TEDSalon London Fall 2011
Erik Johansson: Impossible photography
Erik Johanson (Erik Johansson): Nemoguća fotografija
Filmed:
Readability: 3.9
4,175,147 views
Erik Johanson stvara realistične fotografije nemogućih scena -- hvatajući ideje, a ne trenutke. U ovom duhovitom vodiču, majstor fotošopa opisuje tehnike koje on koristi kako bi oživeo fanstastične scene, održavajući ih vizuelno mogućim.
Erik Johansson - Photographer and retoucher
Photographer Erik Johansson creates impossible but photorealistic images that capture an idea, not a moment. Full bio
Photographer Erik Johansson creates impossible but photorealistic images that capture an idea, not a moment. Full bio
Double-click the English transcript below to play the video.
00:15
I'm here to share my photography.
0
0
3000
Ovde sam, kako bih podelio sa vama svoje fotografije.
00:19
Or is it photography?
1
4000
3000
Da li su to uopšte fotografije?
00:22
Because, of course, this is a photograph
2
7000
2000
Jer, svakako, ovo je fotografija koju
00:24
that you can't take with your camera.
3
9000
2000
ne možete napraviti fotoaparatom.
00:26
Yet, my interest in photography started
4
11000
2000
Moje interesovanje za fotografiju počelo je
00:28
as I got my first digital camera
5
13000
2000
kada sam sa 15 godina
00:30
at the age of 15.
6
15000
3000
dobio svoj prvi digitalni fotoaparat.
00:33
It mixed with my earlier passion for drawing,
7
18000
2000
Pomešalo se sa mojom ranijom strašću
00:35
but it was a bit different,
8
20000
2000
za crtanjem, ali je ovo bilo malo drugačije
00:37
because using the camera,
9
22000
2000
zato što je kod korišćenja
00:39
the process was in the planning instead.
10
24000
3000
aparata proces usmeren ka planiranju.
00:42
And when you take a photograph with a camera,
11
27000
3000
A kada slikate aparatom,
00:45
the process ends when you press the trigger.
12
30000
4000
proces se završava kada pritisnete dugme.
00:49
So to me it felt like photography was more about
13
34000
2000
Meni se činilo da je fotografisanje više o tome
00:51
being at the right place and the right time.
14
36000
3000
da se nađete na pravom mestu u pravo vreme.
00:54
I felt like anyone could do that.
15
39000
3000
Mislio sam da to može raditi ko god poželi
00:57
So I wanted to create something different,
16
42000
3000
i zbog toga sam želeo da stvorim nešto drugačije,
01:00
something where the process starts
17
45000
2000
nešto gde proces počinje
01:02
when you press the trigger.
18
47000
3000
kada pritisnete dugme.
01:05
Photos like this:
19
50000
2000
Fotografije poput ove:
01:07
construction going on along a busy road.
20
52000
2000
konstrukcijski radovi na prometnom putu.
01:09
But it has an unexpected twist.
21
54000
3000
Ali, postoji neočekivani zaplet.
01:12
And despite that,
22
57000
2000
I uprkos tome,
01:14
it retains a level of realism.
23
59000
3000
održava nivo realističnosti.
01:17
Or photos like these --
24
62000
3000
Ili fotografije poput ovih --
01:20
both dark and colorful,
25
65000
3000
i tamne i šarenolike,
01:23
but all with a common goal
26
68000
2000
sve zbog zajedničkog cilja -
01:25
of retaining the level of realism.
27
70000
2000
zadržavanja nivoa realističnosti.
01:27
When I say realism,
28
72000
2000
Kada kažem realistične,
01:29
I mean photo-realism.
29
74000
2000
mislim foto-realistične.
01:31
Because, of course,
30
76000
2000
Jer, naravno,
01:33
it's not something you can capture really,
31
78000
3000
to nije nešto što zaista možete uslikati,
01:36
but I always want it to look like it could have been captured somehow
32
81000
3000
ali uvek želim da izgleda kao
01:39
as a photograph.
33
84000
2000
da se nekako moglo uslikati.
01:41
Photos where you will need a brief moment to think
34
86000
3000
Fotografije zbog kojih morate na kratko da
01:44
to figure out the trick.
35
89000
2000
porazmislite kako biste otrkili u čemu je trik.
01:46
So it's more about capturing an idea
36
91000
2000
Dakle, više se tu radi o hvatanju ideje
01:48
than about capturing a moment really.
37
93000
3000
nego o hvatanju trenutka,
01:51
But what's the trick
38
96000
2000
Ali koji je to trik
01:53
that makes it look realistic?
39
98000
2000
koji ih čini realističnima?
01:55
Is it something about the details
40
100000
2000
Da li je to nešto u detaljima
01:57
or the colors?
41
102000
2000
ili bojama?
