ABOUT THE SPEAKER
Stephen Burt - Poetry critic
In his influential poetry criticism, Stephen Burt links the contemporary with the classical, pinpoints new poetry movements, and promotes outstanding little-known poets.

Why you should listen
Stephen Burt is a serious fan of science fiction, indie music and women’s basketball, but what he’s known for is his highly influential poetry criticism. That list of passions, though, hints at Burt’s mission as a critic: he aims not only to describe new movements in the form, but also to champion under-the-radar writers whose work he admires.
 
Burt, a professor of English at Harvard, is passionate about both the classics and the contemporary, and his poetry criticism bridges those two worlds. He is also a poet in his own right, with two full-length books under his belt, and a cross-dresser who mines his feminine persona in his own writing. “I am a literary critic and a writer of verse, a parent and husband and friend, before and after I am a guy in a skirt, or a guy in blue jeans, or a fictional girl,” he has written. His books include The Art of the Sonnet (with David Mikics); Close Calls With Nonsense: Reading New Poetry; and Parallel Play: Poems.
More profile about the speaker
Stephen Burt | Speaker | TED.com
TEDGlobal 2013

Stephen Burt: Why people need poetry

斯蒂芬•伯特: 我们为什么需要诗歌

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「我们终将逝去——诗歌让我们坦然接受死亡。」在这个引人入胜、妙趣横生的演讲中,文学评论家斯蒂芬•伯特以他最爱的诗,带我们踏上心波荡漾旅程,字句珠玑,深入浅出。
- Poetry critic
In his influential poetry criticism, Stephen Burt links the contemporary with the classical, pinpoints new poetry movements, and promotes outstanding little-known poets. Full bio

Double-click the English transcript below to play the video.

00:13
I read poetry诗歌 all the time
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我从未停止过读诗,
00:15
and write about it frequently经常
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经常写诗,
00:17
and take poems apart距离
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句句细读,
00:18
to see how they work
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品味诗歌的奥妙,
00:20
because I'm a word person.
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因为,我为文字而生。
00:21
I understand理解 the world世界 best最好, most fully充分,
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唯落于文字,我才能完全理解世界,
00:24
in words rather than, say, pictures图片 or numbers数字,
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而不是通过图片或数字,
00:27
and when I have a new experience经验 or a new feeling感觉,
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每每有了新的经历,新的感受,
00:30
I'm a little frustrated受挫
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只有表达成文字,
00:31
until直到 I can try to put it into words.
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我才会心安。
00:34
I think I've always been that way.
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一直以来,概莫能外。
00:36
I devoured吞噬 science科学 fiction小说 as a child儿童. I still do.
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小时候,科幻小说,我嗜之如命,至今依然。
00:39
And I found发现 poems by Andrew安德鲁 MarvellMarvell公司
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科幻小说引用了安德鲁•马维尔,
00:42
and Matthew马修 Arnold阿诺德 and Emily艾米莉 Dickinson迪金森
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马修•阿诺德,艾米莉•迪金森,
00:43
and William威廉 Butler男管家 Yeats叶芝
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威廉•巴特勒•叶芝等诗人的诗歌,
00:45
because they were quoted in science科学 fiction小说,
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我便与他们笔下美丽的篇章相遇,
00:47
and I loved喜爱 their sounds声音
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我深爱着这些无声的音符,
00:48
and I went on to read about ottavaottava rima莉玛
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进而,我认识了八行诗体,
00:51
and medial内侧 caesurascaesuras and enjambmentenjambment
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居中停顿、跨行连续
00:54
and all that other technical技术 stuff东东
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等等诗歌艺术形式,
00:56
that you care关心 about if you already已经 care关心 about poems,
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如果你也深爱诗歌,你一定知道这些概念,
01:00
because poems already已经 made制作 me happier幸福
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因为诗歌赋予我欢乐,带给我忧伤,
01:04
and sadder令人悲哀 and more alive.
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也让我发现更多生命的意义。
01:06
And I became成为 a poetry诗歌 critic评论家
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为探索其中的奥妙,
01:08
because I wanted to know how and why.
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我做了一名诗评人。
01:12
Now, poetry诗歌 isn't one thing that serves供应 one purpose目的
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诗歌的作用,
01:17
any more than music音乐 or computer电脑 programming程序设计
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并不比音乐或电脑编程多,
01:20
serve服务 one purpose目的.
