ABOUT THE SPEAKER
David Binder - Theater producer
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage.

Why you should listen

David Binder won the Tony award for producing the record-breaking smash Hedwig and the Angry Inch starring Neil Patrick Harris. Other Broadway credits include Of Mice and Men starring James Franco and Chris O'Dowd (the first Broadway show to be filmed by the National Theatre of Britain's NT Live and shown in cinemas around the world), 33 Variations starring Jane Fonda, and the first Broadway revival of A Raisin in the Sun, with Sean Combs, Phylicia Rashad and Audra McDonald.

Binder has also staged events and festivals around the globe, including The High Line Festival, which was curated by David Bowie, The New Island Festival (ten days of Dutch site-specific theater, dance and music in New York City) and IBM's 100th Anniversary: Short Ride in a Fast Machine (held at Lincoln Center). He is the Artistic Associate of London's LIFT Festival.

PHOTO CREDITS for David's 2012 TED Talk:

Minto: Live – Sydney Festival
2011
3 Courtesy of Lone Twin
4 Courtesy of Lone Twin
5 Courtesy of Lone Twin
6 © Pekka Mäkinen
7 © Amrit MacIntyre
8 Courtesy of Lone Twin
9 © Pekka Mäkinen
10 © Pekka Mäkinen
11 © Pekka Mäkinen
12 © Pekka Mäkinen
13 © Pekka Mäkinen
14 © Pekka Mäkinen

The Mahabharata
16 © Image Entertainment

Einstein on the Beach
17 Spaceship © Lesley Leslie-Spinks 2012

De La Guarda
21 Courtesy of De La Guarda

Sleep No More
22 © Alick Crossley

100% – Rimini Protokoll
23 100% Berlin, © Barbara Braun, courtesy of Rimini Protokoll
24 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
25 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
26 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
27 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
28 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
29 100% Köln, © Sandra Then, courtesy of Rimini Protokoll

Grown-Up School (Daily Life Series Part 4)
32 LIFT Brecknock Primary School, London 1999
Photograph: Andrew Whittuck
www.dailylifeltd.co.uk

Roam – a National Theatre of Scotland and Grid Iron production
33 Photo by Richard Campbell, courtesy of National Theatre of Scotland

Urban Dream Capsule
34 Photo courtesy of Bedno.com

Small Metal Objects, Back to Back Theatre
36 Photo by Berni Sweeney, courtesy of Back to Back Theatre
37 2009 Time-Based Art Festival. Photo: Carole Zoom, courtesy of Portland Institute for Contemporary Art
38 Photo by Jeff Busby, courtesy of Back to Back Theatre
39 Photo by Prudence Upton, courtesy of Back to Back Theatre
40 © Richard Termine

Royal de Luxe
42 © Carsten Siegel, berlinsidewalk.com
43 © Flickr user Mlle Jordan
44 © Carsten Siegel, berlinsidewalk.com
45 © Carsten Siegel, berlinsidewalk.com
46 Photo by Flickr user sw77, licensed by creative commons
47 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
48 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
49 © Carsten Siegel, berlinsidewalk.com
50 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
51 Photo by Flickr user sw77, licensed by creative commons
52 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
54 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
55 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
56 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
57 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
58 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett

More profile about the speaker
David Binder | Speaker | TED.com
TEDGlobal 2012

David Binder: The arts festival revolution

大衛邦德 (David Binder) : 藝術節慶的革命

Filmed:
707,582 views

大衛邦德是著名的百老匯製作人,但是去年夏天他走進一座澳洲的小型社區時,發現當地居民在自家草坪上表演舞蹈 -- 他發現自己非常喜歡這種表演。他帶領我們見識藝術節慶的新風貌,這種表演打破了觀眾與表演者之間的隔閡,使得城市居民能替自己說話。
- Theater producer
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage. Full bio

Double-click the English transcript below to play the video.

