ABOUT THE SPEAKER
Alison Killing - Architect
An architect and urban designer, Alison Killing uses journalism, filmmaking and exhibitions to help people better understand the built environment.

Why you should listen

Alison Killing is an architect and urban designer working to engage people with their built environment, via design of buildings and urban strategies, film making, exhibitions and events. She explores the relationship between death and modern architecture, looking at how cities are rebuilt after disaster.

Recent projects include Death in the City (and its first iteration, Death in Venice, which was shown as an independent event during the opening week of the Venice Architecture Biennale), a touring exhibition about death and modern architecture; work with the International Federation of Red Cross and Red Crescent Societies on better rebuilding after disaster and how to integrate relevant urban design tools into humanitarian response; and a study of financial models for arts and community projects temporarily using vacant buildings to help these projects become self-sustaining.

More profile about the speaker
Alison Killing | Speaker | TED.com
TEDGlobal 2014

Alison Killing: There’s a better way to die, and architecture can help

अलीसन किलिंग: मरणाचा चांगला मार्ग त्यासाठी वास्तू विशारदाची मदत

Filmed:
1,316,847 views

अलीसन किलिंग थोडक्यात, प्रेरणादायकरित्या सांगतात ते पहातात अशा इमारती ज्यात मृत्यू होतात... दवाखाने ,स्मशानभूमी ,घर आपल्या मृत्यूचे मार्ग बदलत आहेत... आणि मृत्युच्या वास्तूही बदलत आहेत आपल्या शहरातील सुप्त जागा व आपले आयुष्य या बाबत रंजकतेने सांगतात.
- Architect
An architect and urban designer, Alison Killing uses journalism, filmmaking and exhibitions to help people better understand the built environment. Full bio

Double-click the English transcript below to play the video.

