Sir Ken Robinson: Do schools kill creativity?
Ken Robinson: Versmoor skole kreatiwiteit?
Creativity expert Sir Ken Robinson challenges the way we're educating our children. He champions a radical rethink of our school systems, to cultivate creativity and acknowledge multiple types of intelligence. Full bio
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running through the conference
vir waaroor ek wil praat.
to what I want to talk about.
evidence of human creativity
van menslike kreatiwiteit
and the range of it.
en omvang daarvan.
that it's put us in a place
what's going to happen,
wat gaan gebeur nie,
has an interest in education.
’n belang by opvoedkunde.
at dinner parties, frankly.
is jy nie gereeld by etes nie.
you're not asked.
word jy nie genooi nie.
That's strange to me.
Dis vir my vreemd.
you know, "Why me?"
they pin you to the wall.
druk hulle jou in ’n hoek vas.
that goes deep with people, am I right?
wat mense na aan die hart lê, is ek reg?
and I think we all do.
en ek dink ons almal het --
that's meant to take us into this future
onbegryplike toekoms moet in neem.
children starting school this year
kinders wat dié jaar skool begin
on parade for the past four days,
wat die laaste vier dae hier vertoon is --
in five years' time.
oor vyf jaar nie.
hulle daarvoor opvoed.
to be educating them for it.
I think, is extraordinary.
is ongelooflik.
capacities that children have --
wat kinders het --
was a marvel, wasn't she?
she's not, so to speak,
in die geheel van kindwees nie.
of extraordinary dedication
geweldige talente het.
all kids have tremendous talents.
is as important in education as literacy,
soos geletterheid in opvoeding
with the same status.
-- I love telling it --
ek vertel dit graag --
who was in a drawing lesson.
at the back, drawing,
aan't teken,
dié kind het omtrent nooit aandag gegee nie,
hardly ever paid attention,
and she said, "What are you drawing?"
"Wat teken jy?"
drawing a picture of God."
"Ek teken ’n prentjie van God."
knows what God looks like."
"Maar niemand weet hoe God lyk nie."
"They will, in a minute."
"Hulle sal nou-nou."
everywhere, to be honest.
was hy vier daai jaar.
wherever he went, he was four that year.
Onthou julle die storie?
Do you remember the story?
you may have seen it.
which we were thrilled about.
ons was in ons noppies.
one of the lead parts.
full of agents in T-shirts:
maar julle weet mos,
where the three kings come in?
gold, frankincense and myrrh.
goud, wierook [frankincense] en mirre.
they just went out of sequence,
afterward and we said,
"Ja. Was dit dan verkeerd?"
"Yeah, why? Was that wrong?"
on their heads,
"Ek bring vir U goud."
"I bring you gold."
"Ek bring vir U mirre."
"I bring you myrrh."
"Frank sent this." (Gelag)
kinders sal ’n kans vat.
is that kids will take a chance.
frightened of being wrong.
om verkeerd te wees nie.
is the same thing as being creative.
en kreatief wees dieselfde is nie.
if you're not prepared to be wrong,
om verkeerd te wees nie,
with anything original --
iets oorspronklik uitdink nie --
om verkeerd te wees nie.
most kids have lost that capacity.
het meeste kinders dié kapasiteit verloor.
frightened of being wrong.
national education systems
nasionale opvoedingstelsels
wat ’n mens kan maak.
thing you can make.
we are educating people
hulle kreatiewe kapasiteite uit opvoed.
gebore kunstenaars is.
that all children are born artists.
as we grow up.
soos ons grootword.
that we don't grow into creativity,
Ons groei nie in kreatiwiteit in nie,
until about five years ago.
op Stratford-op-Avon gewoon.
from Stratford to Los Angeles.
what a seamless transition that was.
wat ’n seepgladde oorgang dit was.
called Snitterfield,
Shakespeare's father was born.
Ek is.
having a father, do you?
as iemand met ’n pa nie.
of Shakespeare being a child, do you?
aan Shakespeare as ’n kind nie.
English class, wasn't he?
to Shakespeare, "Go to bed, now!
"Klim in die bed, nou!
from Stratford to Los Angeles,
van Statford na Los Angeles,
about the transition.
he's 21 now, my daughter's 16.
