ABOUT THE SPEAKER
Bahia Shehab - Artist and historian
TED Fellow Bahia Shehab sends an important message through her street art in Cairo: “You can crush the flowers, but you can’t delay spring."

Why you should listen

Bahia Shehab is an artist, designer and art historian. She is associate professor of design and founder of the graphic design program at The American University in Cairo, where she has developed a full design curriculum mainly focused on visual culture of the Arab world. She has taught over fourteen courses on the topic.

Shehab's artwork has been on display in exhibitions, galleries and streets in Canada, China, Denmark, France, Germany, Greece, Italy, Japan, Lebanon, Morocco, Turkey, UAE and the US. The documentary Nefertiti's Daughters featuring her street artwork during the Egyptian uprising was released in 2015. Her work has received a number of international recognitions and awards; TED fellowship (2012) and TED Senior fellowship (2016), BBC 100 Women list (2013, 2014), The American University in Beirut distinguished alumna (2015), Shortlist for V&A’s Jameel Prize 4 (2016), and a Prince Claus Award (2016). Her book A Thousand Times NO: The Visual History of Lam-Alif was published in 2010.

More profile about the speaker
Bahia Shehab | Speaker | TED.com
TEDGlobal 2012

Bahia Shehab: A thousand times no

Bahia Shehab: Nje mije here jo

Filmed:
1,138,104 views

Historiane arti Bahia Shehab ka qene gjithmone e magjepsur nga fjala arabe JO. Kur filloi revolucioni ne Egypt ne 2011, ajo filloi te sperkaste imazhin neper rruge per te thene jo diktatures, jo qeverisjes ushtarake dhe jo violences.
- Artist and historian
TED Fellow Bahia Shehab sends an important message through her street art in Cairo: “You can crush the flowers, but you can’t delay spring." Full bio

Double-click the English transcript below to play the video.

