ABOUT THE SPEAKER
Aimee Mullins - Athlete and actor
A record-breaker at the Paralympic Games in 1996, Aimee Mullins has built a career as a model, actor and advocate for women, sports and the next generation of prosthetics.

Why you should listen

Aimee Mullins was born without fibular bones, and had both of her legs amputated below the knee when she was an infant. She learned to walk on prosthetics, then to run -- competing at the national and international level as a champion sprinter, and setting world records at the 1996 Paralympics in Atlanta. At Georgetown, where she double-majored in history and diplomacy, she became the first double amputee to compete in NCAA Division 1 track and field.

After school, Mullins did some modeling -- including a legendary runway show for Alexander McQueen -- and then turned to acting, appearing as the Leopard Queen in Matthew Barney's Cremaster Cycle. In 2008 she was the official Ambassador for the Tribeca/ESPN Sports Film Festival.

She's a passionate advocate for a new kind of thinking about prosthetics, and recently mentioned to an interviewer that she's been looking closely at MIT's in-development powered robotic ankle, "which I fully plan on having."

More profile about the speaker
Aimee Mullins | Speaker | TED.com
TED2009

Aimee Mullins: My 12 pairs of legs

Ejmi Malins i njenih 12 pari nogu

Filmed:
4,380,008 views

Atletičarka, glumica i aktivistkinja govori o svojim protezama za noge - a ima ih 12 neverovatnih pari - i izuzetim sposobnostima koje joj one omogućavaju - brzini, lepoti i dodatnih 15 santimetara visine... Ona naprosto daje novu definiciju telesnih mogućnosti
- Athlete and actor
A record-breaker at the Paralympic Games in 1996, Aimee Mullins has built a career as a model, actor and advocate for women, sports and the next generation of prosthetics. Full bio

Double-click the English transcript below to play the video.

