ABOUT THE SPEAKER
Joe Sabia - Storyteller
Joe Sabia investigates new ways to tell stories -- meshing viral video and new display technologies with old-fashioned narrative.

Why you should listen

Joe Sabia is a NYC-based conceptual digital video artist who creates shareable videos and formats across a multitude of genres, amassing more than 1 billion views in total. As a creative consultant, Moth Programming Board member, and award-winning director/editor, his current role has him creating franchise video formats across the Conde Nast Portfolio as VP of Creative Development. 

You may recognize his voice as the guy on Vogue's "73 Questions." Some of his work includes the "Wired Autocomplete Interview" series, "You Sang My Song" on Glamour, and "Lie Detector" and "Tinder Takeover" on Vanity Fair. Joe created "African Men, Hollywood Stereotypes" which launched the awareness campaign of Africa-based non-profit Mama Hope. He spent two years making an art project called "The Office Stare Machine" which takes 700 stares from The Office and catalogues them against hundreds of emotions. He also co-founded "CDZA", a music channel featuring hundreds of conservatory-trained musicians in viral videos, including directing a set with Spike Jonze at the first ever YouTube Music Awards. 

Sabia's hobbies include being an amateur classical pianist, the 2007 international pun champion and proud co-owner of an Italian restaurant. He also documents management facility in the Republic of Georgia.

More profile about the speaker
Joe Sabia | Speaker | TED.com
Full Spectrum Auditions

Joe Sabia: The technology of storytelling

Džo Sabija: Stāstniecības tehnoloģija

Filmed:
1,352,099 views

iPad stāstnieks Džo Sabija iepazīstina mūs ar Lotāru Megendorferu, izgudrotāju, kurš iepriekšējā gadsimtā radīja pārdrošu stāstniecības tehnoloģiju: grāmatu ar atlokāmām ilustrācijām. Sabija parāda, kā jauna tehnoloģija mums ir vienmēr palīdzējusi dalīties ar saviem stāstiem, no alu sienām līdz viņa uz skatuves līdzi paņemtajam iPad.
- Storyteller
Joe Sabia investigates new ways to tell stories -- meshing viral video and new display technologies with old-fashioned narrative. Full bio

Double-click the English transcript below to play the video.