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一个就够了。
01:22
The greek希腊语 word poem, it just means手段 "a made制作 thing,"
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「诗歌」,在希腊语里的意思是「人造的东西」,
01:26
and poetry诗歌 is a set of techniques技术,
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以一定的艺术技巧,
01:28
ways方法 of making制造 patterns模式
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按照音节、声调和韵律等体裁、格式要求,
01:30
that put emotions情绪 into words.
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把情感在文字中呈现出来,这就是诗歌。
01:32
The more techniques技术 you know,
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知道越多的艺术技巧,
01:34
the more things you can make,
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悟出的感受会越多,
01:37
and the more patterns模式 you can recognize认识
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那些原本就喜爱的事情,
01:40
in things you might威力 already已经 like or love.
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你会从另外的角度发现它们的美。
01:44
That said, poetry诗歌 does seem似乎 to be
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也就是说,在某些方面,
01:47
especially特别 good at certain某些 things.
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诗歌的确是无法取代的。
01:50
For example, we are all going to die.
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比如,我们终将逝去。
01:56
Poetry诗歌 can help us live生活 with that.
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诗歌让我们坦然接受这一事实。
01:59
Poems are made制作 of words, nothing but words.
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诗歌由词语组成,除此之外,别无他物。
02:02
The particulars细节 in poems are like
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诗歌的独特性,
02:04
the particularities特殊性, the personalities个性,
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要从细节上去把握,
02:06
that distinguish区分 people from one another另一个.
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要结合诗人的性格去体会,
02:09
Poems are easy简单 to share分享, easy简单 to pass通过 on,
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诗歌易于分享,便于传播,
02:12
and when you read a poem, you can imagine想像
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品读一首诗歌,
02:13
someone's谁家 speaking请讲 to you or for you,
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宛如有人在你耳旁,为你诵读,
02:17
maybe even someone有人 far away
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此人,或远,
02:19
or someone有人 made制作 up or someone有人 deceased死者.
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或幻,或在天国。
02:24
That's why we can go to poems when we want to
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这就是为何,每当我们缅怀这人,那事,
02:28
remember记得 something or someone有人,
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便会拾起一篇篇诗文,
02:31
to celebrate庆祝 or to look beyond death死亡
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或纪念,或超脱,
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or to say goodbye再见,
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或道别,
02:36
and that's one reason原因 poems can seem似乎 important重要,
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诗歌为何不可或缺,这就是原因之一,
02:40
even to people who aren't me,
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即便对于那些不像我这样
02:42
who don't so much live生活 in a world世界 of words.
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生活在文字堆砌成的世界的人。
02:46
The poet诗人 Frank坦率 O'Hara奥哈拉 said,
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诗人弗兰克•欧哈拉曾说,
02:48
"If you don't need poetry诗歌, bully欺负 for you,"
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「你说不需要诗歌,你真了不起。」
02:52
but he also said when he didn't
want to be alive anymore,
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但他曾坦言,当有了不想活下去的念头时,
02:55
the thought that he wouldn't不会 write any more poems
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一想到这意味着没法再写诗,
02:58
had stopped停止 him.
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就不会再有那种念头了。
03:00
Poetry诗歌 helps帮助 me want to be alive,
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诗歌让我热爱生命,
03:02
and I want to show显示 you why by showing展示 you how,
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我为你诵读一些诗歌,你就会明白,
03:05
how a couple一对 of poems react应对 to the fact事实 that
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你会从这些诗歌中感受到,
03:08
we're alive in one place地点 at one time in one culture文化,
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此次此刻我们在此呼吸行走,
03:11
and in another另一个 we won't惯于 be alive at all.
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而在另一个世界里我们可能根本没有感觉。
03:16
So here's这里的 one of the first poems I memorized记忆.
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这是我记诵的第一首诗歌,
03:20
It could address地址 a child儿童 or an adult成人.
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无关乎年龄,皆可品读。
03:25
"From far, from eve前夕 and morning早上
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「来自远方
来自黄昏和清晨
03:28
From yon twelve-winded十二嗦 sky天空,
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来自十二重高天的好风轻扬
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The stuff东东 of life to knit针织 me
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飘来生命气息的吹拂
03:33
Blew自爆 hither恣情; here am I.