00:12
I was speakingговорећи to a groupгрупа of about 300 kidsклинци,
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Obraćala sam se grupi od oko 300 dece,
00:15
agesгодине sixшест to eightосам, at a children'sдеца museumмузеј,
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starih od šest do osam godina, u jednom muzeju za decu
00:17
and I broughtдоведен with me a bagторба fullпуна of legsноге,
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i sa sobom sam ponela vreću nogu,
00:21
similarслично to the kindsврсте of things you see up here,
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sličnih ovima koje vidite ovde.
00:23
and had them laidположено out on a tableсто for the kidsклинци.
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Poređala sam ih po stolu pred tom decom.
00:25
And, from my experienceискуство, you know, kidsклинци are naturallyприродно curiousрадознао
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I, kao što znamo iz iskustva, deca su po prirodi radoznala
00:29
about what they don't know, or don't understandРазумем,
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kad je reč o onome što ne poznaju, što ne razumeju
00:31
or is foreignстрани to them.
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ili što im je strano.
00:33
They only learnучи to be frightenedуплашен of those differencesРазлике
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Takvih razlika ona nauče da se boje
00:35
when an adultодрасла особа influencesутицаји them to behaveпонашати се that way,
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tek kad ih neka odrasla osoba nauči takvom ponašanju,
00:38
and maybe censorsцензори that naturalприродно curiosityрадозналост,
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eventualno cenzuriše njihovu prirodnu radoznalost
00:41
or you know, reinsuzde in the question-askingpitam pitanje
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ili zauzda njihovo postavljanje pitanja
00:44
in the hopesнада of them beingбиће politeучтив little kidsклинци.
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u želji da od njih napravi lepo vaspitanu dečicu.
00:46
So I just picturedoslikan a first gradeграде teacherнаставник out in the lobbyлоби
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I baš sam zamišljala učiteljicu prvog razreda
00:50
with these unrulyobesni kidsклинци, sayingговорећи, "Now, whateverшта год you do,
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s tom nemirnom decom kako im kaže: "Radite šta hoćete,
00:53
don't stareбуљити at her legsноге."
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samo joj ne gledajte u noge".
00:55
But, of courseкурс, that's the pointтачка.
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Naravno, u tome je cela stvar.
00:57
That's why I was there, I wanted to inviteпозовите them to look and exploreистражити.
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Zbog toga sam bila tamo, želela sam da im ponudim da gledaju i proučavaju.
01:00
So I madeмаде a dealдоговор with the adultsодрасли
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Zato sam se dogovorila s odraslima
01:04
that the kidsклинци could come in withoutбез any adultsодрасли for two minutesминута
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da deca uđu na dva minuta bez ijedne odrasle osobe,
01:07
on theirњихова ownвластити.
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dakle, sama.
01:09
The doorsврата openотворен, the kidsклинци descendSpusti se on this tableсто of legsноге,
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Vrata su se otvorila, deca su se sjurila na taj sto s nogama,
01:13
and they are pokingBode and proddingpodsticaj, and they're wigglingZmijin toesпрсти на ногама,
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počela da ih pipkaju, čačkaju, mrdaju im prste,
01:16
and they're tryingпокушавајући to put theirњихова fullпуна weightтежина on the sprintingpočeo je trčati legnoga
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pokušavaju da prebace svu težinu na nogu za sprint
01:18
to see what happensсе дешава with that.
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i vide šta će da se desi.
01:20
And I said, "KidsDeca, really quicklyбрзо --
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Onda sam im rekla: "Deco, slušajte,
01:22
I wokeпробудио се up this morningјутро, I decidedодлучио I wanted to be ableу могуцности to jumpскок over a houseкућа --
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Probudila sam se jutros i zaključila da bi bilo dobro da mogu da preskočim kuću,
01:26
nothing too bigвелики, two or threeтри storiesприче --
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ne neku ogromnu, već od dva-tri sprata.
01:28
but, if you could think of any animalживотиња, any superherosuper heroj, any cartoonцртани филм characterкарактер,
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Sad brzo razmislite, kad biste mogli da birate neku životinju, super-heroja, lik iz crtanih filmova,
01:33
anything you can dreamсан up right now,
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šta god vam padne na pamet,
01:35
what kindкинд of legsноге would you buildизградити me?"
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čije biste mi noge dali?"
01:37
And immediatelyодмах a voiceглас shoutedpovikao je, "KangarooKengur!"
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Neko je odmah uzviknuo "Kengur!"