01:59
Is it something about the light?
42
104000
3000
Da li je stvar u svetlu?
02:02
What creates the illusion?
43
107000
3000
Šta stvara iluziju?
02:06
Sometimes the perspective is the illusion.
44
111000
3000
Ponekad je perspektiva iluzija.
02:09
But in the end, it comes down to how we interpret the world
45
114000
3000
Na kraju, svodi se na to kako tumačimo svet
02:12
and how it can be realized on a two-dimensional surface.
46
117000
3000
i kako to možemo prikazati na dvodimenzionalnoj površini.
02:15
It's not really what is realistic,
47
120000
2000
Ne radi se o tome šta je realistično,
02:17
it's what we think looks realistic really.
48
122000
4000
nego o tome šta mi mislimo da izgleda realistično.
02:21
So I think the basics
49
126000
2000
Mislim da su osnove
02:23
are quite simple.
50
128000
2000
vrlo jednostavne.
02:25
I just see it as a puzzle of reality
51
130000
3000
Ja to vidim kao slagalicu realnosti
02:28
where you can take different pieces of reality and put it together
52
133000
3000
gde možete uzeti različite delove realnosti
02:31
to create alternate reality.
53
136000
3000
i spojiti ih kako biste stvorili alternativnu realnost.
02:34
And let me show you a simple example.
54
139000
3000
Dozvolite da vam pokažem jednostavan primer.
02:37
Here we have three perfectly imaginable physical objects,
55
142000
4000
Ovde imamo 3 savršeno moguća fizička objekta,
02:41
something we all can relate to living in a three-dimensional world.
56
146000
3000
nešto što svi možemo povezati sa životom u 3D svetu.
02:44
But combined in a certain way,
57
149000
3000
Ali iskombinovani na određeni način,
02:47
they can create something that still looks three-dimensional,
58
152000
4000
oni mogu stvoriti nešto što i dalje izgleda trodimenzionalno,
02:51
like it could exist.
59
156000
2000
kao da bi moglo postojati.
02:53
But at the same time, we know it can't.
60
158000
3000
Isto tako, znamo da ne može postojati.
02:56
So we trick our brains,
61
161000
2000
Stoga varamo svoje mozgove,
02:58
because our brain simply doesn't accept the fact
62
163000
2000
jer naš mozak jednostavno ne prihvata činjenicu
03:00
that it doesn't really make sense.
63
165000
2000
da to zapravo nema smisla.
03:02
And I see the same process
64
167000
3000
Isti je proces
03:05
with combining photographs.
65
170000
3000
sa kombinovanjem fotografija.
03:08
It's just really about combining different realities.
66
173000
3000
To je jednostavno kombinovanje različitih realnosti.
03:12
So the things that make a photograph look realistic,
67
177000
4000
Stvari koje fotografiju čine realističnom,
03:16
I think it's the things that we don't even think about,
68
181000
3000
mislim da su to stvari o kojima ni ne razmišljamo,
03:19
the things all around us in our daily lives.
69
184000
4000
stvari iz naših svakodnevnih života.
03:23
But when combining photographs,
70
188000
2000
Ali kod kombinovanja fotografija,
03:25
this is really important to consider,
71
190000
2000
važno je o tome razmisliti jer
03:27
because otherwise it just looks wrong somehow.
72
192000
4000
inače sve izgleda nekako pogrešno.
03:31
So I would like to say that there are three simple rules to follow
73
196000
3000
Zbog toga bih hteo reći da postoje 3 jednostavna pravila kojih se
03:34
to achieve a realistic result.
74
199000
3000
treba držati kako bi se postigli realistični rezultati.
03:37
As you can see, these images aren't really special.
75
202000
3000
Kao što vidite, ove fotografije nisu ništa posebno,
03:40
But combined, they can create something like this.
76
205000
4000
ali zajedno, mogu stvoriti nešto poput ovoga.
03:47
So the first rule is that photos combined
77
212000
2000
Prvo pravilo je da kombinovane fotografije,
03:49
should have the same perspective.
78
214000
2000
moraju da imaju istu perspektivu.
03:51
Secondly, photos combined
79
216000
2000
Drugo,
03:53
should have the same type of light.
80
218000
3000
da imaju isto osvetljenje.
03:56
And these two images both fulfill these two requirements --
81
221000
3000
Obe slike ispunjavaju ove zahteve,
03:59
shot at the same height and in the same type of light.
82
224000
4000
slikane su sa iste visine i na istom osvetljenju.
04:03
The third one is about making it impossible to distinguish
83
228000
3000
Treće je onemogućiti otkrivanje
04:06
where the different images begin and end
84
231000
3000
gde različite slike počinju i završavaju se,
04:09
by making it seamless.
85
234000
3000
napraviti ih savršeno skladnim.