Hy's nou 21; my dogter is 16.
maar hy't ’n meisie in Engeland gehad.
a girlfriend in England.
their fourth anniversary,
’n meisie soos Sarah kry nie."
another girl like Sarah."
about that, frankly --
om die waarheid te sê --
we were leaving the country.
wanneer jy Amerika toe trek
when you move to America
het dieselfde hiërargie van vakke.
has the same hierarchy of subjects.
otherwise, but it isn't.
en heel onder is die kunste.
and at the bottom are the arts.
is daar ook ’n hiërargie binne die kunste
there's a hierarchy within the arts.
given a higher status in schools
’n hoër status in skole
system on the planet
Hoekom?
important, but so is dance.
maar dans is ook.
ons almal doen dit.
if they're allowed to, we all do.
Het ek ’n vergadering misgeloop?
Did I miss a meeting?
soos kinders grootword,
as children grow up,
van die middellyf af boontoe opvoed.
from the waist up.
education, as an alien,
as ’n ruimtewese,
if you look at the output,
-- as jy kyk na die uitset,
points, who are the winners --
wie is die wenners --
the whole purpose of public education
dat die hele doel van openbare opvoeding
professors, but you know,
maar julle weet,
of all human achievement.
out of affection for them.
en ek sê dit uit toegeneentheid.
in my ervaring --
about professors in my experience --
lewe hulle in hul koppe.
they live in their heads.
en effens na een kant toe.
and slightly to one side.
in a kind of literal way.
op ’n soortvan letterlike manier.
of transport for their heads.
as ’n vervoermiddel vir hul koppe.
their head to meetings.
by vergaderings te kry.
van buiteliggaamlike ervarings,
of out-of-body experiences,
conference of senior academics,
van senior akademici,
on the final night.
op die laaste aand.
writhing uncontrollably, off the beat.
wat ritmeloos wriemel.
go home and write a paper about it.
om tuis ’n artikel daaroor te gaan skryf.
van akademiese vaardigheid.
on the idea of academic ability.
no public systems of education,
geen openbare opvoedingstelsels
to meet the needs of industrialism.
in die behoeftes van industrialisme te voorsien.
subjects for work are at the top.
vir werk heel bo is.
probably steered benignly away
goedgunstiglik van
were a kid, things you liked,
’n werk daardeur sou kry nie. Nè?
never get a job doing that. Is that right?
jy sal nie ’n musikant word nie;
going to be a musician;
jy sal nie ’n kunstenaar word nie.
nou, uiters verkeerd.
is engulfed in a revolution.
in ’n rewolusie.
our view of intelligence,
van intelligensie oorskadu,
na hul eie beeld ontwerp het.
the system in their image.
of public education around the world
van universiteitstoelating.
of university entrance.
baie uiters talentvolle,
is that many highly-talented,
dink dat hulle nie is nie,
people think they're not,
they were good at at school
hulle goed was op skool
of selfs gestigmatiseer is.
or was actually stigmatized.
to go on that way.
om so voort te gaan nie.
deur opvoeding gradueer
than since the beginning of history.
of all the things we've talked about --
van al ons temas --
werk getransformeer het,
effect on work, and demography
en die massiewe bevolkingsontploffing.
if you had a degree, you had a job.
het jy met ’n graad ’n werk gehad.
it's because you didn't want one.
wou jy nie een hê nie.
om die waarheid te sê. (Gelag)
to carry on playing video games,
te gaan TV speletjies speel,
the previous job required a BA,
waar ’n BA voorheen voldoende was,
structure of education
van intelligensie hersien.
our view of intelligence.
wat ons dit ervaar.
that we experience it.
ons dink kineties.
we think kinesthetically.
ons dink in beweging.
we think in movement.
of a human brain,
van ’n menslike brein:
from a number of presentations,
heelwat aanbiedings gehoor het,
in kompartemente nie.
which I define as the process
van oorspronklike idees met waarde hê --
that have value --
through the interaction
deur die interaksie
ways of seeing things.
die twee helftes van die brein verbind:
that joins the two halves of the brain
are better at multi-tasking.
beter is met "multi-tasking".
but I know it from my personal life.
maar ek ervaar dit persoonlik.
which is not often, thankfully.
nie gereeld nie, dankie tog.
but if she's cooking,
maar as sy kook,
verf sy die plafon.
she's painting the ceiling,
is shut, the kids are out,
die kinders is uit,
if she comes in I get annoyed.
as sy inkom raak ek geïrriteerd.
I'm trying to fry an egg in here."
ek probeer ’n eier bak hier."
that old philosophical thing,
and nobody hears it, did it happen?
en niemand hoor dit nie, het dit gebeur?
recently, which said,
in a forest, and no woman hears him,
en geen vrou hoor hom nie,
called "Epiphany,"
-- "Epiphany" --
of interviews with people
daar uitgekom het.
by how people got to be there.