00:16
Sydney悉尼. I had been waiting等候 my whole整個 life to get to Sydney悉尼.
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雪梨,我想去雪梨已經想了一輩子
00:20
I got to the airport飛機場, to the hotel旅館, checked檢查 in,
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我到了機場,到了酒店,到櫃檯登記了
00:23
and, sitting坐在 there in the lobby前廳, was a brochure小冊
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然後,坐在酒店大廳,看到一本有關
00:26
for the Sydney悉尼 Festival. I thumbed翻閱 through通過 it,
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''雪梨藝術節'' 的小冊子,我翻了一下
00:28
and I came來了 across橫過 a show顯示 called "Minto明托: Live生活."
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然後我看到一個叫 "明托:即時秀"的節目
00:31
The description描述 read: "The suburban郊區的 streets街道 of Minto明托
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上面的介紹是:'' 明托郊區的街道
00:35
become成為 the stage階段 for performances演出
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變成表演者的舞台
00:38
created創建 by international國際 artists藝術家
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由國際藝術家
00:40
in collaboration合作 with the people of Minto明托."
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與明托居民合力完成的創作
00:43
What was this place地點 called Minto明托?
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這個明托 是個甚麼樣地方呢
00:45
Sydney悉尼, as I would learn學習, is a city of suburbs郊區,
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據我所知,雪梨周遭有許多郊區城市
00:48
and Minto明托 lies southwest西南, about an hour小時 away.
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還有明托位於西南方,車程大概一小時
00:51
I have to say, it wasn't exactly究竟 what I had in mind心神
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說實話 我第一天抵達Down Under (澳洲的俗稱) 時
00:55
for my first day down under.
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覺得這地方和我想的不一樣
00:56
I mean, I'd thought about the Harbour港口 Bridge or Bondi邦迪 Beach海灘,
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我是說 我原本以為像雪梨港灣大橋,或是邦迪海灘那樣
00:59
but Minto明托? But still, I'm a producer製片人,
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而明托呢?沒錯 我是個製作人
01:02
and the lure of a site-specific位點特異性 theater劇院 project項目
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而我對環境劇場這種企劃
01:05
was more than I could resist. (Laughter笑聲)
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幾乎是沒有抵抗力的 (笑聲)
01:08
So, off I went into Friday星期五 afternoon下午 traffic交通,
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所以 我就跟假期尾聲的車潮一樣瘋了
01:10
and I'll never forget忘記 what I saw when I got there.
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我永遠也忘不了當初第一眼看到的景象
01:13
For the performance性能, the audience聽眾 walked
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說說表演形式吧,社區裡的觀眾
01:15
around the neighborhood鄰里 from house to house,
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漫步在鄰里之間的房子
01:18
and the residents居民, who were the performers表演者,
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還有那些居民,他們同時也是表演者
01:21
they came來了 out of their houses房屋, and they performed執行
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他們走出家門,他們在自家草坪上
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these autobiographical自傳 dances舞蹈 on their lawns草坪,
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表演那些展現自我意識的舞蹈
01:27
on their driveways車道. (Laughter笑聲)
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在自家車道上 (笑聲)
01:29
The show顯示 is a collaboration合作 with a U.K.-based
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這場表演是和一間來自英國的表演公司
01:32
performance性能 company公司 called Lone孤單 Twin雙胞胎.
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合力製作的,這間公司叫做" 孤獨孿生子"
01:35
Lone孤單 Twin雙胞胎 had come to Minto明托 and worked工作
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"孤獨孿生子" 來到明托,然後和當地
01:37
with the residents居民, and they had created創建 these dances舞蹈.
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居民合作,然後他們就創造出這些舞蹈了
01:40
This Australian-Indian澳大利亞印度 girl女孩, she came來了 out and started開始
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這位是澳印混血的女孩,她走出來然後
01:44
to dance舞蹈 on her front面前 lawn草坪,
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在自家草坪上跳起舞來
01:46
and her father父親 peered凝視 out the window窗口 to see
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然後她父親從窗戶後面探出頭來
01:49
what all the noise噪聲 and commotion騷動 was about,
