, složite se sa mnom
na trenutak i zamislite
06:08
you know, you could take the wordriječ "love" out of a lot of things in our societydruštvo,
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da umjesto riječi "ljubav"
za puno stvari u društvu
06:11
put the wordriječ "designdizajn" in, and it still worksdjela,
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možete koristiti riječ "dizajn",
06:13
like this quotecitat here, you know. It kindljubazan of worksdjela, you know?
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kao citat: "Dizajn je prekrasna stvar".
Zvuči dobro, zar ne?
06:16
You can understandrazumjeti that. It worksdjela in truismstruisms.
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Razumijete.
Funkcionira i u poslovicama.
06:19
"All is fairfer in designdizajn and warrat."
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"Sve je dopušteno u dizajnu i ratu."
06:21
CertainlySvakako we liveživjeti in a competitivekonkurentan societydruštvo.
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Živimo u kompetitivnom društvu.
06:23
I think this one here, there's a poppop songpjesma
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Ova pop pjesma "Design, design me do..."
06:25
that really describesopisuje PhilippePhilippe StarckStarck for me, you know, this is like
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zaista opisuje Philippea Starcka,
06:29
you know, this is like puppyštene love, you know, this is coolsvjež right?
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to je kao zaljubljenost, fora je, zar ne?
06:32
ToothbrushČetkicu, coolsvjež.
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Fora.
06:34
It really only getsdobiva seriousozbiljan when you look at something like this. OK?
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Ne funkcionira jedino kad vidite:
"Dizajniraj svog susjeda".
06:37
(LaughterSmijeh)
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(Smijeh)
06:39
This is one substitutionzamjena that I believe
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Za ovu se zamjenu, mislim,
06:41
all of us, in designdizajn managementupravljanje, are guiltykriv of.
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može optužiti sve
u poslu upravljanja dizajnom.
06:43
And this ideaideja that there is more to love,
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Ta ideja da u ljubavi vidimo nešto više,
06:47
more to designdizajn, when it getsdobiva down to your neighborsusjed, your other,
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da u dizajnu ima nešto više,
kad je riječ o susjedu, o drugome,
06:53
it can be physicalfizička like this, and maybe in the futurebudućnost it will be.
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može se ovako fizički ispoljiti,
možda u budućnosti bude.
06:56
But right now it's in dealingbavljenje with our ownvlastiti people,
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Zasad se ispoljava u radu s ljudima,
06:58
our ownvlastiti teamstimovi who are doing the creatingstvaranje. So, to my storypriča.
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našim timovima koji su
zaduženi za kreiranje. Da se vratim temi.
07:03
The ideaideja of people-workljudi-djelo is what we work with here,
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Ideja suradnje nam je važna
07:06
and I have to make a bondveza with my designersdizajneri when we're creatingstvaranje BMWsBMW-a.
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i ja se moram povezati s dizajnerima
kada kreiramo BMW.
07:10
We have to have a sharedpodijeljen intimacyintimnost, a sharedpodijeljen visionvizija --
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Moramo imati zajedničku viziju --
07:13
that meanssredstva we have to work as one familyobitelj;
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moramo raditi kao obitelj:
moramo se tako međusobno doživljavati.
07:15
we have to understandrazumjeti ourselvessebe that way.
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Ima dobrih vremena,
ima zanimljivih trenutaka,
07:17
There's good timesputa; there's interestingzanimljiv timesputa;
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a ima i stresnih razdoblja.
07:20
and there's some stressstres timesputa too.
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Radite li automobile, morate biti vani.
07:22
You want to do carsautomobili, you've got to go outsideizvan.
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Automobile izrađujete na kiši
i kada sniježi.
07:24
You've got to do carsautomobili in the rainkiša; you've got to do carsautomobili in the snowsnijeg.
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Tako rad predstavljamo
upravnom vijeću tvrtke.
07:27
That's, by the way, is a presentationprezentacija we madenapravljen to our boardodbor of directorsdirektori.
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Izvučemo i njih na snijeg.
Želite vidjeti automobile vani?
07:30
We haulvući theirnjihov buttspušaka out in the snowsnijeg, too. You want to know carsautomobili outsideizvan?
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07:33
Well, you've got to standstajati outsideizvan to do this.
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Zato morate izaći van.
07:35
And because these are artistsizvođači, they have very artisticumjetnički temperamentsTemperamenti.
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Budući da je riječ o umjetnicima,
imaju i umjetnički temperament.
07:40
All right? Now one thing about artumjetnost is, artumjetnost is discoveryotkriće,
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Umjetnost je otkriće
07:45
and artumjetnost is discoveringotkrivanja yourselfsami throughkroz your artumjetnost. Right?
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i umjetnost je otkrivanje sebe
kroz svoju umjetnost.