04:12
Make it impossible to say
86
237000
2000
Učiniti nemogućim utvrđivanje
04:14
how the image actually was composed.
87
239000
2000
kako je fotografija uopšte sklopljena.
04:16
So by matching color, contrast and brightness
88
241000
4000
Uskađujući boje, kontrast i osvetljenje
04:20
in the borders between the different images,
89
245000
2000
na granicama različitih slika
04:22
adding photographic defects
90
247000
2000
dodajući fotografske greške
04:24
like depth of field,
91
249000
2000
kao što su dubina polja,
04:26
desaturated colors and noise,
92
251000
3000
prigušene boje i smetnje,
04:29
we erase the borders between the different images
93
254000
2000
brišemo granice između različitih slika
04:31
and make it look like one single image,
94
256000
3000
i činimo da izgleda kao jedna slika,
04:34
despite the fact that one image
95
259000
2000
iako ta jedna slika,
04:36
can contain hundreds of layers basically.
96
261000
3000
može zapravo imati i stotine slojeva.
04:40
So here's another example.
97
265000
3000
Još jedan primer.
04:43
(Laughter)
98
268000
2000
(Smeh)
04:45
One might think that this is just an image of a landscape
99
270000
3000
Neko bi možda pomislio da je ovo samo slika pejzaža,
04:48
and the lower part is what's manipulated.
100
273000
3000
i da je samo donji deo izmanipulisan.
04:51
But this image is actually entirely composed
101
276000
3000
Ali ova slika je zapravo cela sastavljena
04:54
of photographs from different locations.
102
279000
3000
od fotografija sa različitih lokacija.
04:57
I personally think that it's easier to actually create a place
103
282000
3000
Lično mislim da je lakše stvoriti mesto,
05:00
than to find a place,
104
285000
2000
nego ga pronaći,
05:02
because then you don't need to compromise
105
287000
2000
jer onda ne morate da pravite
05:04
with the ideas in your head.
106
289000
2000
kompromise sa svojim idejama.
05:06
But it does require a lot of planning.
107
291000
3000
Ali, to zahteva dosta planiranja.
05:09
And getting this idea during winter,
108
294000
2000
Dobio sam ideju tokom zime i znao
05:11
I knew that I had several months to plan it,
109
296000
2000
da imam nekoliko meseci da
05:13
to find the different locations
110
298000
2000
sve isplaniram i nađem različite
05:15
for the pieces of the puzzle basically.
111
300000
3000
lokacije za delove slagalice.
05:18
So for example,
112
303000
2000
Na primer,
05:20
the fish was captured on a fishing trip.
113
305000
3000
riba je uslikana tokom pecanja.
05:23
The shores are from a different location.
114
308000
2000
Obale su sa druge lokacije.
05:25
The underwater part was captured in a stone pit.
115
310000
3000
Deo pod vodom uslikan je u kamenolomu.
05:28
And yeah, I even turned the house on top of the island red
116
313000
3000
I da, čak sam obojio kuću na vrhu ostrva u crveno
05:31
to make it look more Swedish.
117
316000
3000
kako bi izgledalo više švedski.
05:34
So to achieve a realistic result,
118
319000
2000
Dakle, za postizanje realističnog rezultata,
05:36
I think it comes down to planning.
119
321000
3000
mislim da je sve u planiranju.
05:39
It always starts with a sketch, an idea.
120
324000
4000
Uvek započinje skicom, idejom.
05:43
Then it's about combining the different photographs.
121
328000
3000
Zatim sledi kombinovanje različitih fotografija.
05:46
And here every piece is very well planned.
122
331000
3000
A ovde je svaki deo bio dobro isplaniran.
05:49
And if you do a good job capturing the photos,
123
334000
3000
I ako odradite dobar posao fotografišući,
05:52
the result can be quite beautiful
124
337000
2000
rezultat može da bude veoma lep
05:54
and also quite realistic.
125
339000
3000
i takođe prilično realističan.
05:58
So all the tools are out there,
126
343000
4000
Svi alati su nam na raspolaganju,
06:02
and the only thing that limits us
127
347000
3000
jedino što nas ograničava
06:05
is our imagination.
128
350000
4000
je naša mašta.
06:09
Thank you.
129
354000
2000
Hvala.
06:11
(Applause)
130
356000
4000
(Aplauz)
ABOUT THE SPEAKER
Erik Johansson - Photographer and retoucherPhotographer Erik Johansson creates impossible but photorealistic images that capture an idea, not a moment.
Why you should listen
Erik Johansson is a self-taught photograher who learned how to retouch photos to make impossible and extraordinary images. Growing up with a grandmother who painted and a penchant for escaping into the other worlds of video games, he naturally blended the two into a technique using computers to generate images that couldn't be captured by a camera.
Erik Johansson | Speaker | TED.com