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看看外面那些噪音和騷動是怎麼回事
01:51
and he soon不久 joined加盟 her.
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然後他就加入她
01:53
And he was followed其次 by her little sister妹妹.
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然後她妹妹跟在他後面
01:56
And soon不久 they were all dancing跳舞 this joyous歡樂,
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過沒多久 他們就開心地一起跳舞
01:59
exuberant旺盛 dance舞蹈 right there on their lawn草坪. (Laughter笑聲)
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就在自家草坪 生氣勃勃的舞蹈 (笑聲)
02:04
And as I walked through通過 the neighborhood鄰里,
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當我走進這個社區時
02:06
I was amazed吃驚 and I was moved移動 by the incredible難以置信
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我深感驚喜,而居民們用這樣的舉止
02:10
sense of ownership所有權 this community社區 clearly明確地 felt
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清楚地表達自己是這個社區的所有人,也讓我
02:13
about this event事件.
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感到不可思議
02:15
"Minto明托: Live生活" brought Sydneysiders悉尼 into dialogue對話
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"明托:即時秀’’ 讓雪梨週圍的居民和國際藝術家
02:18
with international國際 artists藝術家, and really celebrated著名
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建立起聯繫,並用自己的方式
02:21
the diversity多樣 of Sydney悉尼 on its own擁有 terms條款.
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誠心歡慶雪梨擁有的多樣性
02:25
The Sydney悉尼 Festival which哪一個 produced生成 "Minto明托: Live生活" I think
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雪莉藝術節創造了''明托:即時秀'' 這個節目,我認為
02:29
represents代表 a new kind of 21st-centuryST-世紀 arts藝術 festival.
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這代表的是21世紀藝術慶典的新風貌
02:32
These festivals節日 are radically根本 open打開.
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這些慶典極為開明
02:36
They can transform轉變 cities城市 and communities社區.
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能使城市和社區轉型
02:40
To understand理解 this, I think it kind of makes品牌 sense
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為了深入瞭解 我覺得尋找自身的源頭
02:42
to look where we've我們已經 come from.
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是滿合理的作法
02:45
Modern現代 arts藝術 festivals節日 were born天生
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當代的藝術節誕生於
02:47
in the rubble瓦礫 of World世界 War戰爭 IIII.
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第二次世界大戰的廢墟之中
02:48
Civic思域 leaders領導者 created創建 these annual全年 events事件
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市政領導者率先舉辦了這些年度慶典
02:51
to celebrate慶祝 culture文化 as the highest最高
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目的是為了慶祝文化成為
02:54
expression表達 of the human人的 spirit精神.
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人類精神最高的表徵
02:56
In 1947, the Edinburgh愛丁堡 Festival was born天生
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1947年,愛丁堡藝術節誕生了
03:00
and Avignon阿維尼翁 was born天生 and hundreds數以百計 of others其他
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然後亞維儂 (藝術節) 誕生了 接著數以百計的藝術節
03:02
would follow跟隨 in their wake喚醒.
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相繼崛起
03:04
The work they did was very, very high art藝術,
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他們的作品是非常非常前衛的藝術
03:07
and stars明星 came來了 along沿 like Laurie勞瑞 Anderson安德森
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還有像是羅瑞安德森 (知名前衛音樂家) 這種明星的參與
03:10
and Merce梅爾切 Cunningham坎寧安 and Robert羅伯特 Lepage勒帕熱
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以及摩斯康寧漢 (現代舞蹈之父)
和羅勃勒帕奇 (知名劇場導演)
03:12
who made製作 work for this circuit電路,
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都在這個領域發表過作品
03:14
and you had these seminal shows節目 like "The Mahabharata摩訶婆羅多"
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然後你們會看到以藝術濫觴為題材的 " 摩訶婆羅達 (印度史詩)"
03:16
and the monumental紀念 "Einstein愛因斯坦 on the Beach海灘."
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還有留名青史的 "沙灘上的愛因斯坦"
03:19
But as the decades幾十年 passed通過,
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而十年過去了
03:22
these festivals節日, they really became成為 the establishment編制,
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這些藝術節真的成就非凡
03:25
and as the culture文化 and capital首都 accelerated加速,
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隨著文化水準的提升、規模的擴大
03:28