01:40
"No, no, no! Should be a frogжаба!"
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"Ne, ne, ne! Bolje da bude žaba!"
01:42
"No. It should be Go Go GadgetGadžet!"
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"Ne. Bolje Go Go Gadget!"
01:44
"No, no, no! It should be the IncrediblesNeverovatni."
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"Ne, ne! Bolje Izbavitelji."
01:46
And other things that I don't -- aren'tнису familiarпознат with.
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I druge stvari koje mi nisu poznate.
01:49
And then, one eight-year-oldosam godina said,
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A onda je jedan osmogodišnjak rekao sledeće:
01:51
"Hey, why wouldn'tне би you want to flyлети too?"
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"A zašto ne bi i letela?"
01:56
And the wholeцела roomсоба, includingукључујући me, was like, "Yeah."
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I svi u sobi, uključujući mene, rekli su: "Pa, da".
01:59
(LaughterSmeh)
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(Smeh)
02:01
And just like that, I wentотишао from beingбиће a womanжена
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Tek tako sam prestala da budem žena
02:04
that these kidsклинци would have been trainedобучени to see as "disabledонемогућено"
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koju bi ta deca vremenom naučila da smatraju "invalidom"
02:08
to somebodyнеко that had potentialпотенцијал that theirњихова bodiesтела didn't have yetјош увек.
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i postala sam neko ko raspolaže fizičkim mogućnostima koje oni još nemaju.
02:13
SomebodyNeko that mightМожда even be super-abledSuper-specijalna stvar.
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Čak neko s nadljudskim sposobnostima.
02:15
InterestingZanimljivo.
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Interesantno.
02:17
So some of you actuallyзаправо saw me at TEDTED, 11 yearsгодине agoпре.
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Neki od vas su me verovatno gledali na TED-u pre 11 godina.
02:22
And there's been a lot of talk about how life-changingbitnog this conferenceконференција is
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Mnogo se pričalo o tome kako ta konferencija utiče na život,
02:26
for bothи једно и друго speakersзвучници and attendeesприсутни, and I am no exceptionизузетак.
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kako izlagača, tako i publike, i ja nisam izuzetak.
02:30
TEDTED literallyбуквално was the launchлансирање padпад to the nextследећи decadeдекада of my life'sживот explorationистраживање.
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TED je bukvalno bio odskočna daska za narednu deceniju istraživanja mog života.
02:36
At the time, the legsноге I presentedпредстављен were groundbreakingреволуционарно in prostheticsprotetika.
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U to vreme proteze za noge koje sam prikazala bile su najnoviji krik u protetici.
02:41
I had wovenткани carbonугљеник fiberвлакно sprintingpočeo je trčati legsноге
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Imala sam proteze za sprint napravljene od upletenih ugljeničnih vlakana
02:43
modeledмоделирано after the hindHind legnoga of a cheetahgepard,
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konstruisane po uzoru na zadnje noge geparda,
02:45
whichкоја you mayможе have seenвиђено on stageфаза yesterdayјуче.
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koje ste juče možda videli na sceni.
02:47
And alsoтакође these very life-likeverno, intrinsicallyсуштински paintedобојен siliconesilikon legsноге.
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Takođe sam imala ove veoma uverljive, prirodno obojene noge od silikona.
02:53
So at the time, it was my opportunityприлика to put a call out
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To je za mene bila prilika da pozovem
02:57
to innovatorsиноватори outsideспоља the traditionalтрадиционални medicalмедицински prostheticprotetske communityзаједница
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inovatore izvan polja tradicionalne medicinske protetike
03:01
to come bringдовести theirњихова talentталенат to the scienceНаука and to the artуметност
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da svoj talenat primene u nauci i umetnosti
03:05
of buildingзграде legsноге.
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izrade nogu,
03:07
So that we can stop compartmentalizingblokiranju formобразац, functionфункција and aestheticестетски,
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kako bismo prestali da pravimo razliku između forme, funkcije i estetike
03:12
and assigningдодељивање them differentразличит valuesвредности.
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i pridajemo im različite vrednosti.
03:14
Well, luckyСрећно for me, a lot of people answeredодговорио that call.
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Srećom po mene, odazvao se veliki broj ljudi.
03:18
And the journeyпутовање startedпочела, funnyсмешно enoughдовољно, with a TEDTED conferenceконференција attendeeučesnik --
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I putovanje je otpočelo, zamislite, s osobom koja je bila na toj konferenciji TED-a.
03:23