07:48
And one thing about carsautomobili is we're all a little bitbit like PygmalionPigmalion,
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Stvar je s autima u tome
da smo svi poput Pygmaliona,
07:52
we are completelypotpuno in love with our ownvlastiti creationskreacije.
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zaljubljeni smo u vlastite kreacije.
07:55
This is one of my favoriteljubimac paintingsslike, it really describesopisuje our relationshipodnos with carsautomobili.
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Ovo je jedna od mojih omiljenih slika,
zaista opisuje naš odnos s automobilima.
08:00
This is sickbolestan beyondIznad beliefvjerovanje.
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Ovo je van svake pameti.
08:02
(LaughterSmijeh)
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(Smijeh)
No zbog toga, intimnost s kojom
surađujemo kao tim
08:04
But because of this, the intimacyintimnost with whichkoji we work togetherzajedno as a teamtim
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08:08
takes on a newnovi dimensiondimenzija, a newnovi meaningznačenje.
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dobiva novu dimenziju, novo značenje.
08:12
We have a sharedpodijeljen centercentar; we have a sharedpodijeljen focusfokus --
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Dijelimo interes,
usmjereni smo na isto --
08:15
that carautomobil staysostaje at the middlesrednji of all our relationshipsodnosa.
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automobili su u centru naših odnosa.
08:19
And it's my jobposao, in the competitivekonkurentan processpostupak, to narrowsuziti this down.
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Moj je zadatak, u svemu tome,
suziti popis, odabrati najbolje.
08:24
I heardčuo todaydanas about Joseph'sJosip deathsmrt genesgeni
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Danas sam čuo o Josipovim genima smrti
08:28
that have to go in and killubiti cellćelija reproductionreprodukcija.
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koji uništavaju reprodukciju stanica.
08:31
You know, that's what I have to do sometimesponekad.
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Katkad to i ja moram učiniti.
08:34
We startpočetak out with 10 carsautomobili; we narrowsuziti it down to fivepet carsautomobili,
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Krenemo s 10 novih automobila,
suzimo to na pet,
08:37
down to threetri carsautomobili, down to two carsautomobili, down to one carautomobil,
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zatim na tri, na dva,
i ostane jedan automobil,
08:40
and I'm in the middlesrednji of that killingubijanje, basicallyu osnovi.
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ja, zapravo, ubijam
08:44
Someone'sNetko je love, someone'snetko babydijete.
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nečiju ljubav, nečije dijete.
08:46
This is very difficulttežak, and you have to have a bondveza with your teamtim
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To je jako teško, a morate
biti povezani sa svojim timom,
08:49
that permitsdozvole you to do this, because theirnjihov life is wrappedumotan up in that too.
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koji vam dopušta da to činite
jer su i oni uključeni u sve to.
08:53
They'veSu got that genegen infectedzaražen in them as well,
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I oni su zaraženi tim genom
08:56
and they want that to liveživjeti, more than anything elsedrugo.
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i žele da njihov rad preživi,
žele to više od ičega.
09:00
Well, this projectprojekt, DeepDuboko BluePlava, put me in contactkontakt with my teamtim
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Ovaj projekt, Deep Blue,
povezao me s mojim timom
09:03
in a way that I never expectedočekuje se, and I want to passproći it on to you,
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na neočekivan način,
i želim vam to prenijeti,
09:06
because I want you to reflectodraziti on this, perhapsmožda in your ownvlastiti relationshipsodnosa.
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možda vam pomogne
i u vašim odnosima.
09:08
We wanted to a do a carautomobil whichkoji was a completepotpun leapskok of faithvjera for BMWBMW.
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Željeli smo automobil koji bi za BMW
predstavljao skok u nepoznato.
09:13
We wanted to do a teamtim whichkoji was so removedukloniti from the way we'dmi bismo doneučinio it,
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Željeli smo tim koji toliko
nije poznavao naš način rada,
09:17
that I only had a phonetelefon numberbroj that connectedpovezan me to them.
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da sam imao samo broj telefona
koji me povezivao s njima.
09:20
So, what we did was: insteadumjesto of havingima a staffosoblje of artistsizvođači that are just your wristručni zglob,
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Umjesto internog tima umjetnika koji bi se
nadovezivali na naše ideje,
09:25
we decidedodlučio to freebesplatno up a teamtim of creativekreativan designersdizajneri and engineersinženjeri
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odlučili smo se osloniti
na tim kreativnih dizajnera i inženjera,
09:29
to find out what's the successornasljednik to the SUVSuv phenomenonfenomen in AmericaAmerika.
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koji su trebali otkriti nasljednika
fenomena SUV segmenta u Americi.