the Internet互聯網 brought us all together一起,
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還有網路縮短了我們之間的距離
03:30
high and low kind of disappeared消失,
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階級的界線可說是消失了
03:33
a new kind of festival emerged出現.
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一種新型態的藝術節出現了
03:35
The old festivals節日, they continued繼續 to thrive興旺, but
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舊型態的藝術節持續成長發展
03:38
from Brighton布萊頓 to Rio里約熱內盧 to Perth珀斯, something new was emerging新興,
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但是在英國、里約 (巴西) 和伯斯 (澳洲) 出現了新的東西
03:43
and these festivals節日 were really different不同.
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這些藝術節真的很不一樣
03:45
They're open打開, these festivals節日, because, like in Minto明托,
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他們很開明,因為這些藝術節,例如明托的
03:48
they understand理解 that the dialogue對話
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他們了解,在地與全球之間
03:51
between之間 the local本地 and the global全球 is essential必要.
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必須有溝通管道
03:54
They're open打開 because they ask the audience聽眾 to be a player播放機,
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為什麼說他們開明?因為他們邀請觀眾擔當演員、
03:59
a protagonist主角, a partner夥伴, rather than a passive被動 spectator觀眾,
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當主角、當夥伴,而不是當個被動的旁觀者
04:03
and they're open打開 because they know that imagination想像力
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說他們開明,因為他們知道
04:07
cannot不能 be contained in buildings房屋,
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想像力不能侷限在室內
04:09
and so much of the work they do
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他們的創造有許多都是
04:11
is site-specific位點特異性 or outdoor戶外 work.
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場地限定藝術或是戶外演出
04:14
So, the new festival, it asks the audience聽眾 to play
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所以,新的藝術節邀請觀眾扮演
04:17
an essential必要 role角色 in shaping成型 the performance性能.
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關鍵角色,改變了表演的風貌
04:21
Companies公司 like De La Guarda瓜爾達, which哪一個 I produce生產, and PunchdrunkPunchdrunk
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像是 "守護者" ,也就是我負責的公司,還有 "七暈八素"也是
04:26
create創建 these completely全然 immersive身臨其境 experiences經驗
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讓觀眾產生全然沉浸其中的體驗,
04:28
that put the audience聽眾 at the center中央 of the action行動,
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因為他們將觀眾放在表演的中心
04:32
but the German德語 performance性能 company公司 Rimini里米尼 ProtokollProtokoll
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但是德國表演公司,"里米尼協議"
04:35
takes this all to a whole整個 new level水平.
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將之提升到全新的層次
04:38
In a series系列 of shows節目 that includes包括 "100 Percent百分 Vancouver溫哥華,"
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連 "百分百加拿大人"在內,還有
04:42
"100 Percent百分 Berlin柏林," Rimini里米尼 ProtokollProtokoll makes品牌 shows節目
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"百分百柏林人" , 里米尼協議製作的一連串的戲劇
04:46
that actually其實 reflect反映 society社會.
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都反映出實際的社會現象
04:49
Rimini里米尼 ProtokollProtokoll chooses 100 people that represent代表 that city
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里米尼協議劇團選出了一百人來代表一座城市
04:53
at that moment時刻 in terms條款 of race種族 and gender性別 and class,
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正值種族、性別、階級等議題紛爭之時
04:57
through通過 a careful小心 process處理 that begins開始 three months個月 before,
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準備活動在三個月前就開始警慎地進行
05:00
and then those 100 people share分享 stories故事 about
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然後這一百人跟大家分享故事
05:03
themselves他們自己 and their lives生活, and the whole整個 thing
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分享自己和自己的生活 整齣戲
05:06
becomes a snapshot快照 of that city at that moment時刻.
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在此刻變成了這座城市的快照
05:10
LIFT電梯 has always been a pioneer先鋒 in the use of venues場館.
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左派份子一直都是抗議現場的先驅者
05:14
They understand理解 that theater劇院 and performance性能
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他們了解劇院和表演