I had with a wonderful woman
met ’n wonderlike vrou
Gillian Lynne.
have never heard of, Gillian Lynne.
almal ken haar werk.
and everybody knows her work.
"Phantom of the Opera" gedoen.
van die Koninklike Ballet,
of The Royal Ballet,
lunch one day and I said,
she was really hopeless.
was sy rêrig hopeloos.
wrote to her parents and said,
skryf toe vir haar ouers:
has a learning disorder."
sy't gevroetel.
she was fidgeting.
Sou julle nie ook nie?
Wouldn't you?
hadn't been invented at this point.
en aandagafleibaarheid was nog nie uitgedink nie.
hulle kon daaraan ly nie.
sy gaan sien toe ’n spesialis.
and she was there with her mother,
on this chair at the end,
while this man talked to her mother
terwyl die man met haar ma praat
wat Gillian by die skool het.
Gillian was having at school.
her homework was always late; and so on,
huiswerk altyd laat; ens. --
langs Gillian en sê:
went and sat next to Gillian, and said,
things your mother's told me,
na alles wat jou ma my vertel het,
we won't be very long,"
that was sitting on his desk.
mother, "Just stand and watch her."
"Hou haar net dop."
bewegend op die maat van die musiek.
and he turned to her mother and said,
en toe sê hy vir haar ma:
sy's ’n danser.
isn't sick; she's a dancer.
how wonderful it was.
hoe wonderlik dit was nie.
and it was full of people like me.
en dit was vol mense soos ek.
Who had to move to think.
they did modern; they did contemporary.
en moderne en kontemporêre dans.
for the Royal Ballet School;
oudisie gedoen;
’n wonderlike loopbaan daar gehad.
a wonderful career at the Royal Ballet.
van die Koninklike Balletskool,
from the Royal Ballet School,
musikale teater produksies ooit,
musical theater productions in history,
en sy's ’n multi-millionêr.
and she's a multi-millionaire.
op medikasie gesit en gesê om te kalmeer.
on medication and told her to calm down.
wat ontketen is deur Rachel Carson.
that was triggered by Rachel Carson.
of human ecology,
aan te neem,
to reconstitute our conception
se rykdom te hersien.
for a particular commodity.
vir ’n spesifieke kommoditeit.
sal dit ons nie dien nie.
the fundamental principles
heroorweeg.
by Jonas Salk, who said,
were to disappear from the Earth,
van die aarde af sou verdwyn,
on Earth would end.
binne 50 jaar uitsterf.
disappeared from the Earth,
van die aarde af sou verdwyn,
of life would flourish."
binne 50 jaar floreer."
of the human imagination.
van die menselike verbeeldingsin.
that we've talked about.
waaroor ons gepraat het.
our creative capacities
is om ons kreatiewe kapasiteite te sien
for the hope that they are.
vir die hoop wat hulle is.
their whole being,
hulle hele wese op te voed,
hierdie toekoms nie,
make something of it.
om iets daarvan te maak.
ABOUT THE SPEAKER
Ken Robinson - Author/educatorCreativity expert Sir Ken Robinson challenges the way we're educating our children. He champions a radical rethink of our school systems, to cultivate creativity and acknowledge multiple types of intelligence.
Why you should listen
Why don't we get the best out of people? Sir Ken Robinson argues that it's because we've been educated to become good workers, rather than creative thinkers. Students with restless minds and bodies -- far from being cultivated for their energy and curiosity -- are ignored or even stigmatized, with terrible consequences. "We are educating people out of their creativity," Robinson says. It's a message with deep resonance. Robinson's TED Talk has been distributed widely around the Web since its release in June 2006. The most popular words framing blog posts on his talk? "Everyone should watch this."
A visionary cultural leader, Sir Ken led the British government's 1998 advisory committee on creative and cultural education, a massive inquiry into the significance of creativity in the educational system and the economy, and was knighted in 2003 for his achievements. His 2009 book, The Element: How Finding Your Passion Changes Everything, is a New York Times bestseller and has been translated into 21 languages. A 10th anniversary edition of his classic work on creativity and innovation, Out of Our Minds: Learning to be Creative, was published in 2011. His 2013 book, Finding Your Element: How to Discover Your Talents and Passions and Transform Your Life, is a practical guide that answers questions about finding your personal Element. In his latest book, Creative Schools: The Grassroots Revolution That’s Transforming Education, he argues for an end to our outmoded industrial educational system and proposes a highly personalized, organic approach that draws on today’s unprecedented technological and professional resources to engage all students.
Ken Robinson | Speaker | TED.com