09:33
This is 1996 we did this projectprojekt. And so we sentposlao them off with this teamtim nameime,
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Na projektu smo radili 1996.
Timu smo dali ovo ime,
Deep Blue.
Mnogi ga povezuju s IBM-om --
09:39
DeepDuboko BluePlava. Now manymnogi people know DeepDuboko BluePlava from IBMIBM --
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09:41
we actuallyzapravo stoleukrao it from them because we figuredshvaćen
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ukrali smo ga od njih jer smo mislili
09:43
if anybodyiko readčitati our faxesfaksova they'doni bi think we're talkingkoji govori about computersračunala.
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da će svi koji budu čitali dopise
misliti da govorimo o računalima.
09:46
It turnedokrenut out it was quitedosta cleverpametan because DeepDuboko BluePlava,
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Ispostavilo se mudrim jer Deep Blue
09:48
in a companydruštvo like BMWBMW, has a hookkuka -- "DeepDuboko BluePlava," wowwow, coolsvjež nameime.
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na sve u BMW-u ostavlja dojam --
"Deep Blue", fora ime.
09:52
So people get wrappedumotan up in it. And we tookuzeo a teamtim of designersdizajneri,
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Ljudi se zainteresiraju. Tim dizajnera
09:55
and we sentposlao them off to AmericaAmerika. And we gavedali them a budgetbudžet,
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poslali smo u Ameriku.
Osigurali smo im sredstva,
09:58
what we thought was a setset of deliverablesisporučeno,
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rekli kakve rezultate želimo,
10:00
a timetableraspored, and nothing elsedrugo.
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dali im rokove i to je to.
10:02
Like I said, I just had a phonetelefon numberbroj that connectedpovezan me to them.
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Samo me telefonski broj
povezivao s njima.
10:04
And a groupskupina of engineersinženjeri workedradio in GermanyNjemačka,
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Skupina inženjera radila je u Njemačkoj,
10:07
and the ideaideja was they would work separatelyodvojeno
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a zamisao je bila da odvojeno rade
10:09
on this problemproblem of what's the successornasljednik to the SUVSuv.
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na pitanju što je nasljednik SUV-a.
10:12
They would come togetherzajedno, compareusporediti notesbilješke. Then they would work apartosim,
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Oni bi se sastajali i uspoređivali
bilješke. Opet bi bili odvojeni,
10:15
come togetherzajedno, and they would produceproizvoditi togetherzajedno
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sastali bi se i zajedno osmislili
10:17
a monumentalmonumentalan setset of diversedrugačiji opinionsmišljenje that didn't pollutezagaditi eachsvaki other'sdrugi ideasideje --
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cijeli niz različitih mišljenja kojima
nisu ugrožavali ideje jedni drugima,
10:21
but at the sameisti time camedošao togetherzajedno and resolvedriješen the problemsproblemi.
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nego bi surađivali i rješavali probleme.
Trebali su razumjeti kupce,
10:24
HopefullyNadam se da, really understandrazumjeti the customerkupac at its heartsrce,
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znati gdje su kupci, živjeti s njima
u Americi. Poslali smo ekipu
10:27
where the customerkupac is, liveživjeti with them in AmericaAmerika. So -- sentposlao the teamtim off,
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i dogodilo se nešto drugo.
Otišli su na druga mjesta.
10:33
and actuallyzapravo something differentdrugačiji happeneddogodilo. They wentotišao other placesmjesta.
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10:37
(LaughterSmijeh)
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(Smijeh)
Nestali su, samo sam primao razglednice.
10:40
They disappearednestao, quitedosta honestlypošteno, and all I got was postcardsrazglednice.
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Dobio sam razglednice iz Las Vegasa,
10:47
Now, I got some postcardsrazglednice of these guys in LasLas VegasVegas,
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10:50
and I got some postcardsrazglednice of these guys in the GrandVelika CanyonKanjon,
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neke razglednice iz Grand Canyona
10:52
and I got these postcardsrazglednice of NiagaraNiagara FallsPada,
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i razglednice s Niagarinih slapova,
10:54
and prettyprilično soonuskoro they're in NewNovi YorkYork, and I don't know where elsedrugo.
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onda čujem da su u New Yorku
i tko zna gdje još.
I govorim si:
"Ovo će biti sjajan automobil,
10:57
And I'm tellingreći myselfsebe, "This is going to be a great carautomobil,
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provode istraživanje kakvo mi prije
nije ni palo na pamet."
11:01
they're doing researchistraživanje that I've never even thought about before."
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11:06
Right? And they decidedodlučio that insteadumjesto of, like, havingima a studiostudio,
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I oni su zaključili da je,
umjesto unajmljivanja studija
11:13
and sixšest or sevensedam apartmentsapartmani,
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i šest ili sedam stanova,
jeftinije unajmiti bivšu kuću
Elizabeth Taylor u Malibuu.
