Jason deCaires Taylor: An underwater art museum, teeming with life
Džeisons deKeirs Teilors: Dzīvības pilns zemūdens mākslas muzejs
Jason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature. Full bio
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or was at all possible,
un vai tas vispār ir iespējams,
and a very steep learning curve,
un ļoti ātri mācoties,
called "The Lost Correspondent."
„Pazudušo korespondentu”.
and a local dive center,
un vietējo niršanas centru,
off the coast of Grenada,
underwater sculpture park.
zemūdens skulptūru parks pasaulē.
and started by casting local fisherman.
un sāku atveidot vietējos zvejniekus.
in defense of the sea.
jūras aizsardzībai,
is not just for greenhouses.
nav domāta tikai siltumnīcām.
mūsu projekti ir kļuvuši lielāki:
rising 16 feet up to the surface
gandrīz piecu metrus pretim ūdens virsmai
an underwater botanical garden,
in the Atlantic Ocean.
and designs that help encourage life;
dzīvību rosinošus materiālus un dizainu.
provides a stable and permanent platform.
sniedz stabilu un noturīgu platformu.
coral polyps to attach.
piestiprināties koraļļu polipiem.
from natural reefs
no dabas radītiem rifiem,
there's areas for them to settle.
so that they aggregate fish
has an internal living habitat
iekšā ir izveidota dzīvotne,
such as lobsters and sea urchins.
kā omārus un jūras ežus.
tas nepavisam nav viegli.
under a hundred-foot crane,
zem 30-metrīga krāna,
down to the sea floor,
astoņas tonnas,
have taken up watercolor painting instead.
vajadzēja pievērsties ūdenskrāsām.
mani vienmēr satriec.
always blow my mind.
incredible exhibition space
changing by the hour,
kas ik stundu mainās,
the sculptures in a cloud of mystery,
noslēpumainības mākonī,
of inquisitive visitors,
special touch to the site.
šai vietai piešķir ko īpašu.
ka vislieliskākais mūsu darbā,
thing about what we do,
submerge the sculptures,
literally starts to evolve,
sāk burtiski veidoties jauna pasaule —
but nothing man-made
nekad nespēs līdzināties dabas iztēlei.
ķeburainus, baltus rakstus.
the bodies feeding at night.
rāpo un barojas jūras eži.
a kind of purple paint.
atstāj purpursarkanu krāsu.
in my life lives underwater.
esmu redzējis, atrodams zem ūdens.
mīkstkoraļļu vēdekļi.
ieelpo ūdeni kā gaisu.
glide silently overhead.
pelēkās eņģeļzivis.
we've had to these works
ko pieredzējuši šie darbi,
to plug into something really primal,
kaut kam patiešām pirmatnējam,
translate across the world,
on my responsibility as an artist
savai kā mākslinieka atbildībai
in the middle of the ocean,
šajā laivā, okeāna vidū,
mana darba ietekmi.
really important effect of my work.
and our oceans are in trouble.
un mūsu okeāniem iet slikti.
meklētais un dalītais attēls
līdzšinējiem darbiem ir šis.
are beginning to understand
and the destruction of nature,
un dabas iznīcināšanu,
about our oceans, too.
we've seen some phenomenal
fenomenālus un negaidītus rezultātus.
of new habitats and living reef,
jaunu dzīvotņu un dzīvu rifu,
now divide half their time
nu sadala pusi sava laika
for natural, overstressed areas.
pārlieku noslogotajām vietām.
in the Bahamas highlighted a leak
no tuvējās naftas pārstrādes rūpnīcas.
forced the local government
10 miljonus dolāru piekrastes satīrīšanai.
in coastal cleanups.
was instrumental
a marine-protected area.
aizsargājamo jūras teritoriju.
now help fund park rangers
finansējumu parka uzraugiem,
as a "Wonder of the World"
Pasaules brīnumu sarakstā.
savus okeānus.
our oceans as sacred,
savus okeānus par svētiem,
vai La Sagrada Família,
or the La Sagrada Família,
places and things,
vietas un lietas,
to cherish them, to protect them
lai tās lolotu, lai tās aizsargātu,
to assign that value;
kas piešķir šo vērtību,
understand that value.
by talking about sacred things.
runājot par to, kas svēts.
important and simple reason:
ļoti svarīga un vienkārša iemesla dēļ:
kuriem mūsu acīs ir liela vērtība,
objects of great value to us,
for them being themselves.
ka tie ir tādi, kādi ir.
an egg at the Sistine Chapel,
to build a seven-star hotel
septiņzvaigžņu viesnīcu
and overfish our oceans.
un pārlieku nozvejojam savus okeānus.
tik plašu un tik neizmērojamu
so plain and so enormous, as fragile.
too vast, too endless.
pārāk plašs, pārāk bezgalīgs.
patiesībā skatās pāri uz apvārsni.
look past to the horizon.
ka mēs tā arī neieraugām jūru,
that we take it for granted.
ka uzskatīsim to par pašsaprotamu.
can ride around on Jet Skis
vizinās ar ūdensmočiem
there's now a little corner of Cancun
ir vērtīgs tāds, kāds tas ir.
these Four Horsemen of the Apocalypse
šos „Četrus apokalipses jātniekus”
of the Houses of Parliament,
Vestminsteras pilij,
about climate change
par klimata pārmaiņām
the power to help change things.
ir palīdzēt lietas mainīt.
the beginning of the mission.
ar citiem izgudrotājiem,
educators, biologists,
izglītotājiem, biologiem,
mūsu okeāniem.
ko vairāk par skulptūrām,
14 gadus vecs lielpilsētas bērns
to the natural history museum
uz dabas vēstures muzeju
through a dry-glass viewing tunnel,
caur stikla apskates tuneli,
all the wildlife of the land
and willpower can lead us?
un gribasspēks mūs aizvedīs?
our art into the ocean,
of amazing creativity
brīnišķīgo radošumu un vizuālo ietekmi,
giving something back,
new environments to thrive,
or maybe it's a really old way
kā uztvert jūras:
ABOUT THE SPEAKER
Jason deCaires Taylor - SculptorJason deCaires Taylor's underwater installations offer views of another world, where the artistic efforts of man meet the vivifying power of nature.
Why you should listen
Born in 1974 to an English father and Guyanese mother, Taylor grew up in Europe and Asia, where he spent much of his early childhood exploring the coral reefs of Malaysia. Educated in the South East of England, Taylor graduated from the London Institute of Arts in 1998 with a BA Honours in Sculpture and went on to become a fully qualified diving instructor and underwater naturalist. With over 20 years diving experience under his belt, Taylor is also an award winning underwater photographer, famous for his dramatic images, which capture the metamorphosing effects of the ocean on his evolving sculptures.
In 2006, Taylor founded and created the world’s first underwater sculpture park. Situated off the west coast of Grenada in the West Indies, it is now listed as one of the Top 25 Wonders of the World by National Geographic and was instrumental in the creation of a national marine protected area by the local government. In 2009, he co-founded MUSA (Museo Subacuático de Arte), a monumental museum with a collection of over 500 of his sculptural works, submerged off the coast of Cancun, Mexico. Both of these ambitious, permanent public works have a practical, functional aspect, facilitating positive interactions between people and fragile underwater habitats while at the same relieving pressure on natural resources.
Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness, instigate social change and lead us to appreciate the breathtaking natural beauty of the underwater world. He is currently based in Lanzarote part of the Canary Islands where he is working on a major new underwater museum for the Atlantic Ocean.
Jason deCaires Taylor | Speaker | TED.com