00:16
Two years ago, I was invited as an artist
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Dy vjet me pare, isha e ftuar si artiste
00:19
to participate in an exhibition commemorating
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per te mare pjese ne nje ekspozite perkushtuar
00:22
100 years of Islamic art in Europe.
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100 vjetorit te artit Islamik ne Europe.
00:24
The curator had only one condition:
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Kuratori kishte vetem nje kondite:
00:27
I had to use the Arabic script for my artwork.
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duhet te perdorja doreshkrimin arab ne artin tim.
00:30
Now, as an artist, a woman, an Arab,
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Pra, si artiste, si grua, si arabe,
00:33
or a human being living in the world in 2010,
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apo si njeri qe jeton ne kete bote ne 2010,
00:37
I only had one thing to say:
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kisha vetem nje gje per te thene:
00:40
I wanted to say no.
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doja te thoja jo.
00:43
And in Arabic, to say "no," we say "no,
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Dhe ne arabisht per te thene "jo", ne themi "jo
00:45
and a thousand times no."
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dhe njemije here tjera jo".
00:47
So I decided to look for a thousand different noes.
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Keshtu vendosa te kerkoja njemije Jo te ndryshme.
00:51
on everything ever produced
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ne çdo gje te prodhuar ndonjehere
00:53
under Islamic or Arab patronage in the past 1,400 years,
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nen patronazhin islamik gjate 1.400 viteve te kaluara
00:58
from Spain to the borders of China.
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nga Spanja deri ne kufirin me Kinen.
01:02
I collected my findings in a book,
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I mblodha rezultatet ne nje liber,
01:04
placed them chronologically, stating the name,
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i vendosa kronologjikisht, specifikova emrin,
01:07
the patron, the medium and the date.
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pronarin, menyren dhe daten.
01:10
Now, the book sat on a small shelf next to the installation,
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Tani libri eshte vendosur ne nje raft i vogel afer instalimit
01:14
which stood three by seven meters, in Munich, Germany,
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me dimensione 3 me 7 metra, ne Munich, Gjermani,
01:17
in September of 2010.
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ne shtatorin 2010
01:21
Now, in January, 2011, the revolution started,
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Ne janar, 2011, filloi revolucioni
01:27
and life stopped for 18 days,
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dhe jeta ndaloi per 18 dite,
01:30
and on the 12th of February,
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dhe me 12 shkurt,
01:31
we naively celebrated on the streets of Cairo,
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ne festuam ne menyre naive ne rruget e Kairos,
01:34
believing that the revolution had succeeded.
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duke menduar se revolucioni ishte me sukses.
01:38
Nine months later I found myself spraying messages
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Pas 9 muajsh gjej vetem time duke shperndare mesazhe
01:42
in Tahrir Square. The reason for this act
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ne sheshin Tahrir. Arsyeja e ketij veprimi
01:46
was this image that I saw in my newsfeed.
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ishte imazhi qe pashe ne newsfeedin tim.
01:50
I did not feel that I could live in a city
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Nuk mund te jetoja ne nje qytet
01:53
where people were being killed
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kur njerezit vriteshin
01:55
and thrown like garbage on the street.
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dhe hidheshin si plehra ne rruge.
01:58
So I took one "no" off a tombstone from
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Pra mora nje "jo" nga nje gur varri nga
02:00
the Islamic Museum in Cairo, and I added a message to it:
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museumi islamic i Kairos, dhe i shtova nje mesazh;
02:03
"no to military rule."
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"jo rregullave ushtarake"
02:05
And I started spraying that on the streets in Cairo.
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Dhe fillva ta shperndaj neper rruget e qytetit.
02:08
But that led to a series of no, coming out of the book
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Por ajo ishe fillim i nje seri Jo-sh, qe dilnin nga libri
02:11
like ammunition, and adding messages to them,
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si municione, duke i shtuar mesazhe atyre,
02:14
and I started spraying them on the walls.
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dhe fillova t'i shperndaj neper mure.
02:17
So I'll be sharing some of these noes with you.
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Do te ndaj disa nga keto jo me ju.
02:19
No to a new Pharaoh, because whoever comes next
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Jo nje Faraoni te ri, sepse kush do qe te jete i ardhshmi
02:22
should understand that we will never be ruled by another dictator.
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duhet ta kuptoje qe ne nuk do te qeverisemi me kurre nga nje diktator tjeter.
02:26
No to violence: Ramy Essam came to Tahrir
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Jo violences: Ramy Essam erdhi ne Tahrir
02:30
on the second day of the revolution,
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ne diten e dyte te revolucionit,
02:32
and he sat there with this guitar, singing.
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dhe u ul aty me kitaren e tij, duke kenduar.
02:35
One month after Mubarak stepped down, this was his reward.
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Nje muaj pasi Mubarak dha doreheqjen, ky ishte shperblimi i tij.
02:39
No to blinding heroes. Ahmed Harara lost his right eye
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Jo heronjve te verber. Ahmed Harara humbi syrin e djathte
02:45
on the 28th of January,
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me 28 janar,
02:46
and he lost his left eye on the 19th of November,
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ndersa humbi syrin e majte me 19 nentor,
02:50
by two different snipers.
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nga dy snajper te ndryshem.
02:53
No to killing, in this case no to killing men of religion,
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Jo vrasjeve, ne kete rast jo vrasjeve te fetareve,
02:56
because Sheikh Ahmed Adina Refaat was shot
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sepse Sheikh Ahmed Adina Refaat u qellua
03:00
on December 16th, during a demonstration,
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me 16 dhjetor, gjate nje demostrate,
03:03
leaving behind three orphans and a widow.
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duke lere 3 jetime dhe nje grua te ve.
03:07
No to burning books. The Institute of Egypt was burned
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Jo djegies se librave. Instituti i Egjiptit eshte djegur
