ABOUT THE SPEAKER
eL Seed - Artist
French-Tunisian artist eL Seed blends the historic art of Arabic calligraphy with graffti to portray messages of beauty, poetry and peace across all continents.

Why you should listen

Born in Paris to Tunisian parents, eL Seed travels the world, making art in Paris, New York, Jeddah, Melbourne, Gabes, Doha and beyond. His goal: to create dialogue and promote tolerance as well as change global perceptions of what Arabic means. In 2012, for instance, he painted a message of unity on a 47-meter-high minaret on the Jara mosque in Gabes, Tunisia. This piece and others can be found in his book, Lost Walls: Graffiti Road Trip through Tunisia

Most recently he created a sprawling mural in the Manshiyat Naser neighborhood of Cairo that spans 50 buildings and can only be viewed from a local mountaintop. Intending to honor the historic garbage collectors of the Manshiyat Naser neighborhood, the piece reads, "Anyone who wants to see the sunlight clearly needs to wipe his eye first."

More profile about the speaker
eL Seed | Speaker | TED.com
TED2015

eL Seed: Street art with a message of hope and peace

eL Seed: Art urbain : message d'espoir et de paix

Filmed:
1,581,298 views

Né en France de parents tunisiens, eL SeeD s'amuse à manier plusieurs cultures, langues et identités. Ce plaisir est bien visible dans ses œuvres, qui représentent la poésie arabe sous un style urbain propre aux graffitis. À travers un discours tranquille, mais passionné, cet artiste et membre de TED Fellow révèle sa principale ambition : créer un art si beau qu'il ne nécessite aucune traduction.
- Artist
French-Tunisian artist eL Seed blends the historic art of Arabic calligraphy with graffti to portray messages of beauty, poetry and peace across all continents. Full bio

Double-click the English transcript below to play the video.