05:16
can happen發生 anywhere隨地.
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其實是無所不在的
05:17
You can do a show顯示 in a schoolroom教室,
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你可以在教室表演
05:21
in an airport飛機場, — (Laughter笑聲) —
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在機場 — — (笑聲) — —
05:23
in a department store商店 window窗口.
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在百貨公司的櫥窗
05:26
Artists藝術家 are explorers探險. Who better to show顯示 us the city anew重新?
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藝術家是探險家,誰比他們
更能適合展示我們城市的新風貌?
05:30
Artists藝術家 can take us to a far-flung遙遠 part部分 of the city
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藝術家能帶我們到城市遙遠的那一端
05:33
that we haven't沒有 explored探討, or they can take us into
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我們沒見識過的地方,他們也能帶我們去
05:35
that building建造 that we pass通過 every一切 day but we never went into.
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我們每天經過,卻永遠不會走進去的建築
05:40
An artist藝術家, I think, can really show顯示 us people
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我認為,藝術家真的能帶我們看到
05:44
that we might威力 overlook俯瞰 in our lives生活.
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自己生命中被忽略的部分
05:47
Back to Back is an Australian澳大利亞 company公司 of people
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"背對背" 是一家澳洲公司,他們的
05:50
with intellectual知識分子 disabilities殘疾人. I saw their amazing驚人 show顯示
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成員都有智力障礙。我看過他們驚人的表演
05:55
in New York紐約 at the Staten斯塔滕 Island Ferry渡船 Terminal終奌站
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在紐約的斯塔騰島渡輪碼頭
05:58
at rush hour小時.
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時間是尖峰時刻
06:00
We, the audience聽眾, were given特定 headsets耳機 and seated坐在
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我們這些觀眾拿到耳機之後
06:02
on one side of the terminal終奌站.
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坐在碼頭邊
06:05
The actors演員 were right there in front面前 of us,
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表演者就在我們面前
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right there among其中 the commuters乘客,
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就坐在那些通勤者之中
06:10
and we could hear them,
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我們能聽到他們
06:11
but we might威力 not have otherwise除此以外 seen看到 them.
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可是我們不一定能看到他們
06:14
So Back to Back takes site-specific位點特異性 theater劇院 and uses使用 it
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所以背對背劇團選擇了場域特地藝術這種形式
06:19
to gently平緩 remind提醒 us about who and what we choose選擇
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他們輕輕的點醒了,我們選擇了誰,選擇了甚麼
06:22
to edit編輯 out of our daily日常 lives生活.
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來剪輯自己的日常生活
06:25
So, the dialogue對話 with the local本地 and the global全球,
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如此一來,本地和全球之間對上話了
06:28
the audience聽眾 as participant參加者 and player播放機 and protagonist主角,
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觀眾是其中一份子,是演員也是主角
06:32
the innovative創新 use of site現場, all of these things
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創新的表演場地 ,所有這些東西
06:35
come to play in the amazing驚人 work
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都包含在這場令人驚異的表演
06:38
of the fantastic奇妙 French法國 company公司 Royal王室的 de Luxe豪美.
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由奇妙的法國公司" 皇家德陸仕"製作
06:42
Royal王室的 de Luxe's豪華的 giant巨人 puppets木偶 come into a city
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皇家德陸仕劇團的巨型木偶走進一座城市
06:46
and they live生活 there for a few少數 days.
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他們在那裡待了幾天。
06:48
For "The Sultan's蘇丹 Elephant," Royal王室的 de Luxe豪美
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為了" 蘇丹的大象" 這場表演,皇家德陸仕
06:52
came來了 to central中央 London倫敦 and brought it to a standstill停頓
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來到倫敦市中心,然後讓玩偶停在那兒
06:55
with their story故事 of a giant巨人 little girl女孩 and her friend朋友,
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帶著他們的故事,一個巨大的小女孩和她朋友、
06:59
a time-traveling時間旅行 elephant.
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一隻時間旅行的大象
07:02