03:10
on December 17th, a huge cultural loss.
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me 17 dhjetor, nje humbje kulturore e madhe.
03:14
No to stripping the people,
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Jo zhveshjes se njerzeve,
03:17
and the blue bra is to remind us of our shame
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dhe sytjena blu eshte per te kujtuar turpin tone
03:20
as a nation when we allow a veiled woman to be stripped
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si komb kur lejojme qe nje grua me vello te zhvishet
03:24
and beaten on the street, and the footprint reads,
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dhe te rrihet ne rruge, dhe gjurma lexon
03:28
"Long live a peaceful revolution,"
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"rrofte revolucioni paqesor"
03:30
because we will never retaliate with violence.
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se ne nuk do hakmerremi kurre me violence.
03:34
No to barrier walls. On February 5th,
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Jo mureve pengese. Me 5 shkurt,
03:37
concrete roadblocks were set up in Cairo
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postoblloqe u vendosen ne Kajro
03:41
to protect the Ministry of Defense from protesters.
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per te mbrojtur Ministrine e Mbroitjes nga protestat.
03:47
Now, speaking of walls, I want to share with you the story
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Meqenese flitet per mure, dua te ju tregoj historine,
03:50
of one wall in Cairo.
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i nje muri ne Kairo.
03:52
A group of artists decided to paint a life-size tank
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Nje grup artistesh vendosi te pikturoje nje tank me dimensione reale.
03:57
on a wall. It's one to one.
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ne nje mur. Eshte nje me nje.
03:59
In front of this tank there's a man on a bicycle
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Perballe me kete tank eshte nje burre me biçiklete.
04:02
with a breadbasket on his head. To any passerby,
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me nje shporte buke ne koke. Per çdo kalimtar
04:05
there's no problem with this visual.
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nuk ka asnje problem me kete pamje.
04:08
After acts of violence, another artist came,
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Pas aktesh te tjere violence, nje artist tjeter,
04:12
painted blood, protesters being run over by the tank,
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pikturoi gjak dhe protestantet te shtypur nga tanku,
04:17
demonstrators, and a message that read,
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disa demostrues dhe nje mesazh qe lexonte,
04:20
"Starting tomorrow, I wear the new face,
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"Nga neser do vendos nje fytyre te re,
04:23
the face of every martyr. I exist."
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fytyren e çdo deshmori. Une ekzistoj".
04:27
Authority comes, paints the wall white,
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Autoritetet erdhen, ngjyrosen murin te bardhe,
04:30
leaves the tank and adds a message:
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lane tankun dhe shtuan nje mesazh:
04:32
"Army and people, one hand. Egypt for Egyptians."
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"Ushtria dhe populli, nje dore. Egjypti per egjyptianet"
04:37
Another artist comes, paints the head of the military
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Nje artist tjeter, pikturon koken i nje ushtari
04:41
as a monster eating a maiden in a river of blood
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si nje perbindesh qe ha nje te virgjer ne nje lume me gjak
04:44
in front of the tank.
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perballe tankut.
04:47
Authority comes, paints the wall white, leaves the tank,
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Autoritetet erdhen, lyen murin me te bardhe,
04:51
leaves the suit, and throws a bucket of black paint
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lane tankun, dhe derdhen nje kove me boje te zeze
04:54
just to hide the face of the monster.
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per te mbuluar vetem koken e perbindeshit.
04:55
So I come with my stencils, and I spray them on the suit,
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Pastaj vi une me stampen time, dhe e sperkat rrobat,
04:59
on the tank, and on the whole wall,
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tankun, dhe te gjithe murin,
05:02
and this is how it stands today
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dhe ja si duket sot
05:04
until further notice. (Laughter)
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deri ne njoftim te ri. (te qeshura)
05:06
Now, I want to leave you with a final no.
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Tani, dua te ju le me nje jo te fundit.
05:10
I found Neruda scribbled on a piece of paper
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Kam degjuar Neruda ka shkaravitur ne nje cope leter
05:13
in a field hospital in Tahrir, and I decided to take a no of
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ne nje spital ne Tahrir, dhe vendosa te marre nje jo
05:19
Mamluk Mausoleum in Cairo.
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nga Mauzoleum Mamluk ne Kairo.
05:21
The message reads,
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Mesazhi thote,
05:23
[Arabic]
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(arabisht)
05:29
"You can crush the flowers, but you can't delay spring."
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Mund te shtypesh lulet, por nuk mund te ndalosh pranveren"
05:33
Thank you. (Applause)
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Falemnderit. (Duartrokitje)
05:37
(Applause)
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(duartrokitje)
05:46
Thank you. Shukran. (Applause)
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Falemderit. Shukran. (duartrokitje)
Translated by Shqiponja Hoxha
Reviewed by Helena Bedalli

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ABOUT THE SPEAKER
Bahia Shehab - Artist and historian
TED Fellow Bahia Shehab sends an important message through her street art in Cairo: “You can crush the flowers, but you can’t delay spring."

Why you should listen

Bahia Shehab is an artist, designer and art historian. She is associate professor of design and founder of the graphic design program at The American University in Cairo, where she has developed a full design curriculum mainly focused on visual culture of the Arab world. She has taught over fourteen courses on the topic.

Shehab's artwork has been on display in exhibitions, galleries and streets in Canada, China, Denmark, France, Germany, Greece, Italy, Japan, Lebanon, Morocco, Turkey, UAE and the US. The documentary Nefertiti's Daughters featuring her street artwork during the Egyptian uprising was released in 2015. Her work has received a number of international recognitions and awards; TED fellowship (2012) and TED Senior fellowship (2016), BBC 100 Women list (2013, 2014), The American University in Beirut distinguished alumna (2015), Shortlist for V&A’s Jameel Prize 4 (2016), and a Prince Claus Award (2016). Her book A Thousand Times NO: The Visual History of Lam-Alif was published in 2010.

More profile about the speaker
Bahia Shehab | Speaker | TED.com

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