En 2012, quand j'ai peint le
minaret de la mosquée Jara
00:12
In 2012, when I painted
the minaret of Jara Mosque
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à Gabès, ma ville natale
dans le sud de la Tunisie,
00:17
in my hometown of Gabés,
in the south of Tunisia,
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00:19
I never thought that graffiti would bring
so much attention to a city.
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je ne pensais pas qu'un graffiti
jetterait autant d'attention sur la ville.
00:25
At the beginning, I was just looking
for a wall in my hometown,
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Au début, je cherchais
un mur dans ma ville,
00:29
and it happened that the minaret
was built in '94.
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et le minaret a été construit en 1994.
00:33
And for 18 years, those 57 meters
of concrete stayed grey.
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Pendant 18 ans, ces 57 mètres
de béton restaient gris.
00:38
When I met the imam for the first time,
and I told him what I wanted to do,
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Quand j'ai rencontré l'imam
et lui ai parlé de mon idée,
00:42
he was like, "Thank God you finally came,"
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il a dit : « Dieu merci, vous êtes venu. »
00:44
and he told me that for years
he was waiting for somebody
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Que depuis des années, il attendait
que quelqu'un dessine sur le mur.
00:47
to do something on it.
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Le plus incroyable, c'est qu'il
n'avait aucune préférence.
00:49
The most amazing thing about this imam
is that he didn't ask me anything --
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00:53
neither a sketch,
or what I was going to write.
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Aucun dessin précis,
ni message particulier.
Dans toutes mes œuvres,
j'écris des messages
00:57
In every work that I create,
I write messages
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01:00
with my style of calligraffiti --
a mix of calligraphy and graffiti.
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avec mon style de « calligraphitti »,
mélange de calligraphie et de graffitis.
J'utilise des citations ou des poèmes.
01:05
I use quotes or poetry.
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Pour le minaret, le message le plus
pertinent serait un message du Coran.
01:08
For the minaret, I thought that
the most relevant message
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01:10
to be put on a mosque
should come from the Quran,
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01:13
so I picked this verse:
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J'ai choisi ces vers :
01:15
"Oh humankind, we have created you
from a male and a female,
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« Ô humanité! Nous t’avons créée
d'un mâle et d'une femelle, et nous avons
01:18
and made you people and tribe,
so you may know each other."
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tiré de toi des nations pour
que vous vous connaissiez. »
C'est un appel à la paix,
la tolérance et l'acceptation
01:21
It was a universal call for peace,
tolerance, and acceptance
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01:25
coming from the side that we don't usually
portray in a good way in the media.
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provenant d'un côté souvent
mal dépeint dans les médias.
C'était bon de voir à quel point
la communauté a réagi au graffiti
01:29
I was amazed to see how the local
community reacted to the painting,
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et à quel point ils étaient fiers que
le minaret attire autant d'attention
01:33
and how it made them proud to see
the minaret getting so much attention
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01:37
from international press
all around the world.
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de plusieurs presses à travers le monde.
01:41
For the imam, it was not
just the painting;
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Pour l'imam, il n'y avait
pas que le graffiti.
01:43
it was really deeper than that.
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C'était plus profond que cela.
01:45
He hoped that this minaret would become
a monument for the city,
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Il espérait que le minaret
devienne un monument de la ville
et attire des gens dans ce
coin oublié de la Tunisie.
01:48
and attract people
to this forgotten place of Tunisia.
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01:52
The universality of the message,
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L'universalité du message,
01:54
the political context
of Tunisia at this time,
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le contexte politique de la Tunisie,
01:57
and the fact that I was writing
Quran in a graffiti way
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et le fait que le Coran soit
présenté en graffiti
02:00
were not insignificant.
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étaient significatifs.
02:02
It reunited the community.
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La communauté s'est réunie.
02:05
Bringing people, future generations,
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Je rassemble les gens,
les cultures et les générations
02:08
together through Arabic calligraphy
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à travers la calligraphie arabe.
02:11
is what I do.
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02:13
Writing messages is
the essence of my artwork.
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L'écriture de messages est
la base de mon travail.
02:16
What is funny, actually, is that
even Arabic-speaking people
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Le plus drôle, c'est que même
les arabophones doivent
02:20
really need to focus a lot
to decipher what I'm writing.
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se concentrer pour
déchiffrer ce que j'écris.
02:24
You don't need to know
the meaning to feel the piece.
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On peut ressentir l’œuvre
sans sa signification.
02:28
I think that Arabic script touches
your soul before it reaches your eyes.
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Je pense que l'écriture arabe
touche l'âme avant les yeux.
02:31
There is a beauty in it
that you don't need to translate.
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Elle a une beauté
qu'il est inutile de traduire.
02:35
Arabic script speaks to anyone, I believe;
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L'écriture arabe parle
à tout le monde.
02:37
to you, to you, to you, to anybody,
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À vous, vous, et vous. Tout le monde.
02:41
and then when you get the meaning,
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Et si on comprend la signification,
on se sent connecté.
02:43
you feel connected to it.
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02:45
I always make sure to write messages
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Je m'assure d'écrire des messages
pertinents pour l'endroit où je peint.
02:47
that are relevant to the place
where I'm painting,
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Ces messages restent universels,
donc toute la planète peut en profiter.
02:50
but messages that have
a universal dimension,
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02:53
so anybody around the world
can connect to it.
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02:56
I was born and raised in France, in Paris,
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Je suis né en France, à Paris,
02:59
and I started learning how to write
and read Arabic when I was 18.
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et j'ai appris à lire et écrire