For a few少數 days, they transformed改造 a massive大規模的 city
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短短幾天 他們就改變了一座大城市
07:07
into a community社區 where endless無窮 possibility可能性 reigned在位.
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使其變成一個社群,讓到處都充滿著可能性
07:11
The Guardian監護人 wrote, "If art藝術 is about transformation轉型,
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衛報寫道:" 如果藝術是種變形
07:15
then there can be no more transformative變革 experience經驗.
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那藝術就再也無法體驗改革了
07:19
What 'The“該 Sultan's蘇丹 Elephant'象' represents代表 is no less
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" 蘇丹的大象" 代表的意義
07:23
than an artistic藝術的 occupation佔用 of the city
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不只是藝術佔領了一座城市
07:26
and a reclamation開墾 of the streets街道 for the people."
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或是替居民開拓街道
07:31
We can talk about the economic經濟 impacts影響 of these festivals節日
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我們可以聊聊這些表演在當地發揮的
07:34
on their cities城市, but I'm much [more] interested有興趣 in many許多 more things,
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經濟影響力,但我更關心的是,更多其他的事情
07:38
like how a festival helps幫助 a city to express表現 itself本身,
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像是藝術節如何幫助一座城市表達自己
07:42
how it lets讓我們 it come into its own擁有.
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如何使城市能承先啟後
07:45
Festivals節日 promote促進 diversity多樣,
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藝術節提倡多元性
07:48
they bring帶來 neighbors鄰居 into dialogue對話,
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他們讓社區加入討論的行列
07:50
they increase增加 creativity創造力,
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他們提升創造力
07:52
they offer提供 opportunities機會 for civic公民 pride自豪,
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他們提供機會,使公民得以凝聚認同感
07:55
they improve提高 our general一般 psychological心理 well-being福利.
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他們改善我們整體的心理幸福感
07:59
In short, they make cities城市 better places地方 to live生活.
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總之,他們讓城市更適合人們生活
08:03
Case案件 in point:
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舉個貼切的例子:
08:04
When "The Sultan's蘇丹 Elephant" came來了 to London倫敦
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當" 蘇丹的大象" 來到倫敦
08:07
just nine months個月 after 7/7, a Londoner倫敦 wrote,
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在7/7 (倫敦地鐵爆炸事件) 的九個月後 ,一位倫敦人寫道
08:12
"For the first time since以來 the London倫敦 bombings爆炸,
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" 自從發生倫敦爆炸事件,這是第一次
08:15
my daughter女兒 called up with that sparkle火花 back in her voice語音.
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我女兒說話時的聲音重現活力了
08:19
She had gathered雲集 with others其他
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她和其他人一起
08:21
to watch 'The“該 Sultan's蘇丹 Elephant,' and, you know,
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去看 "蘇丹的大象",你知道嗎
08:24
it just made製作 all the difference區別."
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它讓一切都不一樣了
08:27
Lyn林恩 Gardner加德納 in The Guardian監護人 has written書面
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林賈德 (劇評家) 在衛報上寫著
08:29
that a great festival can show顯示 us a map地圖 of the world世界,
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偉大的藝術節能展開全世界, 讓我們看到
08:33
a map地圖 of the city and a map地圖 of ourselves我們自己,
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一張城市的地圖,一張我們自己的地圖
08:37
but there is no one fixed固定 festival model模型.
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但是藝術節沒有固定模式
08:40
I think what's so brilliant輝煌 about the festivals節日,
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我認為藝術節聰明之處
08:43
the new festivals節日, is that they are really fully充分 capturing捕獲
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我的意思是新型態的藝術節,是他們真正捕捉到
08:48
the complexity複雜 and the excitement激動
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那些我們生活方式的
08:52
of the way we all live生活 today今天.
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複雜性和刺激性的全貌
08:54
Thank you very much. (Applause掌聲)
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非常謝謝大家(掌聲)
Translated by Ho-chung Chou
Reviewed by Jui-Hsin Chen