00:15
LadiesDāmām and gentlemenkungi!, gathersapulcēties around.
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Dāmas un kungi, sanāciet.
00:17
I would love to sharedalīties with you a storystāsts.
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Es vēlētos dalīties ar jums ar stāstu,
00:20
OnceVienu reizi uponpēc a time
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Reiz sensenos laikos,
00:22
in 19thth centurygadsimts GermanyVācija,
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19. gadsimta Vācijā,
00:24
there was the bookgrāmata.
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bija grāmata.
00:26
Now duringlaikā this time,
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Šajā laikā
00:28
the bookgrāmata was the kingķēniņš of storytellingstāstīšana.
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grāmata bija stāstniecības meistars.
00:30
It was venerablegodājams.
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Tā bija godājama.
00:32
It was ubiquitousvisuresošs.
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Tā bija visuresoša.
00:34
But it was a little bitmazliet boringgarlaicīgi.
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Taču tā bija mazliet garlaicīga.
00:38
Because in its 400 yearsgadiem of existenceesība,
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Jo tās 400 gadu pastāvēšanas vēsturē
00:41
storytellersstorytellers never evolvedattīstījusies the bookgrāmata
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stāstnieki nekad nebija grāmatu attīstījuši
00:43
as a storytellingstāstīšana deviceierīce.
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kā stāstniecības ierīci.
00:45
But then one authorautors arrivedieradās,
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Taču tad ieradās autors,
00:47
and he changedmainījies the gamespēle foreveruz visiem laikiem.
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kurš mainīja spēles noteikumus uz visiem laikiem.
00:51
(MusicMūzika)
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(Mūzika)
00:53
His namevārds was LotharLotārs,
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Viņu sauca Lotārs,
00:55
LotharLotārs MeggendorferMeggendorfer.
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Lotārs Megendorfers.
00:58
LotharLotārs MeggendorferMeggendorfer put his footkājām down,
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Lotārs Megendorfers piecirta ar kāju
01:01
and he said, "GenugGenug istIST genuggenug!"
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un paziņoja: „Genug ist genug!” (Ekrāns: Nu jau gana!)
01:07
He grabbedsatvēra his penpildspalva,
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Viņš paķēra pildspalvu,
01:09
he snatchedpaķēra his scissorsšķēres.
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pagrāba šķēres.
01:11
This man refusedatteikta to foldreizes to the conventionsKonvencijas of normalcynormālas
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Šīs vīrs atteicās locīties viduvējības normu priekšā
01:13
and just decidednolēma to foldreizes.
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un nolēma locīt pats.
01:15
HistoryVēsture would know LotharLotārs MeggendorferMeggendorfer
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Lotārs Megendorfers vēsturē iegājis
01:17
as -- who elsecits? --
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kā... kurš gan cits?...
01:19
the world'spasaules first truetaisnība inventorizgudrotājs
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pirmais īstais izgudrotājs
01:21
of the children'sbērniem pop-upuznirstošais logs bookgrāmata.
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grāmatām ar atlokāmām ilustrācijām.
01:24
(MusicMūzika)
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(Mūzika)
01:26
For this delightprieks and for this wonderbrīnums,
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Ļaudis līksmoja par šo prieku
01:28
people rejoicedlīksmoja.
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un brīnumu.
01:30
(CheeringGavilē)
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(Gaviles)
01:33
They were happylaimīgs because the storystāsts survivedizdzīvoja,
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Viņi bija priecīgi, jo stāsts saglabājās,
01:36
and that the worldpasaule would keep on spinningvērpšana.
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un pasaule turpināja griezties.
01:38
LotharLotārs MeggendorferMeggendorfer wasn'tnebija the first
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Lotārs Megendorfers nebija pirmais,
01:40
to evolveattīstīties the way a storystāsts was told,
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kurš attīstīja jaunu veidu, kā stāstīt stātus,
01:42
and he certainlyprotams wasn'tnebija the last.
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un noteikti nebija arī pēdējais.
01:44
WhetherVai storytellersstorytellers realizedsapratu it or not,
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Vienalga, vai stāstnieki to apzinājās, vai ne,
01:46
they were channelingnovirzot Meggendorfer'sMeggendorfer ir spiritgars
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viņi virzīja Megendorfera garu,
01:48
when they movedpārvietots operaopera to vaudvillevaudville,
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no operas izveidojot vodeviļu,
01:53
radioradio newsziņas to radioradio theaterteātris,
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no radio ziņām uz radio teātri,
01:56
filmfilma to filmfilma in motionkustība
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no attēliem uz kinofilmu,
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to filmfilma in soundskaņa, colorkrāsa, 3D,
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filmu ar skaņu, krāsu un 3 dimensijām,
02:02
on VHSVHS and on DVDDVD.
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VHS un DVD formātos.
02:04
There seemedlikās to be no curedziedēt for this MeggendorferitisMeggendorferitis.
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Šķita, pret šo megendorferītu nav nekādu zāļu.
02:07
And things got a lot more funjautri when the InternetInternets camenāca around.
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Parādoties internetam, viss kļuva vēl interesantāk.
02:10
(LaughterSmiekli)
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(Smiekli)
02:12
Because, not only could people broadcastapraides theirviņu storiesstāsti throughoutvisā the worldpasaule,
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Jo cilvēki savus stāstus varēja ne vien raidīt visai pasaulei,
02:15
but they could do so
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bet viņi varēja to darīt,
02:17
usingizmantojot what seemedlikās to be an infinitebezgalīgs amountsumma of devicesierīces.
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izmantojot šķietami neierobežotu ierīču daudzumu.
02:20
For examplepiemērs, one companyuzņēmums
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Piemēram, kāds uzņēmums
02:23
would tell a storystāsts of love
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pastāstīja mīlas stāstu
02:25
throughcauri its very ownpašu searchMeklēt enginedzinējs.
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ar savu meklēšanas programmu.
02:30
One TaiwaneseTaivānas productionražošana studiostudija
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Kāda taivāniešu producentu studija
02:32
would interpretinterpretēt AmericanASV politicspolitika in 3D.
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izskaidroja amerikāņu politiku 3D.
02:35
(LaughterSmiekli)
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(Smiekli)
02:40
And one man would tell the storiesstāsti of his fathertēvs
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Kāds vīrs dalījās ar sava tēva stāstiem,
02:44
by usingizmantojot a platformplatforma calledsauc TwitterČivināt
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izmantojot platformu, sauktu par Tviteri,
02:46
to communicatesazināties the excrementekskrementi his fathertēvs would gesticulategesticulate.
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lai darītu zināmus izkārnījumus, ko pauda viņa tēvs.
02:49
And after all this, everyonevisi pausedpārtraukta;
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Tad visi apstājās
02:51
they tookpaņēma a stepsolis back.
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un pakāpās soli atpakaļ.
02:53
They realizedsapratu that, in 6,000 yearsgadiem of storytellingstāstīšana,
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Viņi saprata, ka 6000 stāstniecības gados
02:56
they'veviņi esam goneaizgājis from depictingattēlojot huntingmedības on caveala wallssienas
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no medību attēlošanas uz alu sienām viņi bija nonākuši
03:00
to depictingattēlojot ShakespeareShakespeare on FacebookFacebook wallssienas.
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līdz Šekspīra attēlošanai uz Facebook sienām.
03:04
And this was a causeiemesls for celebrationsvinības.
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Tas bija iemesls svinībām.
03:07
The artart of storytellingstāstīšana has remainedpalika unchangedbez izmaiņām.
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Stāsniecības māksla ir palikusi nemainīga.
03:09
And for the mostlielākā daļa partdaļa, the storiesstāsti are recycledpārstrādāta.
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Stāstus lielākoties pārstāsta.
03:12
But the way that humanscilvēki tell the storiesstāsti
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Tomēr veids, kā cilvēki dalās ar stāstiem,
03:14
has always evolvedattīstījusies
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vienmēr ir attīstījies
03:16
with puretīrs, consistentkonsekventa noveltyjaunums.
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ar patiesu un neapsīkstošu jaunradi.
03:19
And they rememberedatcerējās a man,
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Ikreiz, kad atklāj jaunu
03:21
one amazingpārsteidzošs GermanVācu,
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stāstniecības ierīci,
03:24
everykatrs time a newjauns storytellingstāstīšana deviceierīce
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viņi atceras šo vīru,
03:28
poppedpopped up nextnākamais.
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šo apbrīnojamo vācieti.
03:30
And for that,
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Tādēļ
03:32
the audienceauditorija --
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publika,
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the lovelyjauki, beautifulskaists audienceauditorija --
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burvīgā un lieliskā publika,
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would livedzīvot happilypar laimi ever after.
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dzīvoja ilgi un laimīgi.
03:39
(ApplauseAplausi)
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(Aplausi)
Translated by Kristaps Kadiķis
Reviewed by Agnese Kalnina