11:16
it was cheaperjeftinije to rentnajam ElizabethElizabeth Taylor'sTaylor ex-houseex-kuća in MalibuMalibu.
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11:20
And -- at leastnajmanje they told me it was her housekuća,
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Bar su mi tako rekli
da je to njezina kuća,
11:23
I guessnagađati it was at one time, she had a partystranka there or something.
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valjda je bila, imala je
nekakvu proslavu ondje.
11:26
But anywayu svakom slučaju, this was the housekuća, and they all livedživjeli there.
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Kako god, svi su oni živjeli u toj kući.
11:31
Now this is 24/7 livingživot, half-a-dozenpola tuceta people who'dtko bi left theirnjihov --
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Tu su cijele dane provodili,
šestero ljudi, koji su ostavili svoje --
neki su ostavili supruge i obitelji,
11:36
some had left theirnjihov wivessupruge behindiza and familiesobitelji behindiza,
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i živjeli su u toj kući
11:39
and they literallydoslovce livedživjeli in this housekuća
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11:41
for the entirečitav sixšest monthsmjeseci the projectprojekt was in AmericaAmerika,
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svih šest mjeseci,
za vrijeme trajanja projekta u Americi,
11:44
but the first threetri monthsmjeseci were the mostnajviše intensiveintenzivan.
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no prva tri mjeseca
bila su najintenzivnija.
11:47
And one of the youngmladi womenžene in the projectprojekt,
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Jedna od mlađih sudionica projekta,
11:49
she was a fantasticfantastičan ladydama, she actuallyzapravo builtizgrađen her roomsoba in the bathroomkupaonica.
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fantastična žena,
sagradila si je svoju sobu u kupaonici.
11:53
The bathroomkupaonica was so bigvelika, she builtizgrađen the bedkrevet over the bathtubkada --
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Kupaonica je bila tako velika,
sagradila je krevet iznad kade,
11:56
it's quitedosta fascinatingfascinantan.
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fascinantno.
No ja ništa o tome nisam znao.
11:58
On the other handruka, I didn't know anything about this. OK?
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Ništa. Sve to vrijeme,
ja samo dobivam razglednice
12:02
Nothing. This is all going on, and all I'm gettinguzimajući is postcardsrazglednice
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12:05
of these guys in LasLas VegasVegas, or whateveršto god,
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iz Las Vegasa, ili odakle već,
12:07
sayingizreka, "Don't worrybrinuti ChrisChris, this is really going to be good." OK?
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s porukama: "Bez brige, sve je u redu."
Ja sam zamišljao
dizajn studio vjerojatno --
12:10
So my conceptkoncept of what a designdizajn studiostudio was probablyvjerojatno --
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12:13
I wasn'tnije up to speedubrzati on where these guys were.
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nisam baš znao kako tim napreduje.
12:16
HoweverMeđutim, the engineersinženjeri back in MunichU Münchenu
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U međuvremenu, inženjeri u Münchenu
12:19
had takenpoduzete on this kindljubazan of NewtonianNewton-ove solutionriješenje,
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bavili su se njutnovskim problemima,
pokušavali su riješiti
koliko držača za čaše
12:23
and they were tryingtežak to find how manymnogi cupkupa holdersdržači
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12:25
can danceples on the headglava of a pinigla, and, you know,
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može plesati na glavi igle
i slična ozbiljna pitanja
koja more moderne kupce.
12:27
these really seriousozbiljan questionspitanja that are confrontingsuočavanju the modernmoderan consumerpotrošač.
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12:32
And one was hopingnadajući that these two teamstimovi would get togetherzajedno,
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I nadali smo se
da će se ta dva tima sastati,
12:35
and this collusiondosluh of incrediblenevjerojatan creativitykreativnost,
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a taj sudar nevjerojatne kreativnosti
12:37
underpod these incrediblenevjerojatan surroundingsokruženje,
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u tom nevjerojatnom okruženju,
12:39
and these incrediblynevjerojatno stressed-outpod stresom engineersinženjeri,
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i ti inženjeri pod tolikim stresom
osmislit će neka divna rješenja.
12:42
would createstvoriti some incrediblenevjerojatan solutionsrješenja.
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Nisam znao, kasniije smo to shvatili --
12:45
Well, what I didn't know was, and what we foundpronađeno out was --
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12:48
these guys, they can't even like talk to eachsvaki other underpod those conditionsUvjeti.
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ti ljudi ne mogu međusobno
razgovarati u takvim uvjetima.
