Marina Abramović: An art made of trust, vulnerability and connection
Marina Abramović: Menas iš pasitikėjimo, pažeidžiamumo ir ryšio
In her performances she’s been cut, burned, and nearly shot -- but Marina Abramović's boldest work yet is a gargantuan institute dedicated to transformation through art. Full bio
Double-click the English transcript below to play the video.
the razor blade, the hammer
plaktukas
even killing me.
net jei nužudysite mane.
performance was easy.
the glass of water to drink,
and cut my clothes,
drabužius,
and stuck them in my stomach.
į pilvą.
and cut my neck and drank the blood,
ir atsigėrė kraujo...
because it was just a normal opening,
atidarymo metu,
and put me on the table,
and put it against my temple.
pridėjo man prie smilkinio.
and they started a fight.
susikivirčijo.
and tears were running down my face.
ir ašaros.
with myself as a normal human being.
žmogų.
it was at two in the morning.
į viešbučio kambarį.
what the performance is.
performansas.
so many different explanations,
ir jo paaiškinimų,
for performance is very simple.
labai aiškus.
and physical construction
in a specific time
make the piece together.
performance and theater is huge.
didžiulis.
the blood is the material,
in the real time,
of these types of things twice -- ever.
antrą kartą.
the performance is --
performansas yra...
are always afraid of very simple things.
dalykų.
we're afraid of pain,
in front of the audience.
and push my body as far as I can.
išspausti viską.
from these fears.
you can do it for you.
galite ir jūs.
I actually fell in love with.
performances together.
and the pistols and the bullets,
you have to trust the person completely
juo pasitikėti,
is pointing to my heart.
is rushing and so on,
adrenalinas,
to another human being.
kitu.
both male and female energy.
vyriška ir moteriška energija.
comes to an end, ours went too.
pasibaigė.
like normal human beings do
normalūs žmonės,
of China to say goodbye.
atsisveikinome.
and he started from the Gobi Desert.
jis – nuo Gobio dykumos.
the 12 Chinese provinces,
1987-ais.
how I see the public.
I made in those days
performansą,
some very strong, charismatic image,
ir paveikaus,
for any war at any time,
metu,
but there's always some war, somewhere.
kažkur visuomet vyksta kitas karas.
dead, big, bloody cow bones.
you never can wash shame off the wars.
nuplauti ir karo gėdos.
and wars are coming off these bones,
kol nuo kaulų nusiplovė karo pėdsakai,
an unbearable smell.
who really changed my life,
pakeitusį mano gyvenimą.
which I just recently made.
muziejuje.
when I said to the curator,
pasakiau, kad
an empty chair at the front,
can come and sit as long as they want."
priešais ir sėdėti kiek panorės,
this is New York,
when the museum is open 10 hours,
and I'm still sitting,
10 ar 15 metų,
maybe 10 or 15 years ago --
experience something different,
patirti šį tą kitokio.
kito žmogaus.
they would come and sit in front of me,
priešais mane,
for hours and hours and hours
they're filmed by the camera,
except in themselves.
pačius save.
ir vienatvės,
when you look in somebody else's eyes,
nuostabių dalykų,
with that total stranger,
everything happened.
viską.
from that chair after three months,
kėdės ir supratau,
that I have a very strong mission,
of immaterial performing arts.
the next day it's there.
ir kitą dieną.
you only have the memory,
tau teliks prisiminimai
if you talk about immaterial art,
absolutely highest art of all,
tyriausia meno forma,
and then everything else.
meno formos.
in Hudson, upstate New York,
viršutiniąjame Niujorke.
with Rem Koolhaas, an idea.
you have to give me your time.
skirti laiko.
before you enter the building,
pasirašyti sutartį,
a full six hours,
word of honor and you leave before --
ir išeini anksčiau –
you get a certificate of accomplishment,
you have to do is dress in lab coats.
laboratorijos chalatą.
just a viewer into experimenter.
your iPhone, your iPod, your computer
kompiuterį,
for yourself for the first time.
wrong with technology,
we have for ourselves.
patiems.
to actually give you back this time.
laiką.
you start slowing down.
to learn how to drink water --
vandenį –
for maybe half an hour.
the magnet chamber,
some magnet streams on your body.
bangomis.
you go to crystal chamber.
you go to eye-gazing chamber,
a chamber where you are lying down.
of the human body,
kūno padėtis:
mentally and physically,
something with a long duration,
it can be a theater piece,
because now you are comfortable.
laikas tavęs nevaržo.
where you're going to see the work.
stebėsi meną.
because it's been a long day,
transported to the parking lot.
for a certain amount of time,
you just, you know, go back,
making my institute in Brazil,
to Canada and everywhere.
a kind of simple method,
in your own life.
paprastumą.
ir gyvenimą.
you can make life, too.
of being bored, being angry,
tampi piktas,
the amount of rice you're counting.
amount of peace you get
dykumoje.
that you don't hear anything,
together without sound,
just the simple silence.
tylą.
we like in our life.
if you always do things the same way.
tą patį.
I'm afraid of, the things I fear,
ko bijau,
that nobody's ever been.
dar nėra buvęs.
if you experiment, you can fail.
suklysti.
and you don't fail,
over and over again.
patyręs.
right now need a change,
is a personal level change.
juose pačiuose.
to change consciousness
how it's different,
and they're not right,
and there's hunger in the world
šaukti apie badą
to this whole thing?
the one you don't know,
kurio nepažįstate,
in their eyes, right now?
of your time, that's so little.
don't be self-conscious.
negalvokite apie save.
stranger in your eyes, in his eyes.
ABOUT THE SPEAKER
Marina Abramović - Performance artistIn her performances she’s been cut, burned, and nearly shot -- but Marina Abramović's boldest work yet is a gargantuan institute dedicated to transformation through art.
Why you should listen
Marina Abramović burst onto the '70s art scene with cathartic performances that tested the limits of spectator participation and personal safety. The Artist Is Present, a Museum of Modern Art performance in which thousands of viewers queued for hours to face Abramović across a table, moved many to tears, and launched Abramović into mainstream celebrity.
Her latest work-in-progress is the MAI (Marina Abramović Institute), a sprawling upstate New York complex devoted to the preservation of durational performance pieces, arts education and the pursuit of heightened consciousness through Abramović’s artistic practices.
Marina Abramović | Speaker | TED.com