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吹在我身上
03:35
Now — for a breath呼吸 I tarry耽搁
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趁生命气息逗留
03:37
Nor也不 yet然而 disperse分散 apart距离
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盘桓未去
03:40
Take my hand quick and tell me,
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拉住我的手
03:42
What have you in your heart.
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告诉我你的心声
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Speak说话 now, and I will answer回答;
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告诉我,我便能回答
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How shall I help you, say;
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告诉我,我怎样才能够帮助你
03:49
EreERE to the wind's风的 twelve十二 quarters住处
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在我向那十二风彼方行进
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I take my endless无穷 way."
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踏上无尽旅途的前夕」
03:54
[A. E. Housman豪斯曼]
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[A E 霍斯曼 《趁生命气息逗留》]
03:56
Now, this poem has appealed上诉
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这首诗吸引了
03:58
to science科学 fiction小说 writers作家.
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科幻小说作家的目光,
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It's furnished装修 at least最小 three science科学 fiction小说 titles标题,
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三篇科幻小说题目的灵感皆来源于此,
04:02
I think because it says poems can brings带来 us news新闻
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因为,这首诗带我们遥望远方,
04:05
from the future未来 or the past过去
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回首往昔,
04:07
or across横过 the world世界,
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跨越疆土;
04:10
because their patterns模式 can seem似乎 to tell you
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因为,透过字里行间,
04:12
what's in somebody's某人的 heart.
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仿佛触碰到了心灵,
04:14
It says poems can bring带来 people together一起 temporarily暂时,
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诗歌让我们萍水相逢,
04:17
which哪一个 I think is true真正,
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诚然,
04:19
and it sticks in my head not just because it rhymes童谣
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对此我深信不疑,不只因为诗歌的韵律美,
04:23
but for how it rhymes童谣,
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还在于美的方式,
04:24
cleanly干净 and simply只是 on the two and four,
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第二和第四节工整而简洁,
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"say" and "way,"
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「叙述」和「方式」
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with anticipatory预料的 hints提示 on the one and three,
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第一和第三节往往不出预料,
04:31
"answer回答" and "quarters住处,"
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「解释」和「四格」,
04:32
as if the poem itself本身 were coming未来 together一起.
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诗歌仿佛浑然天成,
04:36
It plays播放 up the fact事实 that we die
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对死亡的话题驾轻就熟,
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by exaggerating夸大 the speed速度 of our lives生活.
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加速了时光的脚步,
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A few少数 years年份 on Earth地球 become成为
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人间数年,在诗人的笔下,
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one speech言语, one breath呼吸.
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一呼一吸,弹指挥过,
04:45
It's a poem about loneliness孤单 --
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这首诗写的是孤独——
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the "I" in the poem feels感觉 no connection连接 will last —
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诗中的「我」无处寻觅关怀,
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and it might威力 look like a plea恳求 for help
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在读到「帮助」这个词之前,
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'til胡麻 you get to the word "help,"
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「我」仿佛在祈求帮助,
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where this "I" facing面对 you, taking服用 your hand,
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「我」与你相顾无言,唯执子之手,
04:57
is more like a teacher老师 or a genie精灵,
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如一位师长,又如一个精灵,
04:59
or at least最小 that's what he wants to believe.
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抑或,如他所想所愿。
05:02
It would not be the first time a poet诗人 had
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这不是第一首描述
05:05
written书面 the poem that he wanted to hear.
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其内心希冀聆听的诗歌。
05:10
Now, this next下一个 poem really changed
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下一首,彻底地改变了
05:13
what I liked喜欢 and what I read
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我所读,所感,
05:15
and what I felt I could read as an adult成人.
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改变了书能带给我的领悟。
05:17
It might威力 not make any sense to you
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如果你不曾读过此诗,
05:19
if you haven't没有 seen看到 it before.
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你就体会不到其中深意。
05:22
"The Garden花园"
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《伊甸园》
05:25
"Oleander夹竹桃: coral珊瑚
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「夹竹桃:珊瑚
05:27
from lipstick口红 ads广告 in the 50's.
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50年代的口红广告
05:30
Fruit水果 of the tree of such这样 knowledge知识
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认知树的果实
05:33
To smack拍击
(thin air空气)
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拍打
(轻薄空气)
05:35
meaning含义 kiss or hit击中.
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是轻吻,还是击打
05:37
It appears出现
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看上去
05:38
in the guise伪装 of outworn陈腐 usages用法
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它披裹陈旧的假衣
05:40
because we are bad?
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因为我们很坏吗?