12:53
You get a divergencedivergencija of NewtonianNewton-ove and quantumkvantni thinkingmišljenje at that pointtočka,
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Dođe do razilaženja njutnovskog
i kvantnog načina razmišljanja,
12:57
you have a splitSplit in your dialogdijaloški that is so deepduboko, and so fardaleko,
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dođe do tako duboke i jake
podjele među njima,
13:03
that they cannotNe možete bringdonijeti this togetherzajedno at all.
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da uopće ne mogu surađivati.
13:07
And so we had our first meetingsastanak, after threetri monthsmjeseci, in TiburonTiburon,
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Imali smo prvi sastanak u Tiburonu,
koji je blizu, znate za Tiburon?
13:11
whichkoji is just up the roadcesta from here -- you know TiburonTiburon?
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Htjeli smo da nakon tri mjeseca
nezavisnog istraživanja
13:14
And the ideaideja was after the first threetri monthsmjeseci of this independentsamostalan researchistraživanje
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sve predstave dr. Goschelu --
13:17
they would presentpredstaviti it all to DrDr. GoschelTračne torbe --
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koji je sada moj šef,
tada je bio komentor na projektu --
13:19
who is now my bossšef, and at that time he was co-mentorko-Mentor on the projectprojekt --
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13:22
and they would presentpredstaviti theirnjihov resultsrezultati.
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i trebali su predstaviti rezultate.
13:24
We would see where we were going,
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Vidjeli bismo kako im ide,
dobili bismo predodžbu
13:26
we would see the first indicationnaznaka of what could be
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o nasljedniku SUV-a u Americi.
13:28
the successiveuzastopni phenomenonfenomen to the SUVSuv in AmericaAmerika.
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13:32
And so I had these ideasideje in my headglava, that this is going to be great.
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I očekivao sam nešto sjajno.
13:35
I mean, I'm going to see so much work, it's so intenseintenzivan --
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Očekivao sam puno obavljenog posla --
13:37
I know probablyvjerojatno LasLas VegasVegas meantznačilo a lot about it,
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znam da je Las Vegas bio jako važan,
13:40
and I'm not really sure where the GrandVelika CanyonKanjon camedošao in eitherili --
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nisam siguran za Grand Canyon,
13:42
but somehownekako all this is going to come togetherzajedno,
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ali sve je to trebalo imati smisla
13:45
and I'm going to see some really great productproizvod.
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i rezultirati sjajnim proizvodom.
13:47
So we wentotišao to TiburonTiburon, after threetri monthsmjeseci,
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Otišli smo u Tiburon, nakon tri mjeseca,
13:49
and the teamtim had gottendobivši togetherzajedno the weektjedan before,
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tim je došao tjedan prije,
13:52
manymnogi daysdana aheadnaprijed of time.
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puno prije nego što se očekivalo.
13:55
The engineersinženjeri flewletio over, and designersdizajneri got togetherzajedno with them,
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Došli su inženjeri,
dizajneri su se okupili s njima
13:59
and they put theirnjihov presentationprezentacija togetherzajedno.
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i sastavili svoju prezentaciju.
14:02
Well, it turnsokreti out that the engineersinženjeri hadn'tnije doneučinio anything.
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Ispostavilo se da inženjeri
nisu napravili ništa.
14:08
And they hadn'tnije doneučinio anything because --
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A nisu napravili ništa
jer u branši automobila,
inženjeri rješavaju probleme,
14:11
kindljubazan of, like in carautomobil businessPoslovni, engineersinženjeri are there to solveriješiti problemsproblemi,
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14:16
and we were askingtraži them to createstvoriti a problemproblem.
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a mi smo od njih tražili
da stvore problem.
14:19
And the engineersinženjeri were waitingčekanje for the designersdizajneri to say,
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Inženjeri su čekali da dizajneri kažu:
14:22
"This is the problemproblem that we'veimamo createdstvorio, now help us solveriješiti it."
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"Evo problema koji smo stvorili,
pomozite nam da ga riješimo."
14:26
And they couldn'tne mogu talk about it. So what happeneddogodilo was,
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Nisu mogli razgovarati o tome.
Ispalo je da su se inženjeri
pojavili praznih ruku.
14:30
the engineersinženjeri showedpokazala up with nothing.
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14:33
And the engineersinženjeri told the designersdizajneri,
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I inženjeri su rekli dizajnerima:
14:35
"If you go in with all your stuffstvari, we'lldobro walkhodati out,
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"Ako predstavite sve
što ste napravili, mi odlazimo,
14:39
we'lldobro walkhodati right out of the projectprojekt."
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napustit ćemo projekt."
14:42
So I didn't know any of this,
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Ništa od toga ja nisam znao,
14:44
and we got a presentationprezentacija that had an agendadnevni red, lookedgledao like this.
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mi smo dobili prezentaciju,
s planom, izgledala je ovako.