00:12
I'd like to tell you a story
about death and architecture.
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मला कथा सांगायची आहे. ती आहे
मृत्यू व वास्तुविशारदाची.
00:16
A hundred years ago, we tended to die
of infectious diseases like pneumonia,
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शंभर वर्षापु्रवी आपला मृत्यू होत असे
न्यूमोनिनीया सारख्या संसर्गजन्य रोगाने.
00:21
that, if they took hold,
would take us away quite quickly.
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या रोगाने ग्रासल्यावर, शांतपणे
मृत्युस सामोरे जावे लागे.
00:24
We tended to die at home,
in our own beds, looked after by family,
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आपल्या घरात आपला मृत्यू होई
अंथरुणात, कुटुंबाने काळजी घेऊनही
00:28
although that was the default option
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त्यावेळी हाच एकमेव पर्याय होता
00:30
because a lot of people
lacked access to medical care.
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खूपजणांना वैद्यकीय सेवा
मिळत नसे.
00:33
And then in the 20th century
a lot of things changed.
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पण विसाव्या शतकात याबाबत
खूपच बदल झाला.
00:36
We developed new medicines like penicillin
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पेनिसिलीनचा शोध लागला.
00:38
so we could treat
those infectious diseases.
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त्यामुळे संसर्ग रोगावर इलाज उपलब्ध झाला
00:40
New medical technologies
like x-ray machines were invented.
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वैदकीय क्षेत्रात
क्ष किरणांचा शोध लागला.
00:44
And because they were
so big and expensive,
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पण ते खूप मोठे व महाग होते
00:46
we needed large, centralized
buildings to keep them in,
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त्यासाठी मध्यवर्ती ठिकाणी मोठ्या
इमारती लागायच्या
00:49
and they became our modern hospitals.
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ते त्यावेळचे आधुनिक दवाखाने होते
00:51
After the Second World War,
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दुसऱ्या महायुद्धानंतर
00:53
a lot of countries set up
universal healthcare systems
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अनेक देशांनी जागतिर
आरोग्यकेंद्रे उभारली
00:55
so that everyone who needed
treatment could get it.
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जेणेकरून गरजुपैकी
प्रत्येकास उपचार मिळावा .
00:58
The result was that lifespans extended
from about 45 at the start of the century
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परिणामतः शतकाच्या आरंभी आयुर्मर्यादा
45 हून अधिक झाली
01:02
to almost double that today.
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आज ती दुप्पट म्हणजे 90 झाली
01:04
The 20th century was this time of huge
optimism about what science could offer,
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विसाव्या शतकाने मोठी आशा निर्माण केली
विज्ञानाच्या कार्याबाबत
01:09
but with all of the focus on life,
death was forgotten,
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जीवनावर दिल्या गेलेल्या लक्षाने
मृत्यूचा विसर पडला.
01:12
even as our approach to death
changed dramatically.
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मरणाकडे पहाण्याचा आपला दृष्टीकोन
नाटकीयरित्या बदलला
01:15
Now, I'm an architect,
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मी वास्तुविशारद आहे.
01:16
and for the past year and a half
I've been looking at these changes
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दीड वर्षापासून होणारे बदल मी पहातोय .
01:20
and at what they mean for architecture
related to death and dying.
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वास्तुविशारदासाठी काय अर्थ आहे
मृत्यू व जीवनाचा .
01:23
We now tend to die
of cancer and heart disease,
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आज आपण बळी पडतो
कर्करोग व हार्ट अँटक यांना.
01:26
and what that means is that many of us
will have a long period of chronic illness
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त्याचा अर्थ आपणापैकी अनेकांना
दीर्घकाळ जुनाट आजाराने ग्रासले जाते.
01:30
at the end of our lives.
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आयुष्याच्या शेवटी .
01:32
During that period,
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त्याकाळात,
01:33
we'll likely spend a lot of time
in hospitals and hospices and care homes.
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आपण वेळ घालवितो
दवाखान्यात, आरोग्यकेंद्रात
01:38
Now, we've all been in a modern hospital.
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आपण आधुनिक दवाखान्यात जातो .
01:40
You know those fluorescent lights
and the endless corridors
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न संपणारे व्हरांडे झगमगणारे दिवे
01:44
and those rows of uncomfortable chairs.
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असुविधाजनक खुर्च्यांच्या रांगा
01:47
Hospital architecture
has earned its bad reputation.
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दवाखान्याच्या वास्तु बांधणीची
बरीच बदनामी झालेली आहे .
01:50
But the surprising thing is,
it wasn't always like this.
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पण आश्चर्याची गोष्ट आहे
पूर्वी असे नव्हते .
01:54
This is L'Ospedale degli Innocenti,
built in 1419 by Brunelleschi,
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हे पहा लोस्पिटलि देजील इंनोचेन्ति,
बृनेलेस्की,ने १४१९ मध्ये बांधलेले.
01:58
who was one of the most famous
and influential architects of his time.
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तो त्याकाळी एक प्.रसिद्ध व प्रभावशाली
वास्तुविशारद होता
02:02
And when I look at this building
and then think about hospitals today,
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या दवाखान्याकडे मी जेव्हा पाहते
आणि आजच्या दवाखान्यांचा विचार करते
02:05
what amazes me is
this building's ambition.
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तेव्हा मला नवल वाटते
02:08
It's just a really great building.
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या इमारतीच्या यशाचे.
02:10
It has these courtyards in the middle
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मध्यभागी असलेल्या या अंगणामुळे
02:12
so that all of the rooms
have daylight and fresh air,
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सर्व खोल्यांना दिवसाचा
प्रकाश व हवा मिळे .
02:14
and the rooms are big
and they have high ceilings,
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खोल्या मोठ्या होत्या
त्यांची छते उंच होत्या .
02:17
so they just feel
more comfortable to be in.
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आत असणाऱ्यांना आरामशीर वाटे .
02:19
And it's also beautiful.
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ते सुंदरही होते
02:21
Somehow, we've forgotten
that that's even possible for a hospital.
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हे आपण विसरलो
पण असा दवाखाना असू शकतो
02:25
Now, if we want better buildings
for dying, then we have to talk about it,
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जर चांगल्या इमारती हव्या असतील
मृत्यूसाठी तर त्याचा विचार केले पाहिजे.
02:29
but because we find the subject
of death uncomfortable,
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पण मृत्यूचा विचार आपल्याला
अस्वस्थ करणारा असतो .
02:31
we don't talk about it,
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त्याबद्दल आपण बोलत नाही .
02:33
and we don't question how we
as a society approach death.
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आपण प्रश्नही विचारत नाही