en arabe à 18 ans.
Aujourd'hui, je n'écris que
des messages en arabe.
03:03
Today I only write messages in Arabic.
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03:07
One of the reasons
this is so important to me,
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C'est très important pour moi,
notamment pour toutes les réactions
que j'ai causées autour du globe.
03:10
is because of all the reaction that
I've experienced all around the world.
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03:15
In Rio de Janeiro, I translated
this Portuguese poem
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À Rio de Janeiro, j'ai traduit un poème
portugais de Gabriela Torres Barbosa
03:19
from Gabriela Tôrres Barbosa,
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qui rendait hommage aux pauvres
des favelas, et je l'ai peint sur un toit.
03:21
who was giving an homage
to the poor people of the favela,
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03:24
and then I painted it on the rooftop.
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La communauté était intriguée
par ce que je faisais.
03:27
The local community were really
intrigued by what I was doing,
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03:30
but as soon as I gave them
the meaning of the calligraphy,
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Dès que j'ai révélé le sens du texte,
03:33
they thanked me, as they felt
connected to the piece.
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ils m'ont remercié, puisqu'ils
se sentaient connectés à l’œuvre.
En Afrique du Sud, au Cap,
03:38
In South Africa, in Cape Town,
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03:40
the local community of Philippi
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la communauté de Philippi
m'a offert l'unique mur
de ciment du bidonville.
03:43
offered me the only
concrete wall of the slum.
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03:46
It was a school, and I wrote on it
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Un mur d'école, où j'ai écrit une
citation de Nelson Mandela disant :
03:49
a quote from Nelson Mandela,
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03:50
saying, "[in Arabic],"
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(en arabe)
03:53
which means, "It seems
impossible until it's done."
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« Ça semble impossible
jusqu'à ce que ça se réalise. »
03:56
Then this guy came to me and said,
"Man, why you don't write in English?"
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Quelqu'un m'a demandé :
« Pourquoi pas en anglais? »
04:00
and I replied to him, "I would consider
your concern legit if you asked me
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et j'ai répondu :
« Ta question devrait plutôt être:
pourquoi je n'écris pas en zulu. »
04:04
why I didn't write in Zulu."
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04:06
In Paris, once, there was this event,
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À Paris, il y a eu un évènement
et quelqu'un m'a confié son mur à peindre.
04:09
and someone gave his wall to be painted.
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04:14
And when he saw I was painting in Arabic,
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Quand il a vu que j'écrivais en arabe,
04:16
he got so mad -- actually, hysterical --
and he asked for the wall to be erased.
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ça l'a rendu fou de rage,
et il a demandé qu'on efface.
04:20
I was mad and disappointed.
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J'étais déçu.
04:22
But a week later, the organizer
of the event asked me to come back,
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Une semaine plus tard,
l'organisateur m'a demandé de revenir.
04:26
and he told me that there was a wall
right in front of this guy's house.
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Il m'a dit qu'il y avait un mur
devant la maison de cet homme.
04:30
So, this guy --
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Donc, cet homme verrait
le graffiti tous les jours.
04:31
(Laughter)
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04:33
like, was forced to see it every day.
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04:35
At the beginning, I was going
to write, "[In Arabic],"
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Au début, je comptais écrire :
(en arabe)
04:38
which means, "In your face," but --
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ce qui veut dire : « Dans ta tronche. »
04:40
(Laughter)
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04:42
I decided to be smarter
and I wrote, "[In Arabic],"
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J'ai décidé d'être meilleur et d'écrire :
(en arabe)
ce qui veut dire : « Ouvre ton cœur. »
04:46
which means, "Open your heart."
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04:49
I'm really proud of my culture,
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Je suis très fier de ma culture,
04:52
and I'm trying to be an ambassador
of it through my artwork.
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et j'essaie de la promouvoir
à travers mes œuvres.
04:57
And I hope that I can break
the stereotypes we all know,
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J'espère pouvoir briser les
stéréotypes que l'on connaît tous
grâce à la beauté de l'écriture arabe.
05:02
with the beauty of Arabic script.
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05:05
Today, I don't write the translation
of the message anymore on the wall.
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Désormais, je n'écris plus la
traduction du message sur le mur.
Je ne veux pas rompre la
poésie de la calligraphie.
05:11
I don't want the poetry
of the calligraphy to be broken,
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05:14
as it's art and you can appreciate it
without knowing the meaning,
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C'est de l'art, et on peut
l'apprécier sans le sens,
05:18
as you can enjoy any music
from other countries.
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comme on peut aimer
la musique étrangère.
05:21
Some people see that
as a rejection or a closed door,
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Certains voient là un rejet,
ou une porte close.
05:25
but for me, it's more an invitation --
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Pour moi, c'est plutôt une invitation
à ma langue, ma culture et mon art.
05:27
to my language,
to my culture, and to my art.
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05:31
Thank you.
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Merci.
05:32
(Applause)
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(applaudissements)
Translated by Etienne Ducharme
Reviewed by Serge Brosseau

▲Back to top

ABOUT THE SPEAKER
eL Seed - Artist
French-Tunisian artist eL Seed blends the historic art of Arabic calligraphy with graffti to portray messages of beauty, poetry and peace across all continents.

Why you should listen

Born in Paris to Tunisian parents, eL Seed travels the world, making art in Paris, New York, Jeddah, Melbourne, Gabes, Doha and beyond. His goal: to create dialogue and promote tolerance as well as change global perceptions of what Arabic means. In 2012, for instance, he painted a message of unity on a 47-meter-high minaret on the Jara mosque in Gabes, Tunisia. This piece and others can be found in his book, Lost Walls: Graffiti Road Trip through Tunisia

Most recently he created a sprawling mural in the Manshiyat Naser neighborhood of Cairo that spans 50 buildings and can only be viewed from a local mountaintop. Intending to honor the historic garbage collectors of the Manshiyat Naser neighborhood, the piece reads, "Anyone who wants to see the sunlight clearly needs to wipe his eye first."

More profile about the speaker
eL Seed | Speaker | TED.com

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