14:46
There was a wholečitav lot of dialogdijaloški.
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Bilo je jako puno razgovora.
Četiri sata su nam govorili o rječniku
14:49
We spentpotrošen fourčetiri hourssati beingbiće told all about vocabularyrječnik
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14:52
that needspotrebe to be builtizgrađen betweenizmeđu engineersinženjeri and designersdizajneri.
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koji mora biti izgrađen
između inženjera i dizajnera.
14:56
And here I'm expectingočekujući at any momenttrenutak, "OK, they're going to turnskretanje the pagestranica,
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Ja mislim u sebi:
"OK, okrenut će stranicu,
14:59
and I'm going to see the carsautomobili, I'm going to see the sketchesskice,
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vidjet ću automobile, vidjet ću skice,
15:01
I'm going to see maybe some ideaideja of where it's going."
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vidjet ću u kojem smjeru idu ideje."
15:04
DialogDijaloškom keptčuva on going, with mentalmentalni mapskarata of wordsriječi, and prettyprilično soonuskoro
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Razgovor se nastavio,
mentalne mape pune riječi
i uskoro je postalo očito da ću umjesto
zadivljenosti njihovom briljantnošću,
15:09
it was becomingpostaje obviousočigledan that insteadumjesto of beingbiće dazzledzaslijepljen with brilliancesjaj,
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15:12
I was seriouslyozbiljno beingbiće baffledzbunjen with bullshitsranje.
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ostati šokiran tom hrpom gluposti.
15:16
And if you can imaginezamisliti what this is like,
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Možete zamisliti taj osjećaj,
15:18
to have these monthsmjeseci of postcardrazglednica indicationnaznaka of how great this teamtim is workingrad,
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nakon mjeseci razglednica
s aluzijama na to koliko su sjajan tim,
15:22
and they're out there spendingtrošenje all this moneynovac, and they're learningučenje,
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troše sav taj novac, uče,
15:24
and they're doing all this stuffstvari.
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rade toliko toga.
15:27
I wentotišao fuckingjebeni ballisticbalistički, right? I wentotišao nutsorašasto voće.
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Poludio sam, znate?
Potpuno sam pošizio!
15:33
You can probablyvjerojatno rememberzapamtiti TiburonTiburon, it used to look like this.
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Vjerojatno se sjećate Tiburona,
prije je ovako izgledao.
15:38
After fourčetiri hourssati of this, I stoodstajao up, and I tookuzeo this teamtim apartosim.
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Nakon četiri sata toga,
ustao sam i iskalio se na timu.
15:43
I screamedvrisnula at them, I yelledviknuo at them, "What the hellpakao are you doing?
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Urlao sam na njih, "Kog vraga radite?
15:47
You're lettingiznajmljivanje me down, you're my designersdizajneri,
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Iznevjerili ste me, vi ste moji dizajneri,
15:49
you're supposedtrebala to be the creativekreativan onesone,
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vi biste trebali biti kreativni,
što se, dovraga, ovdje događa?
15:51
what the hellpakao is going on around here?"
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15:53
It was probablyvjerojatno one of my better tiradestirade, I have some good onesone,
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Bila je to jedna od mojih boljih tirada,
imam ih dobrih,
no ova je bila jedna od boljih.
I napao sam te ljude,
15:56
but this was probablyvjerojatno one of my better onesone. And I wentotišao into these people;
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15:59
how could they take BMW'sBMW-a moneynovac,
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kako su mogli uzeti BMW-ov novac,
16:01
how could they have a holidayodmor for threetri monthsmjeseci and produceproizvoditi nothing, nothing?
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kako su mogli odmarati tri mjeseca
i ne smisliti ništa, ništa?
16:07
Because of coursenaravno they didn't tell us that they had threetri stationstanica wagonsvagoni
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Naravno, nisu nam rekli
da imaju tri vagona
16:12
fullpuni of drawingscrteži, modelmodel conceptspojmovi, picturesSlike -- everything I wanted,
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puna crteža, koncepata, slika,
svega što sam želio,
16:19
they'doni bi lockedzaključan up in the carsautomobili, because they had shownprikazan solidaritysolidarnost with the engineersinženjeri --
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a što su zaključali u automobile,
jer su iz solidarnosti prema inženjerima
odlučili ne pokazati mi ništa,
16:24
and they'doni bi decidedodlučio not to showpokazati me anything,
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16:27
in ordernarudžba to give the chanceprilika for problemproblem solvingrješavanje a chanceprilika to startpočetak,
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kako bi si dali priliku
za rješavanje problema,
16:30
because they hadn'tnije realizedshvatio, of coursenaravno,
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jer nisu bili shvatili, naravno,
16:32
that they couldn'tne mogu do problemproblem creatingstvaranje.