05:43
Big masculine男性 threat威胁,
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阳刚的威武
05:44
insinuating隐语 and slangyslangy."
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曲意逢迎,俚语滔滔」
05:47
[Rae李博 ArmantroutArmantrout]
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[雷•阿尔曼特劳特]
05:49
Now, I found发现 this poem in an anthology选集
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1989年,我在一本篇篇让人如此费解的诗选中,
05:52
of almost几乎 equally一样 confusing扑朔迷离 poems in 1989.
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读到了这首诗。
05:55
I just heard听说 that there were these scandalous诽谤性的 writers作家
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当时,我听说这些「可耻」的作者
05:57
called Language语言 poets诗人 who didn't make any sense,
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被称作语言诗派,写的诗很不着调,
05:59
and I wanted to go and see
for myself what they were like,
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我就想亲自摸索,一探究竟。
06:02
and some of them didn't do much for me,
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很多诗人对我的理解没带来多少帮助,
06:03
but this writer作家, Rae李博 ArmantroutArmantrout,
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除了这位,雷•阿尔曼特劳特,
06:05
did an awful可怕 lot, and I kept不停 reading her
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我获益良多,自此对她的作品爱不释卷,
06:08
until直到 I felt I knew知道 what was going on,
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直到体会到了字里行间的曼妙,
06:11
as I do with this poem.
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正如这首诗。
06:12
It's about the Garden花园 of Eden伊甸园 and the Fall秋季
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这首诗讲述的是伊甸园和堕落的故事,
06:15
and the Biblical圣经 story故事 of the Fall秋季,
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(译者注:圣经•创世纪•第3章,
亚当和夏娃偷食禁果而被逐出伊甸园)
06:19
in which哪一个 sex性别 as we know it
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我们知道,
06:21
and death死亡 and guilt有罪
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性、死亡和罪恶
06:22
come into the world世界 at the same相同 time.
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与此同时降落到凡世中。
06:24
It's also about how appearances出场 deceive欺骗,
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诗中也描绘了外表如何欺骗双眼,
06:26
how our culture文化 can sweep us along沿
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文化如何席卷我们,
06:29
into doing and saying things we didn't intend打算
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去做、去说那些我们本不打算或不喜欢做的事情,
06:31
or don't like, and Armantrout'sArmantrout的 style样式
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阿尔曼特劳特的笔风,
06:34
is trying to help us stop or slow down.
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让我们舒缓步伐,或停下脚步。
06:37
"Smack拍击" can mean "kiss" as in air空气 kisses,
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「拍打」可以是亲吻空气
06:41
as in lip-smacking咂嘴,
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或唇唇欲动的「亲吻」,
06:42
but that can lead to "smack拍击" as in "hit击中"
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也可以是家庭暴力中的
06:45
as in domestic国内 abuse滥用,
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「击打」,
06:47
because sexual有性 attraction引力 can seem似乎 threatening危险的.
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因为性诱惑看起来是极具威胁的。
06:51
The red that means手段 fertility生育能力
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意味着丰饶的「红色」,
06:53
can also mean poison.
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也可以表示「毒药」,
06:55
Oleander夹竹桃 is poisonous有毒.
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夹竹桃是有毒的。
06:56
And outworn陈腐 usages用法 like "smack拍击" for "kiss"
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陈旧的用法,如「拍打」指「亲吻」
06:59
or "hit击中" can help us see
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或「击打」,让我们认识到
07:02
how our unacknowledged未确认 assumptions假设
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不足的认知会让我们做出
07:04
can make us believe we are bad,
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「自己很坏」的假设,
07:06
either because sex性别 is sinful有罪
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或因为性是罪恶的,
07:08
or because we tolerate容忍 so much sexism性别歧视.
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或因为我们忍受了太多的性别歧视。
07:11
We let guys tell women妇女 what to do.
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让男人告诉女人该做些什么。
07:14
The poem reacts发生反应 to old lipstick口红 ads广告,
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这首诗提到了旧时口红广告,
07:17
and its edginess急躁 about statement声明,
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其犀利的言辞,
07:19
its reversals逆转 and halts暂停, have everything to do
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迂回、停顿等手法,与抵制那些
07:21
with resisting抵制 the language语言 of ads广告
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如此简单地告诉我们如何去渴望、
07:24
that want to tell us so easily容易 what to want,
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如何去做、如何去想的广告用语
07:27
what to do, what to think.
