Jason deCaires Taylor: An underwater art museum, teeming with life
Džejson Dekajres Tejlor (Jason deCaires Taylor): Podvodni umetnički muzej, prepun života
Jason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature. Full bio
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or was at all possible,
ili da li je to uopšte moguće,
and a very steep learning curve,
i učeći veoma brzo,
called "The Lost Correspondent."
nazvanu "Izgubljeni korespondent".
and a local dive center,
i lokalnim ronilačkim centrom,
off the coast of Grenada,
underwater sculpture park.
podvodni park skulptura na svetu.
and started by casting local fisherman.
i počeo sam da izlivam lokalne ribare.
in defense of the sea.
koji brane more.
is not just for greenhouses.
nije samo za plastenike.
rising 16 feet up to the surface
koji se uspravlja 4,8 metara do površine
an underwater botanical garden,
in the Atlantic Ocean.
and designs that help encourage life;
i dizajne koji potpomažu razvoj života;
provides a stable and permanent platform.
pruža čvrstu i trajnu platformu.
coral polyps to attach.
koralnim polipima da se zakače.
from natural reefs
od prirodnih grebena,
there's areas for them to settle.
imali prostora da se smeste.
so that they aggregate fish
tako da privlače ribu
has an internal living habitat
ima unutrašnje živo stanište
such as lobsters and sea urchins.
poput jastoga i morskih ježeva.
under a hundred-foot crane,
ispod krana od 30 metara,
down to the sea floor,
dole na morsko tlo,
have taken up watercolor painting instead.
da ste se bavili slikarstvom.
always blow my mind.
uvek raspamete.
incredible exhibition space
izložbeni prostor
changing by the hour,
koji se manjaju iz sata u sat,
the sculptures in a cloud of mystery,
skulpture oblakom tajanstvenosti,
of inquisitive visitors,
special touch to the site.
poseban dodir tom mestu.
thing about what we do,
kod našeg posla,
submerge the sculptures,
literally starts to evolve,
novi svet bukvalno počinje da se razvija,
but nothing man-made
ali ništa što čovek napravi
izobličava građu.
dok se hrani.
the bodies feeding at night.
dok se hrane po noći.
a kind of purple paint.
nekakvu ljubičastu boju.
in my life lives underwater.
koju sam u životu video, živi pod vodom.
glide silently overhead.
tiho klize preko glava.
we've had to these works
to plug into something really primal,
da se povežemo s nečim zaista iskonskim
translate across the world,
lako razumljivi širom sveta,
on my responsibility as an artist
na odgovornost koju imam kao umetnik
in the middle of the ocean,
u sred okeana
really important effect of my work.
važnim posledicama mog stvaralaštva.
and our oceans are in trouble.
i naši okeani su u nevolji.
i prizor koji je najviše deljen
are beginning to understand
da su ljudi počeli da shvataju
and the destruction of nature,
i uništenju prirode,
about our oceans, too.
o našim okeanima.
we've seen some phenomenal
videli smo neke sjajne
of new habitats and living reef,
kvadratnih novih staništa i živih grebena,
now divide half their time
sada dele svoje vreme na pola
for natural, overstressed areas.
prirodnim, preopterećenim oblastima.
in the Bahamas highlighted a leak
na Bahamima su obelodanili curenje
forced the local government
primorali lokalnu vladu
in coastal cleanups.
u čišćenje obale.
was instrumental
a marine-protected area.
morsku oblast pod zaštitom.
now help fund park rangers
sada pomažu u finansiranju rendžera
turističke i pecaroške kvote.
as a "Wonder of the World"
uvrstila na listu: "Čuda sveta".
u ovoj prostoriji?
our oceans as sacred,
or the La Sagrada Família,
places and things,
mesta i stvari,
to cherish them, to protect them
to assign that value;
da im dodelimo vrednost;
understand that value.
by talking about sacred things.
govoreći o svetim stvarima.
important and simple reason:
zbog važnog i jednostavnog razloga:
objects of great value to us,
objekte koji su nam veoma važni,
for them being themselves.
zato što su to što jesu.
an egg at the Sistine Chapel,
na Sikstinsku kapelu,
to build a seven-star hotel
hotel sa sedam zvezdica
and overfish our oceans.
zagađujemo i pecanjem iscrpljujemo okean.
so plain and so enormous, as fragile.
i tako ogromno, kao o nečemu krhkom.
too vast, too endless.
suviše prostrano, suviše beskonačno.
look past to the horizon.
gleda iznad u horizont.
that we take it for granted.
da ga uzimamo zdravo za gotovo.
can ride around on Jet Skis
brucoši voze vodene skije
there's now a little corner of Cancun
sada postoji maleni ćošak Kankuna
these Four Horsemen of the Apocalypse
ova Četiri jahača apokalipse
of the Houses of Parliament,
Vestminsterske palate,
about climate change
o klimatskim promenama
the power to help change things.
da pomognu da se stvari promene.
the beginning of the mission.
s drugim pronalazačima,
educators, biologists,
nastavnicima, biolozima,
za naše okeane.
to the natural history museum
u prirodnjačko-istorijski muzej
through a dry-glass viewing tunnel,
ustakljenog tunela,
all the wildlife of the land
sav divlji svet s kopna
i razmišljajmo duboko.
and willpower can lead us?
i snaga volje mogu odvesti?
our art into the ocean,
naše umetnosti u okean,
of amazing creativity
neverovatnu kreativnost
giving something back,
new environments to thrive,
bujanje novih životnih sredina
or maybe it's a really old way
ili je to možda zapravo stari način
ABOUT THE SPEAKER
Jason deCaires Taylor - SculptorJason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature.
Why you should listen
Born in 1974 to an English father and Guyanese mother, Taylor grew up in Europe and Asia, where he spent much of his early childhood exploring the coral reefs of Malaysia. Educated in the South East of England, Taylor graduated from the London Institute of Arts in 1998 with a BA Honours in Sculpture and went on to become a fully qualified diving instructor and underwater naturalist. With over 20 years diving experience under his belt, Taylor is also an award winning underwater photographer, famous for his dramatic images, which capture the metamorphosing effects of the ocean on his evolving sculptures.
In 2006, Taylor founded and created the world’s first underwater sculpture park. Situated off the west coast of Grenada in the West Indies, it is now listed as one of the Top 25 Wonders of the World by National Geographic and was instrumental in the creation of a national marine protected area by the local government. In 2009, he co-founded MUSA (Museo Subacuático de Arte), a monumental museum with a collection of over 500 of his sculptural works, submerged off the coast of Cancun, Mexico. Both of these ambitious, permanent public works have a practical, functional aspect, facilitating positive interactions between people and fragile underwater habitats while at the same relieving pressure on natural resources.
Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness, instigate social change and lead us to appreciate the breathtaking natural beauty of the underwater world. He is currently based in Lanzarote part of the Canary Islands where he is working on a major new underwater museum for the Atlantic Ocean.
Jason deCaires Taylor | Speaker | TED.com