समाजाच्या मृत्यूविषयी दृष्टिकोनाबाबत .
02:36
One of the things that surprised me
most in my research, though,
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माझ्या शोधतील एका गोष्टीने मी चकित झाले,
02:39
is how changeable attitudes actually are.
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बदलत्या दृष्टीकोनाने
02:42
This is the first crematorium in the U.K.,
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ब्रिटन मधील ही स्मशानभूमी आहे .
02:44
which was built in Woking in the 1870s.
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१८७० मध्ये बांधलेली .
02:47
And when this was first built,
there were protests in the local village.
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बांधकामाच्या सुरवातीस
तेथील ग्रामस्थांनी विरोध केला .
दह्नास सामाजिक मान्यता नव्हती
९९.8 टक्के लोकांना दफन करीत.
02:50
Cremation wasn't socially acceptable,
and 99.8 percent of people got buried.
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02:55
And yet, only a hundred years later,
three quarters of us get cremated.
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शंभर वर्षानंतर आपल्यापैकी
तीनचतुर्थौश लोकांना धन केले जाते
02:59
People are actually really open
to changing things
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लोक मोकळेपणी बदल स्वीकारतांना दिसतात .
03:02
if they're given the chance
to talk about them.
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तुम्ही त्यांना बोलण्याची संधी दिल्यास
03:04
So this conversation
about death and architecture
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वास्तू बांधणी व मृत्यू बाबतही चर्चा आहे
03:07
was what I wanted to start
when I did my first exhibition on it
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मी सुरवात करते मी मांडलेल्या
पहिल्या प्रदर्शनाने
03:10
in Venice in June,
which was called "Death in Venice."
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जे व्हेनिस मध्ये झाले
ज्यास व्हेनिसमधील मृत्यू नाव पडले .
03:14
It was designed to be quite playful
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फार खेळकर रित्या ते सादर झाले .
03:17
so that people would
literally engage with it.
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लोक त्याशी अक्षरशः समरस झाले .
03:19
This is one of our exhibits,
which is an interactive map of London
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आणि हे प्रदर्शन आहे
लंडन शहरातील
03:22
that shows just how much
of the real estate in the city
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जे शहरातील किती जमीन
दिली आहे .
03:25
is given over to death and dying,
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मृत्यू झालेल्यांसाठी
03:27
and as you wave your hand across the map,
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या नकाश्वरून जर तुम्ही हात फिरविल्यावर
03:29
the name of that piece of real estate,
the building or cemetery, is revealed.
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किती जमीनदिली आहे
स्मशानभूमीसाठी
03:34
Another of our exhibits
was a series of postcards
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दुसरे आमचे प्रदर्शन आहे
पोस्टकार्ड बाबत
03:37
that people could take away with them.
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जे लोक टाकून देत
03:39
And they showed people's homes
and hospitals
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ज्यावर त्यांचा घरचा व दवाखान्याचा
पत्ता असे .
03:41
and cemeteries and mortuaries,
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त्यावर स्मशानभूमी व प्रेतागाराची नोंद असे
03:44
and they tell the story
of the different spaces
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त्या वेगवेगळे ठिकाण दर्शवित असत
03:46
that we pass through
on either side of death.
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मृत्यू पलीकडे जातांनानही
कोठून आलो टो मार्ग दाखवीत असे
03:49
We wanted to show
that where we die
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आपल्याला सांगायचे असते कोठे
आपण मरण पावलो
03:51
is a key part of how we die.
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हेच मर्म आहे आपला मृत्यू कसा झाला यास्तव
03:54
Now, the strangest thing was the way
that visitors reacted to the exhibition,
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यातील शक्तिशाली बाब होती
प्रेक्षकांची प्रदार्षानाबाबतची प्रतिक्रिया
03:59
especially the audio-visual works.
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विशेषतः दृक्श्राव्य मध्यमातून
04:02
We had people dancing
and running and jumping
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आम्हाला नाचतांना पळतांना
आणि उड्या मारतांना लोक दिसले
04:05
as they tried to activate
the exhibits in different ways,
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ते सक्रीय करीत होते प्रदर्शनास
वेगवेगळ्या रीतीने
04:08
and at a certain point
they would kind of stop
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एका विशिष्ट स्थळीत थांबित
04:11
and remember that they were in
an exhibition about death,
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लक्षात घ्या ते होते
मृत्यूसंबंधी प्रदर्शनात
04:13
and that maybe that's not
how you're supposed to act.
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तुम्ही विचार ही केला नसेल
आशा प्रतिक्रियेचा
04:16
But actually, I would question
whether there is one way
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पण मी प्रश्न करते
एक मार्ग आहे काय
04:19
that you're supposed to act around death,
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मृत्यूसंबंधी तुमच्या प्रतिक्रियेसाठी आ
04:21
and if there's not, I'd ask you to think
about what you think a good death is,
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आणि जर नसेल तर मी विचारते
तुम्हास काय वाटते चांगले मरण कसे असावे
04:26
and what you think that architecture
that supports a good death might be like,
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आणि त्यासाठी वास्तुस्थापत्य विषयी पूरक
पूरक बाबी चांगल्या मृत्यूसाठी
04:29
and mightn't it be a little less like this
and a little more like this?
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आणि त्या कमीही नको वा
जास्तही नको
04:34
Thank you.
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आभारी आहे
04:36
(Applause)
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(टाळ्या)
Translated by arvind patil
Reviewed by Virendra Rathod

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ABOUT THE SPEAKER
Alison Killing - Architect
An architect and urban designer, Alison Killing uses journalism, filmmaking and exhibitions to help people better understand the built environment.

Why you should listen

Alison Killing is an architect and urban designer working to engage people with their built environment, via design of buildings and urban strategies, film making, exhibitions and events. She explores the relationship between death and modern architecture, looking at how cities are rebuilt after disaster.

Recent projects include Death in the City (and its first iteration, Death in Venice, which was shown as an independent event during the opening week of the Venice Architecture Biennale), a touring exhibition about death and modern architecture; work with the International Federation of Red Cross and Red Crescent Societies on better rebuilding after disaster and how to integrate relevant urban design tools into humanitarian response; and a study of financial models for arts and community projects temporarily using vacant buildings to help these projects become self-sustaining.

More profile about the speaker
Alison Killing | Speaker | TED.com

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