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紧密相连。
07:28
That resistance抵抗性 is a lot of the point of the poem,
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诗中诸多笔墨都着力于这种抵制,
07:31
which哪一个 shows节目 me, ArmantroutArmantrout shows节目 me
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阿尔曼特劳特让我看到,
07:33
what it's like to hear grave threats威胁
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日常生活中听到凶狠的威胁声和
07:35
and mortal凡人 dishonesty不诚实 in the language语言
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普世大众的谎言是怎样一番感受,
07:37
of everyday每天 life, and once一旦 she's doneDONE that,
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她既然能让我感受到,
07:40
I think she can show显示 other people, women妇女 and men男人,
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我想她也可以让其他人——无论男女——感受到,
07:44
what it's like to feel that way
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那是一种怎样的感受,
07:46
and say to other people, women妇女 and men男人
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然后告诉其他人——无论男女——,
07:49
who feel so alienated疏远 or so threatened受威胁
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那些感觉被疏远的,或那些被威胁的人们
07:52
that they're not alone单独.
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他们并不孤单
07:54
Now, how do I know that I'm right
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对于这首令人费解的诗,
07:57
about this somewhat有些 confusing扑朔迷离 poem?
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我怎么知道我的解读是正确的呢?
07:59
Well in this case案件, I emailed电子邮件
the poet诗人 a draft草案 of my talk
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我发了封邮件给作者,告诉他我的想法,
08:02
and she said, "Yeah, yeah, that's about it."
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她说,「没错,没错,就是如此。」
08:05
Yeah. (Laughter笑声) (Applause掌声)
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太好了。(笑声)(掌声)
08:08
But usually平时, you can't know. You never know.
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但通常来讲,你摸不到作者的心思,永远摸不透。
08:11
You can't be sure, and that's okay.
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你不确定解读得正确与否,但没关系。
08:14
All we can do we is listen to poems
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我们能做的只是聆听诗歌,
08:16
and look at poems and guess猜测
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品味诗歌,琢磨诗句的意义,
08:17
and see if they can bring带来 us what we need,
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看看诗歌能否带给我们需要的感触,
08:20
and if you're wrong错误 about some part部分 of a poem,
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如果对诗歌的某部分理解得不到位,
08:23
nothing bad will happen发生.
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一点关系都没有。
08:27
Now, this next下一个 poem is older旧的 than Armantrout'sArmantrout的,
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下面这首诗要比阿尔曼特劳特的那首年代更久远,
08:29
but a little younger更年轻 than A. E. Housman's豪斯曼的.
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但稍稍晚于A E 霍斯曼的那首诗。
08:33
"The Brave勇敢 Man"
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《勇敢的人》
08:35
"The sun太阳, that brave勇敢 man,
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「太阳,勇敢的人
08:38
Comes through通过 boughs树枝 that lie谎言 in wait,
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透过安然而待的枝桠
08:40
That brave勇敢 man.
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那勇敢的人
08:43
Green绿色 and gloomy阴沉 eyes眼睛
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双眼暗绿,沉郁
08:44
In dark黑暗 forms形式 of the grass
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芳草阴暗
08:46
Run away.
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逃跑吧
08:48
The good stars明星,
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明媚星辰
08:49
Pale苍白 helms赫尔姆斯 and spiky高低不平 spurs马刺,
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苍苍头盔,尖尖靴刺
08:52
Run away.
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逃跑吧
08:54
Fears恐惧 of my bed,
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故土的畏惧
08:55
Fears恐惧 of life and fears恐惧 of death死亡,
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生命的畏惧,死亡的畏惧
08:57
Run away.
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逃跑吧
08:59
That brave勇敢 man comes up
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勇敢的人挺身而出
09:01
From below下面 and walks散步 without meditation冥想,
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从低谷走来,不再冥思
09:04
That brave勇敢 man."
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勇敢的人」
09:06
[Wallace华莱士 Stevens史蒂文斯]
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[华莱士•史蒂文斯]
09:09
Now, the sun太阳 in this poem,
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「太阳」在这首诗里,
09:11
in Wallace华莱士 Stevens'史蒂文斯 poem, seems似乎 so grave
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在这首史蒂文斯的诗里,看起来如此黯淡,
09:14
because the person in the poem is so afraid害怕.