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da ne znaju stvoriti problem.
16:34
So we wentotišao to lunchručak --
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I tako smo otišli na ručak --
16:36
(LaughterSmijeh)
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(Smijeh)
16:41
And I've got to tell you, this was one seriouslyozbiljno quietmiran lunchručak.
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I moram reći, bio je to jako tih ručak.
16:44
The engineersinženjeri all satsat at one endkraj of the tablestol,
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Inženjeri na jednom kraju stola,
16:46
the designersdizajneri and I satsat at the other endkraj of the tablestol, really quietmiran.
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dizajneri na drugom, jako tihi.
16:49
And I was just fuckingjebeni furiousžestok, furiousžestok. OK?
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A ja sam bio bijesan,
užasno bijesan. Kao ris!
16:56
ProbablyVjerojatno because they had all the funzabava and I didn't, you know.
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Vjerojatno jer su se
dobro zabavili, a ja nisam.
16:58
That's what you get furiousžestok about right?
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Zato se ljudi razbjesne, zar ne?
17:00
And somebodyneko askedpitao me about CatherineCatherine, my wifežena, you know,
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I netko me pitao o Catherine,
mojoj supruzi,
17:02
did she flyletjeti out with me or something?
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je li i ona došla sa mnom.
17:04
I said, "No," and it triggeredpotaknuta a setset of thoughtsmisli about my wifežena.
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Odgovorio sam: "Ne." I to je potaknulo
niz misli o mojoj supruzi.
17:08
And I recalledpodsjetio that when CatherineCatherine and I were marriedoženjen,
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Sjetio sam se našeg vjenčanja,
17:12
the priestsvećenik gavedali a very nicelijepo sermonpropovijed, and he said something very importantvažno.
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svećenik je održao lijepu propovijed
i rekao je nešto jako važno.
Rekao je: "Ljubav nije sebična."
17:17
He said, "Love is not selfishsebičan," he said,
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"Ljubav nije brojanje koliko puta
si rekao 'Volim te.'
17:20
"Love does not mean countingračunajući how manymnogi timesputa I say, 'I' Ja love you.'
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17:24
It doesn't mean you had sexseks this manymnogi timesputa this monthmjesec,
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Ne znači da ako ste određeni
broj puta vodili ljubav ovog mjeseca,
17:27
and it's two timesputa lessmanje than last monthmjesec,
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a dva puta je manje od prošlog mjeseca,
17:29
so that meanssredstva you don't love me as much.
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to znači da me više ne voliš toliko.
17:31
Love is not selfishsebičan." And I thought about this, and I thought,
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Ljubav nije sebična."
I razmišljao sam o tome i pomislio,
17:36
"You know, I'm not showingpokazivanje love here. I'm seriouslyozbiljno not showingpokazivanje love.
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"Ne pokazujem ljubav ovdje,
nikako je ne pokazujem.
17:44
I'm in the airzrak, I'm in the airzrak withoutbez trustpovjerenje.
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U zraku sam, bez povjerenja.
17:48
This cannotNe možete be. This cannotNe možete be that I'm expectingočekujući a certainsiguran numberbroj of sketchesskice,
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Ne može biti tako...
Ne mogu očekivati određeni broj crteža,
17:53
and to me that's my quantificationkvantifikacija methodnačin for qualifyingkvalifikacija a teamtim.
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to je kvantitativno vrednovanje tima.
17:58
This cannotNe možete be."
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To ne treba biti tako."
Rekao sam im tu priču.
Rekao sam "Ljudi,
18:00
So I told them this storypriča. I said, "Guys, I'm thinkingmišljenje about something here,
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mislim da ovo nije u redu.
Ne mogu biti s vama u odnosu
18:03
this isn't right. I can't have a relationshipodnos with you guys
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18:07
basedzasnovan on a premisepretpostavka that is a quantifiablekvantificirati one.
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čija je premisa kvantitativna.
18:10
BasedNa temelju on a dictatediktirati premisepretpostavka that sayskaže, 'I'm' Ja sam a bossšef, you do what I say, withoutbez trustpovjerenje.'"
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Po toj sam premisi ja šef,
a vi radite što kažem, bez povjerenja."
18:18
I said "This can't be."
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Rekao sam, "To tako ne ide."
18:20
ActuallyZapravo, we all brokerazbio down into tearssuze, to be quitedosta honestpošten about it,
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Svi smo se rasplakali, da budem iskren,
18:26
because they still could not tell me how much frustrationfrustracija they had builtizgrađen up
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oni mi još nisu mogli reći
koliko su frustrirani
18:31
insideiznutra of them, not beingbiće ableu stanju to showpokazati me what I wanted,
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jer mi ne mogu pokazati
ono što sam želio vidjeti
18:35
and merelysamo havingima to askpitati me to trustpovjerenje them that it would come.