CheeChee PearlmanDanielsa, who hopefullyНадајмо се is in the audienceпублика somewhereнегде todayданас.
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To je bila Či Perlman, koja je, nadam se, i danas negde u publici.
03:26
She was the editorуредник then of a magazineмагазин calledпозвани IDID,
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Radila je kao urednik časopisa "ID"
03:29
and she gaveдала me a coverпоклопац storyприча.
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i posvetila mi je priču s naslovne strane.
03:32
This startedпочела an incredibleневероватан journeyпутовање.
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Tako je počelo jedno neverovatno putovanje.
03:35
CuriousRadoznao encounterssusreti were happeningдогађај to me at the time;
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U to vreme sam imala neobične susrete.
03:37
I'd been acceptingPrihvatanje numerousбројни invitationspozivnice to speakговорити
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Prihvatala sam brojne pozive da govorim
03:40
on the designдизајн of the cheetahgepard legsноге around the worldсвет.
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širom sveta o konstrukciji nogu po uzoru na noge geparda.
03:43
And people would come up to me after the conferenceконференција, after my talk,
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Ljudi su mi prilazili posle konferencija, posle mog izlaganja,
03:46
menмушкарци and womenЖене.
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i muškarci i žene.
03:48
And the conversationразговор would go something like this,
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I obično bi razgovor tekao ovako:
03:50
"You know AimeeAmy, you're very attractiveатрактивно.
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"Znaš, Ejmi, ti si veoma privlačna osoba.
03:54
You don't look disabledонемогућено."
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Ne izgledaš kao invalid."
03:56
(LaughterSmeh)
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(Smeh)
03:57
I thought, "Well, that's amazingНевероватно,
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Tad bih pomislila: "Prosto neverovatno,
03:59
because I don't feel disabledонемогућено."
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pošto se i ne osećam kao invalid."
04:01
And it really openedотворен my eyesочи to this conversationразговор
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I to mi je zapravo ukazalo da bi se ta interakcija
04:06
that could be exploredistražena, about beautyлепота.
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vezana za lepotu, mogla istražiti.
04:08
What does a beautifulЛепа womanжена have to look like?
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Kako treba da izgleda lepa žena?
04:11
What is a sexyсекси bodyтело?
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Šta je seksi telo?
04:13
And interestinglyзанимљиво, from an identityидентитет standpointстандпоинт,
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I, ono što je zanimljivo, sa stanovišta identiteta,
04:15
what does it mean to have a disabilityinvaliditeta?
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šta znači biti invalid?
04:18
I mean, people -- PamelaPamela AndersonAnderson has more prostheticprotetske in her bodyтело than I do.
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Pa razmislite, Pamela Anderson ima u sebi više protetike nego ja.
04:21
NobodyNiko nije callsпозиве her disabledонемогућено.
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I niko je ne zove invalidom.
04:23
(LaughterSmeh)
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(Smeh)
04:29
So this magazineмагазин, throughкроз the handsруке of graphicgrafika designerдизајнер PeterPeter SavilleSevilj,
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Dakle, taj časopis je, preko grafičkog dizajnera Pitera Sevila,
04:33
wentотишао to fashionмода designerдизајнер AlexanderAleksandar McQueenMcQueen, and photographerфотограф NickNik KnightVitez,
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stigao do modnog kreatora Aleksandra MekKvina i fotografa Nika Najta
04:38
who were alsoтакође interestedзаинтересован in exploringистраживање that conversationразговор.
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koji su takođe bili zainteresovani da istraže tu interakciju.
04:40
So, threeтри monthsмесеци after TEDTED I foundнашао myselfЈа сам on a planeавион
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Tako sam se tri meseca posle TED-a našla u avionu
04:43
to LondonLondon, doing my first fashionмода shootпуцај,
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za London, gde sam imala svoju prvu modnu foto-sesiju
04:48
whichкоја resultedrezultiralo in this coverпоклопац --
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čiji je rezultat ova naslovna stranica.
04:49
"Fashion-ableModa-mogućnosti"?
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Fashion-able? /igra reči: modno sposoban/
04:52
ThreeTri monthsмесеци after that, I did my first runwayписта showсхов for AlexanderAleksandar McQueenMcQueen
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Tri meseca kasnije, prvi put sam nastupila na modnoj reviji Aleksandra MekKvina
04:56
on a pairпар of hand-carvedručno gravirano woodendrveni legsноге madeмаде from solidчврст ashpepeo.
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hodajući na paru ručno rezbarenih drvenih nogu od pune jasenovine.