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ABOUT THE SPEAKER
Joe Sabia - Storyteller
Joe Sabia investigates new ways to tell stories -- meshing viral video and new display technologies with old-fashioned narrative.

Why you should listen

Joe Sabia is a NYC-based conceptual digital video artist who creates shareable videos and formats across a multitude of genres, amassing more than 1 billion views in total. As a creative consultant, Moth Programming Board member, and award-winning director/editor, his current role has him creating franchise video formats across the Conde Nast Portfolio as VP of Creative Development. 

You may recognize his voice as the guy on Vogue's "73 Questions." Some of his work includes the "Wired Autocomplete Interview" series, "You Sang My Song" on Glamour, and "Lie Detector" and "Tinder Takeover" on Vanity Fair. Joe created "African Men, Hollywood Stereotypes" which launched the awareness campaign of Africa-based non-profit Mama Hope. He spent two years making an art project called "The Office Stare Machine" which takes 700 stares from The Office and catalogues them against hundreds of emotions. He also co-founded "CDZA", a music channel featuring hundreds of conservatory-trained musicians in viral videos, including directing a set with Spike Jonze at the first ever YouTube Music Awards. 

Sabia's hobbies include being an amateur classical pianist, the 2007 international pun champion and proud co-owner of an Italian restaurant. He also documents management facility in the Republic of Georgia.

More profile about the speaker
Joe Sabia | Speaker | TED.com

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