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i što mogu samo tražiti
da im vjerujem da će rezultati doći.
18:40
And I think we feltosjećala much closerbliže that day,
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Mislim da smo se toga dana zbližili,
18:43
we cutrez a lot of stringsžice that didn't need to be there,
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prerezali neke spone
koje su nas razdvajale,
18:46
and we forgedkrivotvoren the conceptkoncept for what realstvaran teamtim and creativitykreativnost is all about.
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shvatili što je u biti tim i kreativnost.
18:51
We put the carautomobil back at the centercentar of our thoughtsmisli, and we put love,
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Automobil je ponovno bio
u središtu naših misli,
a ljubav je bila
u središtu cijelog procesa.
18:55
I think, trulyuistinu back into the centercentar of the processpostupak.
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18:59
By the way, that teamtim wentotišao on to createstvoriti sixšest differentdrugačiji conceptspojmovi
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Taj je tim osmislio
šest različitih koncepata
19:02
for the nextSljedeći modelmodel of what would be the proposalprijedlog
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za sljedeći model koji ćemo predložiti
za sljedeću generaciju,
nasljednika SUV-ova u Americi.
19:05
for the nextSljedeći generationgeneracija after SUVsTerenska vozila in AmericaAmerika.
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19:08
One of those was the ideaideja of a crossovercrossover coupescoupes --
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Jedna od ideja je bila kupe crossover,
vidite ga dolje, X Coupe --
odlično smo se zabavili s njim.
19:12
you see it downstairsdole, the X CoupeCoupe -- they had a lot of funzabava with that.
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19:17
It was the renditionizlaganje of our motorcyclemotorcikl,
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Temeljili smo ga na našem motociklu, GS,
19:20
the GSGS, as CarlCarl MagnussonMagnusson sayskaže, "brute-ifulgrubom iful,"
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koji je, kao što Carl Magnusson kaže,
"brutalno lijep",
19:24
as the ideaideja of what could be a motorcyclemotorcikl, if you adddodati two more wheelskotači.
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na ideji što bi motocikl bio
kada bismo dodali još dva kotača.
19:29
And so, in conclusionzaključak, my lessonlekcija that I wanted to passproći on to you,
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Na kraju,
poruka koju sam htio prenijeti.
Ukrast ću citat iz Malog princa.
19:33
was this one here. I'm alsotakođer going to stealukrasti a little quotecitat out of "Little PrincePrinc."
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Puno se toga može reći
o povjerenju i ljubavi,
19:37
There's a lot to be said about trustpovjerenje and love,
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19:40
if you know that those two wordsriječi are synonymoussinoniman for designdizajn.
352
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ako znate da su te dvije riječi
sinonimi za dizajn.
19:43
I had a very, very meaningfulznačajan relationshipodnos with my teamtim that day,
353
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Toga dana sam ostvario jako
značajnu povezanost sa svojim timom
19:47
and it's stayedostao that way ever sinceod.
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i održala se do danas.
19:49
And I hopenada that you too find that there's more to designdizajn,
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I nadam se da ćete otkriti
da dizajn predstavlja nešto više
19:53
and more towardsza the artumjetnost of the designdizajn, than doing it yourselfsami.
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i da umjetnost dizajna
predstavlja više od samostalnog rada.
19:57
It's truepravi that the trustpovjerenje and the love, that makesmarke it worthwhilevrijedan truda.
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Istina je da se zbog povjerenja
i ljubavi sve isplati.
20:01
ThanksHvala so much.
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Hvala vam.
(Pljesak)
20:03
(ApplausePljesak)
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Translated by Dunja Knežević
Reviewed by Sanda Liker

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ABOUT THE SPEAKER
Chris Bangle - Car designer
Car design is a ubiquitous but often overlooked art form. As chief of design for the BMW Group, Chris Bangle has overseen cars that have been seen the world over, including BMW 7 Series and the Z4 roadster.

Why you should listen

American designer Chris Bangle understands that it can be difficult to see a car in terms of Art with a capital A. As such, he separates his work into issues of "automobiles" (unemotional products, causing problems such as pollution and congestion) and "car-iness" (an expansion of the human, and ultimately a truly artistic expression). Satisfying the tensions between these problems -- and the tensions between engineers and designers -- is, for him, the essence of his work.

Offering radical forms and ideas, Bangle has been a polarizing figure within the industry; he has overseen all of the brands within the BMW family, including Mini and Rolls-Royce. In 2009, Bangle left BMW to pursue his own personal design interests and develop his consulting firm, Chris Bangle Associates.

More profile about the speaker
Chris Bangle | Speaker | TED.com

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