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因为诗中描绘的那个人心存畏惧。
09:17
The sun太阳 comes up in the morning早上 through通过 branches分支机构,
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早上太阳升起,阳光透过枝桠,
09:20
dispels驱散 the dew, the eyes眼睛, on the grass,
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露水消散,刺痛双眼,照耀在芳草上,
09:23
and defeats连败 stars明星 envisioned设想 as armies军队.
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星辰被比作军队。
09:26
"Brave勇敢" has its old sense of showy华丽的
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「勇敢」不但有它光辉的一面,
09:28
as well as its modern现代 sense, courage勇气.
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也有现代的意义,勇气。
09:30
This sun太阳 is not afraid害怕 to show显示 his face面对.
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太阳不畏展示自己,
09:34
But the person in the poem is afraid害怕.
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但诗中描绘的那个人心存畏惧。
09:37
He might威力 have been up all night.
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他也许整夜无眠。
09:38
That is the reveal揭示 Stevens史蒂文斯
saves节省 for that fourth第四 stanza,
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这是第四节所显示出来的线索,
09:42
where run away has become成为 a refrain副歌.
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「逃跑吧」成了一种约束。
09:45
This person might威力 want to run away too,
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这个人或许也想逃跑,
09:47
but fortified强化 by the sun's太阳 example,
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但受太阳鼓舞,
09:50
he might威力 just rise上升.
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他或许就挺身而出了。
09:52
Stevens史蒂文斯 saves节省 that sonically音速 odd word "meditation冥想"
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史蒂文斯把「冥思」这个奇怪的词
09:57
for the end结束.
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放在最后。
09:58
Unlike不像 the sun太阳, human人的 beings众生 think.
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太阳不曾思考,但人类思考。
10:01
We meditate幽思 on past过去 and future未来, life and death死亡,
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我们冥思过去和未来,生命与死亡,
10:05
above以上 and below下面.
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雄起还是消沉。
10:08
And it can make us afraid害怕.
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冥思会让我们畏缩。
10:12
Poems, the patterns模式 in poems,
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诗歌,通过诗歌的格式,
10:14
show显示 us not just what somebody thought
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我们不仅可以得知他人的想法,
10:16
or what someone有人 did or what happened发生
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或他人的作为、发生的故事,
10:17
but what it was like to be a person like that,
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还可以知晓成为一个像那样的人
是怎样一种感受,
10:22
to be so anxious, so lonely孤独, so inquisitive好奇,
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是焦虑不安,孤单寂寞,天真好奇,
10:26
so goofy高飞, so preposterous荒谬, so brave勇敢.
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还是萌萌傻傻,荒谬不堪,勇敢无畏。
10:32
That's why poems can seem似乎 at once一旦 so durable耐用,
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这就是为何,某一瞬间,
诗歌可以看起来悠然致远,
10:35
so personal个人, and so ephemeral短暂的,
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蕴含作者独特印迹,又转瞬即逝,
10:37
like something inside and outside you at once一旦.
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就好像那一瞬,它与你的思想交织,进进出出。
10:41
The Scottish苏格兰的 poet诗人 Denise丹尼斯 Riley compares比较 poetry诗歌
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苏格兰诗人丹尼斯•赖利将诗歌比作一根针,
10:44
to a needle, a sliver裂片 of outside I cradle摇篮 inside,
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银面裹于外层,我在其中游曳。
10:48
and the American美国 poet诗人 Terrance特伦斯 Hayes海耶斯
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美国诗人特朗斯•海耶斯
10:50
wrote six poems called "Wind in a Box."
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写过名为「盒中风」的六首诗,
10:53
One of them asks, "Tell me,
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其中一首中这样问到,
10:55
what am I going to do when I'm dead?"
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「告诉我,我死后,身在何方?」
10:58
And the answer回答 is that he'll地狱 stay with us
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答案就是,他会在我们身边,
11:00
or won't惯于 stay with us inside us as wind,
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或者不在,而在我们内心,如轻风,
11:03
as air空气, as words.
249
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如空气,如诗歌。
11:06
It is easier更轻松 than ever to find poems
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诗歌非常容易融进
11:09
that might威力 stay inside you, that might威力 stay with you,
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你的内心,伴随你左右,
11:13
from long, long ago, or from right this minute分钟,
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或许是很久之前,或许就在此时,
11:15
from far away or from right close to where you live生活,
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或许在遥远的地方,或许就在眼前,
11:18
almost几乎 no matter where you live生活.