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ABOUT THE SPEAKER
David Binder - Theater producer
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage.

Why you should listen

David Binder won the Tony award for producing the record-breaking smash Hedwig and the Angry Inch starring Neil Patrick Harris. Other Broadway credits include Of Mice and Men starring James Franco and Chris O'Dowd (the first Broadway show to be filmed by the National Theatre of Britain's NT Live and shown in cinemas around the world), 33 Variations starring Jane Fonda, and the first Broadway revival of A Raisin in the Sun, with Sean Combs, Phylicia Rashad and Audra McDonald.

Binder has also staged events and festivals around the globe, including The High Line Festival, which was curated by David Bowie, The New Island Festival (ten days of Dutch site-specific theater, dance and music in New York City) and IBM's 100th Anniversary: Short Ride in a Fast Machine (held at Lincoln Center). He is the Artistic Associate of London's LIFT Festival.

PHOTO CREDITS for David's 2012 TED Talk:

Minto: Live – Sydney Festival
2011
3 Courtesy of Lone Twin
4 Courtesy of Lone Twin
5 Courtesy of Lone Twin
6 © Pekka Mäkinen
7 © Amrit MacIntyre
8 Courtesy of Lone Twin
9 © Pekka Mäkinen
10 © Pekka Mäkinen
11 © Pekka Mäkinen
12 © Pekka Mäkinen
13 © Pekka Mäkinen
14 © Pekka Mäkinen

The Mahabharata
16 © Image Entertainment

Einstein on the Beach
17 Spaceship © Lesley Leslie-Spinks 2012

De La Guarda
21 Courtesy of De La Guarda

Sleep No More
22 © Alick Crossley

100% – Rimini Protokoll
23 100% Berlin, © Barbara Braun, courtesy of Rimini Protokoll
24 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
25 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
26 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
27 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
28 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
29 100% Köln, © Sandra Then, courtesy of Rimini Protokoll

Grown-Up School (Daily Life Series Part 4)
32 LIFT Brecknock Primary School, London 1999
Photograph: Andrew Whittuck
www.dailylifeltd.co.uk

Roam – a National Theatre of Scotland and Grid Iron production
33 Photo by Richard Campbell, courtesy of National Theatre of Scotland

Urban Dream Capsule
34 Photo courtesy of Bedno.com

Small Metal Objects, Back to Back Theatre
36 Photo by Berni Sweeney, courtesy of Back to Back Theatre
37 2009 Time-Based Art Festival. Photo: Carole Zoom, courtesy of Portland Institute for Contemporary Art
38 Photo by Jeff Busby, courtesy of Back to Back Theatre
39 Photo by Prudence Upton, courtesy of Back to Back Theatre
40 © Richard Termine

Royal de Luxe
42 © Carsten Siegel, berlinsidewalk.com
43 © Flickr user Mlle Jordan
44 © Carsten Siegel, berlinsidewalk.com
45 © Carsten Siegel, berlinsidewalk.com
46 Photo by Flickr user sw77, licensed by creative commons
47 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
48 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
49 © Carsten Siegel, berlinsidewalk.com
50 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
51 Photo by Flickr user sw77, licensed by creative commons
52 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
54 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
55 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
56 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
57 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
58 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett

More profile about the speaker
David Binder | Speaker | TED.com