05:01
NobodyNiko nije knewзнала -- everyoneсви thought they were woodendrveni bootsчизме.
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Niko to nije znao - svi su mislili da se radi o drvenim čizmama.
05:04
ActuallyU stvari, I have them on stageфаза with me:
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Zapravo, imam ih ovde kod sebe.
05:07
grapevinesvinova loza, magnoliasMagnolije -- trulyзаиста stunningзапањујуће.
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S izrezbarenom vinovom lozom, magnolijama, zaista su neverovatne.
05:12
PoetryPoezija mattersпитања.
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Bitan je poetski element.
05:15
PoetryPoezija is what elevatesподиже the banalбанално and neglectedзанемарен objectобјекат
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Poezija je ta koja jedan banalan i zanemaren predmet uzdiže
05:20
to a realmреалм of artуметност.
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na nivo umetnosti.
05:22
It can transformпреобразити the thing that mightМожда have madeмаде people fearfulстрах
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Ona može da transformiše nešto čega se ljudi boje
05:28
into something that invitespozivnice them to look,
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u nešto što ih mami da pogledaju,
05:30
and look a little longerдуже,
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da bace jedan duži pogled,
05:33
and maybe even understandРазумем.
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i možda to čak i razumeju.
05:35
I learnedнаучио this firsthandиз прве руке with my nextследећи adventureавантура.
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To sam lično iskusila tokom svoje sledeće avanture.
05:39
The artistуметник MatthewMatthew BarneyBarni, in his filmфилм opusOpus calledпозвани the "The CremasterCremaster CycleCiklus."
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Umetnik Metju Barni, u svom filmskom ciklusu po imenu "Cremaster"
05:43
This is where it really hitхит home for me --
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Tad mi je u stvari sinulo
05:46
that my legsноге could be wearableodevni sculptureскулптура.
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da bi moje noge mogle da budu nosiva skulptura.
05:48
And even at this pointтачка, I startedпочела to moveпотез away from the need to replicateреплицирати human-nessljudsko-ness
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I u tom trenutku počela sam da se udaljavam od potrebe da oponašam ono što je ljudsko
05:55
as the only aestheticестетски idealидеалан.
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kao jedini estetski ideal.
05:57
So we madeмаде what people lovinglys ljubavlju referredреференца to as glassстакло legsноге
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Tako smo stvorili noge koje ljudi od milošte nazivaju staklenim,
06:01
even thoughипак they're actuallyзаправо opticallyoptiиki clearјасно polyurethanepoliuretan,
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mada se radi o prozirnom poliuretanu,
06:05
a.k.a. bowlingkuglanje ballлопта materialматеријал.
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tj. materijalu od kojeg se prave kugle za kuglanje.
06:07
HeavyTeške!
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Što su teške!
06:08
Then we madeмаде these legsноге that are castцаст in soilземљиште
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Onda smo napravili noge izlivene od zemlje,
06:10
with a potatokrompir rootкорен systemсистем growingрастуће in them, and beetrootsbeetroots out the topврх,
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sa sistemom korena krompira u njima i cveklama na vrhu,
06:14
and a very lovelyдивно brassмесинг toeprst.
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i veoma lepim mesinganim prstom.
06:16
That's a good close-upблизак of that one.
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To je veoma dobar krupni plan.
06:18
Then anotherдруги characterкарактер was a half-womanpolu-žena, half-cheetahpolu-gepard --
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Zatim još jedan lik: pola žena - pola gepard,
06:20
a little homageOmaž to my life as an athletesportista.
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kojim je odata počast meni kao atletičarki.
06:22
14 hoursсати of prostheticprotetske make-upšminku
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Trebalo je 14 sati protetskog šminkanja
06:25
to get into a creatureстворење that had articulatedzglobni pawsљape,
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da bi se stvorilo biće sa zglobnim šapama
06:29
clawskandže and a tailРеп that whippedšlag around,
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kandžama i repom kojim maše
06:33
like a geckoGeko.
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kao neki gušter.
06:35
(LaughterSmeh)
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(Smeh)
06:37
And then anotherдруги pairпар of legsноге we collaboratedсарађивао on were these --
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Zatim, još jedan par nogu na kojima smo sarađivali...
06:41
look like jellyfishMeduza legsноге,
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To su ove, koje izgledaju kao meduze.
06:43
alsoтакође polyurethanepoliuretan.