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无论你在何方。
11:21
Poems can help you say, help
you show显示 how you're feeling感觉,
255
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诗歌能帮助你,帮助你表达情感,
11:24
but they can also introduce介绍 you
256
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也可以让你触碰不曾体验的情感,
11:27
to feelings情怀, ways方法 of being存在 in the world世界,
257
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让你见到不曾领悟到的世界,
11:29
people, very much unlike不像 you,
258
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让你跟那些与你不同的人相见,
11:32
maybe even people from long, long ago.
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也许是很遥远,遥远的人,
11:36
Some poems even tell you
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有些诗歌甚至会直白地告诉你,
11:38
that that is what they can do.
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这就是诗歌的意图。
11:43
That's what John约翰 Keats济慈 is doing
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这就是约翰•济慈在他那
11:45
in his most mysterious神秘, perhaps也许, poem.
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或许是最神秘的诗里所写到的吧。
11:50
It's mysterious神秘 because it's probably大概 unfinished未完成,
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之所以神秘,是因为它很有可能还没有完成,
11:54
he probably大概 left it unfinished未完成,
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很有可能,他始终都没为它划上句号,
11:56
and because it might威力 be meant意味着
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也许它代表了
11:58
for a character字符 in a play,
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一出戏中的某个角色,
12:00
but it might威力 just be Keats'济慈 thinking思维
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但也有可能,这正是济慈认为
12:02
about what his own拥有 writing写作,
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他的诗歌、
12:04
his handwriting手写, could do,
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他的文字所能实现的,
12:06
and in it I hear, at least最小 I hear, mortality死亡,
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在他的文字中,我,起码是我嗅到了命运的气息,
12:10
and I hear the power功率 of older旧的 poetic诗意 techniques技术,
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我也感受到了更古老的诗歌艺术技巧的波涌,
12:13
and I have the feeling感觉, you might威力 have the feeling感觉,
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我有一种感受,你或许也会有这种感受,
12:16
of meeting会议 even for an instant瞬间, almost几乎 becoming变得,
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在那一瞬,亦真亦幻,
12:19
someone有人 else其他 from long ago,
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与久远的人相遇,
12:20
someone有人 quite相当 memorable难忘.
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那记忆犹新的人。
12:23
"This living活的 hand, now warm and capable
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「这只活生生的手,现在还温热
12:26
Of earnest认真 grasping, would, if it were cold
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还能紧握,假如一旦冷却,
12:30
And in the icy冷冰冰 silence安静 of the tomb,
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在寂静的坟墓里,它还会经常出没
12:32
So haunt出没 thy你的 days and chill寒意 thy你的 dreaming做梦 nights
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在你的岁月里,使你夜梦寒颤,
12:36
That thou would wish希望 thine own拥有 heart dry of blood血液
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以至你也希望自己的心血流干
12:40
So in my veins red life might威力 stream again,
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让生命在我红色血管里重新流动,
12:43
And thou be conscience-calm良心平静’d -- see here it is --
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你也会感到心安——瞧这双手——
12:48
I hold保持 it towards you."
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我向你伸出。」
12:53
Thanks谢谢.
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谢谢。
12:55
(Applause掌声)
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(掌声)
Translated by Yumeng Guo
Reviewed by Michael Ge 葛叔

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ABOUT THE SPEAKER
Stephen Burt - Poetry critic
In his influential poetry criticism, Stephen Burt links the contemporary with the classical, pinpoints new poetry movements, and promotes outstanding little-known poets.

Why you should listen
Stephen Burt is a serious fan of science fiction, indie music and women’s basketball, but what he’s known for is his highly influential poetry criticism. That list of passions, though, hints at Burt’s mission as a critic: he aims not only to describe new movements in the form, but also to champion under-the-radar writers whose work he admires.
 
Burt, a professor of English at Harvard, is passionate about both the classics and the contemporary, and his poetry criticism bridges those two worlds. He is also a poet in his own right, with two full-length books under his belt, and a cross-dresser who mines his feminine persona in his own writing. “I am a literary critic and a writer of verse, a parent and husband and friend, before and after I am a guy in a skirt, or a guy in blue jeans, or a fictional girl,” he has written. His books include The Art of the Sonnet (with David Mikics); Close Calls With Nonsense: Reading New Poetry; and Parallel Play: Poems.
More profile about the speaker
Stephen Burt | Speaker | TED.com

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