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Takođe od poliuretana.
06:45
And the only purposeсврха that these legsноге can serveслужи,
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Jedino čemu ove noge mogu da služe,
06:48
outsideспоља the contextконтекст of the filmфилм,
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van konteksta filma,
06:51
is to provokeprovocira the sensesчула and ignitezapaliti the imaginationмашту.
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jeste da pokrenu čula i podstaknu maštu.
06:54
So whimsyhir mattersпитања.
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Dakle, kapric ima smisla.
06:57
TodayDanas, I have over a dozenдесетак pairпар of prostheticprotetske legsноге
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Trenutno imam više od dvanaest pari proteza za noge
07:03
that variousразни people have madeмаде for me,
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koje su za mene napravili razni ljudi,
07:05
and with them I have differentразличит negotiationspregovori of the terrainteren underиспод my feetстопала,
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pomoću njih mogu da imam različite odnose s tlom kojim hodam,
07:09
and I can changeпромена my heightвисина --
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mogu da menjam visinu.
07:11
I have a variablePromenljiva of fiveпет differentразличит heightsвисине.
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Raspolažem s pet različitih visina.
07:13
(LaughterSmeh)
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(Smeh)
07:15
TodayDanas, I'm 6'1".
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Danas sam visoka 185 cm.
07:17
And I had these legsноге madeмаде a little over a yearгодине agoпре
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Ove noge mi je pre nešto više od godinu dana
07:20
at DorsetDorset OrthopedicOrtopedski in EnglandEngleska
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napravila firma Dorset Orthopaedic iz Engleske.
07:22
and when I broughtдоведен them home to ManhattanManhattan,
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Kad sam ih donela kući na Menhetn,
07:24
my first night out on the townГрад, I wentотишао to a very fancyфанци partyжурка.
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i kad sam prvi put izašla, išla sam na veoma otmenu zabavu.
07:26
And a girlдевојка was there who has knownпознат me for yearsгодине
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Tamo je bila devojka koja me već godinama poznaje
07:29
at my normalнормално 5'8".
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s mojoj normalnom visinom, što je 172 cm.
07:31
Her mouthуста droppedпао openотворен when she saw me,
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Zinula je kad me je videla,
07:33
and she wentотишао, "But you're so tallвисок!"
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i rekla: "Kako si visoka!"
07:36
And I said, "I know. Isn't it funзабавно?"
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Odgovorila sam: "Znam. Smešno, je l' da?"
07:38
I mean, it's a little bitмало like wearingноси stiltsSad alat on stiltsSad alat,
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Otprilike kao da sam na štule stavila štule.
07:40
but I have an entirelyу потпуности newново relationshipоднос to doorврата jamszastoji
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Ali sad imam poputno novi odnos prema okvirima vrata
07:43
that I never expectedочекиван I would ever have.
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koji uopšte nisam očekivala.
07:45
And I was havingимати funзабавно with it.
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I to me zabavlja.
07:48
And she lookedпогледао at me,
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Pogledala me je
07:50
and she said, "But, AimeeAmy, that's not fairфер."
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i rekla: "Ali, Ejmi, to nije fer."
07:52
(LaughterSmeh)
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(Smeh)
07:55
(ApplauseAplauz)
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(Aplauz)
07:57
And the incredibleневероватан thing was she really meantмислио it.
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I, što je neverovatno, ona je to zaista mislila.
08:01
It's not fairфер that you can changeпромена your heightвисина,
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Nije fer da možeš da menjaš visinu
08:03
as you want it.
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kako ti se prohte.
08:05
And that's when I knewзнала --
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Tada sam shvatila -
08:07
that's when I knewзнала that the conversationразговор with societyдруштво
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shvatila sam da se interakcija s društvom
08:10
has changedпромењено profoundlyдубоко
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iz korena promenila
08:12
in this last decadeдекада.
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tokom poslednje decenije.
08:14
It is no longerдуже a conversationразговор about overcomingprevazilaženje deficiencyNedostatak vitamina.
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Više se ne radi o prevazilaženju nedostataka
08:19
It's a conversationразговор about augmentationаугментатион.
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već o povećanju.
08:21
It's a conversationразговор about potentialпотенцијал.
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Predmet te interakcije jeste potencijal.
08:25
A prostheticprotetske limbудова doesn't representзаступати the need to replaceзаменити lossгубитак anymoreвише.
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Veštački ekstremitet više nije samo zamena za nešto izgubljeno.
08:30
It can standстој as a symbolсимбол that the wearernositelj
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On je simbol koji pokazuje da onaj koji ga nosi
08:33
has the powerмоћ to createстворити whateverшта год it is that they want to createстворити
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ima moć da stvori šta god želi
08:36
in that spaceпростор.
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umesto njega.
08:38
So people that societyдруштво onceједном consideredразматрати to be disabledонемогућено
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Tako da oni koje je društvo nekad smatralo hedikepiranima
08:41
can now becomeпостати the architectsархитекте of theirњихова ownвластити identitiesIdentiteti
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sada mogu sami da grade svoj identitet
08:46
and indeedзаиста continueНастави to changeпромена those identitiesIdentiteti
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pa čak i da ga dalje menjaju
08:48
by designingдизајнирање theirњихова bodiesтела
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dizajnirajući svoje telo
08:50
from a placeместо of empowermentоснаживање.
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kao neko ko na to ima pravo.
08:53
And what is excitingузбудљиво to me so much right now
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Ono što mi se čni posebno uzbudljivim
08:58
is that by combiningкомбиновање cutting-edgevrhunska technologyтехнологија --
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jeste to što se kombinovanjem najnovije tehnologije
09:02
roboticsrobotike, bionicsbionics --
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robotike, bionike,
09:04
with the age-oldстарост poetryпоезија,
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i drevne poezije
09:06
we are movingкретање closerближе to understandingразумевање our collectiveколектив humanityчовечанство.
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približavamo shvatanju celog ljudskog roda.
09:12
I think that if we want to discoverоткрити the fullпуна potentialпотенцијал
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Smatram da, ako želimo da otkrijemo sav potencijal
09:17
in our humanityчовечанство,
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naše ljudske vrste,
09:19
we need to celebrateславити those heartbreakingsrceparajuće strengthsprednosti
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moramo da odamo počast tim dirljivim moćima
09:23
and those gloriousslavni disabilitiessmetnjama u razvoju that we all have.
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i veličanstvenim hendikepima koje sve imamo.
09:26
I think of Shakespeare'sShakespeare je ShylockDraguljar:
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Setila sam se šekspirovog Šajloka:
09:29
"If you prickkreten us, do we not bleedkrvarenje,
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Zar ja ne krvarim kad me ko poseče,
09:33
and if you ticklegolica us, do we not laughсмех?"
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zar se ne smejem kad me ko golica?"
09:36
It is our humanityчовечанство,
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Naša čovečnost
09:39
and all the potentialпотенцијал withinу склопу it,
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i potencijal koji u njoj počiva
09:41
that makesчини us beautifulЛепа.
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jesu ono što nas čini lepima.
09:44
Thank you.
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Hvala.
09:45
(ApplauseAplauz)
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(Aplauz)
Translated by Ana Ciric
Reviewed by Sandra Gojic

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ABOUT THE SPEAKER
Aimee Mullins - Athlete and actor
A record-breaker at the Paralympic Games in 1996, Aimee Mullins has built a career as a model, actor and advocate for women, sports and the next generation of prosthetics.

Why you should listen

Aimee Mullins was born without fibular bones, and had both of her legs amputated below the knee when she was an infant. She learned to walk on prosthetics, then to run -- competing at the national and international level as a champion sprinter, and setting world records at the 1996 Paralympics in Atlanta. At Georgetown, where she double-majored in history and diplomacy, she became the first double amputee to compete in NCAA Division 1 track and field.

After school, Mullins did some modeling -- including a legendary runway show for Alexander McQueen -- and then turned to acting, appearing as the Leopard Queen in Matthew Barney's Cremaster Cycle. In 2008 she was the official Ambassador for the Tribeca/ESPN Sports Film Festival.

She's a passionate advocate for a new kind of thinking about prosthetics, and recently mentioned to an interviewer that she's been looking closely at MIT's in-development powered robotic ankle, "which I fully plan on having."

More profile about the speaker
Aimee Mullins | Speaker | TED.com

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